Cleanliness Essay

Writing an essay on the topic of cleanliness may seem deceptively simple at first glance, given the
straightforward nature of the subject. However, delving into the intricacies of cleanliness, its
significance, and its implications can make the task more challenging than one might expect. The
difficulty lies not only in presenting basic facts and principles but in crafting a nuanced and engaging
narrative that captures the reader's attention while conveying the importance of cleanliness in various
aspects of life.

To begin with, the writer must research and gather information to create a well-informed and
comprehensive essay. This involves exploring historical perspectives on cleanliness, cultural
variations, and scientific aspects related to hygiene. Moreover, addressing the social and
environmental dimensions of cleanliness adds complexity to the task, as it requires an understanding
of the broader implications of maintaining a clean environment.

Structuring the essay poses another challenge. Finding the right balance between introducing key
concepts, providing evidence, and maintaining a coherent flow can be tricky. A well-organized essay
requires a thoughtful arrangement of ideas, transitions between paragraphs, and a logical progression
of arguments. This demands a keen sense of structure and clarity of expression.

Furthermore, infusing creativity into the essay can be demanding. Avoiding clichés and presenting
information in a unique and engaging manner are essential to captivate the reader's interest. This
requires a creative approach to language use, metaphorical expressions, and perhaps incorporating
anecdotes or examples that illustrate the importance of cleanliness in a relatable way.

Lastly, ensuring that the essay is free of grammatical errors and adheres to the conventions of
academic writing
Cleanliness Essay Cleanliness Essay
 Evaluating Plans to Erect Cell Towers Through a Local...
You have been hired by a cell tower company to evaluate a plan that will erect cell
towers through a local community. Your job is to locate any historic buildings or sites
that might be impacted (placed next to, or on, or be damaged in some way) by the
cell towers. You discover there are 10 buildings along the route the cell towers will
take. How will you go about deciding if these buildings are historic? What criteria will
you use? Why? The question has been raised, if I were hired to evaluate the plans to
erect cell phone towers, and I have discovered that there are ten historic buildings in the
path of the towers, which structures would I deem significant to keep. Many of these
homes and structures could be damaged, overshadowed, and... Show more content on
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However, using many of the criteria from each federal agency, we can determine which
of these structures must be preserved from the work being performed.
One of the first criteria to determine whether the site is historic is the age of the
property. The site needs to have many other criteria, but many people have determined
that the site needs to be more than fifty years old. This is not the sole requirement for
it to be historic because this only means that the site would have been built in the mid
1960s. However this is the beginning, and must follow along with some or all of the
following criteria to be determined to be a historic site. However during the later
portion of the 1960s and later into the 1970s there were many structures built which
could be deemed significant. However, each of the ten structures will be looked at to see
if they were build more than fifty years ago, unless they have the exception of the next
three criteria.
The first criteria of the National Register of Historic Places that I will use to determine if
the structures are historic is whether the site is associated with events that made a very
significant impact and contribution to the patterns of history in the town, county or state
where it is located. This includes sites where individuals that were prominent to
important events in history lived at the time. For instance, the individual s home with
whom
 What Constitutes An Artifact Of Empire
What constitutes an artifact of empire
Structures that memorialize the nation s imperial gains and losses

Introduction
Public monuments and literature share a lot in common. At first sight, it might be
difficult to relate one to the other. However, deeply embedded in them they share a motif:
an imagined community. They embrace a sense of belonging; they represent a nation or
an empire.
It is physically impossible for a person to meet every one of his fellow nationals; time
and space prevents it. So how can that person know that there are actually millions like
him inside a given country s borders? By representation. That representation can come in
different ways. Two of them are memorials and literature.
More so, the imagined community ... Show more content on Helpwriting.net ...
Dracula depicts London as the brain of the British Empire, a centre that could be
invaded by contamination and disease. In this way, Dracula was used to ignite fears
among the British people. If compared to the over use of terrorism threats by George
W. Bush and other political figures, leading powers and empires feed off fears. Fearful
population usually accept drastic measures to continue their domination, and Dracula is
a figure of that: how fear was used to continue the domination of the British Empire. As
with terrorism, Dracula is an external threat, an imagined enemy whose promise is to
destroy an empire. Dracula is feared economically in a period where capitalism was
emerging and where dominance over colonies was of utmost importance. Dracula´s
voyage to the west, to London not only the capital of the British Empire but the capital
of the financial world , threatens to alter economic power balances. This can be seen
today in London, for example, with the threat of the Greek economic crisis. Economic
fear still haunt the streets of
 Types Of Contingencies, Designing A Contingency, And
Owner...
According to Gunhan and Arditi (2007), there were three types of contingencies, namely
designer s contingency, contractor s contingency, and owner s contingency. They claimed
that the best method to predict contingency was to use previous experiences. They
mentioned that a detailed study of four factors, namely site conditions, schedule
constraints, project scope, and constructability issues could play an important role either
in preventing the CO or reducing the chances of needing a big contingency money. Smith
et al. (1999) stated that the wise decision on the amount of contingency used while
bidding could have effects on whether wining of the contract. They interviewed 12
contractors on the contingency calculation method and found that among these
contractors, nobody was aware of any kind of estimation method for the contingency
amount. Whenever, these contractors used contingency, they simply followed the
traditional approach of adding some percentages to the base cost as contingencies. Mac
and Picken (2000) conducted a study on two types of projects, namely estimating using
risk analysis (ERA) and non ERA projects. They made comparison between 45 ERA
projects with 287 non ERA projects and found that ERA method helped to reduce the
unnecessary risk allowances in projects. According to the authors, Hong Kong
government was implementing this ERA technique in public construction projects. In the
ERA method, they described that the cost determined for fixed and variable
 The Dream World of Jerry Uelsmann Essay
Born in 1934, Jerry Uelsmann grew up an inner city kid of Detroit. In high school,
Uelsmann worked as an assistant for a photography studio; he eventually photographed
weddings. Uelsmann went to Rochester Institute of Technology (RIT) where he met
Minor White, who introduced [him] to the concept that photographycould be used for
self expression (Berman). While at RIT, he studied with Bruce Davidson, Peter Turner
and Car Chiaraenza, with whom he held frequent discussions on how photography could
be different. After RIT, Uelsmann went to Indiana University where he changed his
degree to a Master of Fine Arts degree. He graduated with an M.S. and an M.F.A at
Indiana University in 1960, where he studied with Henry Holmes Smith, who had... Show
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To create a soft line for blending, he places a cover over the part of the negative that he
doesn t want to be printed on the lens of the enlarger; for a hard line he will place a
cover closer to the paper. He then moves the paper from enlarger to enlarger overlapping
images and creating a photomontage.
Uelsmann s work was not well received in the photography community. His creations
were not considered photography; however, he was well received in the art community.
John Szarkowski hosted a solo exhibit at the Museum of Modern Art in 1967. Uelsmann
was considered iconoclastic and set out to convince critics that photography offered
alternatives to the conventional purist sensibility... Uelsmann debated that photos could
evoke elusive states of feeling and thinking triggered by irrational and imaginative
juxtaposition (Kay). Uelsmann has succeeded in finding a following among
photographers and artist alike. In the past forty years, Uelsmann s work has been
exhibited in over 100 solo shows throughout the US and overseas. He has permanent
instillations in museums worldwide (Taylor). Uelsmann s photos are now revered for
their original technical form as well as their surreal matter (Johnson).
Different types of photomontages have been around since the 19th century. According to
the Oxford University Press, photomontages can be categorized according to its naturalist
or formalist orientation. Oxford lists Rejlander and Robinson under the naturalist