Professional Documents
Culture Documents
instance, what are the contents of each one, and how far these contents are
supported by corroborative evidence elsewhere. His opting not to do so is the
more surprising given that such detailed architectural analyses of his sources
feature in many of his earlier publications—though understandable perhaps in
that he is focusing here upon a considerably larger number of works than usual:
detailed textual analysis of each hagiographic narrative would have made this
short book instead a long one. But it does mean that we are left with a distinctly
vague impression of the very works that Frank is writing about, and a distinctly
vague impression of which elements within their respective narratives are epis-
The object of this nineteenth volume in the Qur8anic Studies series of the
London-based Institute of Ismaili Studies is to examine particular ways in which
434 BOOK REVIEWS
Sudanic Africans have interacted with the Qur8:n in terms of its textual, scribal,
aural, oral, utilitarian, power-accession, epistemic, and material cultures.
Contributors with different expertise and approaches from anthropology, phil-
ology, historiography, and art history present twelve case studies from Mali,
Niger, Nigeria, Senegal, and Tanzania (nothing on Southern Africa) in this
volume.
The Introduction (pp. 1–23) gives an account of the earliest recorded history
of the recitation of the Qur8:n in Sudanic Africa, as the mise en scène of how the
Muslims got established outside the Arabian Peninsula, precisely in Abyssinia,
Sufism has a strong religious presence throughout much of West Africa and Sufis
have produced major literature and bodies of work in this region. Jihad of the
Pen explores the new generation of research on the rich Arabic source material of
Islamic Africa, particularly West Africa, and introduces the Sufi scholars of
Africa while examining their spiritual and political influence.
This volume brings together writings by 6Uthman bin Fudi (d. 1817, Nigeria),
6Umar Tal (d. 1864, Mali), Ahmadu Bamba (d. 1927, Senegal), and Ibrahim
Niasse (d. 1975, Senegal), who, between them, founded the largest Muslim
communities in African history and are partly responsible for the flourishing
of Sufism in West Africa (p. 2). Jihad of the Pen offers fresh translations of
Arabic source material in prose and poetry that proved formative of a veritable
Islamic revival across West Africa in the nineteenth and twentieth centuries.
Among recurring themes are etiquette (adab), reflection on education (tarbiya),
importance of the spiritual path, love for the Prophet, Qur8:nic verses, faith
(;m:n), the acquisition of divine knowledge (ma6rifat All:h), and the remem-
brance (dhikr) of God. All of which demonstrate a shared, vibrant scholarly
heritage in West Africa that drew on the classics of global Islamic learning,
and made major contributions to Islamic intellectual history. Their writings