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how does the tradition of Benali malhun poetry “Lalla Ghita” and
“Al-luttayah” reflect the historical attitudes and expressions of
sexuality, and what role does it play in the contemporary discourse
surrounding Arab sensuality?
Literary review
In this section, i will delve into the existing musical texts on the same topic.
Examining its historical context, cultural significance, and previous scholarship
related to the depiction of sex and sensuality in Aita and Malhun.
Methods
Here, i include the methodology i used to conduct this research. I tackle the
reasoning behind the selection of these poems and the qualitative analysis
approach used to interpret them. A close reading method was employed to
analyze the selected poems, by contextualizing them in the framework of Morocco
in the late 19th and 20th centuries.
Findings
This section will present the findings of the research, divided into two subsections:
"The Cultural Soundscape of Malhun" and "Archaeology of Homoerotic Poetism in
the Islamic World."
Discussion
I will begin the discussion by analyzing the poem "Lalla Ghita" and exploring its
representation of fluid sensualism, emphasizing the intricate relationship between
sex, pleasure, and the divine.
Continuing from the previous slide, I will examine the queer poem "Al-Lutayyah" in
detail, navigating the tensions between celebration and censorship within its
verses.
Conclusion
In the concluding part i will highlight the importance of recognizing and preserving
our ancient heritage, while also considering contemporary attitudes towards sex
and erotic literature.
Bibliography
Emotion.” In Language and the Politics of Emotion, edited by C. A. Lutz and L. AbuLughod, 126–161. Cambridge: Cambridge University Press
ENNAHID, SAID. “THE ARCHAEOLOGY OF SPACE IN MOROCCAN ORAL TRADITION THE CASE OF ‘MALḤŪN’ POETRY.” Quaderni Di Studi Arabi, vol. 2, 2007, pp. 71–84. JSTOR,
http://www.jstor.org/stable/25803019.
Goffman, Erving. 1974. Frame Analysis. New York: Harper & Row.
Hymes, Dell. 1974. “Ways of Speaking.” In Explorations in the Ethnography of Speaking, edited by R. Bauman and J. Sherzer, 433–451. Cambridge: Cambridge University Press.
Ingarden, Roman. 1973. The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature. Evanston, IL: Northwestern University Press.
Irvine, Judith T. 1990. “Registering Affect: Heteroglossia in the Linguistic Expression of Malhun poetry, The Journal of North African Studies
Khazindar, Mona. “The Malhûn of Meknes – Arabosounds.” Arabosounds, 13 January 2020, http://www.arabosounds.com/en/the-malhun-of-meknes/.
Melanie Magidow (2016): Trending classic: the cultural register of Moroccan Ontology, Logic, and Theory of Literature. Evanston, IL: Northwestern University Press.
[ اﻟﺣﻼوة ﻓﯾن ﻛﺎﯾﻧﺔLhlawa fen kayna]. Performance by Cheikha traks, 2016. youtube, https://youtu.be/vuT2nMzJam0.
[ و ﺑﺎ ﻟﺣﺳن ﺑﺷوﯾﺎba lhassan bchwiya]. Performance by Lhaja lhmdaouia, 2011. youtube, https://youtu.be/ihOdKiiSIF0.
“Qaftanek mahloul-Félix el Maghribi ﻗﻔطﺎﻧك ﻣﺣﻠول ﯾﺎﻻﻟﺔ ﻓﯾﻠﯾﻛس اﻟﻣﻐرﺑﻲ.” YouTube, 26 October 2019, https://youtu.be/GGcAgptvpv0. Accessed 28 June 2023.
“17 ,22” رﺻﯾف. اﻟﺟﻧس ﻓﻲ اﻷﻏﺎﻧﻲ اﻟﺷﻌﺑﯾﺔ اﻟﻣﻐرﺑﯾﺔ ﻣن اﻟﻣﻠﺣون إﻟﻰ اﻟﻌﯾطﺔSeptember 2021, https://raseef22.net/article/1084433
“ ﺣﯾﻧﻣﺎ ﺗﺗﺑﻧﻰ أﻛﺎدﯾﻣﯾﺔ اﻟﻣﻣﻠﻛﺔ "اﻟﻣﻠﺣون اﻟﺧﺎﺳر.." ”!"ﻗﺻﯾدة "اﻟﻠوطﯾﺔLe360, 6 December 2016, https://ar.le360.ma/culture/97395/.