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  • Umha Volta Por Santiago e Outra Por Arredor

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    Tomás Bernardes
    7 views2 pages
    The document appears to be a musical score containing symbols and notation. It is divided into multiple sections with titles or instructions provided in Portuguese. The score directs the tempo, volume, and instrumentation for a musical performance across several movements or variations.

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    13782931

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    The document appears to be a musical score containing symbols and notation. It is divided into multiple sections with titles or instructions provided in Portuguese. The score directs the tempo, volume, and instrumentation for a musical performance across several movements or variations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    7 views2 pages

    Umha Volta Por Santiago e Outra Por Arredor

    Uploaded by

    Tomás Bernardes
    The document appears to be a musical score containing symbols and notation. It is divided into multiple sections with titles or instructions provided in Portuguese. The score directs the tempo, volume, and instrumentation for a musical performance across several movements or variations.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Umha Volta por Santiago e Outra por Arredor

                 
     = 100
           
        

                                              
    7 3 3

                      
                  
    13

                 



      
    19

                             
    25

     
    
                                 
    31 1. 3 3 2. 3 3

              

       
                
      
    64

                 


    70


               
    
    76

                                        
    88

     

        
    2

            
       
    93

    
         Tempo livre 
                   
    103 rit.

      mais lento, tranquilo 


    
                       
       
    (rit.) Vivo

        
    194

      

                                                   
    201 Tempo de polca Galega

                                   
        
    206
    1. 2.

                                             
    212
    1.


               
           
     
    218


    2.

                                       
    230

       

                  
    235
    1. 2.

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