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  • Global Art 12 - 7 - 22

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    thomascreighton
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    The document discusses frameworks for understanding global art and culture, emphasizing that cultures should be viewed as polycentric and multifocal rather than from a single dominant perspective. It problematizes assumptions about early cave paintings and technological changes, and examines how art can establish personal and group identities while being situated within political, social, and gender contexts. Audience reception of art is also discussed.

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    Global Art 12_7_22

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    The document discusses frameworks for understanding global art and culture, emphasizing that cultures should be viewed as polycentric and multifocal rather than from a single dominant perspective. It problematizes assumptions about early cave paintings and technological changes, and examines how art can establish personal and group identities while being situated within political, social, and gender contexts. Audience reception of art is also discussed.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    4 views1 page

    Global Art 12 - 7 - 22

    Uploaded by

    thomascreighton
    The document discusses frameworks for understanding global art and culture, emphasizing that cultures should be viewed as polycentric and multifocal rather than from a single dominant perspective. It problematizes assumptions about early cave paintings and technological changes, and examines how art can establish personal and group identities while being situated within political, social, and gender contexts. Audience reception of art is also discussed.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Global Art 12/7/22

    ENDends

    Exploration through exhibitions


    Discussions of Ambitions of Global culture

    Problematize everything: Lascaux was not first cave paintings and we have little understanding
    of their meanings

    Global:
    Framework that emphasizes the polycentric and multifocal.

    Cultures in contact:
    How to create a framework that can account for a diversity of cultures and values

    Technology:
    A constant changing web of different tools and images

    Technique:
    Perspective

    Identity:
    Individual, group, national, religious
    How Martinez’s art establishes her own personal style, and also helping define a group identity

    Audience/reception: intended and actual

    Context and situatedness of art and Architecture

    Art as Political Expression

    Race and Social class

    Women and Gender

    Who is the public for art, how do they know what to look for?

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