Not long ago a mysterious melody caught my attention in the dead of th

while listening the complete works of Mozart. Abrupt changes of subject,

and tempo combined with some singular expressions and feelings expressibl
music... It was the Fantasy in D minor (Fantasia in D minor - K. 397
by the composer (who died before he could complete it) and probably fin
August Eberhard Müller—and it has lost no luster with this latter compl

I wandered all over the internet looking for a digital music sheet for
but I found nothing that would give me the level of detail I was look

Then I found a seemingly simple program on the Internet called MuseScor

Free, light, multi-platform and it seemed to be pretty intuitive. I rea
long journey ahead, because I decided that I would make the transcripti
it publicly available, thus continuing the remarkable work of H. Jullien
wonderful job editing, diagramming and transcribing the adapted manuscrip

This outcome is the result of a fairly hard work. Something around 50

files saved and countless revisions.

I hope you all enjoy this work. I have added playback features to the
ensure that it looks and sounds good.

To those who also venture into music notation softwares, I would strong
to give a look at the MuseScore project. The software and the community

I thank all my family and friends for their support (mainly Wellenilton
each stage of the project), and I am also grateful to colleagues of th
forum (Marc Sabatella, "lasconic" and Thomas).

Enjoy it!
Fabio Pio Marques Filho
Fantasia
Email: in D minor
fabpianista@gmail.com W. A. Mozart


Instagram: @fabio.marques.uk
K. 397/385g


 
Andante

        
          
3 3 3 3

           
3 3 3 3 3 3 3 3


      
  3  
     
Piano

   
   
3 3

     
3


 

               
    
          
5 3 3

 
3 3 3
3 3 3

   
3 3


cresc.

      
   
decresc.

         
3 3 3

    
3 3

 
    
3
 
 
 
    

9


3
3
 3

  
   


       

3

                          
               
Adagio

 3  
3


10

3 
 

                               

3

               

                                
rit.






                           
               
                  
16

   
3


     




                                   

           
    


 


       
                                                                
22

    



poco agitato

   

         
      

      
        




                                   
                        
26


           
               
 
 
cresc.

 
cresc.

  
              
 
   
            


             
             
31


        
                

        
cresc.

        
        


Presto
  
      
   
     
 
34

  
m.d.

     
   
m.d.

   
m.s.
  

     
m.s.

       

  





      
Tempo Iº.

           
   
   
       
    
    
 
           
38

                 
   


             
                   
  

co agitato

                                
   
                        

43


        
 
 
cresc.

         
cresc. cresc.



          
           


  
        
  

46

  
 
poco allarg.

         


  



    
Presto

          
 
   
        
47

  



          
   
         
  





       
          
     
Tempo Iº.

   
       
51




        
                 
                           



 
                                            
              
54

 3

  


                       
                  
   
                    




m.s.

          

 

   
                     
 

Allegretto
 
60

 
m.d.

 
  
  



  
m.s.

  
           
dolce

    
m.s.

 
 


 


                                       
   
          
65



  

               
            
  

                      



     
1.

  
76


  

   



                         
 
            

2.


78




             
    




                      
  
      
  
85


 
cresc.


           
    
   
                            
  




       
          
     
  

      
m.d.

    




 
                                      


    
rallent. e dim.


 


a Tempo

   
                
    
    
  
             
96

    
  

       


dolce

     
           




         






                   


                       
107

   
 

       

            
      
 