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THE:SWAN EDITION
E
MACBETH
BY WILLIAM
**
*
SHAKESPEARE :
A tuti
Ri
TW
LONGMANS
GREEN.AND.CO
LONDON
...
Edited by Illustrated by
Julius Cæsar Dr. FORSYTH GRANVILLE MAnton .
Merchant of Venice John BiDGOOD, B.Sc., F.L.S. C. A. SheppERSON .
King John J. W. Young , B.A. PATTEN WILSON .
The Tempest G. W. STONE, M.A. ... S. G. Davies.
As You Like It W. Dyche , B.A. C. A. Shepperson .
Henry V. ... ... D. FERGUSON , M.A. R. WHEELWRIGHT .
Richard II . W. J. ABEL , B.A. , LL.D. H. M. BROCK.
Macbeth ... R. McWILLIAM , B.A. ... GORDON BROWNE.
M ACBETH
73317
BY
WILLIAM SHAKESPEARE
Til si
WITH NOTES, ETC. , BY
Lii
R. McWILLIAM , B.A.
INSPECTOR TO THE LONDON SCHOOL BOARD
GORDON BROWNE
1899
Li
:!i lit
WILLIAM SHAKESPEARE .
LIFE OF SHAKESPEARE .
Shakespearian museum ,
Little is known of Shakespeare's childhood, but in 1568,
while John Shakespeare was bailiff of Stratford , the Queen's
Players came to the town and received a licence to play.
The same thing happened next year, and no doubt the child
of five was there with open eyes to see. At seven years of
age he was sent to the Free Grammar School of the Holy
Cross, a few streets away from his father's house, and it is
thought probable that in Love's Labour's Lost, his earliest
play, he has portrayed in the character of the pedantic but
vi MACBETH .
ZVERSE
33
66
THE SHAKESPEARE MEMORIAL AT STRATFORD - ON - AVON .
After resting in this quiet place for some five or six years
with his wife and daughters and a little grand-daughter, the
poet passed away on his fifty -third birthday, 23rd April,
.
1616 .
Date of the Play of Macbeth . There is little doubt
that the date of the composition of this play lies somewhere
between 1603 and 1610, and probably nearer the latter date
than the former . The lines in iv. 1
Some I see
That twofold balls and treble sceptres carry,
fix the time as later than the union of the crowns under
James I. For the other limit we have the note - book of
the year 1610 of a Dr. Forman , who describes in such
detail a play which he saw in the Globe theatre that there
is no doubt it was Shakespeare's Macbeth . To the same
period of Shakespeare's life belong almost certainly three
other great dramas, Hamlet, Lear, Othello, which bear some
resemblance to Macbeth. In each of them is portrayed a
character essentially noble, yet so beguiled by malignant
influences, or mocked by a cruel destiny, or betrayed by
some fatal flaw of character , that the life which promised so
well sinks into hideous ruin, and is stripped of all noble
purpose and meaning.
Life's but a walking shadow ; a poor player,
That struts and frets his hour upon the stage ,
And then is heard no more : it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
It may be that in these years Shakespeare was brooding
over such dark problems of life , but he seems a little later to
MACBETH . xiii
xvi MACBETH . 1
withal, for it must seem their guilt " (ii. 2, 56), and in “ The
near in blood , the nearer bloody "" (ii. 3 , 108).
A. Shakespeare often uses words, especially those derived
>
Why in that rawness left you wife and child (iv. 3, 26) .
All these are portable, with other graces weigh'd (iv. 3, 74 ).
MACBETH . xix
So also in i. 6 , 28.
While for until .
Till supper-time alone : while then, God be with you ! (iii. 1, 43).
G. If is omitted sometimes with the subjunctive.
Go not my horse the better (iii. 1, 25) .
As they would make war with mankind (ii . 4, 17) .
As they had seen me with these hangman's hands (ii. 2, 27) .
As life were in't (v. 5, 13) .
H. Pronouns are used sometimes in the nominative for
the accusative , and vice versâ.
Who for whom.
Who I myself struck down (iii. 1, 122) .
So in iii. 4 , 42, and iv. 3, 156.
Him for he.
And damn'd be him that first cries, “ Hold, enough " (v. 8, 31 ) .
I. The singular form of the verb is sometimes used for
the plural.
All is but toys ; renown and grace is dead (ii. 3 , 61 ).
There's daggers in men's smiles (ii. 3, 108).
Fate and metaphysical aid doth seem
To have thee crown'd withal ( i. 5, 26).
Words to the heat of deeds too cold breath gives (ii . 1 , 61) .
J. Should is sometimes used in the sense of ought, and
would in the sense of require.
You should be women and yet (i. 3 , 45).
So should he look that seems to speak things strange (i. 2, 45).
Golden opinions which would be worn now in their newest
gloss (i. 7 , 34) .
So in iii. 1 , 50 ; in iv . 3 , 179, and in v. 8, 62.
K. The past participle is sometimes used in a curtailed
form.
I have spoke with one that saw him die (i . 4, 3).
So in iv . 3 , 11 .
You have broke the good meeting (iii . 4 , 109 ).
This report hath so exasperate the king (iii. 6, 38) .
МАСВЕТН . xxi
VERSIFICATION .
The five -measure rhyming lines are for the most part
couplets which end, and as it were clinch the scenes of the
>
play.
Banquo, thy soul's flight,
If it find heaven, must find it out to-night (iii. 1, 140, 141) .
It is remarkable that these rhyme tags are more frequent
in Macbeth than in any other play of Shakespeare. Of
twenty-eight scenes seven only are free from them, and the
tags are often so poor and bald that it has been thought they
are not the work of Shakespeare, but that they were thrown
in by the actors, or by Middleton if he revised the play.
The blank verse in Macbeth , as in Shakespeare's other later
plays , differs greatly from that of his early plays. In these
nearly all the lines are end stopped—that is, they have a pause
at the end.
A lover's eyes will gaze an eagle blind ;
A lover's ears will hear the lowest sound,
When the suspicious head of theft is stopp'd ;
Love's feeling is more soft and sensible,
Than are the tender horns of cockled snails ( Love's Labour's
Lost, iv. 3) .
In the later plays a freer measure is used, a far greater
number of lines are unstopped , the pause falling in the middle
of the next line.
The time has been
That when the brains were out, the man was dead
And there an end ; but now they rise again
With twenty mortal murders on their crowns,
And push us from our stools. This is more strange
Than such a murder is (Macbeth , iii. 4) .
There are in Macbeth a few six - measure lines called
Alexandrines.
So they doubly redoubled strokes upon the foe (i. 2, 37).
So also iv, 1 , 149, and iv. 3 , 224.
These lines may, however, be incorrect, and emendations
have been suggested.
МАСВЕТН . xxiii
DRAMATIS PERSONÆ .
ACT 1.
)
Cawdor !
THIRD WITCH. All hail, Macbeth ! that shalt be king
hereafter . 50
Ban. Good sir, why do you start, and seem to fear
Things that do sound so fair ? I' the name of truth,
Are ye fantastical, or that indeed
Which outwardly ye show ? My noble partner
55
95
He finds thee in the stout Norweyan ranks ,
Nothing afеard of what thyself didst make,
Strange images of death. As thick as hail
Came post with post ; and every one did bear
Thy praises in his kingdom's great defence,
And pour'd them down before him.
Ang. We are sent, 100
To give thee, from our royal master, thanks ;
Only to herald thee into his sight,
Not pay thee.
Ross. And, for an earnest of a greater honour,
He bade me , from him , call thee thane of Cawdor :
>
105
In which addition, hail, most worthy thane !
For it is thine.
BAN. What, can the devil speak true ?
MacB. The thane of Cawdor lives : why do you dress me
In borrow'd robes ?
Ang. Who was the thane lives yet ;
But under heavy judgment bears that life 110
Which he deserves to lose. Whether he was combined
With those of Norway, or did line the rebel
With hidden help and vantage ; or that with both
He labour'd in his country's wreck, I know not ;
But treasons capital, confess'd, and proved, 115
Have overthrown him.
MacB. [ Aside.) Glamis , and thane of Cawdor :
The greatest is behind . —Thanks for your pains.
Do you not hope your children shall be kings ,
Act I , Sc . 3. ] MACBETH . 9
a
Act I. Scene V.
LADY MACBETH . Look like the innocent flower,
But be the serpent under it.
16 MACBETH . [Act I , Sc . 6 .
Ban. This guest of summer,
The temple-haunting martlet, does approve,
By his lov'd mansionry, that the heaven's breath 5
Smells wooingly here : no jutty, frieze,
Buttress, nor coigne of vantage, but this bird
Hath made his pendent bed and procreant cradle :
Where they most breed and haunt, I have observed,
The air is delicate .
Enter LADY MACBETH .
Dun . See, see ! our honour'd hostess ! 10
The love that follows us sometime is our trouble,
Which still we thank as love . Herein I teach you,
How you shall bid God 'ild us for your pains,
And thank us for your trouble.
LADY M. All our service
In every point twice done, and then done double, 15
Were poor and single business, to contend
Against those honours deep and broad, wherewith
Your majesty loads our house : for those of old,
And the late dignities heap'd up to them,
We rest your hermits.
Dun. Where's the thane of Cawdor ? 20
We coursed him at the heels, and had a purpose
To be his purveyor : but he rides well ,
And his great love, sharp as his spur, hath holp him
To his home before us . Fair and noble hostess,
We are your guest to- night.
LADY M. Your servants ever 25
Have theirs, themselves, and what is theirs, in compt ,
To make their audit at your highness' pleasure,
Still to return your own.
Dun . Give me your hand :
Conduct me to mine host ; we love him highly,
And shall continue our graces towards him . 30
By your leave, hostess. [ Exeunt.
Act I. Sc. 7.) MACBETH . 17
ACT II.
3
34
ACT III.
Enter BANQUO.
5
But that myself should be the root and father
Of many kings. If there come truth from them
As upon thee, Macbeth, their speeches shine
Why, by the verities on thee made good ,
May they not be my oracles as well
And set me up in hope ? But hush, no more. 10
Senet sounded. Enter MACBETH , as King ; LADY MACBETH ,
as Queen ; LENNOX , Ross, Lords, Ladies, and Attendants.
MACB. Here's our chief guest .
LADY M. If he had been forgotten
It had been as a gap in our great feast,
And all-thing unbecoming.
MACB. To-night we hold a solemn supper, sir,
And I'll request your presence .
Ban. Let your highness 15
Command upon me, to the which my duties
Are with a most indissoluble tie
For ever knit.
MacB . Ride you this afternoon ?
BAN. Ay, my good lord.
Act III . Sc. 1.) MACBETH . 35
10
And, which is worse, all you have done
Hath been but for a wayward son,
Spiteful, and wrathful; who, as others do ,
Loves for his own ends, not for you.
But make amends now : get you gone,
And at the pit of Acheron 15
Meet me i' the morning ; thither he
Will come to know his destiny.
Your vessels and your spells provide ,
Your charms and everything beside.
I am for the air ; this night I'll spend 20
Unto a dismal and a fatal end.
Great business must be wrought ere noon :
Upon the corner of the moon
There hangs a vaporous drop profound ;
I'll catch it ere it come to ground : 25
Act III . Sc. 6.1 MACBETH . 49
ACT IV .
46
ab 77
Act IV . Scene I.
MACBETH . How now ,you secret, black, and midnight hags !
What is't you do ?
54 MACBETH . [Act IV. Sc. 1 .
Of nature's germins tumble all together,
Even till destruction sicken ; answer me
To what I ask you .
FIRST WITCH . Speak.
SECOND WITCH. Demand .
THIRD WITCH. We'll answer.
First WITCH. Say, if thou’dst rather hear it from our
mouths,
Or from our masters ' ?
МАСв. 60
Call 'em , let me see 'em .
FIRST WITCH. Pour in sow's blood, that hath eaten
Her nine farrow ; grease that's sweaten
From the murderer's gibbet, throw
Into the flame.
ALL . Come , high , or low ;
Thyself and office doftly show . 65
Thunder. First apparition : an armed Head.
MacB. Tell me , thou unknown power, -
FIRST WITCH . He knows thy thought :
Hear his speech, but say thou nought.
APP. Macbeth ! Macbeth ! Macbeth ! beware Macduff ;
Beware the thane of Fife. Dismiss me : enough.
[Descends.
MACB. Whate'er thou art, for thy good caution , thanks ; 70
Thou hast harp'd my fear aright : but one word more ,–
FIRST WITCH. He will not be commanded : here's another,
More potent than the first.
Thunder. Second apparition : a bloody Child.
APP. Macbeth ! Macbeth ! Macbeth !
Macb . Had I three ears, I'd hear thee.
APP. Be bloody, bold, and resolute ; laugh to scorn 75
The power of man , for none of woman born
Shall harm Macbeth . [ Descends.
MACB . Then live , Macduff : what need I fear of thee ?
But yet I'll make assurance double sure,
Act IV. Sc. 1. ] MACBETH . 55
85
MACD . O Scotland, Scotland !
MAL. If such a one be fit to govern, speak :
I am as I have spoken .
Macd. Fit to govern !
No, not to live. O nation miserable !
With an untitled tyrant bloody-sceptred,
When shalt thou see thy wholesome days again, 90
Since that the truest issue of thy throne
By his own interdiction stands accursed ,
And does blaspheme his breed ? Thy royal father
Was a most sainted king : the queen that bore thee,
Oftener upon her knees than on her feet, 95 .
Died ever day she lived . Fare thee well !
These evils thou repeat'st upon thyself
Have banished me from Scotland . O my breast ,
Thy hope ends here !
Mal. Macduff, this noble passion,
Child of integrity, hath from my soul 100
Wiped the black scruples, reconciled my thoughts
To thy good truth and honour. Devilish Macbeth
By many of these trains hath sought to win me
Into his power ; and modest wisdom plucks me
From over-credulous haste : but God above 105
5
66 MACBETH . ( Act IV. Sc. 3 .
Deal between thee and me ! for even now
I put myself to thy direction, and
Unspeak mine own detraction ; here abjure
The taints and blames I laid upon myself,
For strangers to my nature . 110
I never was forsworn,
Scarcely have coveted what was mine own,
At no time broke my faith , would not betray
The devil to his fellow, and delight
No less in truth, than life : my first false speaking 115
Was this upon myself : what I am truly,
Is thine and my poor country's to command :
Whither indeed, beforethy here -approach ,
Old Siward, with ten thousand warlike men,
Already at a point , was setting forth. 120
Success
Now we'll together, and the chance of goodness
Be like our warranted quarrel ! Why are you silent ?
MacD. Such welcome and unwelcome things at once
' Tis hard to reconcile.
Enter a Doctor.
MAL. Well, more anon. Comes the king forth, I pray
you ? 125
ACT Y.
Doct. What is it she does now ? Look , how she rubs her
hands .
Gent. It is an accustomed action with her, to seem thus [25]
washing her hands : I have known her continue in this a
quarter of an hour.
LADY M. Yet here's a spot.
Doct . Hark ! she speaks : I will set down what comes
from her, to satisfy my remembrance the more strongly. 30
LADY M. Out, damned spot ! out, I say ! One ; two :
why, then 'tis time to do't. Hell is murky. Fie, my lord,
fie ! a soldier and afеard ?. What need we fear who knows
it, when none can call our power to account ? Yet who
would have thought the old man to have had so much [35 ]
blood in him !
Doct . Do you mark that ?
LADY M. The thane of Fife had a wife ; where is she
now ? What, will these hands ne'er be clean ? No more
o ' that, my lord, no more o' that : you mar all with [40]
this starting.
Doct. Go to, go to ; you have known what you should
not .
Signifying nothing.
80 MACBETH . (Act V. Sc. 6 .
Enter a Messenger .
Thou comest to use thy tongue ; thy story quickly.
MESS. Gracious my Lord, 30
I should report that which I say I saw,
But know not how to do it.
МАСв. Weil, say, sir.
Mess. As I did stand my watch upon the hill,
I look'd toward Birnam , and, anon, methought,
The wood began to move.
МАСв . Liar, and slave ! [ Striking him . 35
Mess. Let me endure your wrath if't be not so ;
Within this three mile may you see it coming ;
I say, a moving grove.
МАСв. If thou speak’st false,
Upon the next tree shalt thou hang alive,
Till famine cling thee : if thy speech be sooth , 40
I care not if thou dost for me as much.
I pull in resolution, and begin
To doubt the equivocation of the fiend
That lies like truth : “ Fear not, till Birnam wood
Do come to Dunsinane ” ; and now a wood 45
Comes toward Dunsinane . Arm , arm , and out !
If this which he avouches does appear,
There is nor flying hence nor tarrying here.
I’gin to be a-weary of the sun ,
And wish the estate o ' the world were now undone. 50
Ring the alarum-bell ! Blow wind ! come wrack !
At least we'll die with harness on our back. [Exeunt .
SCENE VI. Dunsinane. A plain before the Castle.
Enter, with drums and colours, MALCOLM, old SIWARD, MAC
DUFF, and their army, with boughs .
MAL. Now near enough ; your leafy screens throw down,
And show like those you are. You , worthy uncle,
Shall, with my cousin, your right noble son ,
Act V. Sc. 7. ] MACBETH . 81
20
I sheathe again undeeded. There thou shouldst be ;
By this great clatter, one of greatest note
Seems bruited : let me find him , fortune !
And more I beg not. [ Exit. Alarums.
Enter MALCOLM and old SIWARD.
Siw. This way , my lord ; the castle's gently render'd :
The tyrant's people on both sides do fight; 25
The noble thanes do bravely in the war ;
The day almost itself professes yours ,
And little is to do.
MAL . We have met with foes
That strike beside us .
Siw . Enter, sir, the castle.
[Exeunt. Alarum .
SCENE VIII . Another part of the field .
Enter MACBETH .
MacB. Why should I play the Roman fool, and die
On mine own sword ? whiles I see lives, the gashes
Do better upon them .
Re- enter MACDUFF.
Macs. Turn , hell-hound, turn !
Macb. Of all men else I have avoided thee :
But get thee back ; my soul is too much charged 5
With blood of thine already.
MacD . I have no words :
My voice is in my sword, thou bloodier villain
Than terms can give thee out ! [They fight.
МАСв. Thou losest labour :
As easy mayst thou the intrenchant air
With thy keen sword impress as make me bleed ; 10
Scene
V.
VIII
.Act
M
·. ACDUFF Ihave
no
:words
,tbloodier
sword
my
in
is
voice
My
villain
hou
terms
Than
give
can
out
!thee
84 MACBETH . [Act V. Sc. 8 .
Let fall thy blade on vulnerable crests ;
I bear a charmed life, which must not yield
To one of woman born .
MacD. Despair thy charm .
MACB . Accursed be that tongue that tells me so,
For it bath cow'd my better part of man ! 15
And be these juggling fiends no more believed,
That palter with us in a double sense ;
That keep the word of promise to our ear,
And break it to our hope. I'll not fight with thee.
MACD. Then yield thee, coward , 20
And live to be the show and gaze o' the time :
We'll have thee, as our rarer monsters are,
Painted upon a pole, and underwrit,
“ Here may you see the tyrant ”.
МАСв . I will not yield,
To kiss the ground before young Malcolm's feet, 25
NOTES .
Act I. , SCENE 1.
3. Hurly burly . The confused noise and tumult of the battle.
A word of uncertain origin . Perhaps from French hurler, to howl.
6
Shakespeare uses also theword “ hurly ” with much the same meaning.
8. Graymalkin , a cat. Paddock , a toad. The familiar
spirits of the witches were believed to appear disguised in these forms
of animals.
9. Fair is foul , etc. To these malignant beings the ugly was
beautiful, the beautiful ugly. So Milton's Satan says—
“Evil be thou my good ” .
Act I. , SCENE 2.
This scene is thought by some not to be Shakespeare's work . The
language is in parts bombastic, the narrative is somewhat confused ,
and what is said of Cawdor in lines 53, 54 cannot easily be reconciled
with what is said of him in Scene 3, lines 72, 73.
5. Fought 'gainst my captivity . Malcolm recognises the
sergeant as one who on some previous occasion had saved his life and
liberty. Carrying off princes and holding them to ransom was no
uncommon crime.
9. Choke their art . No longer struggling for victory but for
life, and each killing the other in the effort.
10. To that . To that end. With so villainous a nature he could
not but be a rebel .
13. Kernes and gallowglasses . Celtic terms for foot
soldiers — frequent mention of them in the Irish wars of Elizabeth's
time. The kernes were very rudely armed . " Of ” in this line is
used for “ with ” .
18. Minion . The darling or favourite . From French mignon .
20. Which ne'er shook hands . Some preceding words have
probably been lost. The “ which " should refer to Macbeth, and the
shaking of hands is mentioned in bitter scorn of Macdonwald.
24. As whence the sun , etc. From the east there break
sometimes terrible storm and thunder instead of the expected comfort
ing sunlight. So now Macbeth's victory over Macdonwald gave
opportunity for the onset of the King of Norway.
39. Memorize Render famous. The battlefield with its heaps
of slain is called a Golgotha, a place of skulls.
88 МАСВЕТН .
Castle is about five miles from Forfar, and lies between the Dunsinane
Hills and Birnam Hill .
76. Owe . This word has the meaning of " own or possess ,” in
this place and also in i . , 4, 10 and in iii . , 4, 113. In i. , 4, 22 and in v. ,
4, 18 the word is used with its modern meaning .
84. The insane root . A writer of Shakespeare's day says :
“ You have eaten of the roots of hemlock, that makes men's eyes
conceit unseen objects ” .
92, 93. His wonders and his praises , etc. The king's
wonder at Macbeth's bravery is so great that he cannot render him
the praise which is his due.
106. Addition . Used here and in iii . , 1 , 99 in the sense of
" title " . So called because it is added to a person's name.
112. Line . Support , especially with secret help — a metaphorical
expression taken from the lining of a garment.
140. Single state of man appears to signify the powers of body
and mind working in harmony. Horrible imaginings have destroyed
this harmony, the natural faculties have been as it were suspended ,
and Macbeth appears for the moment to live only in a dream.
Act I. , SCENE 4 .
18, 19. If thou hadst less deserved, my thanks and payment might
have been in more just proportion to thy merits.
39. Cumberland . A district including our present Cumberland
and Westmoreland and with part of the south -west of Scotland . It was
then held by the Scottish kings as a fief from England.
44. “ The rest which is not devoted to your service is irksome as
labour.” An overstrained profession of loyalty. Macbeth will not
remain with the king's party but hastens on before him .
55. Your praises of Macbeth give me delight.
ACT I. , SCENE 5.
2. Mortal. Used here and in iv. , 1 , 96, and in v. , 3, 5, in the
sense of “ human ” . In i . , 5 , 38 and in iv. , 3, 3 it has the sense of“ deadly ” .
.
11-20. The portents which are here described are enumerated with
others by Holinshed in his account of the murder of King Duffe .
28. Ravin up . Devour voraciously, without thought, like a
beast.
31. Scone . The ancient town where the early Scottish kings were
crowned.
33. Colme- kill . Iona, where in the churchyard of the ruined
abbey the graves of many of the ancient kings are shown. The natives
call the island Icolmkill , “ the cell of St. Columba ” .
140. “ My deeds shall be swift and shall not wait for deliberation.”
Compare iv. , 1 :
“The very firstlings of my heart shall be
The firstlings of my hand”.
Act III., SCENE 5.
The whole of this scene is thought by some editors to be the work
of Middleton . In his play of the Witch there is a passage of some
forty lines of dialogue between Hecate and other spirits, and beginning
with the words of the song
“Come away , come away ” .
ACT III., SCENE 6.
The speech of Lennox is in bitter irony, which breaks out into open
wrath in lines 19, 20 .
8. Who cannot want the thought . This is a kind of
double negative , of which other instances are to be found in Shake
speare. The meaning clearly is, “ Who can want the thought ? ”
35. “ Free ” is used in this line in the sense of “ banish ” . It has
been proposed to transpose the line thus :
“ Our feasts and banquets free from bloody knives ” .
Act IV. , SCENE 1 .
3. Harpier is thought to be a corruption of harpy. The barpies
were foul creatures in the Grecian mythology, and they might well
be introduced in this scene where the most loathsome objects are
collected.
66
24. Ravin'd is used here in the sense of gorged . Raven ,' to devour
voraciously, is used elsewhere in Shakespeare, and it has been proposed
in this place to read “ ravin ” which Shakespeare uses elsewhere in the
sense of voracious.
40. “Black' spirits and white,
Red spirits and gray ,”.
are the first lines of a song in Middleton's play of the Witch .
52. Lodged . Laid flat. Used in the same sense by Shakespeare
in other plays.
56. Nature's germins signifies the seeds of living things with
which the earth is filled . In Winter's Tale the same idea is expressed.
“ Let Nature crush the sides of the earth together,
And mar the seeds within ."
66. The first apparition, “ An armed head,” represents Macbeth
himself, whose head was cut off on the battlefield ; the “ bloody child ”
is Macduff ; and the child crowned with a tree in his hand is Malcolm,
who bade his soldiers bear boughs in their hands.
92. Bodements . Omens, foretellings.
94. Birnam Hill is about a mile from Dunkeld, and the Dunsinane
Hills are about twelve miles away to the south-east . Between the
ranges lies the fertile valley of the Tay.
115. Holinshed tells us in his Chronicle that Fleance escaped to
NOTES. 95
118. Here approach and here remain in line 133 are very
unusual compounds .
120. At a point . Prepared, in readiness. The words are SO
used by other writers.
127. Convinces the great assay of art . Withstands and
overcomes the utmost efforts of the doctors .
129. Presently . Immediately.
131. The evil. Touching for the cure of the king's evil was
practised in Shakespeare's day by Elizabeth and James I. Queen
Anne was the last sovereign who did so, and Dr. Johnson remembered
having been taken as a child to be so touched.
155. A modern ecstasy . “ Modern ” is used by Shakespeare in
several places in the sense of “ common," " ordinary ”. A modern
ecstasy is therefore a mere ordinary grief.
180. Latch . An obsolete word signifying “ catch ” . In Suffolk a
dripping-pan is called a latch -pan.
181. Fee -grief . A grief belonging to one only. A term borrowed
from the ownership of land .
191. Quarry . A term borrowed from hunting . A heap of
slaughtered creatures.
201. He has no children . By some editors these words are
made to refer to Malcolm . He has no children and cannot therefore
understand my grief. Compare
“ He talks to me that never had a son .” — King John , iii . , 1 , 91 .
3
ACT V. , SCENE 7.
2. The course . A term borrowed from the pastime of bear
baiting. An onset or attack of the dogs.
22. Bruited . Noised abroad , announced .
24. Gently . Without resistance.
28. We have met with foes that strike beside us .
Some of Macbeth's people made only a show of fighting, and avoided
striking Malcolm.
7
98 MACBETH .
ACT V. , SCENE 8.
9. Intrenchant . That cannot be wounded. The participle is
active in form, but is used here with passive signification .
33. Go off . Die. In an earlier part of the play “ take off ” is used
in the sense of “ to kill” .
53. Thy kingdom's pearl . Thy kingdom's excellence ; the
great pobles of Scotland.
66. His fiend - like queen . It has been thought that the last
fortylines of the play are not thework of Shakespeare . The feeling of
pity for Lady Macbeth which he has raised in our minds is marred by
the lines 69-71. The whole narrative too of the death of Siward's son
is takenfrom Holinshed's History of England, not from the History of
Scotland, which is the source of the rest of the play.
QUESTIONS ON MACBETH .
Аст І.
1. What do the three figures signify which rise from the witches '
cauldron to speak to Macbeth ?
2. Some I see
That twofold balls and treble sceptres carry .
Explain these words and state how they occur in the play.
3. He loves us not ; he wants the natural touch.
What do these words mean ? Who uses them ?
4. Give some account of the dialogue between Lady Macduff and her
little son.
5. Write in your own words the sense of the following passage :
That which you are, my thoughts cannot transpose :
Angels are bright still, though the brightest fell :
Though all things foul would wear the brows of grace ,
Yet grace must still look so.
6. How and for what purpose does Malcolm defame himself in his
conversation with Macduff ?
7. Point out any unusual use of words in the following expres
sions :
Thou hast no speculation in those eyes,
Their malady convinces the great assay of art.
I should uproar the universal peace .
8. The grief that does not speak,
Whispers the o'erfraught heart, and bids it break.
Explain this passage and state how it occurs in the play.
9. He hasno children.
What different explanations have been given of this passage ?
10. What features are there in the play of Macbeth which would
make it specially interesting to King JamesI. ?
Act V.
1. All the perfumes of Arabia will not sweeten this little
hand !
Who uses these words ? Explain them.
QUESTIONS ON MACBETH . 101
10. What other great plays belong to the same period of Shake
speare's life with Macbeth ? What resemblance do they bear to it ?