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    franck GARCIA
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    This document contains a musical score with notation for a drumset and ensemble. It includes percussion notation across several pages with markings for tempo, dynamics, and cues. The transcription is credited to arrangers Yi Chen and Jiaqi Song and is based on a song by Billie Eilish.

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    drumset

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    This document contains a musical score with notation for a drumset and ensemble. It includes percussion notation across several pages with markings for tempo, dynamics, and cues. The transcription is credited to arrangers Yi Chen and Jiaqi Song and is based on a song by Billie Eilish.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    3 views2 pages

    Drumset

    Uploaded by

    franck GARCIA
    This document contains a musical score with notation for a drumset and ensemble. It includes percussion notation across several pages with markings for tempo, dynamics, and cues. The transcription is credited to arrangers Yi Chen and Jiaqi Song and is based on a song by Billie Eilish.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Drumset idontwannabeyouanymore

    7 8   
    Transcribed for 2 part chorus and ensemble

                
    Arr. Yi Chen/Jiaqi Song Billie Eilish

     68  
                              
      = 60
    Calmato Cue seagull noises Div.

         
        
                      

         
                                          
    20

             
           
          
      
      
     
                                      
    26

               


         
        

       

      
                                      
    32

               
       
                   
    

     
                                     

    38

        
         
     
                                       
                                             

    46

          
           
                                             
    

                                        
    53

          
        
                                         
                                             
    60

              
       
                                
    

                                         
    67

                         
    Yi Chen © 2017
                                 
                                  
    
    74

                   

        
                  
              
                       
    80

     
        
    

       8
        
       
     
     
                     
    86

      

    2 Yi Chen © 2017

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