Professional Documents
Culture Documents
© 2012 Macmillan Publishers Ltd. 1350-23IX Journal of Brand Management Vol. 20, 2, 77–79
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Guest Editorial
have a purpose beyond profit. Grameen to assess how close a given brand gets to
has built a business by loaning US$11 billion open source principles, and they analyse the
to get micro-businesses off the ground kinds of brand personality that work best in
in Bangladesh. Zipcar is building a big this new world of co-created brands.
business in car-sharing, and claims that
every Zipcar takes 15 cars off the road. FROM CONTROL TO LIBERATION
Neither has a traditional ‘positioning’. Fourth, we find our clients less concerned
In this context, the idea that a brand can now to use their brands as a means of con-
build and maintain a ‘positioning’ looks trol inside their organisations, more as a
increasingly old-fashioned. In Is It Time to means of liberation. They no longer con-
Reposition Positioning? Henrietta Jowitt and ceive of brands as a mindset or ideology,
Giles Lury show that brands need instead to more as a starting point for individual peo-
think about purpose (which they codify as ple’s initiative and innovation. We saw this
vision, beliefs and personality). The old idea first working for Jeff Immelt at GE in 2004,
of ‘propositions’ (the tools of persuasion) still where the brand idea is as open-ended as
plays a role, but a secondary one. ‘imagination at work’. Brands like Lego
have also used an inspirational brand idea to
FROM CONSISTENCY TO generate innovation and create new value,
EXPERIMENTATION through initiatives like Lego Serious Play.
Third, and this is the most visible change, In Bringing the Corporate Brand to Life,
brands are less obsessed with consistency. Benjamin Golant looks at this new role of
These days, brands are much more relaxed brands inside organisations. He discusses the
about varying their visual identities – think co-creation of meaning with employees,
about Google’s pop-up logos, or the thou- building on Shotter’s idea of ‘practical
sands of variants of the new MIT Media authorship’. Golant shows how important it
Lab logo, or even the variants on the is for leaders to give their people space to
Tate logo, which we first designed back in construct their own meanings, not to have
2000. And they are less obsessed with an ideology thrust on them.
rolling out a formula: Starbucks is actively
trying to vary its offer by location, even FROM OWNERSHIP TO
creating covert brands like Roy Street BOUNDARYLESSNESS
Coffee and Tea. Rather than policing for Finally, brands are becoming more relaxed
consistency, we’re today advising our clients about ownership. Brands were invented as
on how to achieve coherence. They’re marks of ownership – burned on to cattle,
looking not for a monotone, but a theme originally. But today, as organisations are
with variations; not a slogan, but a story; forced to collaborate more, brands are
not a message, but a pattern; not a set for- being shared. They serve less to divide
mula, but constant experimentation. organisations apart, more to multiply them
Rather than permanent items created by together.
a marketing department, brands increasingly We saw this first when we worked in
see themselves as continuously changing 2006 for Bono’s charity (RED), which links
things, co-created with users. In Open Source with brands like Apple, American Express
Brands and Their Online Brand Personality, and Gap to create special red products, and
Gareth Haarhoff and Nicola Kleyn explore a proportion of the profit from those pro-
the co-creation of meaning with consumers, ducts goes to fight Aids and HIV in Africa.
using terminology from software develop- The (RED) brand and the Gap brand, for
ment, ‘open source’. They propose a way example, multiply each other’s power, and
78 © 2012 Macmillan Publishers Ltd. 1350-23IX Journal of Brand Management Vol. 20, 2, 77–79
Guest Editorial
their two logos get fused together. In our And finally, Bernard Cova and Bernard
work for New York City and the London Paranque examine the new porousness
2012 Olympic Games, both in 2007, we of organisations, in the context of value
made logos that allowed other organisations creation. They see value being created in
to place their colours and images inside the the inter-relationships between consumers,
symbol, creating something shared. And marketers and financiers. And they describe
probably the biggest multiplier brand today brands as the intellectual, social and cultural
is Android, shared by 30 handset makers, medium connecting inside and outside of
and thousands of app developers. an organisation.
Brands today, of course, live in the boun- Brands started in the 1660s as the
daryless world of social media. Elaine Wallace, definers of the boundaries of an organisa-
Isabel Buil and Leslie De Chernatony tion: now, in the 2010s, they’re becoming
examine the ways consumers interact with the means by which owners, consumers,
brands in the context of the most powerful employees and financiers can transcend
social media platform on the planet, Face- those boundaries.
book. In Facebook ‘Friendship’ and Brand
Advocacy, they show the power on that plat- Robert Jones
form of brands that appeal to people’s University of East Anglia,
growing desire for self-expression. Norwich, UK.
© 2012 Macmillan Publishers Ltd. 1350-23IX Journal of Brand Management Vol. 20, 2, 77–79 79