Euphoria

EUPHORIA
#202
"O f T ch"
W i e b
Sam Le i
Ba ed he I aeli Se ie "‫" ֵאפ ִריָה‬

C ea ed b R Le hem a d Da h a Le i .
FOR EDUCATIONAL USE ONLY
NOT TO BE DUPLICATED WITHOUT PERMISSION.

The ale, c i g, e d c i e l i a i f a i f hi
ma e ial i a f m, b a mea i a media, i ic l hibi ed.
Di ib i di cl e f hi ma e ial a h i ed e i al
hibi ed. Di al f hi ma e ial d e al e a f he e ic i
e f h ab e.
1 INT. VIRGIL S HOUSE PARTY - NEW YEAR - EARLY MORNING (EM1) 1
MUSIC: LIVE OR DIE b LABRINTH.
JUST MINUTES AFTER MIDNIGHT.
CASSIE S POV: NATE, a led he fl . Ali e. Face

bl died a d ea l ec g i able. He l l e hi e e .
RUE (V.O.)
Na e Jac b a i l e. He did '
k h i ha e ed. He did '
k h i ha e ed.
NATE S POV: CASSIE (l ki g i he CAMERA) h ld back ea

i c ce ed. She h ld back ea .
RUE (V.O.)
B he c ld j feel i . A d i
fel f cki g g d.
The : MADDY e eal he elf.
RUE (V.O.)
B i a c m lica ed.
MADDY
We eed ge him a h i al.
2 EXT. VIRGIL S HOUSE - EARLY MORNING (EM1) 2
WIDE FROM ABOVE: Ca ie, Madd , MCKAY a d VIRGIL ca Na e.

The bab e MADDY S CAR.
MCKAY
A e g d?
MADDY
He' hea .
MCKAY
J e he d , b .
MADDY
I ' l cked. J e i .
MCKAY
B i g him he h i al. Le '
g , lea e.
( Vi gil)
O e he d !
8FLiX.com SCREENPLAY DATABASE

EUPHORIA 202 BLUE PRODUCTION DRAFT 03/01/2021 2.
3 INT. MADDY S CAR - EARLY MORNING (EM1) 3
Madd d i e , McKa i h g . Vi gil a d Ca ie a e i

he back ea . Na e lie ac hei la .
RUE (V.O.)
Wha a i ab Ca ie H a d
ha all ed Na e f ll
e de him elf? Wi h Madd , i
a al a a game. Ca ie a he
i e.
4 INT. HOSPITAL - ICU CORRIDOR - MORNING (EM1) 4
Na e, STABILIZED a d l i g a GURNEY, ge hed h gh

EMERGENCY. Madd e ide f he g e , Ca ie he
he . Ca ie ha d a e bl died. Madd : he e d e ha e
ice ail .
RUE (V.O.)
He k e he a ' e fec . Tha he
had me i e .
NATE POV: L k a Madd : ic. Madd l k e

Ca ie --
RUE (V.O.)
B ma be he ea he had h e
i e i beca e Madd b gh
he i him.
-- CAMERA PANS TO: Ca ie.
RUE (V.O.)
A d ma be if he me Ca ie he he
a a h m e i ead f Madd --
5 INT. EAST HIGHLAND HIGH - HALLWAY - 2 YEARS EARLIER - DAY 5

(FLASHBACK) (MNFBD1)
Na e a d Madd a g e (i a dible).
The CAMERA ZOOMS THROUGH Na e a d Madd : MCU: CASSIE. She

a d a he l cke ; CAMERA.
RUE (V.O.)
-- he ld' e b gh he
be i him. H c ld he ha e e e
e l ked he ? U de e ima ed he ?

6 INT. HOSPITAL ROOM - EVENING (E1) 6
S abili ed a d ale , Na e ge STITCHED b AN UNSEEN

DOCTOR.
RUE (V.O.)
She a e e hi g c ld e e
a i a ma .
7 INT. NATE S BEDROOM - DAY (NATE S FANTASY) (NFD1) 7
MUSIC: LIVE OR DIE b LIL XAN and NOAH CYRUS.
Ca ie a d Na e make l e.
RUE (V.O.)
He k e i a a li le
a , b he c ld imagi e e di g
life i h he .
CASSIE
( Na e)
I a a feel i ide f me.
8 INT. JACOBS ESTATE - READING ROOM - DAY (NFD2) 8
Ca ie lie aked a ma i e GRIZZLY BEARSKIN RUG. She

ded b SEVERAL DOZEN BURNING CANDLES.
RUE (V.O.)
He a a h me... a d i l e.
9 INT. JACOBS ESTATE - READING ROOM - NIGHT (NFN2) 9
Na e a d Ca ie make l e ea a ROARING FIRE a d SURROUNDED

WITH BURNING CANDLES.
RUE (V.O.)
She a i i i e a d em i al.
(BEAT)
She a e i i e a d l e able.
10 EXT. BACK OF NATE S TRUCK - NIGHT (NFN3) 10
I he bed f he ck, Na e a d Ca ie make l e.
RUE (V.O.)
She a a g, e f l ma .

11 INT. NATE'S BEDROOM - NIGHT (NFN4) 11
Ca ie a d Na e c i e make l e; f e la .
12 INT. JULES BEDROOM - NIGHT (FLASHBACK) (FB103) 12
J le ake elfie f Na e ( he he k e Na e a
SHYGUY118/TYLER).
13 INT. NATE S BEDROOM - NIGHT (NFN4) 13
Na e a d Ca ie make l e.
14 INT. JULES' BATHROOM - NIGHT (FLASHBACK) (FB103) 14
J le c e e b ea , he SNAPS A PIC.
Ca ie a d Na e c i e hei l e maki g.
16 INT. JULES BATHROOM - NIGHT (FLASHBACK) (FB103) 16
ECU: J le PIERCES he g e. (*UNUSED FOOTAGE FROM 103/64)
P c i , Na e a d Ca ie c ddle.
NATE
I d ' a a ei d
a hi g, b I ca imagi e
a i g a famil i h .
18 INT. HOSPITAL ROOM - NIGHT (N1) 18
MUSICS FADES.
ECU: NATE S RIGHT EYE i e .
RUE (V.O.)
Na e bega de if he had
b ai damage.
We ee Cal REFLECTION i Na e e e. Lea cl e Na e:
(CONTINUED)
18 CONTINUED: 18
CAL
Ca hea me?
RUE (V.O.)
H ld he k ?
19 EXT. JACOBS' ESTATE - BACK YARD - DAY (NATE S FANTASY) (NFD7)

19
Ca ie i eg a . She ead f m he BOOK: Wha o E pec

When Yo e E pec ing. Na e i behi d i h hi a m
a ed a d he BIG BELLY (THIRD TRIMESTER).
RUE (V.O.)
He k e he c ld d a be e j b
ha hi dad. He ld ' f ck hi
kid he a hi dad f cked him
.
Cal kee a e- e - igil a Na e bed ide. Cal ick

Na e ha d a d g a . He cl e hi e e a d PRAYS.
RUE (V.O.)
A d he a hi g a ddad f cked hi
dad .
CAL
Almigh G d, a e he l
ce f heal h a d heali g.
21 EXT. JACOBS ESTATE - BACK YARD - DAY (NATE S FANTASY) (NFD7)

21
Cal, ea l SHORT BLUE SHORTS a d d e YOGA. Na e a d

Ca ie lie e a a e LAWN CHAIRS ea b .
CASSIE
( e: Cal; Na e)
D e dad k e e da ?
RUE (V.O.)
E ce hi dad a ch a f cki '
idi . He c ld ' e e c l
him elf.
SLAM CUT TO:

22 INT. SOME MOTEL ROOM - NIGHT (FLASHBACK) (CJFBN1) 22
Cal a d a GRINDR HOOK-UP (black, male, 20 ). Cal i ea i g

he ma a f m he 69 i i .
CAL
( ligh l m ffled)
I a c m i h m g e i
a .
GRINDR HOOKUP
(m a i g i h lea e)
Ah, f ck.
BACK TO FANTASY:
23 EXT. JACOBS' ESTATE - BACK YARD - DAY (NFD7) 23
ON CASSIE: l i g i he . Cal a ache ; hi had ca

e Ca ie.
RUE (V.O.)
A d had je a di ed e e hi g
hei famil ked f .
ON CAL: i h he di ec l behi d.
CAL
A - -be-Mama a a ake a
di ?
24 EXT. JACOBS' ESTATE - POOL - LATER (NFD7) 24
Ca ie fl a he back, Cal, a di g be ide he ,

he back.
25 EXT. JACOBS' ESTATE - POOL - LATER (NFD7) 25
Ca ie, a ed i a el, e f he l hile Cal

e de l g ide he he e .
26 EXT. JACOBS' ESTATE - BACK YARD - LATER (NFD7) 26
Na e a d Ca ie, i a LAWN CHAIR faci g each he . The

ki .
RUE (V.O.)
S me ime he j i hed ha hi
dad ld d dead f a hea
a ack --
(CONTINUED)
26 CONTINUED: 26
F m he h e, e HEAR: THUD. The :
MARSHA JACOBS (O.S.)

( c eam !)
RUE (V.O.)
... a d be f ee f him.
ECU: NATE S EYE f a bea , he CAMERA TILTS DOWN TO

BLACKNESS.
RUE (V.O.)
B he e' i i fa a i i g
ab a life i h Ca ie he he
k e ha Madd had ha di c.
28 INT. NATE S BEDROOM - NIGHT (FLASHBACK) (NFB108) 28
O a SHELF i he b k DEMOCRACY IN AMERICA b ALEXIS DE

TOCQUEVILLE. MADDY eache f i , he e i . She fi d
he GREEN SLIMLINE DVD JEWEL CASE: Cal h memade i h
J le .
29 INT. NATE S BEDROOM - LATER THAT NIGHT (*NFB108) 29
TIMELINE: 108/28 af e he FIGHT WITH MADDY (*NOTE: NEW

FOOTAGE)
Na e eache f he b k. He fli h gh he age . NO

DVD. He PANICS, fli h gh i agai . He e TWO d a e
a DRESSER. N hi g.
30 INT. NATE'S BEDROOM - CLOSET - NIGHT (*NFB108) 30
He e he cl e d . He ea che f a icall . He TOSSES

BOXES, BOOKS. N hi g.
31 INT. JACOBS HOME - EXERCISE/COMPUTER ROOM - NIGHT (*NFB108)

31
OPENS me d a e . N hi g.
NATE
F ck!

Na e, HEAVILY MEDICATED. E e a iall e .
33 I/E. VARIOUS 33
QUICK SHOTS: PHOTOS ( 3) OF YOUNG NATE*.
(*NOTE: e J.E. ACTUAL CHILDHOOD PHOTOS, age i h o gh

mid- een )
RUE (V.O.)
Wha if he c ld g back he
begi i g? Wha ld he i h?
Whe e ld hi g g ? Wh ld he
be?
Cal fi i he hi PRAYER.
CAL
I , he e i calm.
(ki e Na e ha d; he
Na e)
He , Ma .
Na e CONVULSES. ALARMS RING.
CAL (CONT'D)
( ell )
N e! N e!
SLAM CUT:
35 INT. CASSIE S HOSPITAL ROOM - DAY (FANTASY) (NFD8) 35
CAL (O.S.)
N e!
A NURSE, 30 , i . CAMERA PANS i h he a d STOPS ON

CASSIE i LABOR.
CASSIE
( c eam )
SLAM CUT:

36 INT. VIRGIL S HOUSE PARTY - NEW YEAR S - EARLY MORNING 36

(FLASHBACK) (NFBEM1/201)
FEZCO mmel Na e.
BACK TO:
A NURSE a em e a BVM Na e, b he ei e a e
e f l.
QUICK CUTS:
38 INT. JACOBS HOME - CAL S OFFICE - NIGHT (FLASHBACK) 38

(NFB102/5-6D)
(*NOTE: FULL SOUND UP on all clip )
11-YEAR-OLD NATE (a chi e) a che Cal PORN COLLECTION.
CAL (ON VIDEO)

Y f cki h e.
Sl .
39 INT. SOME MOTEL ROOM - NIGHT (VIDEON2-5/102-4) 39
TWO QUICK SHOTS f Cal f cki g a d ed ci g hi GRINDR DATES.
40 INT. JACOBS HOME - CAL S OFFICE - NIGHT (NFB102/3-5) 40
ECU: 11-YEAR-OLD NATE S lef e e a he a che he ide .
41 INT. CASSIE EX-BOYFRIEND S BEDROOM - NIGHT (CVIDEON1/101-61A)

41
Vide f Ca ie ha a ed SLUT PAGES b a EX-

BOYFRIEND f m he POV f a iSigh came a. (*NOTE: ame
ideo ed in 101 and 107)
42 INT. NATE S BATHROOM - NIGHT (NFB108/28B) 42
Na e JERKING OFF i f f he mi .
43 INT. MADDY S BEDROOM - NIGHT (NFB/100) 43
MCU MADDY: a he l k i he came a.

44 INT. JACOBS ESTATE - READING ROOM - NIGHT (NATE S FANTASY)44

(NFN2)
MCU CASSIE: a he hif he e e a d l k i he came a.
45 EXT. SUBURBAN STREETS - NIGHT (NFB106/86) 45
(*NOTE: MCU of J le , ilho e ed, and looking a came a)
M ic CUTS OUT. CASSIE S SCREAM ech e , a d he FADES.
SLAM CUT:
MUSIC e me , mi ed i h a al d , c eami g, bee i g

machi e . I all b ild h gh a c e ce d .
NURSES c i e k Na e. Hi BACK ARCHES a hi

ei e bec me m e i le .
47 INT. NATE'S BEDROOM - NIGHT (FLASHBACK) (NFB108/52) 47
Na e SCREAMS VIOLENTLY a d SLAMS HIS OWN HEAD AGAINST he

fl .
Cal ge ff Na e a d back a a . The :
QUICK CUTS:
48 I/E. VARIOUS - NATE FLASHBACKS (FANTASY/MEMORY) 48
12-FRAME EDITS ( 23): J le ma ba i g (NEW), Ca ie SLUT

PAGES ide (101/60), Maddie a d Na e fi h k-
(102/26), J le a d Na e (103), POV f J le hile Na e
f ck , J le a d ANNA (107/94), Na e a d Ca ie (NFN2), Na e
a d Madd (105), Na e ba gi g hi head agai he fl
(108), Ca ie gi i g bi h (NFD6), Madd a chi g (105),
Na e l ki g i mi a d chi g he fl (108), Ca ie
gi i g bi h (NFD6), J le ma ba i g (NEW), Madd
a mime ac (105), Na e ei e (N1), Na e
mel d (108), J le ma ba e (NEW), Ca ie c eam hile
gi i g bi h (NFD6)( 3); Fe c chi g (201), Na e ge i g
ched (201).
SLAM CUT:

CU NATE: He ALERT. ALL SOUND ech e SILENCE. The :
A NEWBORN BABY CRIES.
Na e SMILES (TOOTHY GRIN).
MUSIC: I VE NEVER FELT SO ALONE b LABRINTH :
BLACK.
LABRINTH (MUSIC)
♪ A d I' e e e fel al e ♪
50 TITLE CARD: EUPHORIA 50
LABRINTH (MUSIC)
♪ Fel al e, a-a- ♪
BLACK.
M ic TRAILS BEATS.
51 INT. EAST HIGHLAND HIGH - HALLWAY - MORNING (M11) 51
LIGHTS FADE UP: WE SEE J le i he middle f a b hall a .

She l k a R e.
LYRICAL WITH BEATS:
LABRINTH (MUSIC)
♪ Oh- h- h ♪
52 ON RUE: LIGHTS FADE UP ON RUE. SHE RETURNS THE SMILE. 52
LYRICAL WITH BEATS:
LABRINTH (MUSIC)
♪ Ah-ah- h ♪
TOTAL MUSIC FADE, he :
RUE (V.O.)
I a he fi da f ch l
af e he e ea . A d I fi all
had e e hi g I'd e e i hed f .
R e a d J le ha e a a i a e ki . The :
(CONTINUED)
52 CONTINUED: 52
RUE
( J le )
Y k ' e like a d eam?
JULES
(ch ckle )
I did ' k e e ch a
ma ic, R e.
RUE
Wha ca I a ?
The emb ace a d ki agai . The :
ON ELLIOT: a d b he LOCKERS NEARBY. He WAVES R e.
ON RUE:
RUE (V.O.)
( e: Elli )
Oh, f ck... I c m le el f g he
g e ch l.
JULES
( R e)
I l e .
RUE (V.O.)
( ff Elli )
If hi a h le a a hi g ab
d i g d g , I ill li e all li
hi h a i he ad.
JULES
R e?
RUE
Yeah?
JULES
I aid I l e .
RUE
I l e ,
JULES
Y ki da checked f a ec d.
She mile , he e e Elli a he a ache .
RUE (V.O.)
Plea e, G d, d f ck m
life.
(CONTINUED)
52 CONTINUED: (2) 52
ELLIOT
Y , R e.
RUE
He .
ELLIOT
Wha ' g i ' ?
RUE
( e )
N hi .
JULES
I m J le .
RUE
S , hi i J le .
ELLIOT
He , I'm Elli . Nice mee .
RUE
S , i d c i a e, all ,
e , m, e helmi g a d...
debili a i g f me... a lea .
JULES
( R e)
Uh, , h d k Elli ?
Q ick BEAT.
ELLIOT
We me Ne Yea ' .
RUE
(a k a d bea ; he )
Oh hi , eah. Tha a i , Ne
Yea ' . Tha ' ... Tha ' he e e
me .
(a k a d bea ; he )
J le i m gi lf ie d.
ELLIOT
I did ' k e e, m...
JULES
(i e )
I a ela i hi ?
(CONTINUED)
RUE (V.O.)
The he hi g I i h I c ld
me i i I, f, e he
la fe da ha gi ' i h
Elli .
53 INT. ELLIOT S ROOM - DAY (FLASHBACK) (RFBD8) 53
Elli i a he f f he bed a d STRUMS A GUITAR. R e

i ac f m him a d m ke a BLUNT.
RUE (V.O.)
Which a c l 'ca e he make a
f m e elli g m ic em
li e, a d e b gh a b ch f
d g .
BACK TO:
54 INT. EAST HIGHLAND HIGH - HALLWAY - MORNING - CONTINUOUS 54

(M11)
The e a c mf able, a k a d ile ce. J le feel h .
JULES
Um... i a ice mee , a d
I'll ee la e , R e.
J le alk ff. Pai a d a g i h c he face.
ELLIOT
Nice mee .
RUE
I l e , b e.
RUE (V.O.)
F ck. Wa i j me, a ha
e a k a d?
ELLIOT
( R e)
Tha a a k a d.
55 INT. EAST HIGHLAND GIRLS WASHROOM - MOMENTS LATER (M11) 55
J le , he VERGE OF TEARS, c me i a d head f a STALL.

Ca ie i a he mi . She l k e . She i e he
a m i i h PAPER TOWEL.
(CONTINUED)
55 CONTINUED: 55
JULES
He , Ca .
CASSIE
He , J le .
RUE (V.O.)
Si ce i e f mal, Ca ie had
g e h gh a l -g ade
de e i .
SLAM CUT:
56 INT. CASSIE & LEXI S HOME - LIVING ROOM - NIGHT (FLASHBACK)56

(CFBN01)
SUZE, ela e he c ch i h a GLASS OF WINE. Ca ie lie

ac he . The a ch TV.
SUZE
( iff ; Ca ie)
Whe a he la ime
h e ed?
57 INT. CASSIE & LEXI S BEDROOM - NIGHT (CFBN02) 57
LEXI i he ide f he m, he COUCH.
LEXI
Whe a e g a clea ide
f he m?
ON CASSIE: Lie he bed. She ead a b k a d m che

SNACKS. The m l k like a WAR ZONE.
58 INT. SPA DRESSING ROOM - DAY (CFBD03) 58
MADDY a d Ca ie e a e f a da a he SPA.
MADDY
( Ca ie)
Wai . Whe ha e e e bee
i gle?
Ca ie ie hi k f a e e. B e c me mi d.
59 INT. SPA - FLOAT TUB - DAY (CFBD03) 59
Ca ie a d Madd head- -head i a FLOAT TUB.
(CONTINUED)
59 CONTINUED: 59
CASSIE
I a eadi g hi a icle
ab i e ce, a d h ha i g e
i like i i i al j e .
MADDY
(m cki gl )
Righ .
CASSIE
The i e c m a ed i h m k
ake hei f ile ce, a d I
eall feel like ha ' m j e
e ea .
MADDY
Bi ch, I d ' belie e a d
' e a i g.
CASSIE
Wh ?
MADDY
Beca e l e be l ed.
CASSIE
Well...
(bea )
H d I fi ha ?
MADDY
I d ' k , he a a a
e , j a .
60 EXT. CONVENIENCE STORE - NEW YEAR S EVE (FLASHBACK) (FB201)60
Ca ie i he c b; BEER i ha d. NATE a d j
behi d.
NATE
W ld like a ide hi
a ?
61 INT. VIRGIL S HOUSE PARTY - HALL - NEW YEAR'S EVE (CFB201-2)

61
S a di g i he hall, Ca ie h ld a d i k. NATE PASSES BY,

HE DOESN T STOP, BUT ASKS:
NATE
Y a a g he ba h m?

62 INT. VIRGIL S HOUSE PARTY - BATHROOM - NEW YEAR'S EVE (CFB201-

62
3)
Ca ie i he ba h m c e . Na e a d i e.
NATE
Y able d hi a d ell
a b d ?
CASSIE
Ye .
The ki j bef e Na e g e d he .
RUE (V.O.)
B he a d k. N e d k.
63 EXT. HOSPITAL - NEW YEAR'S - DAWN (DAWN1) 63
McKa , Madd a d Ca ie lea e he h i al a d head

Madd ca .
RUE (V.O.)
B he e e ld' e aid e if
Madd a d Na e e e ill ge he .
64 EXT. HOSPITAL - PARKING LOT - NEW YEAR S - DAWN (DAWN1) 64
Ca ie a d Madd alk ge he . The lea each he f

.
RUE (V.O.)
'Ca e ha ld be f gi able.
(bea )
Madd a he be f ie d.
65 INT. CASSIE & LEXI S HOME - LIVING ROOM - MORNING (M1) 65
Le i lee he c ch. The f d e , he ligh

ill i a d hi e Le i. I Ca ie.
LEXI
( Ca ie)
Y j ge back f m he
h i al?
N a e . Ca ie head he m, h he d . We ca
HEAR HER CRY.

66 INT. MADDY'S BEDROOM - MORNING (M1) 66
RUE (V.O.)
Madd c ld ' lee . A d if he
e e bei g all h e i h
he elf, he a ed be i ha
h i al bed i h Na e.
67 INT. NATE S HOSPITAL ROOM - DAY (MADDY S FANTASY) (MFD1) 67
Madd lie be ide Na e. He hi ha d he a m. The

h ld ha d .
68 INT. MADDY'S BEDROOM - MORNING (M1) 68
Madd PHONE BUZZES. I a e f m Na e.
NATE: hank o fo aking ca e of me. i lo e o al a and

fo e e .
ANGLE: O MADDY S REFLECTION IN A MIRROR, he he h e

d a e PULL FOCUS TO: PHOTOBOOTH PHOTOS f Na e a d Madd
a ed he mi .
69 INT. CASSIE & LEXI'S HOME - KITCHEN - DAY (D1) 69
Ca ie alk i he ki che . She ea a GREY SWEATER a d

SHORTS. He leg a e STAINED WITH NATE S BLOOD. Le i i a
a c m e i he c e f he m.
CASSIE
Le i, he e' he f cki g T le l?
LEXI
I ha Na e' bl d leg?
Wh did ' a h i ff?
70 INT. CASSIE & LEXI'S HOME - WASHROOM - DAY (D1) 70
Ca ie ie a h he DRIED BLOOD ff f he leg . O he

COUNTER b he i k i Ca ie h e.
BUZZ. BUZZ. BUZZ.
I Madd .

71 EXT. SAMANTHA & SEBASTIAN S HOME - BACKYARD POOL - DAY (D1)71
UPSCALE h me. Madd i a k. She ea a TWO-PIECE SWIM

SUIT a d i i A FLOATING CHAIR. She alk Ca ie he
PHONE.
MADDY
(Ca ie)
Na e e me he m bea if l
e me age hi m i g.
72 INT. CASSIE & LEXI'S HOME - BATHROOM - DAY (D1) 72
CASSIE
Reall ? Wha he a ?
(l g bea ; he )
Tha ee .
73 EXT. SAMANTHA & SEBASTIAN S HOME - BACKYARD POOL - DAY (D1)73
MADDY
Yeah, I k he' a h ible
e , b I'm ki d f .
CAMERA DOLLIES BACK e eal THEO (b , 9).
THEO
Whe a e ge i g ff he h e?
MADDY
( The )
Wh d ca e?
THEO
Beca e I a a alk .
Madd AFFECTIONATELY ROLES HER EYES. The :
MADDY
( Ca ie)
He , Ca , I'm g a g ha g
( The )
i h m be f ie d The
(back Ca ie)
a d I'll call la e . Oka .
Oka , b e.
Madd l k The , h BRIGHTLY SMILES.

74 INT. SAMANTHA & SEBASTIAN S HOME - GAMES ROOM - DAY (D1) 74
Madd a d The la a VIDEO GAME.
RUE (V.O.)
Bab i i g a ' he fi ch ice
f a j b.
FLASHBACK TO:
75 INT. FERTILITY CLINIC - DAY (MFBD1) 75
RECEPTIONIST i a he FRONT DESK.
RECEPTIONIST
(
Madd )
I'm , b 17- ea - ld ca '
d a e egg .
MADDY
Tha ' f cki g e a ded.
BACK TO:
76 INT. SAMANTHA & SEBASTIAN S HOME - THEO S ROOM - NIGHT (N1)76
Madd ead a BEDTIME STORY The .
RUE (V.O.)
She liked he kid he bab a f .
77 INT. SAMANTHA & SEBASTIAN S HOME - LIVING ROOM - NIGHT (N1)77
Madd make he a a NEARBY ROOM.
RUE (V.O.)
B ha he l ed he m a ...
78 INT. SAMANTHA & SEBASTIAN S HOME - WALK-IN CLOSET - MOMENTS78

LATER (N1)
MUSIC: "COME RAIN OR COME SHINE" b JUDY GARLAND.
LIGHTS FADE UP TO REVEAL: A MASSIVE WALK-IN CLOSET filled

i h HIGH-END CLOTHING a d JEWELRY. Madd admi i gl l k
a d, i a e.

79 INT. SAMANTHA & SEBASTIAN S HOME - WALK-IN CLOSET - 79

CONTINUOUS (N1)
Madd RUNS HER HAND al g a ROW OF EXPENSIVE OUTFITS. The

he ch e e ha c e l a eal .
80 MONTAGE OVER MUSIC (N1) 80
Madd ie diffe e fi ( 5) i f f a FULL

LENGTH MIRROR. She ake SELFIES; WAVES a c d f
admi e ; ake a h e call. The , hile i g i OUTFIT
#5:
81 INT. SAMANTHA & SEBASTIAN S HOME - WALK-IN CLOSET - LATER 81

(N1)
HOME ALARM BEEPS a d a le Madd back eali .
MADDY
F ck.
82 EXT. SAMANTHA & SEBASTIAN S HOME - FRONT GATE - SAME TIME 82

(N1)
A BLACK RANGE ROVER ll i he d i e a .

CONTINUOUS (N1)
Madd he di be.
84 INT. SAMANTHA & SEBASTIAN S HOME - FRONT ENTRANCE - SAME TIME

84
(N1)
The PARENTS c me i . SAMANTHA, ea l 30 , The m m,

d e ed i a LONG EVENING GOWN, a d SEBASTIAN, la e 30 ,
The dad, d e ed i a TOM FORD SUIT.
SAMANTHA
Madd ?
85 INT. SAMANTHA & SEBASTIAN S HOME - WALK-IN CLOSET - SAME TIME

85
(N1)
Half aked, Madd e a DRESS i igh f l i he

cl e .

86 INT. SAMANTHA & SEBASTIAN S HOME - CORRIDOR - SAME TIME (N1)

86
Seba ia head i e di ec i , Sama ha g e l ki g f

Madd .
SAMANTHA
Madd ?
87 INT. SAMANTHA & SEBASTIAN S HOME - WALK-IN CLOSET - SAME TIME

87
(N1)
Madd he he SHORTS. She ickl a a a

GOLD SEQUIN GOWN.
88 INT. SAMANTHA & SEBASTIAN S HOME - CONTINUOUS (N1) 88
CAMERA TRACKS i h Sama ha a he alk h gh a m a d

a d he ki che .
SAMANTHA
Madd ?

CONTINUOUS (N1)
Madd e DIAMOND EARRINGS i a d a e f ll f EXPENSIVE

JEWELS. She cl e he d a e he ickl lea e he m.
The DRAWER BOUNCES OPEN i h ice Madd .
90 INT. SAMANTHA & SEBASTIAN S HOME - KITCHEN AREA - CONTINUOUS

90
(N1)
CAMERA TRACKS i h Sama ha a e m e he KITCHEN.
SAMANTHA
He !
CAMERA PANS e eal Madd a he i k. She calml a he

di he .
MADDY
Hi! H a igh ?
A e ha ed Sama ha lea he c e f a he
ake ff he h e .
SAMANTHA
Whe ... i a f . I ' ice be
d k.
(ch ckle )

91 INT. SAMANTHA & SEBASTIAN S HOME - LONG HALLWAY - MOMENTS 91

LATER (N1)
Madd head f he f d . A he he e d f he
hall a , WE SEE OVER MADDY S SHOULDER a Sama ha c a e he
eck f a bed m.
SAMANTHA
Madd ?
Madd iedl , he face Sama ha
SAMANTHA (CONT'D)
Ca c me he e f a ec d?
MADDY
S e.
REVERSE: Madd , i h e eme e ida i , head he alk-

i -cl e .

CONTINUOUS (N1)
Madd d a c e .
93 INT. SAMANTHA & SEBASTIAN S HOME - WALK-IN CLOSET/ENSUITE 93

BATH - CONTINUOUS (N1)
POV MADDY: ff a mi eflec i , he Sama ha i he

ENSUITE BATHROOM. CAMERA DOLLIES INTO he ba h m il:
SAMANTHA
( ggle i h i e )
He , ca hel me i h hi
i e ? I d k he e m
h ba d i .
MADDY
( elie ed)
Oh, eah, f c e.
SAMANTHA
Tha k .
Madd i he g all he a Sama ha ai .

Sama ha he Madd a d ake he ha d:
SAMANTHA (CONT'D)
Tha k f bei g ee .
( f l )
Tha all.
(CONTINUED)
93 CONTINUED: 93
Madd i fla e ed. Af e a bea :
MADDY
G d igh .
SAMANTHA
G d igh .
94 INT. EAST HIGHLAND HIGH GIRLS WASHROOM - DAY (D11) 94
Madd a d i f f he mi .
MADDY
( he mi )
I hi k I ld l k e
eg a .
KAT c me f a all a d alk he i k.
KAT
Madd , lea e d ge eg a .
MADDY
I ld ' ea a f h e a
ma e i cl he . I ld j be
me... l eg a .
BB i he c e a a i e i k/mi . She VAPES.
BB
( Madd )
Remembe he I g eg a ?
MADDY
Ye , a d i ld be hi g like
ha .
BB
( Ka )
Well, eaki g f bab daddie ,
I' e ee he h ha E ha
ed f he f . I ' c e
a f ck.
Ka e a mile BB.
MADDY
Yeah, Ka , fla i g
heal h , -ab i e, de f l
ela i hi . I ' ac all
igge i g.
(CONTINUED)
94 CONTINUED: 94
KAT
Yeah, he' , m... He' eall
ee .
He mile fade a l k f c e a i .
RUE (V.O.)
A d he a eall ee .
FLASHBACK TO:
95 INT. KAT S BEDROOM - NIGHT (FLASHBACK) (KFBN9) 95
MUSIC: "DO WHAT YOU WANT, BE WHAT YOU ARE" b HALL & OATES.
ETHAN a d Ka a i a el make- Ka bed.
ETHAN
( Ka )
I j ha e g he ba h m
eal ick, ka ?
KAT
Oka .
Ka a che af e E ha . The a h gh hi he a he
ace he ha d a d he SEQUINS OF A DRESS he bed.
96 INT. KAT'S BEDROOM/BATHROOM - NIGHT (KAT S FANTASY) (KFN9) 96
Ka he bed. P e mabl he ai f E ha . B , a
mi NOISE d a he a e i he ENSUITE BATHROOM. We
HEAR A SWORD SCRAPE. The , a FINE MIST e el e he ba h m
fl . I ge hicke . A d hicke .
KAT
E ha ?
SOUND f BLOOD SPRAY e lace he ee ie ile ce. E ha

eme ge . Like a GEYSER, bl d h f m E ha che . He
fall hi k ee . E ha d ama icall eache Ka
m me bef e he fall fla . Dead. Ka i AWE-STRUCK;
h cked a bl d c micall SPEWS SIX-FEET INTO THE AIR f m
E ha che .
F m he had , a fie ce SUPER HOT WARRIOR MAN a ea .

S ici l , he l k a l like KHAL DROGO. He h ld a
MASSIVE SWORD, d i i g i h EHTAN S BLOOD. S e H Wa i
Ma a d Ka l ck e e . He a ache .
(CONTINUED)
96 CONTINUED: 96
SUPER HOT WARRIOR MAN
(i D h aki)
Killi g make me ha d.
Ka i ake aback. She lamel c ie .
KAT
He a he l e f m life.

(i D h aki)
He a a eakli g.
KAT
( c i ci gl )
N , . N all .

(i D h aki)
He d e de e e a ma like
.
KAT
(ch ckle ; fla e ed)
C me .
S e H Wa i Ma d hi LOINCLOTH a d e eal hi
he d: A MASSIVE 12-INCH BONER.
KAT (CONT'D)
(ga )
S e H Wa i Ma d a hi BLOODIED d. He i i
a Ka che . The , l l , WITH THE TIP, UNBOTTONS he
ea e .
KAT (CONT'D)
Wha a e d i g?

(i D h aki)
P e a i g c e .
KAT
(fea f l e ci eme )
Oka .
S e H Wa i Ma GRABS KAT BY THE ANKLES AND PULLS HER

TOWARD HIM.

97 INT. KAT'S BEDROOM/BATHROOM - NIGHT (KFN9) 97
FROM THE BATHROOM: a S e H Wa i Ma ake Ka f m

behi d, he GAME OF THRONES THEME la . CAMERA PULLS BACK
a d BOOMS DOWN e eal E ha c e.
BACK TO:
98 INT. EAST HIGHLAND HIGH - GIRLS WASHROOM - DAY (D11) 98
Ka , Madd a d BB.
MADDY
( Ka )
Wai , ' e elli g me E ha e
cl he ff a d f cked he
hi f ?
KAT
Yeah. Wa g ea .
MADDY
(im e ed)
W .
BB
G E ha !
99 INT. EAST HIGHLAND HIGH - KAT S LOCKER - DAY (D11) 99
POV INSIDE THE LOCKER: The d e . I Ka .
KAT
( SOMEONE UNSEEN)
B e.
Ka l k ea i gl a hi g i a ic la i ide he
l cke . She e he head he e ed d . She h ld back
ea . The lam he d .
A SINGLE PEN-LIGHT check Na e e e .
RUE (V.O.)
Na e a elea ed f m he h i al
a fe da ea lie .

101 INT. HOSPITAL - CORRIDOR - MOMENTS LATER (N8) 101
Na e i i a WHEEL CHAIR a Cal he him a d he e i .
102 INT. CAL S TRUCK - NIGHT (N8) 102
Cal d i e . Na e i h g .
CAL
I ha e a ha d ime belie i g
d ' k h did hi .
NATE
Dad, j lea e i al e.
CAL
Well I m g i g .
NATE
Yeah, ell, h ld.
RUE (V.O.)
I ' e hi g di like
a e . I ' like ha e a
ch ice. B if di like kid
--
(bea )
-- ell, ha ' f fa l .
103 INT. NATE S HOME - LIVING ROOM - NIGHT (N8) 103
Cal a d MARSHA i he c ch a d a ch TV.
MARSHA JACOBS
( Cal)
I j ha e a ha d ime belie i g
i a ked.
CAL
He' .
MARSHA JACOBS
I k ... I k . I'm j a i '.
104 INT. NATE'S BEDROOM - NIGHT (N8) 104
Na e lie hi bed, a LAPTOP i ea b . He a d Ca ie

alk he h e; HANDSFREE MODE.
(CONTINUED)
104 CONTINUED: 104
CASSIE (O.S.) (ON PHONE)
(c ie )
I j a a kill m elf.
RUE (V.O.)
A a Na e had bee elea ed
f m he h i al... he i hed he
a back i he h i al.
NATE
( Ca ie)
J ake a dee b ea h.
105 EXT. CASSIE & LEXI S HOME - BACK YARD - SAME TIME (N8) 105
Ca ie ace hile he alk Na e he h e.
CASSIE
Na e, I'm legi g i g c a igh
. Y ca ' d hi me.
106 INT. CASSIE & LEXI S HOME - KITCHEN - SAME TIME (N8) 106
S e i a he i k, l ki g he WINDOW a Ca ie. Le i
i i a he m WORKING ON HER LAPTOP.
SUZE
Le ?
LEXI (O.C.)
Wha ?
SUZE
Wha ' g i g i h i e ?
LEXI (O.C.)
I hi k he' ha i g a e
b eakd .
SUZE
Ab ha ?
LEXI
I d ' k . Bei g i gle
me hi g.
SUZE
( ie l )
N . Th e a e ' he em i f a
i gle e .

107 INT. NATE'S BEDROOM - SAME TIME (N8) 107
Na e i e h gh me ic e hi h e; ill alki g
Ca ie.
RUE (V.O.)
The l a Na e a able calm
Ca ie d e gh c i g
a ell he ...
NATE
I mi e e ca mee i e
e eeke d.
108 INT. EAST HIGHLAND HIGH - HALLWAY - DAY (M11) 108
Ca ie alk h gh he b hall a .
RUE (V.O.)
B he he aid me hi g ha
all f eaked he .
She make e e c ac i h Madd . The a e alki g a d

each he .
109 INT. CASSIE S HOME - BATHROOM - NIGHT (N9) 109
Ca ie i i he da k a d alk Na e he h e.
NATE (O.C.) (ON PHONE)

If Madd fi d , he' g a
e d he e f he life i g
kill me.
CASSIE
I k .
NATE (O.C.)
B he'll ac all kill .
A ea f fea le d Ca ie cheek a he begi

emembe Madd i le eak.
SLAM CUT:
110 INT. MIDDLE SCHOOL - DAY (5 YEARS EARLIER) - DAY 110
13- ea - ld MADDY h e a GIRL S, 13, HEAD i a LOCKER a d

he REPEATEDLY SLAMS THE DOOR ON HER HEAD.
(CONTINUED)
110 CONTINUED: 110
TEEN MADDY
F cki g aci .
111 INT. EAST HIGHLAND HIGH - A FEW YEARS AGO - DAY 111
Madd ha a GIRL, 15, b he HAIR. Madd PULLS he he

all a d he SLAMS HER HEAD AGAINST A MOUNTED HAND DRYER.
112 INT. EAST HIGHLAND HIGH - LAST YEAR - DAY 112
LOOKING THROUGH THE WINDOW f m i ide a CLASSROOM. OUTSIDE,

Madd g ab a GIRL S HEAD, 17, a d e e he face agai
he i d .
MADDY
( he Gi l)
S , I did ' hea , bi ch.
Wha ?!
CAMERA DOLLIES BACK ickl , a d he PANS TO CASSIE i i g

a a de k. She i e ed he h le hi g.
BACK TO:
113 INT. EAST HIGHLAND HIGH - HALLWAY - MORNING (M11) 113
Madd ha ed, b Ca ie c i e he e alk

a d Madd . Madd b d la g age gge ha he ma
k .....b k ha , e d k . Wha e e i i , Ca ie
i all f eaked . Ca ie , he alk i he
GIRLS WASHROOM.
114 INT. EAST HIGHLAND HIGH - GIRLS' WASHROOM - MORNING (M11) 114
Ca ie, eemi gl e , i a he mi . She d ie he

a m i . J le , he e ge f ea , alk i a d head f
a STALL.
JULES
He , Ca .
CASSIE
He , J le .
115 INT. GIRLS WASHROOM - STALL - CONTINUOUS (M11) 115
J le c mble he fl a d a e i ace.
(CONTINUED)
115 CONTINUED: 115
RUE (V.O.)
N , a he ime, I did ' k h
m ch he Elli hi g e J le .
B I e e h gh ha J le a
like cli g jeal , I did '
hi k i 'd be a big deal.
116 INT. EAST HIGHLAND HIGH - *HALLWAY - DAY (D11) 116
(*MEANT o be ONE SHOT)
J le c me f a cla m. R e f ll .
JULES
I i a big deal.
RUE
Wh
JULES
The fac ha ' e e e a ki g me
e lai i i ki d f a
e e bigge deal.
JULES WALKS OUT OF FRAME a d e ick ON RUE:
RUE
Oh, I d ' de a d h ch a
mall f cki g hi g ha bec me ch
a big f cki g hi g.
RUE WALKS OUT OF FRAME a d e ick ON JULES:
JULES
'Ca e i h m feeli g .
RUE
Wh ?
JULES
'Ca e I ca ell ha e a c h
him.
CAMERA PANS TO RUE:
RUE
I d ha e a f cki g c h
him.
JULES WALKS AHEAD (O.C.) WHILE WE TRACK WITH RUE:
(CONTINUED)
116 CONTINUED: 116
JULES (O.C.)
The h el e ld f ge
mee i g him? Like,
(m cki gl )
"Oh, ha ' igh . Ne Yea ' --
WE STOP AT JULES STANDING AT A LOCKER hile he m ck R e.
RUE JULES (CONT'D)

J le , i ' like ha . (m cki gl )
-- ill me."
RUE (CONT'D)
I like ha !
CAMERA TRACKS i h J le il he alk PAST RUE.

JULES
Well, I h e . Tha ld eall
ck.
JULES CONTINUES; WE STOP ON RUE.
RUE
I'm .
JULES (O.C.)
Um, I g a be h me i 15 mi e ,
el e I'm g a ge g ded f
a he eek . I'll ee a
la e , R e.
CAMERA PANS ee Elli a di g a hi LOCKER. He h

he d a d alk e R e. Wi h PAN WITH ELLIOT.
ELLIOT
I ge i ble?
RUE
Yeah, ki da.
A l k f c ce c e hi face. B l f a b ief
m me .
ELLIOT
I feel like e h ld d d g .
ELLIOT WALKS OFF CAMERA AS: R e l k AT THE CAMERA. Smile .

117 INT. CASSIE & LEXI S HOME - FRONT DOOR/DINING ROOM - DUSK 117
(DUSK11)
Af e chl. Ca ie c me i , cl e he d behi d he .
She d he RUCKSACK he head d he hall a . She
ed a he DINING ROOM.
CAL
Wh d ' ha e a ea , Ca ie?
Cal i a he able. S e a d Le i a e he e a ell.
SUZE
M . Jac b belie e k h
a a l ed hi .
118 INT. FEZCO S HOME - DINING ROOM - MORNING (M10) 118
Fe c i a he di i g m able ha i g b eakfa . ASHTRAY

i i e.
RUE (V.O.)
Mea hile... Fe c had a e
h eg e .
FAYE. I he KITCHEN, he eache i he f idge a d ake

a CAN OF SODA. She alk he di i g m able a d
i e be ide Fe .
RUE (V.O.)
A h a a i ed ff he
c ld ' e e eak Fe .
F i , A h d e fi i h b eakfa . He ge a d lea e .
FAYE
( bli i ; Fe c )
G d m i g!
FEZCO
M i g.
RUE (V.O.)
Fe c c ld ' de a d he h le
.
SLAM CUT:
119 EXT. TRAVEL INN MOTEL - NIGHT (FLASHBACK) (FBN9) 119
POLICE ACTIVITY ab d. A lea a HALF-DOZEN CRUISERS, l

FIRE DEPARTMENT, EMT , K9. CHOPPERS fl e head.
(CONTINUED)
119 CONTINUED: 119
YELLOW POLICE TAPE c d ff a a ea ab i h ac i i .
FROM THE SECOND FLOOR: THE CAMERA PANS THE PARKING LOT a :
RUE (V.O.)
B a a e l Fa e had hed he
m el ma age ff he balc .
The MANAGER (O.C.) SCREAMS IN AGONY a THE CAMERA STOPS ON a

MOTEL ROOM WINDOW. CUSTER eek h gh a ga i he
c ai . He hi PHONE.
120 INT. CUSTER S MOTEL ROOM - CONTINUOUS (FBN9) 120
C e SHUTS THE CURTAINS.
CUSTER
(i h e)
The f cki g c a e l ki g f
Fa e.
( Fa e)
Wha he f ck!
Fa e ha a BLOODY NOSE. She a d a he BATHROOM DOOR.
FAYE
(c i g)
I did ' d a hi g!
RUE (V.O.)
U f a el , C e ld '
lea e he .
121 INT. CUSTER'S MOTEL ROOM - 5 MINUTES LATER (FBN9) 121
C e i he edge f a BED. S ill he PHONE.
CUSTER
(i h e)
I k , d de, b he' he l e f
m life.
122 INT. MOTEL ROOM VENTILATION DUCT - MOMENTS LATER (FBN9) 122
POV FROM THE INSIDE: Fa e em e he PANEL.
RUE (V.O.)
A d he la hi g Fe c eeded a
he c fi di g Fa e i h C e .
Fa e SIGHS, he CLIMBS IN.

123 INT. MOTEL ROOM - SAME TIME (FBN9) 123
C e hel lif Fa e i he d c . I a ggle, b

a diffic l e.
CUSTER
Ge i he f cki g e , Fa e.
COPS BANG ON THE DOOR.
OFFICER (O.S.)
I k ' e i he e. O e !
CUSTER
( Fa e)
Oh m g d. Ge i he f cki g e !
(bea )
I l e .
124 INT. FEZCO S CAR - 10 MINUTES LATER (FBN9) 124
I a ALLEY, Fe c d i e a DUMPSTER.
RUE (V.O.)
C e ld Fe he c ld fi d he
behi d he d m e f he e Tac
Bell.
Fa e c me f hidi g a d Fe ca . Fa e h i
he a e ge ide.
FAYE
( Fe c )
D l k a me like ha . The
l ea ha I e c a i
beca e he m el ma age ke
a i g ch mea hi g .
FEZCO
I h e l d ' gi e a f ck.
125 INT. FEZCO'S HOME - HALLWAY/LIVING ROOM - LATER (FBN9) 125
Fa e i he ai . She dab he bl d e i h a
i e.
RUE (V.O.)
S Fa e came li e i h Fe .
FEZCO
( Fa e; alki g a a d
i he li i g m)
(MORE)
(CONTINUED)
125 CONTINUED: 125
FEZCO (CONT'D)
Y , d ' ch hi '. D alk
A h. A d d ' g i m f cki '
m, all igh ?
Fe c i a he able a d ick a HALF-EATEN SANDWICH.
FAYE
I mi e.
Af e a BEAT, Fe e e hi f de bell .
FEZCO
( i ce e; Fa e)
Wa me f m a d ich?
FAYE
(ba hf ll )
Oka .
126 INT. CASSIE & LEXI S HOME - DINING ROOM - DUSK (DUSK11) 126
Cal, ela ed, c fide , i a he head f he able. He

i hi COFFEE. Ca ie a d Le i i be ide each he a e
ide f he able, S e i i e he gi l .
CAL
Ca ie, I a ked a e i .
LEXI
She did ' ee a hi g
CAL
I'm a ki g . I'm a ki g he .
Ca ie i c mf able i h he i e ga i . She a id
e e c ac .
CASSIE
I al ead ld M . Jac b I did '
ee a hi g.
CAL
I k . We j d ' belie e .
CASSIE
I'm elli g he h.
Cal, c l-a -a-c c mbe . M hi d e n ink like.
CAL
L k, Ca ie, I'm m e ha ha
ge he Chief f P lice, Bill
G ee d, i l ed.
(MORE)
(CONTINUED)
126 CONTINUED: 126
CAL (CONT'D)
Old famil f ie d. Ma be he h ld
ha e hi c e a i i h .
( S e)
Wi h e e e, i fac . Y k ?
S e l k Ca ie. Sh he a l k; a ligh d.
CAL (CONT'D)
Ge e e e' cell h e . Te
hi ie . Fi d ha e ac l
ha e ed.
( Ca ie)
Sh ld e d ha i ead?
RUE (V.O.)
N , ha ca ed he hi f
Ca ie --
FLASHBACK TO:
127 INT. CASSIE & LEXI S BEDROOM - LAST NIGHT (CFBN10) 127
Ca ie, he bed a d de he c e , TEXTING.
RUE (V.O.)
-- a la igh he e ed Na e.
CASSIE: i feel like ha ing e a a mi ake
She ai f a e e, b hi g immedia e. The :
128 INT. CASSIE AND LEXI'S BEDROOM - CONTINUOUS (CFBN10) 128
Ca ie h e RINGS. She h ff he c e , a d i
i he bed.
CASSIE
Hell ?
NATE (ON PHONE)
D e e ha i i i g
agai .
CASSIE
(BEAT, c f ed, he :)
I m .
BACK TO:

129 INT. CASSIE & LEXI S HOME - DINING ROOM - DUSK (DUSK11) 129
Back he i e ga i . A ea ile ce fill he m.

Ca ie l k Le i.
CAL
D ' l k a he . L k a me.
The a g Ca ie face i b i .
130 INT. CASSIE & LEXI'S BEDROOM - 10 MINUTES LATER (DUSK11) 130
LEXI
Wh ld a ha ?
CASSIE
Wha ? Wha a I ed d ?
LEXI
N a a hi g.
CASSIE
Y hea d him! He a g i g call
he lice!
LEXI
N , he a ' . He a bl ffi g, a d
fell f i 'ca e ' e a
f cki g idi !
CASSIE
Wh d e e ca e?!
LEXI
Beca e j i ed me e'
life!
CASSIE
Fe c alm killed Na e! Tha a
hi deci i .
Ca ie fall back he bed, hi ki g...
RUE (V.O.)
Le i had h gh ab ha igh a
l . H c ld Fe c be ki d
he , a d i le a d Na e?
131 INT. VIRGIL S HOUSE PARTY - NEW YEAR'S EVE (LFB201) 131
SLOW MOTION: Fe c a d Le i cha i g, mili g, e j i g each

he c m a .
(CONTINUED)
131 CONTINUED: 131
RUE (V.O.)
She c ld ' emembe he la ime
me e he age a ked he ma
e i ab he elf. He
ac all ca ed ab ha he had
a .
132 INT. VIRGIL'S HOUSE PARTY - NEW YEAR'S (LFB201) 132
SLOW MOTION: Fe c mmeli g Na e.
RUE (V.O.)
A d he , 10 mi e la e , alm
bea Na e Jac b dea h.
Le i ge f m he c ch a d a che he bea i g.
RUE (V.O.)
A d e e if Na e de e ed i , i
a a h ible hi g d .
133 INT. EAST HIGHLAND HIGH - GIRLS' WASHROOM - MORNING (M11) 133
Le i, a he i k, b iefl check he a ea a ce i he
mi , he lea e . CAMERA TRACKS WITH LEXI:
134 INT. EAST HIGHLAND HIGH - HALLWAY - CONTINUOUS (M11) 134
C mi g f he a h m, Le i . She ee RUE a d
ELLIOT cha i g.
RUE (V.O.)
I made he hi k ab he e i e
life.
135 INT. CASSIE & LEXI S HOME - DINING ROOM - 2 YEARS EARLIER 135
-
NIGHT (FLASHBACK) (LFBN1)
EARLY MORNING, GUS ie l ea che f al able ell f

d g .
RUE (V.O.)
H he' al a bee a i e.
136 INT. CASSIE & LEXI S HOME - STAIRS - CONTINUOUS (LFBN1) 136
Ca ie, ea i g PAJAMAS, a he f he ai . She

ee G . He ca ie TWO BAGS OF LOOT. The l ck e e .
(CONTINUED)
136 CONTINUED: 136
RUE (V.O.)
A d e e he ime he he did ge
he c age a me hi g?
N d a e ke . Le i BACKS INTO THE SHADOWS.
137 INT. RUE'S BEDROOM - LAST SUMMER - DAY (LFBD2) 137
R e i he bed CRUSHING PILLS. Le i a d ea b .
RUE (V.O.)
A d e e he ime he he did ge
he c age a me hi g?
LEXI
R e, eall eed ge hel .
RUE
Wha , a e g a ell m m m
me hi g?
LEXI
Yeah, if d ' .
RUE
(a a he icall )
Oka .
She he c hed ill .
RUE (V.O.)
She backed d .
Le i lea e he m.
138 INT. CASSIE & LEXI'S BEDROOM - LAST SUMMER - EVENING (LFBE3)
138
Le i lie i he bed. She ead a b k. S e i be ide he .

I RAINING.
SUZE
H , I d ' a a ca e . B
me hi ' ha e ed R e. She'
ka . She' ka . B I hi k he
e d ed.
Le i begi c . She a d S e emb ace.

139 EXT. CASSIE & LEXI S HOME - BEDROOM WINDOW - SAME TIME 139
(LFBE3)
POV OUTSIDE BEDROOM WINDOW: I ai i g. We ee SUZE AND

LEXI a he CAMERA CRANES UP; SHOT WIDENS.
LEXI
(c i g)
I m fa l .
RUE (V.O.)
She ha ed he elf f bei g eak
a d a i e a d af aid.
140 INT. EAST HIGHLAND HIGH - CLASSROOM - DAY (D14) 140
Cla ha j e ded. S de ga he hei bel gi g a d

lea e. We ee Le i. She i EARPHONES.
RUE (V.O.)
S , a c le f da af e Cal came
e , he decided a me hi g.
141 INT. EAST HIGHLAND HIGH - HALLWAY - DAY (D14) 141
MUSIC: HAUNTED b LAURA LES la a e ee a em e ed

Le i alk f he cla m.
142 EXT. SUBURBAN STREETS - DUSK (DUSK14) 142
Le i, idi g he BICYCLE.
143 EXT. SUBURBAN NEIGHBORHOOD - DUSK (DUSK14) 143
The GOLDEN HOUR, a d Le i c i e .
144 EXT. FEZCO S CONVENIENCE STORE - DUSK (DUSK14) 144
CAMERA PANS f ll Le i he bike. She d a c e

a d ide i he l . CAMERA STOPS a :
145 INT. CAL S TRUCK - SAME TIME (DUSK14) 145
LOOKING THROUGH he FRONT WINDSCREEN e ee Le i ide

FEZCO, h f f hi e.
(CONTINUED)
145 CONTINUED: 145
CAMERA PANS Cal. He i ie l i he d i e ea .
Ob e i g. He eache i he GLOVE BOX a d ll a
GLOCK. We hea : A ROUND CHAMBERING a he MUSIC FADES OUT.
146 EXT. SUBURBAN STREET NEAR ELLIOT'S - DUSK (DUSK14) 146
WIDE ON: R e, idi g he bike al g a eighb h d ee .
RUE (V.O.)
N , I did ' k a f hi
'ca e I a i h Elli m ki ' a
li le bi f eed.
147 EXT. SUBURBAN STREET ALLEYWAY - DUSK (DUSK14) 147
CLOSER ON: R e.
RUE (V.O.)
J le i i ed me e he h e
f di e . I g e , like
a l gi e, b I had NA ha igh .
148 INT. ELLIOT S BEDROOM - NIGHT (N14) 148
MUSIC: RIGHT DOWN THE LINE b GERRY RAFFERTY.
We hea l he m ic a R e m ke a BLUNT a d da ce
a d Elli m. Elli i he bed a d STRUMS A
GUITAR.
RUE (V.O.)
S I e Elli ' f a bi .
149 INT. ELLIOT'S BEDROOM - LATER (N14) 149
CLOSE ON: R e, he a LINE OF CRUSHED PILLS. We HEAR

THE SNORT.
R e da ce , Elli m he g i a .
Elli a li e. We HEAR THE SNORT.

Elli , c i e la he g i a . We l hea RAFFERTY S

g. R e lie he fl , m ki g a BLUNT. She i g al g
i h he g.
153 INT. JULES BEDROOM - EVENING (E14) 153
J le k he PORTFOLIO. DAVID k ck he e d .
DAVID
Sh ld I j di e i he
e ill R e ge he e?
JULES
Uh, , he' c mi g. She ha a
mee i g.
BEAT.
DAVID
Y e he' a g d i fl e ce?
She' a f he ea
decided ge ha ai .
JULES
Yeah, b he' he e h g
he ai .
DAVID
I ill d e ' a e m
e i .
J le h Da id a l k, a d he g e back he
f li .
154 INT. ELLIOT'S BEDROOM - NIGHT (N14) 154
R e he bed, Elli i be ide he bed he fl .
RUE
Y k ha I feel like b d i
m life de a d ? I like
d g a e h e l he l a I
ca be m elf.
ELLIOT
Yeah, I, I d ' hi k ha ' e.
(CONTINUED)
154 CONTINUED: 154
RUE
Nah, i i e. Like he I fi
me , I ld' e e e had he
ball j , like, c me
a d alk .
ELLIOT
Wh ?
RUE
I d ' k . I'm j like a
dee l h e . A d like i h
J le , igh ? Whe I fi me he ,
I a j immedia el i l e.
ELLIOT
I l e?
RUE
Yeah.
(BEAT)
Whe a i l d i ki d f
d mall.
ELLIOT
Wha ' a bigge feeli g ha l e?
A BEAT hile R e hi k . The :
RUE
L .
ELLIOT
Y hi k?
RUE
( e)
Yeah, I hi k .
( he e e )
Yeah.
(ma be e)
I d ' k . Ma be ha ' ha i
a , igh ? Like, a a I a
he , I a j immedia el af aid
l e he .
ELLIOT
Wh ha e l ?
RUE
M dad.
(CONTINUED)
ELLIOT
(me a h icall )
Mea i g...
RUE
Mea i g he' dead.
ELLIOT
Shi , I'm .
RUE
I ' fi e. Y did ' , like, kill
him.
ELLIOT
H a he killed?
RUE
Oh, he a ' .
ELLIOT
A e f cki g i h me igh ?
RUE
(ch ckle )
N , i a , i a ca ce .
ELLIOT
Shi .
RUE
Yeah.
ELLIOT
H ld e e ?
RUE
I a 14.
ELLIOT
S ece l ?
RUE
N eall .
R e i 17.
ELLIOT
I feel like ha ' ki d f ece .
RUE
I d ' k . I g e . H e l i
feel like f cki ' f e e ag .
(CONTINUED)
ELLIOT
I ha h a ed d i g
d g ?
RUE
(ch ckle )
Tha ' f . Tha ' ha e e b d
a k i ehab.
ELLIOT
Wha d mea ?
RUE
J ha , k , like, I i h
i a ha im le, k ,
like... "Well, m dad died, I
a ed d i g d g ."
ELLIOT RUE (CONT'D)

Yeah. Yeah.
ELLIOT (CONT'D)
I feel like e e e' l ki g f
like a... ca e a d effec .
S me ime hi ' j like i ha
i i .
RUE
Yeah, e ac l .
(BEAT)
I d . T be h e , if m dad
a ill he e, I'd babl ill
be d i ' hi hi .
R e SNORTS A LINE OF CRUSHED MEDS.
ELLIOT
H d e J le k ha ' e
d i g d g ?
RUE
I'm g d a m j b.
ELLIOT
D hi k i ' a g d hi g ha
e' e f ie d ?
RUE
Yeah, h ?
ELLIOT
I j feel like... e migh
b i g he be i each he .
(CONTINUED)
Elli SNORTS A LINE OF MEDS.
RUE
( l mile)
I feel like I'm ka i h ha .
( e e a la gh)
155 INT. KAT'S BATHROOM - TUB - NIGHT (N14) 155
Ka ak i a BUBBLE BATH. He PHONE i he edge f he

b.
ETHAN (ON PHONE)

I l e .
KAT
I l e .
ETHAN (ON PHONE)

I l e m e.
KAT
I l e m e ha m e.
Ka HANGS UP.
KAT (CONT'D)
(e a e a ed)
M g d.
156 INT. KAT'S BEDROOM - BED - EVENING (FLASHBACK) (KFBE14) 156
2 HOURS EARLIER. Ka a che YOUTUBE VIDEOS he COMPUTER

a d de e i gl ea a lice f COLD PIZZA.
RUE (V.O.)
E ha made la i h Ka g
b li g ha igh . Ka a
de e ed beca e he c ld '
fig e h he did ' l e
E ha . S he decided make a
li f a d c .
157 INT. KAT S BATHROOM - EVENING (KFBE14) 157
CU: KAT S LIST f PROS AND CONS. U de PROS, Ka i e :

CUTE.
ON KAT: She i he fl . She hi k f a m me , he

c i e .
(CONTINUED)
157 CONTINUED: 157
CU: KAT S LIST. U de CUTE i : HANDSOME. U de ha : FUNNY.
Ka i e : LOVES ME.
U de he CONS:
ON KAT: he hi k .
RUE (V.O.)
B he c ld ' hi k f a hi g,
hich made he eali e E ha migh
be he blem.
She PANTOMIMES BLOWING HER BRAINS OUT, he l m e .
BACK TO:
158 INT. KAT'S BEDROOM - BED - NIGHT (N14) 158
He bed li e ed i h JUNK FOOD PACKAGING. She ack

GOLDFISH a d a che SELF-HELP VIDEOS he c m e .
RUE (V.O.)
Ka ha ed he elf. B he blem
i h ha i g elf i ca '
eall alk ab i . Beca e a
me i ece l , he h le
ld j i ed a elf-hel c l a d
' h he f ck ab i .
(*NOTE: The follo ing ho ld e ACTUAL SOCIAL MEDIA

INFLUENCERS he e e po ible.)
CU: COMPUTER SCREEN. A PLUS-SIZE ma (20 ) a lie make-

hile gi i g i c i ie e . The :
INFLUENCER #1 (O.C.)
Ka .
Ka cl e he LAPTOP SCREEN, e eali g:
A he BATHROOM DOOR, a INFLUENCER (female, 20 ) ike a

e (clea l OBVIOUS; b de RIDICULOUS). He deli e :
STIFF a d EXPRESSIONLESS.
INFLUENCER #1 (CONT'D)
Y ' e e f he b a e , m
bea if l h ma bei g I ha e e e
ee .
KAT
(m h f ll)
Tha ' e.
(CONTINUED)
158 CONTINUED: 158
INFLUENCER #1
Ye i i .
The INFLUENCER i b ce el bea if l. L g bl de hai ,

heal h b a d b .
INFLUENCER #1 (CONT'D)
( ike a e e)
I i h I had c fide ce.
KAT
(m h f ll)
B I d ' , like... feel heal h .
INFLUENCER #1
( e e)
Ye , a e.
( e e)
KAT
N , like... e i l . I'm .
INFLUENCER #1
Ka , j ha e l e
elf.
KAT
B ha ' ha I'm i g ell
! I f cki g ha e m elf!
SWISH PAN TO:
(*NOTE: Wi h each appea ance of an INFLUENCER, e ho ld feel

mo e CLAUSTROPHOBIC AND ANXIOUS)
AT KAT S VANITY: INFLUENCER #2 (female, 20 ). A he

INSANELY GORGEOUS cial media da li g. Rela ed, c fide
a d c mf able i f f he came a.
INFLUENCER #2
E e da ge f bed --
I ' a ac f c age.
KAT
Tha ' ea f a . Y
d ' ha e like f cki g me al
blem .
INFLUENCER #2
Ye , I d . Wh d hi k I l k
like hi ?
(CONTINUED)
KAT
A e kiddi g? I i h m me al
blem made me l k like .
INFLUENCER #2
T me, d ' .
KAT
T me, I d ! Y ' e like he
m bea if l e I' e e e
f cki g ee .
INFLUENCER #2
Ma be b a hi e, ci -male,
he e ma i e a da d.
KAT
(di g ed)
Oh m g d. A e f cki g j ki g?!
Ka lie back a d c e he face i h a ill . The ,

INFLUENCER #3 (female, 20 , l - i ed) GRABS THE PILLOW.
KAT (CONT'D) INFLUENCER #3

Thi i ha e i g -- ( igh e i dig a i ;
ell )
Ka ! A e f cki g
e i ?! Tha '
f cki g alki g! I ' he
a ia ch !
KAT (CONT'D)
I i me alki g! Y a e
li e i g!
INFLUENCER #3
N ! S cie hi g i
mi d!
KAT
I d ' ca e ab cie ! I feel
like hi !
SWISH PAN TO:
AT THE BATHROOM DOOR: INFLUENCER #4 (female, 20 ), ea a

age l LARGE STRAW SUN HAT a d a TWO-PIECE OUTFIT made
f HEMP.
INFLUENCER #4
Ka , eed ma h all bea
a da d .
(CONTINUED)
KAT
B I ca ' e e ge f bed!
INFLUENCER #5 (female, 20 ) i Ka DRESSER. I a calm

ice:
INFLUENCER #5
Y ha e l e elf.
INFLUENCER #6 (female, 20 ) POPS UP a he f f Ka bed.

She ell m i a e:
INFLUENCER #6
Y eed fi d i e f cki '
a i !
INFLUENCER #3
Bec me a bad bi ch.
INFLUENCER #7 (female, 20 ) a ea be ide #6 a he f f

Ka bed.
INFLUENCER #7
J like did la ea .
KAT
B ha a ' e e eal.
INFLUENCER #8 (female, 20 ) POPS OUT f m behi d #3.
INFLUENCER #8
I l ked eal.
KAT
Tha a he i !
INFLUENCER #9 (female 20 ) a ea be ide Ka a i .
INFLUENCER #9
I f d i i i i g.
KAT
Sh he f ck !
Ka c e he ea . The GROUP cha .
INFLUENCERS
( h )
L e elf! L e elf!
CAMERA FOLLOWS: Ka ge a d make he a he

ba h m. The INFLUENCERS h a d h ld hei CAMERA PHONES
. FLASHLIGHT e gaged WHILE THEY RECORD.
(CONTINUED)
KAT INFLUENCERS (CONT'D)

( h ) ( h )
Lea e me al e! Ge he f ck L e elf! L e elf!
!
ANOTHER HALF-DOZEN INFLUENCERS im ede he alk. Ka
a id, b SIX MORE INFLUENCERS APPEAR.
159 INT. KAT'S BATHROOM - CONTINUOUS (N14) 159
INFLUENCERS
( h )
L e elf! L e elf!
Ka begi h e e ila e. She SURROUNDED BY SHOUTING

INFLUENCERS. She a d bef e he i k. He h e CHIMES.
CAMERA TILTS TO REVEAL: KAT S PHONE he c e . She ick

i . A TEXT f m E ha .
ETHAN: be he e in 20 min .
S dde l : SILENCE. CAMERA TILTS . The INFLUENCERS ARE GONE.

Ka i f b ea h a d e ha ed. Back eali .
KAT
(l k i mi )
F ck.
160 INT. JULES' BATHROOM - TUB - NIGHT (N14) 160
J le i aki g i he b. He PHONE BUZZES ali e.
JULES
He .
I Ka , b e d hea ha he a i g.
JULES (CONT'D)
Uh, hi g j ... de e ed i
he ba h.
(BEAT)
B li g?
161 EXT. SUBURBAN STREET - NIGHT (N14) 161
MUSIC: SHE BRINGS THE RAIN b CAN la a e ee R e

idi g he BIKE. She he a NA. A R e d a
c e he :

162 EXT. SUBURBAN STREET - NEAR CASSIE S HOME - CONTINUOUS (N14)

162
Ca ie gleef ll a ai i g PICK UP TRUCK a h

di a ce a a . Na e.
RUE (V.O.)
Wha he f ck?
163 EXT. SUBURBAN STREET - NATE S TRUCK - CONTINUOUS (N14) 163
AT THE DRIVER-SIDE DOOR - WIDE ON: Ca ie i g he

ck. CAMERA CRAINS DOWN e eal Na e REFLECTION i he
ck d i e ide-mi .
164 INT. NATE S TRUCK - CONTINUOUS (N14) 164
Ca ie j m i he a e ge - ide. She a d Na e ha e a
a i a e ki .
165 INT. MADDY S BEDROOM - NIGHT (N14) 165
CU: Madd PHONE. She dial FUCK NATE , che he HANDS

FREE b . We HEAR RINGS hile Madd , i f f a FULL-
LENGTH MIRROR, APPLIES MAKE-UP.
166 INT. NATE S TRUCK - SAME TIME (N14) 166
Na e d i e , Ca ie i h g . We HEAR THE BUZZING f

Na e PHONE. Na e l k d a hi h e.
The call di la e eal : Madd .
Ca ie l k d a he h e, he l k a Na e. Na e
hi a e i Ca ie a d SHOOTS HER A SLY SMILE.
S me ha elie ed, Ca ie mile back.
We HEAR NATE S VOICE MAIL me age.
Madd age begi imme . She f m he mi a d

g e back he h e.

168 INT. NATE S TRUCK - SAME TIME (N14) 168
CASSIE S PHONE BUZZES. Ca ie l k d . The h e i

i ide a CUP HOLDER be ee he d i e a d a e ge ea a d
i Ca ie.
CU: PHONE. The FRONT CAMERA i e gaged a d h Ca ie

leg a d h ki . The c ee di la he calle ID:
Madd /FaceTime Video.
BACK ON: Ca ie. A l k f hee e c e he face.
ON NATE: Na e bl d e e i e . N d a e ke .
Na e j k i Madd calli g Ca ie. Na e ega d he
d i e ide mi -- e ha c fi mi g ha Madd i
f ll i g hem.
ON CASSIE: Lack f Na e ea a ce ble Ca ie.
CU: MADDY S PHONE. We ee Madd ; he f came a e gaged a d

he di la ead : Ca ie/FaceTime Una ailable. Madd i
me ha i ed. B e ca ell b he facial e e i
ha he fig i g hi g ; d a i g me c cl i .
170 EXT. NA MEETING HALL - PARKING LOT - NIGHT (N14) 170
R e a k he bike.
171 INT. NA MEETING HALL - ENTRANCE/STAIRCASE - NIGHT (N14) 171
A he b m f a e ee ai ca e i e f h e STAIR-
LIFT CHAIRS. R e a e f a BEAT, c ide he eff i
ld ake climb he ai , a d he ch e ake he
STAIRCHAIR i ead.
CAMERA DOLLIES IN: R e le a a i f i g SIGH a he

chai l l a ce d he ee fligh . CAMERA PANS TO REVEAL:
ALI. He a d a he f he ai . N a all lea ed
ee R e.
ALI
L k h he ca d agged i .
REVERSE ON: R e half a he ai .
RUE
Yeah, eah.
ON ALI.
(CONTINUED)
171 CONTINUED: 171
ALI
( hi e )
I ee e ill icide
mi i .
R e i defi i el HIGH. A d Ali k i .
RUE
(a a he icall )
Le g . Le G d.
Wi h a im e ed a d i i a ed d f hi head, Ali ake

lea e he MEETING HALL. Sigh f hi di a al clea l
a dible a affec ed R e.
172 INT. NATE S TRUCK - NIGHT (N14) 172
The SILENCE i deafe i g. Fi all :
CASSIE
Whe e a e e g i ?
She f ce a mile. Na e d e e d.
173 INT. NA MEETING HALL - NIGHT (N14) 173
Ab TWELVE ADDICTS ( a i ) i i a ci cle f chai

faci g each he . R e i i a d f c ci e .
SLEEPY. STONED. Ali ake ice, b a hi g.
174 INT. NATE S TRUCK - NIGHT (N14) 174
Na e d i e , Ca ie i h g . Ca ie g c mf able
i h he ile ce.
CASSIE
Wha a e hi ki g ab ?
NATE
We e alm he e.
Ca ie ie ligh e he m d.
CASSIE
I e e e bee e he e bef e.

175 INT. ELLIOT S HOUSE - LIVING ROOM - NIGHT (N14) 175
Elli he c ch a chi g TV, m ke a BLUNT. Be ide him,

e e , i Elli lde COUSIN (female). She ha e
he BLUNT i h Elli .
COUSIN
S ... a a ell me h ha
gi l a j had e ?
Elli i f c ed he TV a d i m ch i e e ed i
c e a i .
ELLIOT
Wha ? N . She' a f ie d.
Elli ha h ical a ac i R e.
COUSIN
I ca c m ha d h ma
f ie d d e had e he e.
ELLIOT
Well, he' e f 'em.
COUSIN
( ea i g)
Mmm-hmm.
The CHUCKLE.
176 INT. BOWLIUM LANES - NIGHT (N14) 176
MUSIC: In men al. FULL VOLUME.
J le , Madd , Ka a d E ha b l.
SHOTS OF THE GIRLS b li g, da ci g, ha i g a g ea ime

( 3).
ANGLE ON: E ha , b ed.
M e SHOTS OF GIRLS BOWLING (X3), aki g PICTURES OF EACH

OTHER.
ANGLE ON: E ha , eall b ed.
177 EXT. JACOBS CONTRUCTION SIGHT - NIGHT (N14) 177
A h i g de el me jec .
(CONTINUED)
177 CONTINUED: 177
CAMERA DOLLIES RIGHT e eal d e f SEMI-DETACHED,
PARTIALLY FRAMED HOUSES ha li e he ide f a LONG DIRT-
ROAD. Na e TRUCK d a c e a d d i e TOWARD CAMERA
a d he STOPS a ghl HALF THE DISTANCE f he ad.
CAMERA DOLLIES INTO THE DARKNESS f a a iall c m le ed
h e.
178 INT. NATE'S TRUCK - NIGHT (N14) 178
Na e le d he WINDOWS f hi ck. I ie , e ce
f DISTANT TRAFFIC a d NEARBY CRICKETS. Ca ie adj he
i i ha he f ll face Na e.
NATE
L k, Ca . I eall like .
Ca ie f ce a mile.
NATE (CONT'D)
H I i h ha hi g c ld be
diffe e .
Ca ie mile fade ligh l .
NATE (CONT'D)
I j hi k ha ha e ed be ee
a a mi ake, a d e e e
h ld ha e did ha e did.
CASSIE
( h l mile ; he
he icall )
Yeah -- b ...
Ca ie ail ff i h a c e mile; bli i he mea i g

behi d Na e d . Af e a BEAT:
NATE
I a m fa l .
(BEAT)
I h ld ' ha e, h...
Na e ail ff. Ca ie a me hi c e a i i ab a
a l g . She b eak he ile ce agai .
CASSIE
I a m fa l , .
NATE
I j h gh ... I j did '
hi k ha I'd ge , m...
(l k a Ca ie; BEAT
he :)
(MORE)
(CONTINUED)
178 CONTINUED: 178
NATE (CONT'D)
I d e ' ma e . I i ha i
i .
The eali f he m me f Ca ie e i . N m e mile.
NATE (CONT'D)
We ca ee each he .
Ca ie e e gli e . Tea ell a he li e Na e

i c i . D , m e, i h em i .
NATE (CONT'D)
A d e ca e e , e e eak ab
hi .
BEAT.
NATE (CONT'D)
I'm . I'm... I'm f cki '
.
179 EXT. JACOBS CONTRUCTION SIGHT - NATE S TRUCK - NIGHT (N14)

179
Calml , Ca ie e he d a d ge . She a d
di a ea i he e a i e CONSTRUCTION SITE. Na e call
f he .
NATE (O.C.)
Ca ! Wai ! Ca !
CAMERA DOLLIES LEFT a d f ll Ca ie il e di a ea

i he da k e f a PARTIALLY FRAMED HOUSE. Tha
a i i :
180 EXT. FEZCO S CONVENIENCE STORE - PARKING LOT - EVENING (E14)

180
CAMERA DOLLIES f m he da k e f he e l . We c me
he e ee Le i. She a d be ide he bike, hich
lea agai he all. She ake a dee b ea h, adj he
hai a d cl he ( e e ha he l k g d f Fe ) a d
he e i ide.
181 INT. FEZCO'S CONVENIENCE STORE - EVENING (E14) 181
Fe i he c e -- hi al . He mile b igh l
he m me Le i alk i . A ide f Fe e a el ee.
FEZCO
Le i H a d. H d i ?
(CONTINUED)
181 CONTINUED: 181
Le i e he b igh mile: a ea c llable ea - -
ea g i .
LEXI
I m g d, I m...
LEXI STOPS TALKING MID SENTENCE.
ANGLE ON: Fe c lea back a d gi e Le i a clea li e- f-

i e e hi h lde . Behi d Fe , e hi lef h lde
a d ea he f e a ce: FAYE. She i c mf abl a
ICE-CREAM COOLER.
FAYE
Hi!
ON LEXI: Take aback b hi gi l he d e k . Al e.

Al e i he ame m a Fe .
FAYE (CONT'D)
I m Fa e.
LEXI
I m Le i.
The e di a i me i he ice. L ki g back a d f h

f m Fe Fa e:
LEXI (CONT'D)
(hal i gl )
A e...a e g ...
Le i b d la g age fi i he he e i .
FEZCO
Yeah, , he' j a i ' i h
me f a bi , b , b he' c l,
h gh.
Fe i a all i e e ed i Fa e. S he emba a ed
c ce ed. He ill ela ed ha Le i came ee him.
FEZCO (CONT'D)
Wha b i g he e a a ?
N eall e ha a , :
LEXI
Oh, I j came ge a, a d i k.
Le i he a e i he FREEZER OF BEVERAGES behi d.

B he mi d i ill he Fe /Fa e i a i .
(CONTINUED)
FEZCO
Oka , ell, e g le f h e.
Um... d eed hel fi di g
a hi g?
LEXI
( l ki g a Fe )
N . I m ka .
FEZCO
( ff Le i be e age f
i e e )
Oh, h, ha ' he mal li .
LEXI
Yeah, I k .
She d e n
A CAR DOOR SLAMS. Le i he a e i a SURVEILLANCE

MIRROR hich eflec a i f he a ki g l .
CU: MIRROR a Cal alk h gh he l a d a ache he

f e a ce.
CUT TO:
182 EXT. FEZCO'S CONVENIENCE STORE - PARKING LOT - SAME TIME 182
(E14)
LOOKING THROUGH THE WINDOW, ANGLE ON: Fa e. She l k e

he h lde .
183 EXT. JACOBS CONSTRUCTION SITE - NIGHT (N14) 183
Na e ge f hi ck a d head i he di ec i Ca ie
a .
184 EXT. JACOBS CONSTRUCTION SITE - PARTIALLY FRAMED HOUSE - 184

NIGHT (N14)
Ca ie i a STRUCTURE ha ea l c m le e.
Na e alk al g a f a iall f amed h e .
NATE
Ca ie!

186 INT. PARTIALLY FRAMED HOUSE - END OF THE BLOCK - NIGHT (N14)
186
Ca ie h gh he h e. She a ce d a ea b fligh f
ai .
NATE (O.C.)
Ca ie!
Na e b i kl alk al g a alle a be ee f
fi i hed h e . He a cl e a e i he HOUSE AT
THE END OF THE BLOCK.
CAMERA PANS i h Na e a he e e he h e a d he a ce d
a fligh f ai .
CAMERA CONTINUES f ll i g Na e. He ge he f he
ai a d he alk he i e ide f he h e. Hi
e e l cked me hi g e d e ee. Hi ace l .
Hi ace l a he CAMERA PANS e eal Ca ie. She

a d i h he back agai a all. Na e a d Ca ie a d
face face.
188 INT. PARTIALLY FRAMED HOUSE - 2ND FLOOR - NIGHT (N14) 188
REVERSE TIGHT TW0-SHOT: Na e a d Ca ie. N d a e

e cha ged. Na e lea i a d ki e Ca ie.
FROM BEHIND CASSIE: Na e l l eache d a d lif

Ca ie ki j high e gh each he a ie .
ANGLE ON: Na e, l l , ed c i el , lli g d Ca ie

a ie . CAMERA FOLLOWS... d he high , a he k ee ,
he a kle . Ca ie STEPS OUT f he de ea .
O hi k ee , Na e ki e Ca ie i e - high he
c ch.
NATE
Y d ' k h m ch e
ha e.
A d i h mi i g a bea , Na e GOES DOWN Ca ie. She

MOANS i h lea e.
Na e a e , l k a Ca ie.
NATE (CONT'D)
H a e e e g a l k Madd
i he e e agai ?
(CONTINUED)
188 CONTINUED: 188
Na e a d Ca ie l ck e e .
189 INT. FEZCO'S CONVENIENCE STORE - EVENING (E14) 189
FROM THE ENTRANCE: MEDIUM-WIDE e ee Fe c a d Le i igh

he e e lef hem. Le i i ill bli dl l ki g e he
MALT LIQUOR ec i il he ee Cal alk i .
FEZCO
Y , I did ' ge a
g db e Ne Yea ' .
THEN: e ee he LOWER RIGHT-POCKET f CAL S JACKET ENTER

FRAME LEFT he STOP.
RACK-FOCUS ON CAL S POCKET h a OUTLINE OF A GUN. CAL S

HAND INSIDE THE POCKET -- e mabl g i i g he PISTOL.
Nei he he g Cal ha d ca be ee .
CAL (O.C.)
(i e i g)
G d e e i g.
RACK-FOCUS: O Fe c a d Le i. Cal alk h gh f ame a

CAMERA DOLLIES IN, PASSING BY FEZCO --
FEZCO
Wha ' , ma ?
CAMERA CONTINUES PAST FEZCO A CLOSE ON LEXI a he f ll

Cal i h he e e . The bl d d ai f m he face. She
e ified.
190 INT. FEZCO'S CONVENIENCE STORE - FREEZER - CONTINUOUS (E14)

190
POV INSIDE THE FREEZER: ANGLE ON: Fe c ff Le i eac i .

He hi head, l k di ec l AT THE CAMERA.
191 INT. FEZCO'S CONVENIENCE STORE - CONTINUOUS (E14) 191
POV FEZCO: We ee AHSTRAY, b e i g f m hi ffice i ide

he f ee e . A h hif hi e e f m Fe c Cal. Tha
all i ake . N d , ha d ig al . J a l k.
ANGLE ON: Cal a ake a cl e l k a a PACKAGE OF FOOD. He

l k e Fe c a d he back a PACKAGE he icked
.
ANGLE ON: Cal a he m e a he helf. A eak a

l k a Le i.
(CONTINUED)
191 CONTINUED: 191
CAL S POV ON: Le i. She f e i h fea a d .
ANGLE ON: Fe c . He e e me Cal a d ha idea ha he

Na e fa he . B Fe ca ead Le i b d la g age. A d
i clea Cal i he e f ack .
OVER FEZCO S SHOULDER e ee Cal. He e i f f Fa e.
CAL
( Fe c )
Y g a ea mi g m?
REVERSE: Fe c . Le i ca be ee i he backg d.
FEZCO
I d , ma . The g igh he e.
( h mb l ca i )
Cal alk e he GUM RACK be ide Fe . Mea hile, Le i

m e he i e ide f he e.
AT THE GUM RACK.
CAL
( ick a ack f g m)
Thi e?
Cal make hi a back a d Le i i i .
FEZCO
I a famil b i e .
AT LEXI S POSITION.
Cal d he c e a d e eball Le i. He he he
behi d Le i. He lea c mf abl cl e Le i...
CAL
D a e i .
Cal eache e Le i h lde a d ick a PACKAGE OF

SNACKS. The CRACKLING f he bag i LOUDER.
CAMERA PANS FEZCO.
FEZCO
Y all a k hi ma
e i , ma ?
ANGLE ON: Cal di g a c e . We alk he e a ce a d

he . He face Fe c . Cal lef ha d h ld a BAG OF
SNACKS AND A PACK OF GUM. CAMEERA WIDENS i cl de Fe c .
(CONTINUED)
CAL
J .
BEAT.
CAL (CONT'D)
( e: Le i)
She ell h I am?
Le i l k a Fe . Fe ie hi be emai calm.
FEZCO
Nah, ma .
FAYE (O.C.)
A e a c ?
CAL
N .
FROM BEHIND CAL.
ANGLE ON: FAYE a he l k a Le i. CAMERA FOLLOWS Fa e

l k a d la d Le i. The , CAMERA TILTS DOWN, RACK-FOCUS
TO: CAL S RIGHT JACKET POCKET. Wi h hi RIGHT HAND Cal
eache i ide.
CAMERA DOLLIES RIGHT ee Fe c c me INTO FOCUS. Fe e e

a e l cked Cal jacke cke . Fe hif hi e e
Cal e e .

192
A h a g ab a ea b BOX OF CEREAL a d eache i ide.
Fe c e l gla ce A h a i i -- a ile
ig al ge ead .
Fe c l k back Cal. Cal e e i ha cha ged.
C ld. De e mi ed. Calm.

194
CU: CEREAL BOX a A h ll GLOCK hidde i ide. A h

RACKS THE SLIDE e e he ea i l aded. I i .

Cal l l i hd a al hi ha d f m hi cke . Fe c e e
hif back Cal cke .
CU: CAL S RIGHT JACKET POCKET a Cal l l ll ...a

i gle, f lded $20 bill.
CAMERA FOLLOWS Cal ha d a he lace he $20 he c e

f he REGISTER COUNTER.
ANGLE ON: Cal a d Fe c .
CAL
J a c ce ed fa he .
He a d Fe c l ck e e f a BEAT. Cal a d alk .
196 EXT. FEZCO'S CONVENIENCE STORE - ENTRANCE - CONTINUOUS (E14)

196
Fe c alk a d a che a Cal ge i hi ck, a

i , a d d i e a a .
197 INT. BOWLIUM LANES - NIGHT (N14) 197
Ka b l . E ha c me f m behi d a d ie ki he .
CAMERA PULLS BACK e eal Madd a d J le . The i a a

ea b able.
MADDY
Y k ha ' ki d f de e i g?
JULES
Wha ?
MADDY
I'll e e fi d ha ki d f l e.
JULES
Wha d mea ?
MADDY
The e' j da k e . I ' j
ee .
JULES
Yeah.
MADDY
I d ' k if ha ld e e be
e gh f me.
(CONTINUED)
197 CONTINUED: 197
JULES
I d ' k ... I mea , I g e
me e le a e j ki da b il
diffe e .
MADDY
( c i ci gl )
Yeah.
G e .
198 INT. NA MEETING HALL - NIGHT (N14) 198
The g a d , a d he eci e he e e 12-S e -G

( e - ell-k ) ma a.
GROUP
I k if k i .
A d i h ha , he g b eak a a i h a d f
a la e. The , Ali alk e R e.
ALI
H 'b le me gi e a
ide h me?
RUE
Um, I'm ka . I g m bike.
ALI
Yeah, eah. I'm e h ld
be behi d he ha dleba igh .
( alk a a )
199 INT. ALI S TRUCK - NIGHT (N14) 199
MUSIC: "Bl e Monk" b Thelonio Monk la he RADIO.
Ali d i e . R e l che h g .
ALI
Y , e e li e Thel i
M k?
RUE
N .
ALI RUE (CONT'D)

( c ff ) Wha ?
ALI (CONT'D)
G ea e ja ia i h e e
li ed.
(MORE)
(CONTINUED)
199 CONTINUED: 199
ALI (CONT'D)
S edl , he had h ge ha d .
( a mime)
He ld la like hi . A d he
he ld ll hi ha d e , hi
he ke --
Ali ice FADES OUT hile he SONG CONTINUES. R e a e

bla kl he i d .
200 INT. ALI'S TRUCK - 10 MINUTES LATER (N14) 200
Ali ff he ig i i a d em e he ke .
ALI
Al igh .
RUE
Oka , ha a e d i g?
ALI
I'm g a i d ce m elf
m he .
R e i a all e hi la .
RUE
Wha a e alki ' ab ?
ALI
R e, if m da gh e a ge i '
ide h me f m NA b a 54- ea - ld
c ackhead, a d he did ' c me
he d l k me i he e e a d
hake m ha d... I'd hi k
me hi ' a af .
R e ll he e e
RUE
O-Oka , b ca ' , like, g i
he e a d a ... alki ' a d
ff, k ?
ALI
( la f ll hi e )
Y ca ed I'mma ell mama
' e ill d i ' d g , h h?
R e eali e ha Ali k he h. Agai .
ALI (CONT'D)
Oh, he a ie m ha e.
(CONTINUED)
200 CONTINUED: 200
R e h Ali a l mile.
201 INT. FEZCO'S HOME - ALARM PANEL - NIGHT (N14) 201
Ca i g a SHOTGUN, Fe c a m he ALARM bef e e i g i

he li i g m.
202 INT. FEZCO'S HOME - LIVING ROOM - NIGHT (N14) 202
Fa e i fa a lee he c ch. Fe d ble check he l ck

he SLIDING DOOR. He eache d a TABLE a d ick
a GLOCK. He i i hi f cke .
203 EXT. RUE S HOME - NIGHT (N14) 203
LOOKING INTO he li i g m: e ee R e i d ce Ali

LESLIE. The hake ha d . Af e a BEAT, Le lie m i Ali
c me i .
204 EXT. BOWLIUM LANES - NIGHT (N14) 204
Ka a d E ha alk h gh he l a d head ETHAN S CAR.
Madd a d J le i a c b ide f he BOWLING ALLEY.
KAT
( J le a d Madd )
Fi e mi e . Oka ?
I m e f a he ical e i .
MADDY
( ie l ; J le )
Wha i he g a d f fi e
mi e ?
JULES
I d ' e e a a k !
J le PHONE BUZZES. A e me age:
RUE: i kinda anna neak o and come o place. Wha

doin?
J le d e e d.
MADDY
( J le )
I hi k I'm g a ge back ge he
i h Na e.
(MORE)
(CONTINUED)
204 CONTINUED: 204
MADDY (CONT'D)
(BEAT)
I ' a mi ake, igh ?
JULES
D d i .
MADDY
I d ' k if I ca hel i .
JULES
I i h c ld ee elf he
a he e f he ld d e .
J le c che cl e Madd a d he a m a d he .
Madd e he head J le h lde .
205 INT. RUE'S HOME - DINING ROOM/KITCHEN - NIGHT (N14) 205
R e i a he di i g m able; im a ie . Ali a d Le lie

a d ea b .
ALI
I g da gh e m elf, I
k i ca ' be ea .
( Le lie)
I' e g a l f e ec f .
LESLIE
Well, I'm j d i ' ha I ca .
(BEAT)
D a me hi ' d i k
ea ? D a a i d ?
ALI
Nah, ah, ah. I a j c mi '
i d ce m elf.
( la f ll ; R e)
I'm i ' he li le
blemake .
R e SMILES a d l k a Le lie.
LESLIE
B he' d i ' ell, igh ?
LONG, UNCOMFORTABLE BEAT.
R e, c ce ed, l k a Ali. The l ck e e .
ALI
( Le lie; b l ki g a
R e)
(MORE)
(CONTINUED)
205 CONTINUED: 205
ALI (CONT'D)
I ca ' ell if ha ' a
a eme ... a e i .
(ch ckle ; hif
Le lie)
Well, he' g a l g a g .
B did I a he age.
(BEAT)
Oh, ell. Tha k f ha i g me
b .
R e i elie ed. He ec e i afe f .
LESLIE
Oh, f c e.
ALI
All igh . Y ha e a l el igh .
LESLIE
Y . G d igh .
ON ALI: a he l k a R e, mili g a he back a a a d

he f d . O ce he Le lie i e, a d ill
l ki g a R e, hi mile e i . He i a R e.
206 INT. RUE'S HOME - DINING ROOM - SAME TIME (N14) 206
Le lie i i e R e a he able. Le lie gla ce back

HEARING THE FRONT DOOR CLOSE. The , R e:
LESLIE
He ha d me.
(c l g i )
R e i ba icall eechle .
207 INT. CASSIE & LEXI S HOME - FRONT DOOR - LATE NIGHT (LN14)207
I la e. E e e i lee i g. The d e a d Ca ie
alk i .
208 INT. CASSIE & LEXI'S HOME - 2ND FLOOR - LATE NIGHT (LN14) 208
Ca ie ie l a ce d he ai ; a i g h gh a i gle
ligh - a beami g h gh a i d . He face: e e i le ;
alm b ic.

209 INT. FEZCO'S BEDROOM - LATE NIGHT (LN14) 209
Fe c l i g i bed; half- a be ee lee a d ale . A LOUD

THUMP ja Fe f ll a ake.
210 INT. FEZCO'S HOME - HALL - MOMENTS LATER (LN14) 210
Fe eme ge , l l , f m hi m. GLOCK i ha d, he c e
he hall GRANDMA S ROOM.
He e he d . All i ell.
Fe ie l cl e he d G a dma m, a d he
c e e he ba h m d . CAMERA TILTS AND PANS :
ANGLE ON: DOOR KNOB a Fe he k b, a d leadi g i h

he GLOCK, e he d .
RACK-FOCUS e eal Fa e l i g back agai he all e

he ile . A h de mic eedle ck i he g i . She
dead, b eall , eall high. T high m e de he
e g h.
FAYE
( eakl )
I m .
211 INT. FEZCO'S BATHROOM - CONTINUOUS (LN14) 211
Fe c i b h elie ed (beca e he f d he ce f he
i e), b bled beca e f Fa e.
FEZCO
C me , kid. Le ' ge he
bed.
212 INT. FEZCO'S HOME - LIVING ROOM - MOMENTS LATER (LN14) 212
Fa e lie he c ch. Fe c e he i h a BLANKET.
FAYE
I i e killed M e?
SMASH CUT TO:
213 EXT. FEZCO'S HOME - SAME TIME (LN14) 213
WIDE SHOT LOOKING INTO THE LIVING ROOM:
(CONTINUED)
213 CONTINUED: 213
FEZCO
G lee .
He a d g e he i d . He h he DRAPES.
214 INT. JACOBS' HOME - 2ND FLOOR - LATE NIGHT (LN14) 214
Na e a ce d he ai a d head hi bed m. He ge
he d a d ice ha i ligh l aja .
ANGLE ON: d k b a Na e e i e eal Cal a di g i

hi m.
CAL
Y a ell me h me k
d g deale bea ?
NATE
Y e a ha e hi
c e a i ?
CAL
Yeah, Na e, I d .
215 INT. NATE'S BEDROOM - CONTINUOUS (LN14) 215
Na e a d a he d .
NATE
Oka .
Na e e i a d cl e he d .
NATE (CONT'D)
I d ' hi k a M m hea .
Na e lea agai he all.
NATE (CONT'D)
(c fide l )
Y emembe ha cla ma e f mi e
ha f cked? J le ?
Call i ed.
NATE (CONT'D)
All igh , he ld he be
f ie d... h ld he d g deale .
A d he kee h ea e i g g
d he lice a i , a d a
ha like f ck li le kid .
(CONTINUED)
215 CONTINUED: 215
Cal h i k . O e- a h milia i , e- a fea . The bl d
d ai f m hi face.
CAL
F ck.
NATE
S ma be I a icki ' f .
BEAT.
CAL
I a a l gi e...
NATE
I d ' eed a l gie .
CAL
I eed de a d... I
did ' k he e
ch l. I did ' k h ld he
a .
NATE
Mm-hm. Well, ha he did ' k
i ha e e filmi g he .
I j kee ge i g e f Cal.
CAL
( e: he di k)
D ha e i ?
Na e a e a hi dad. A l , iceable mile c e hi

face.
CAL (CONT'D)
Na e?
F he fi ime i hi life, Na e h ld e e hi
fa he .
CAL (CONT'D)
D ha e i ?
A d i feel g d.
MUSIC: YEH I FUCKIN DID IT b LABRINTH
SLAM CUT:
BLACK.

216 CREDITS. 216
END OF 202.


Euphoria - Episode 202 Out of Touch

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Euphoria - Episode 202 Out of Touch

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Ba ed he I aeli Se ie "‫" ֵאפ ִריָה‬

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NOT TO BE DUPLICATED WITHOUT PERMISSION.

MUSIC: LIVE OR DIE b LABRINTH.

JUST MINUTES AFTER MIDNIGHT.

CASSIE S POV: NATE, a led he fl . Ali e. Face

NATE S POV: CASSIE (l ki g i he CAMERA) h ld back ea

The : MADDY e eal he elf.

2 EXT. VIRGIL S HOUSE - EARLY MORNING (EM1) 2

WIDE FROM ABOVE: Ca ie, Madd , MCKAY a d VIRGIL ca Na e.

8FLiX.com SCREENPLAY DATABASE

3 INT. MADDY S CAR - EARLY MORNING (EM1) 3

Madd d i e , McKa i h g . Vi gil a d Ca ie a e i

4 INT. HOSPITAL - ICU CORRIDOR - MORNING (EM1) 4

Na e, STABILIZED a d l i g a GURNEY, ge hed h gh

NATE POV: L k a Madd : ic. Madd l k e

-- CAMERA PANS TO: Ca ie.

5 INT. EAST HIGHLAND HIGH - HALLWAY - 2 YEARS EARLIER - DAY 5

The CAMERA ZOOMS THROUGH Na e a d Madd : MCU: CASSIE. She

8FLiX.com SCREENPLAY DATABASE

6 INT. HOSPITAL ROOM - EVENING (E1) 6

S abili ed a d ale , Na e ge STITCHED b AN UNSEEN

7 INT. NATE S BEDROOM - DAY (NATE S FANTASY) (NFD1) 7

MUSIC: LIVE OR DIE b LIL XAN and NOAH CYRUS.

8 INT. JACOBS ESTATE - READING ROOM - DAY (NFD2) 8

Ca ie lie aked a ma i e GRIZZLY BEARSKIN RUG. She

9 INT. JACOBS ESTATE - READING ROOM - NIGHT (NFN2) 9

Na e a d Ca ie make l e ea a ROARING FIRE a d SURROUNDED

10 EXT. BACK OF NATE S TRUCK - NIGHT (NFN3) 10

I he bed f he ck, Na e a d Ca ie make l e.

8FLiX.com SCREENPLAY DATABASE

11 INT. NATE'S BEDROOM - NIGHT (NFN4) 11

12 INT. JULES BEDROOM - NIGHT (FLASHBACK) (FB103) 12

13 INT. NATE S BEDROOM - NIGHT (NFN4) 13

14 INT. JULES' BATHROOM - NIGHT (FLASHBACK) (FB103) 14

15 INT. NATE'S BEDROOM - NIGHT (NFN5) 15

16 INT. JULES BATHROOM - NIGHT (FLASHBACK) (FB103) 16

ECU: J le PIERCES he g e. (*UNUSED FOOTAGE FROM 103/64)

17 INT. NATE'S BEDROOM - NIGHT (NFN6) 17

18 INT. HOSPITAL ROOM - NIGHT (N1) 18

ECU: NATE S RIGHT EYE i e .

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19 EXT. JACOBS' ESTATE - BACK YARD - DAY (NATE S FANTASY) (NFD7)

Ca ie i eg a . She ead f m he BOOK: Wha o E pec

20 INT. HOSPITAL ROOM - NIGHT (N1) 20

Cal kee a e- e - igil a Na e bed ide. Cal ick

21 EXT. JACOBS ESTATE - BACK YARD - DAY (NATE S FANTASY) (NFD7)

Cal, ea l SHORT BLUE SHORTS a d d e YOGA. Na e a d

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22 INT. SOME MOTEL ROOM - NIGHT (FLASHBACK) (CJFBN1) 22

Cal a d a GRINDR HOOK-UP (black, male, 20 ). Cal i ea i g

23 EXT. JACOBS' ESTATE - BACK YARD - DAY (NFD7) 23

ON CASSIE: l i g i he . Cal a ache ; hi had ca

24 EXT. JACOBS' ESTATE - POOL - LATER (NFD7) 24

Ca ie fl a he back, Cal, a di g be ide he ,

25 EXT. JACOBS' ESTATE - POOL - LATER (NFD7) 25

Ca ie, a ed i a el, e f he l hile Cal

26 EXT. JACOBS' ESTATE - BACK YARD - LATER (NFD7) 26

Na e a d Ca ie, i a LAWN CHAIR faci g each he . The

MARSHA JACOBS (O.S.)