Divide students into small groups (trios work well) and give them a week to:
1. Meet together outside of class with their copies
of The Common in hand; 2. Select, as a group, a poem they particularly like, 3. Prepare to read that poem aloud to the class, and 4. Design and lead an in-class writing exercise for their classmates and teacher that is inspired by a technique or aspect of that poem. Example
One group chose Fatimah Asghar’s poem “Kul” from
Issue 14, read the poem aloud, and noted that it was based on one word that could mean several, potentially opposite things – a contronym. The students had generated a list of contronyms in advance and projected them on the board (e.g., “sanction,” “oversight,” and “left”). They then invited their classmates to write at least a few lines of a poem that would, in their words, embrace these opposite meanings.
“I like this exercise not only because it gets students
engaging with the fresh texts in detailed ways (at the same time we are all receiving and getting into our new issues) and working together, but also because it gives them a sense of what it is like to be in front of a class, teaching (potentially useful information for those who may be considering that path.)” – Amy Weldon
Adapted from Amy Weldon, Professor of English, Luther
College
Lesson Plan: Discussion
Student-led discussion:
Ask student groups or individual students to lead
discussions on essays and poems from a single issue, identifying specific attributes of place-based writing and how that might apply to their own writing and/or how they perceive the places they inhabit.
Workshops:
Ask students to read all the poems, stories, or essays in a
single issue, and to discuss them as a group—how they fit together and/or form a cohesive group across the whole journal, almost as if discussing a collection of poems, stories, or essays by a single author. How do they fit together with the rest of the issue?
Assignment
Identify a poem (or story or essay) from the issue that
uses memory to link a past and present experience with place; write a poem (or story or essay) that functions in a similar way, but draw from your own experience Allah, you gave us a language where yesterday & tomorrow are the same word. Kul.
A spell cast with the entire
mouth. Back of the throat to teeth. What day am I promised?
Tomorrow means I might have her forever.
Yesterday means I say goodbye, again. Kul means they are the same.
I know you can bend time.
I am merely asking for what is mine. Give me my mother for no
other reason than I deserve her.
If yesterday & tomorrow are the same bring back the grave. Pluck the flower
of my mother’s body from the soil.
Kul means I’m in the crib eyelashes wet the first time they open. Kul means
my sister is crawling away from her
on the bed as my father comes home from work. Kul means she’s dancing
at my wedding not-yet-come kul means she’s oiling my hair before the first day of school. Kul
means I wake to her strange voice in the kitchen
kul means she’s holding my baby in her arms, helping me pick a name.