HERE'S

TO YOU
J. Baez - Ennio Morricone

     
Piano arrangement by Marco Acca

                
= 100

       
         


    
    
                  



               
            
       

     
12

  
    
       
Legato

        
     

     


      
       
            
     
           
       
20

 
    
            
        

 

   
 
                           
 
            
26

   
          

     
   


                      
                    
   
32


     
             
       
         

      
       

© Marco Acca 2019

     
                    
2

      
                 
38


                
             
   

       

   
          
         
      
                  
 
44

          
           
    
     

   
        
               
      
   
49

    

     
 

     

    
     

                      
             
54

   

              
          

   
       
             
                               
59

                 
    
    

© Marco Acca 2019

  
   
                     
3

  
                  
63

            
      
         
  
     
         
       
        
                        
  
67

           

   
 

  
 
    
                   
    


                



71


              
        
         

   
        
      
               
      
               
75

                 
    
    

  
    
               
79

  

          
    
     

© Marco Acca 2019