Professional Documents
Culture Documents
The story that cannot quite get told is also a queer story—a tale of ‘difference’ that is
palpable only as an undercurrent. It resists the logic of the norm and risks oblivion under its
representation pressure. (Leung 6)
1
The Umbrella Movement, also known as the Umbrella Revolution or Occupy Movement, is a
mass pro-democracy movement began in September 2014 in Hong Kong. It is estimated that over
one million people joined the street sit-in or occupation taken place in the major commercial areas
and traffic intersections in Admiralty, Mongkok and Causeway Bay. The protesters’ goal was to
oppose the election reform proposed by the government and to ask for full voting rights for all
citizens in Hong Kong to elect the chief executive. The street occupation has lasted for three
months. Scattered tents stayed and public activities have been held in the occupation areas months
after the forced clearance by the police.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
166 L.Y.L. Kam
What kind of “performances” are they trying to put up in all those inherently
heterosexual or desexualized and degendered political movements? How do they
connect gender and sexual politics with other political issues and resistance cur-
rently ongoing in Hong Kong? The disconnection of gender/sexual politics and
politics in general in Hong Kong is deep-seated in the common sense of the general
public and many activists as well. So why do some people want to bridge up this
disconnection and work to ensure LGBTQ presence in the big picture of local
political movement? These are the questions gradually direct me to start this
research project.
The project is also inspired by Helen Hok-Sze Leung’s book Undercurrents:
Queer Culture and Postcolonial Hong Kong (2008). Leung eloquently writes about
the transitional and postcolonial period during Hong Kong’s “return” (“wui gwai”
in Cantonese, huigui in Mandarin) through an analysis of the production of local
queer culture at the time. She connects the city’s political uncertainty with the
unpredictability and anxiety of queer desires. The ambivalence of queer desires and
the instability of queer lives (or lives without a promised future) echo the post-
colonial experience of Hong Kong during and immediately after the transition. She
proposes that “contemporary queer culture in Hong Kong is paradigmatic of the
city’s postcolonial experience” (5). Putting Leung’s proposal into the current
political and social context of Hong Kong in 2015, the parallels of queer lives,
desires and Hong Kong’s postcolonial experience have become even more pro-
nounced. In her book, Leung uses Stanley Kwan’s short film Still Love You After
All These (1997) to have a parallel discussion of “queer space” (through Kwan’s
narration of his childhood neighborhood in Hong Kong when he was a closeted
boy) and Hong Kong’s postcolonial space. In the film, Kwan narrates in Mandarin
Chinese to tell the neighborhood and his life before Hong Kong’s “return” and his
“come out”. Leung sees Kwan’s choice of language as a linguistic reflection of the
everyday contradiction and ambivalence in postcolonial Hong Kong.
Kwan pointedly narrates the entire film in Mandarin, the decreed national dialect, rather
than in his native Cantonese. He is ‘passing’ linguistically as ‘Chinese’ while ironically
evoking the emotional particularity of his experience of growing up in Hong Kong, which
can never be completely encapsulated in the distinctly ‘foreign’ dialect in which it is
articulated. (Leung 14)
Copyright © 2017. Springer. All rights reserved.
The language of one’s new identity or the newly invented narrative of the self is
in fact and ironically unable to tell who this person was nor who this person is. The
nationalistic narrative of “return” might sound as “irrelevant” as the narrative of
“coming out” to tell one’s history of self especially when the new narrative seeks to
override or over-write what came before it and to monopolize or pre-write what will
possibly come after it.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
9 Return, Come Out: Queer Lives in Postcolonial Hong Kong 167
Leung’s book is also a rare archive of queer cultural productions surrounding the
time of the political transition of Hong Kong. Those queer images, voices, songs,
writings and life stories form an essential part of the culture and history of Hong
Kong. Inspired by Leung’s effort to map out the queer cultural scene of the post-
colonial Hong Kong, my research project aims to document queer voices and
stories in various local political struggles in post-1997 Hong Kong. This paper
looks at and looks for the connection of LGBTQ identification, tongzhi movement
participation and civil political movement participation.
This paper is also built on and continues Leung’s parallel discussion of “return”
and “come out.” In other words, I intend to understand the postcolonial experience
of Hong Kong people through a parallel reading of LGBTQ people’s experiences of
being part of the Hong Kong society. This paper tries to incorporate queer voices
and stories into the discussion of local Hong Kong political struggles. It tells stories
of queer people’s participation in local tongzhi movements and civil political
movements, the connection of their sexual/gender identity, community involvement
and civil political participation in Hong Kong.
The inclusion of queer people’s voices and experiences in local political resis-
tance is also a response to the following situations in Hong Kong, namely, (1) the
disconnection of gender/sexual politics and civil political movements; (2) the
heteronormative culture and assumptions of local social movements; and lastly
(3) the lack of gender perspective and sexual analysis in dominant political dis-
courses of Hong Kong.
The disconnection of gender/sexual politics and civil political movements stops
us from having a more holistic understanding of what politics is and from imagining
a culture of social movements or political resistance that can take gender and
sexuality as seriously as class and ethnic politics. There is a general failure in Hong
Kong for people to connect gender/sexuality and political resistance. “Why gender
(and sexuality) matters in political resistance?” “Does one’s sexuality have anything
to do with politics?” Similar questions are common in classrooms and public dis-
cussions of political issues. The disconnection has led to another form of reduc-
tionist understanding of gender, that is the reduction of “gender politics” to
“women’s issues.” The gendered division of issues in Hong Kong’s political and
social discussions is obvious. Anything related to women, or marriage and family
Copyright © 2017. Springer. All rights reserved.
will be categorized as “gender issues” or “women’s issues.” The two terms are
interchangeable. This is a problematic compartmentation of issues. It reflects the
ideological divide of what are considered women’s issues and what are those of
men’s issues. It also reflects the assumption of seeing women as the gendered other
(hence their issues are “gender issues” or “gendered issues”) and the rest of the
issues (not women specific) are universal ones. On a closer look, there is also a
clear heteronormative understatement. The assignment of issues and ways of
understanding certain issues are based on normative heterosexual genders and their
respective roles. This leads to the second point, the heteronormative culture and
assumptions of local social movements. Here I do not intend to generalize local
social movements into one unified group of people. There are diverse activist
groups with diverse politics and the LGBTQ movement is also a significant part of
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
168 L.Y.L. Kam
2
See Cho “Jiajihui Xiandai Xing” (2010); “Mapping the Sexual Landscape” (2013).
3
See Wu “Neidi yunfu chanzi (內地孕婦產子)” (2012); “Muqin, bentu zunguixing he houzhimin
xianggang (母親,本土尊貴性和後殖民香港)” (2013).
4
See King “Xunzhao shequxingbie de zhimin mailuo (尋找社區性別的殖民脈絡)” (2012);
“Indiscernible Coloniality Versus Inarticulate Decolonization” (2015a); “Wanchai shequjianshe de
xingbie yihan (灣仔社區建設的性別意涵)” (2015b).
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
9 Return, Come Out: Queer Lives in Postcolonial Hong Kong 169
“Return” and “come out” are two keywords in post-1997 Hong Kong. They rep-
resent two distinctive yet overlapping moments of identity formation. The former
refers to the official expression of the end of British colonial rule of Hong Kong in
1997. The change of the sovereignty of the city is officially expressed as the
“return” of Hong Kong to China. The term “return” (“wui gwai” in Cantonese) has
been widely used in official documents and events related to the handover of
sovereignty. “Come out” is a term originated from the lesbian and gay movement in
the Anglo-European context referring to the telling of one’s sexual orientation or
gender identification to other people. It is an essential part of the LGBTQ move-
ment that is built on identity politics. Hong Kong’s LGBTQ community and
movement developed rapidly after the decriminalization of (male) homosexuality in
1991. The 1990s has witnessed the establishment of the city’s early lesbian and gay
organizations and the emergence of local sexual and gender identities. After 1997,
the politics of coming out and visibility dominated the local LGBTQ movement.5
The solidification of “tongzhi” as an umbrella identity of the LGBTQ community in
Hong Kong was realized in many public campaigns and events that call for tongzhi
visibility and equal rights in the subsequent seventeen years.
The first part of the paper is a parallel discussion of the identity discourse of
“return” and “come out.” The second part of the presentation is about how LGBTQ
people connect their personal stories and their participation in the tongzhi move-
ment and political movements in Hong Kong.
9.1.1 “Return”
The assumption of “return” in the political context of post-1997 Hong Kong is one
based on a China-centered perspective which sees the handover of sovereignty as
the “return” of the once colonized territory back to its “original” proprietor.
The literal meaning of “return” or “wui gwai” in Cantonese (huigui) in the
context of Hong Kong assumes there is an original place for Hong Kong to return
Copyright © 2017. Springer. All rights reserved.
to, such as a place called “home,” “homeland” or “home country.” The place or the
state that we say would return to is always thought to be the final destination or
where we truly belong. Temporally, the discourse of “return” celebrates the present
and condemns the past.
It is assumed that the “return” of sovereignty would give birth to a new national
subjectivity that has been non-exited in the past and is considered to be more
5
See Wong “Cong ‘zhiren cheng tongzhi’ tansuo xing/bieyundong dezhuanhuashi zhenfen-
zhengzhi” (從“直人撐同志”探索性/別運動的轉化式身份政治) (2015); Kong Chinese Male
Homosexualities (2011); Kong, Lau and Li “The Fourth Wave? A Critical Reflection on
the Tongzhi Movement in Hong Kong” (2015).
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
170 L.Y.L. Kam
politically correct. The return of Hong Kong, as understood by some, is not only the
return of sovereignty, but also the return of a national self or subjectivity. The most
popular imagination of Hong Kong’s “return” to China is a visual representation
built on gender stereotypes and normative ideas of heterosexual family. Hong Kong
is always represented as a lost kid coming back to his biological mother, China. The
allegory is widely circulated in school textbooks, government publications and
mass media. One of the problems of this representation is the ideological under-
standing of Hong Kong as a child and China as the mother or parent. The depiction
of Hong Kong as a child in those heterosexualized political representations can be
seen as a reflection of the status of Hong Kong in the discourse of “return.” The
allegory is basically built on heterosexual assumptions and an ideology of essen-
tialized Chinese family that’s popular in our political imagination of the relationship
between China and Hong Kong, or China and Taiwan. Hong Kong is always
represented as coming back to its original self after its “return” to China. In queer
term, before 1997, Hong Kong is like a gay person hiding in her closet.
The term is originated from the LGBT movement in the Anglo-European context.
Sexual minorities use collective identities to identify with each other and use them
as a foundation for collective actions to survive and fight for equal rights in
heterosexual society. The logic of “coming out” assumes the existence of a “real
self.” This real self, while in the closet, is usually violently dismissed, repressed and
silenced. Once come out of the closet, the person is able to be her real self and can
live a life that’s true to herself. Many have pointed out the limitation of the politics
of coming out. One obvious limitation is that when we come out, we are only
allowed to come out as one single identity, or one single identity that is collectively
recognizable. One cannot come out as more than one identities, or as an identity
that is unknown or disapproved by other people in the community. The act of
coming out gives birth to a new subjectivity. Similar to the discourse of “return,”
the subject that is born after the very act of coming out is usually considered as
Copyright © 2017. Springer. All rights reserved.
more real and politically correct than what is before coming out. Therefore, tem-
porally, “coming out” also celebrates the present and condemns the past.
Both discourses of “return” and “come out” are built upon a binary logic, that the
present state is better than the past, that the “outed” subject is more correct than the
“closeted” one, that the new national subject is more advanced than the colonial
one. The condition of Hong Kong’s subjectivity after 1997 and its similarity to the
coming out discourse of LGBTQ people are what inspired me at the very beginning
to start this project.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
9 Return, Come Out: Queer Lives in Postcolonial Hong Kong 171
In the post-1997 official discourse, there is a linear imagination of “return” and then
“come out.” Hong Kong people are expected to “come out” as new and proud
national subjects after the “return” of the city to China. Hong Kong people are like
gay people. The colonial period is the closeted time. The discourse of return leads
us to imagine the past as a period of darkness, humiliation and misery, much in the
same way as a gay person in the closet. The “come out” of Hong Kong after 1997 is
a “return” to the right track and an overturn of the humiliating past. Yet the logic of
“return” restricts us in the same binary way as the logic of “coming out.” It only
calls for a return to one singular identity and one particular geo-political location.
The past must be condemned. The present must be celebrated. The future is actually
not as open as before. Individual differences come after collective identification.
In the following part, I will use the Umbrella Movement as an example to
discuss LGBTQ people’s participation in civil political movements and how they
see the connection between their sexual and gender identity and political
participation.
6
“公民提名必不可少/同志平權刻不容緩.” Translation mine.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
172 L.Y.L. Kam
effort to make LGBTQ rights visible and equal in the pro-democracy movement
that fights for universal voting rights.
Another incident related to LGBTQ in the Umbrella Movement is the dispute
over Hong Kong Federation of Students’ (HKFA) participation in the Hong Kong
Pride Parade 2014. HKFA is one of the major actors in the Umbrella Movement. It
has been a long-term supporter of the Hong Kong Pride Parade. Hong Kong Pride
Parade 2014 was held in November and it was during the street occupation. Part of
the parade route was just outside the occupation area in Admiralty. The HKFA has
publicly shown their support of the Parade and announced their participation on
their Facebook page. It even changed its profile picture on Facebook, which was
originally the logo of class boycott, to rainbow color during the month of Pride
Parade. They then received hundreds of negative comments on Facebook for their
open support of the Pride Parade. The opposition views can be categorized into four
types: (1) to align the Umbrella Movement with tongzhi is strategically unwise;
(2) equal rights for tongzhi is not related to the Umbrella Movement; (3) tongzhi are
taking over the Umbrella Movement; (4) student leaders’ participation in the Pride
Parade would divide up their supporters. The negative comments demonstrate an
overwhelmingly heteronormative assumption of the Umbrella Movement and the
contesting views on gay rights among the participants. Despite of the opposition,
the student leaders of HKFA joined the Parade.
On the creative front, there was a humorous rewriting of the brotherhood of
student leaders by Boys’ Love (BL) fans. Not long after the outbreak of the
Movement, a fan page of student leaders was set up by BL fans on Facebook. It is
called “In Defense of Lester and Alex to Occupy Mountain Mo Shan Hehe
Group.”7 Alex Chow and Lester Shum were two student leaders of HKFA. They
had a prominent presence in the Umbrella Movement and were regarded as the
major student organizers and spokespersons. During the occupation, their popu-
larity soared rapidly and many fan groups were formed on social media. The two
young men’s public presence and private interactions were re-created by their fans
into erotic fantasies. They were nicknamed “Alexter,” the combination of their
English names, and were fantasized by fans as a (fictional) couple. Until December
2014, the Alexter fan page on Facebook attracted over 34,000 followers. The
administrators regularly posted fictional, originally created BL stories, songs, and
Copyright © 2017. Springer. All rights reserved.
pictures of the few male student leaders based on their public appearance in the
occupation sites. Fans of popular culture rewrote the heteronormative script of
social movements and political discourses by a playful twist of the hegemonic
masculinity that is so often performed or expected to be performed in social
movements in Hong Kong. It is a new way of political participation and inter-
vention through the use of subversive resources found in popular culture and the
creative rewriting of the dominant hetero-male-centered political narrative.
7
“捍衛 lester alex 佔領巫山 HeHe 團.” Translation mine.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
9 Return, Come Out: Queer Lives in Postcolonial Hong Kong 173
And here’s where Boys’ Love (in [Mandarin] Chinese, danmei) meets activism: Alex and
Lester are friends. Photographs of them in threatening situations show their courage, and
also show moments of shared grins, comforting pats, banner holding, and standing side by
side. In a way, the homosocial power of their friendship stands for the overwhelmingly
youth-generational force of the Umbrella Revolution and its likely generational legacy.
(Lavin and Zhu (2014), “Alexter: Boys’ Love Meets Hong Kong Activism”)
The creative effort by female BL fans can be understood as the queering of the
heteronormative movement and the homoeroticization of the always (hyper-)mas-
culine notion of “brotherhood” in the culture of social movements.
In the last section, I would present stories of queer people’s participation in the
Umbrella Movement and the connection between their identity and political
participation.
According to the LGBTQ informants I interviewed, the participation of their
LGBTQ friends in the Umbrella Movement was more in number than their straight
friends. They were participating both physically and virtually on social media.
Danny8 (queer gay, 33): Over eighty percent of my Facebook friends are “members.” [gay
people] [Right after the occupation] I found that many have changed their profile pictures to a
yellow ribbon [the symbol of democracy and universal suffrage]. I was quite surprised.
I thought the tongzhi community would not pay much attention to this issue. I cannot do a
comparison on whether it’s the entire society or just the tongzhi community that is partic-
ularly supportive of the yellow ribbon or the Umbrella Movement. Just based on my personal
experience, looking at my Facebook newsfeed alone, so many people changed their profile
pictures already… I do not know if it’s related to their tongzhi identity so that they are more
aware of the importance of political reform… Many apolitical middle class gay men or even
teenage boys have changed their profile picture. I was so surprised. Even those dating apps
showed the same phenomenon. People on them changed their profile pictures. Before they
were all nude pictures showing muscles and then all were changed to yellow ribbons [laugh]
… There are a lot of tongzhi at Mongkok and Admiralty [the two major sites of occupation].
We turned on the Grindr app and saw so many tongzhi [nearby in the occupation area].
Chris, a thirty-six years old lesbian, was a regular sit-in protester at Admiralty. She
had a tent at a fixed spot in the occupation area. Her butch appearance attracted
other passing by lesbian women to join her in the tent. There was a time her tent
hosted seven TBs (butch lesbians).
Copyright © 2017. Springer. All rights reserved.
9.3.1 Visibility
When being asked about why they participated in the Umbrella Movement, apart
from the general political agenda, informants told me they were joining for the
visibility of queer people. Zita, a twenty-nine years old lesbian, was a regular
protester in the occupation areas of Admiralty and Mongkok. She was conscious in
dressing herself in a way different from styles that will be read as normative
femininity so as to make her queerness visible in the occupation areas.
8
Names of the informants used in this paper are pseudonyms.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
174 L.Y.L. Kam
Zita: It’s mainly for visibility. You got to be seen… During the occupation, there are many
lesbians. When you walk around, you would see a lot of queer people. I see this as an
opportunity to achieve something. This is the right time to do it. You dress like that to walk
around [in the occupation area], in a way, you are showing other people different ways of
dress or different styles of women. They ought not to have long hair or certain kinds of
appearance.
Zita also regarded the display of her queerness as a form of gender performance
to disturb the heteronormative surface order in the occupation areas.
Zita: I think [the presence of queer people] shows another kind of power… You know there
are those police officers always capturing people [with a video recorder]. He [Zita’s gay
friend] would keep posing before the camera [laugh]. Only some people are able to have
this kind of humor.
When asking about the connection between their LGBTQ identification and
political participation, there are three major forms of connection, namely, (1) po-
litical awareness; (2) technological enlightenment; (3) strategic connection of issues
and people.
education in a girls’ school for seven years. Throughout all these years, I had doubts over
my sexual orientation and gender roles. For example, I felt weird to have a crush on girls.
Some of my friends even had stable relationships and sex with girls. It undoubtedly
broadened my horizon about the possibility of sexuality.
It also hit on me when I saw a large continuum of femininity in a girls’ school where some
girls appeared to be more ‘feminine’ while some others behaved like guys. Since my school
was a traditional Catholic school, there were rules that we need to follow yet I think were
ridiculous. For instance, all the girls had to wear dresses or skirts (as casualwear) for the
school Christmas party. Senior form girls had to put on another set of school uniform,
which included a pencil skirt. It was so much tighter that we could hardly run or stretch in
it. The school principal said it was meant to cultivate our gracefulness and ladylike
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
9 Return, Come Out: Queer Lives in Postcolonial Hong Kong 175
manners. I didn’t know the ideology behind or anything about feminism but I just felt
uncomfortable with this saying. I thought it was unreasonable to mold all the girls into a
single type of human beings that share similar attributes. We are humans with individuality!
(Sorry for the long story!) After I entered the university, I was not attracted to any girls but
a guy in my class. He appeared to be more effeminate than the other guys but it didn’t really
matter because everyone is unique. I confessed to him but unfortunately I was rejected as he
told me he was gay and didn’t dare to tell anyone in our social group. He even told me that
he was bullied by other boys when he was in secondary school (a boys’ school). Though
devastated, I felt great sympathy for this good friend for being in the closet and being
“deviant” from the majority.
Meanwhile, another girlfriend of mine confessed to me that the relationship between she
and her girlfriend had hit a rough patch. Her other half was a religious Christian, so was her
family. They felt great pressure hiding the relationship from her girlfriend’s family and
acting against the religion. As a friend, I honestly could not do anything to help them.
Since then, I decided to pursue a minor in Gender Studies in the university so that I can be
empowered with related theories and make a change in the future. Later, I realized that I
had to put my knowledge into actions or the reality would not change a bit. Then, it was
why I have joined the X organization and participated in LGBTQ events.
Betty’s narrative of how she has developed from feeling helpless and frustrated
to feel empowered and motivated to put what she learnt into actions tells the
connection between one’s gender and sexual struggles and the cultivation of
political awareness.
Danny is a thirty-three years old activist who identifies himself as queer gay. To
him, there is no inherent difference between LGBTQ movements and civil political
movements. In his words, both kinds of movements “challenge the existing power
relations of domination.” However, he adds that being a LGBTQ person makes him
more sensitive in understanding the operation of power in society. Zita’s views
echo with Danny’s, namely, that being a member of the minority group allows her
to experience things that might not be felt by other people.
Zita: I don’t see there’s a direct connection. But some sorts of political sense are developed
from the identity of tongzhi, something you can only experience when you’re a one of the
minority. For example, the feeling of being repressed or there’s no way to file a complaint.
Many people don’t share that feeling… Just look at those of my middle class friends who
don’t care about politics, they won’t feel the same way as I do… Or look at my own family,
Copyright © 2017. Springer. All rights reserved.
apart from my [tongzhi] identity, actually we are not repressed in any other aspects. So I got
my political awareness from this identity. You start to realize there’s injustice in society. If
you’re just an ordinary middle class person, you won’t realize that those unfair things
would affect you. So it all started from my own awareness. I develop compassion from
some of my own experience, and tongzhi identity is part of it.
Chris explains the connection between her participation in LGBTQ movements and
other political movements in technological terms. She joined a lesbian group ten
years ago as a helper to manage the website. The experience allowed her to have
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
176 L.Y.L. Kam
access to activist training courses organized by various local NGOs. From those
courses and the working experience at the lesbian group she joined, Chris learned
the know-how of social organizing.
Chris: [I] learned the models of social organizing and developed agency [to take part in
social movement]… Because of tongzhi movements, I got to know all these frameworks [of
social organizing]… This identity [of tongzhi] didn’t make my life more difficult or easier,
but it had led me to join those organizations and through them I enhanced my skills [of
social organizing]. The influence is indirect.
Chris was an active participant of the Umbrella Movement and has also been
active in various sectors of local social movements. She admitted that the practical
skills she learned during the early years of her participation in LGBTQ movements
have helped her a lot in subsequent activist projects she has been involving.
Movement. In the end, Danny appeared in the parade as the Buddhist goddess
Guanyin.
Danny: Pride Parade is more festive. The choice of my drag performance has to be relevant
to the theme and to show support to the Umbrella Movement. Guanyin helps all miserable
people to go to the land of happiness and teaches us that we are all equal. These messages
are well delivered [in that context]. It’s not merely a playful performance or a play of
gender. There are also some messages to deliver and those messages are relevant to the
Umbrella Movement and to all political movements in general.
This is a paper aims to understand how queer people tell their story of sexuality
and gender and their participation in civil political movements, and how queer
people tell their stories of Hong Kong. I would end this paper with the experience of
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
9 Return, Come Out: Queer Lives in Postcolonial Hong Kong 177
References
9
The Chinese name of Action Q has the characters “tongzhi action” in it.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.
178 L.Y.L. Kam
Lavin, Maud, and Zhu Xiaorui. 2014. Alexter: Boys’ Love Meets Hong Kong Activism.
F Newsmagazine, 17 November 2014: http://fnewsmagazine.com/2014/11/alexter-boys-love-
meets-hong-kong-activism/. last Accessed on 31 Oct 2016.
Leung, Helen Hok-sze. 2008. Undercurrents: Queer Culture and Postcolonial Hong Kong.
Vancouver: UBC Press.
Wong, Kit-mui. 2015. Cong ‘zhiren cheng tongzhi’ tansuo xing/bieyundong de zhuanhuashi
zhenfenzhengzhi (從“直人撐同志”探索性/別運動的轉化式身份政治). In Xing/bie zhengzhi
yu bentu qiyi (性/別政治與本土起義), ed. Wong, Wai-ching and Choi Po-king. Hong Kong:
Commercial Press.
Wu, Ka-ming. 2013. Muqin, bentu zunguixing he houzhimin xianggang (母親,本土尊貴性和後
殖民香港). In Journal of Local Discourse 2012, ed. Editorial Committee of the Journal of
Local Discourse and SynergyNet. Taiwan & Hong Kong: Azoth Books Co., Ltd.
Wu, Ka-ming. 2012. Neidi yunfu chanzi: Zhonggang kuajingxia de jieji wenti yu shenfenren-
tongzhengzhi (內地孕婦產子:中港跨境下的階級問題與身份認同政治). In Journal of Local
Discourse 2011. Ed. Editorial Committee of the Journal of Local Discourse and SynergyNet.
Taiwan & Hong Kong: Azoth Books Co., Ltd.
Yau, Ching (ed.). 2006. Xing Zhengzhi (Sexual Politics). Hong Kong: Cosmos Books.
Author Biography
Lucetta Y.L. Kam is an assistant professor in the Department of Humanities and Creative Writing
at Hong Kong Baptist University. Her research interests are gender and sexuality in Chinese
societies, tongzhi communities and activism in China and queer mobility studies. She is the author
of Shanghai Lalas: Female Tongzhi Communities and Politics in Urban China (Hong Kong: Hong
Kong University Press, 2013; Chinese edition 2015).
Copyright © 2017. Springer. All rights reserved.
Hong Kong Culture and Society in the New Millennium : Hong Kong As Method, edited by Yiu-Wai Chu, Springer, 2017.
ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/hkbu-ebooks/detail.action?docID=4825434.
Created from hkbu-ebooks on 2020-06-18 00:31:14.