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  • Se Inst. BB

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    Francinio Gelian
    6 views2 pages
    This appears to be a musical score containing musical notation. It includes various musical symbols like quarter notes, eighth notes, repeats, dynamics, and other indications. The score seems to progress through a musical composition with changes in time signature, key, and other musical elements over its 64 measures.

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    Original Title

    Se Inst. Bb

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    This appears to be a musical score containing musical notation. It includes various musical symbols like quarter notes, eighth notes, repeats, dynamics, and other indications. The score seems to progress through a musical composition with changes in time signature, key, and other musical elements over its 64 measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    6 views2 pages

    Se Inst. BB

    Uploaded by

    Francinio Gelian
    This appears to be a musical score containing musical notation. It includes various musical symbols like quarter notes, eighth notes, repeats, dynamics, and other indications. The score seems to progress through a musical composition with changes in time signature, key, and other musical elements over its 64 measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Se

         
    Djavan

              
    
    Inst. Bb

     

               
                     

    13

       
                       
    17

                  
                  
      
    21

                      3 
      3  
     
    3


    25
    3

                                     
       
    29

                      
         
     
    33

    
                  
    2

             
    38

    
                 
              
    42

                         
           
    46

     
                
       
    50  D.S. al Coda 

    
              
           
    56

                      
            
    60

            


          
     
    64


    
                
         
    68

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