Dre (reer ig Rusa NTO AU Ns HIM AT UACOPNM Cenc INCI UNICa Friends in Low Places WTA a HOON @ KOLO DR Cima saat irra eS Ca Kurs When You Say Nothing at All Kc HAL*LEONARDei Stalary UUW M RN ECAC Ee One Hd NIV AUITT 19 EVTORUA ION) Ci a TTT) ATT) bITCem BALTIC R CoC i} Boot Scootin’ Boogie cy WTR A ROTI att} CATT) 7 Distant Drums ut} NC v1} Folsom Prison Blues Nt UM UTAR UUM Tay v2) HOE A par teay Re Sate iki COCR LAAN 136 PETC NUS LOEB CD a 139 TEACH) ed PON CLC MUTUAL Here You Come Again Hey, Good Lookin’ seo CT 1 Can Love You Like That 1 Can't Stop Loving You POAC PA Fat Aira It's Your Love The Keeper of the Stars Lookin’ for Love PROTA TTDI Cay eA Release Me PTT aa SOIC When You Say Nothing at All DTV ANTIKALL THE GOLD IN CALIFORNIA Words and Music by LARRY GATLIN ModeratelyBb F ¢ To Coaa, fe a & it don't mat-ter at all. where you've played_ be- fore. Cal-i - for-nia's a brand new rf r Bb OF 2 ie z can scar a man for - ev - er. ight down to your z a c cu F Bb He Ee EF = img on the spot - light— T Ff iFef & a crese. poco a poco iALWAYS ON MY MIND Words and Music by WAYNE THOMPSON, Slow Ballad MARK JAMES and JOHNNY CHRISTOPHER F co, £ E F CE - Dm FIC & ce a g treat you quite as good. as I hold. you all those lone-ly, _lone-ly ?Tetit rf oe m og i should have. May-be I did-n't love you times, — and T guess I nev-er told you (rere rr ef etet 7 % Dm FIC GB Bb a gz Es] & quite as of-ten as could have. _ (2.3) Lit-tle things should have T'm so hap-py that you're. mine. (2) If I make you — feel-FIA Bb FIA Bb/F Bb/D 2 S B = = a I justnev-er took the time. girl, I'm sor - ry Twas. bind, cr, C7 Bb | mB To coda) EB Eg You were al-ways on my mind. ‘You were al- ways on myDm FIC Bb FA Gm Cc a Ey 2 B = gi giveme one more chance to keep you sat - is - fied, E copa Bb f& DS. al Coda @ ‘You are al-wayson my Gm? C7 F = & # & ca You are al-ways on my mind. 2s10 ANGEL OF THE MORNING Words and Music by CHIP TAYLOR Slowly Bb F Eb - & Ee yer Tre Bb Eb F Eb & i fe Ee Bb Eb F Eb & & Ff & La. oo There'll be no strings to bind. your hands, ___ not if my love can’t bind your May - be the sun’s light will be — dim, and itwon’t mat - ter an - y - and there’s no need totake a if morn-ing’s ech - 0 says we've F Eb Bb Eb F Eb = al & Fe ea i" = stand_ for it was I who chose to start. sinned, well, it was what I want-ed now. r x =Cm Eb EF Cm Eb F Eb fe" a a Ee Be = & = = s I see no need to take me home, Tm old _e-nough to face the dawn, And if we're vie-tims of the night, I won’t be blind-ed by the light. F Bb Eb Eb BR Lf Ee © Pe Bee Just call me an - gel of the morn - ing, (an - gel) just touch my cheek be-fore you F Eb F Bb Eb F 2 #8 8 ie z a leave me, i Just call me an - gel of the morn - ing, (an - gel) Eb Bb Eb PI fe ie F Eb & me Foam = then slow-ly turn a-way from me. then slow-ly turn a-way,Bb Eb ey BE oo I won't beg you to stay with me, through the tears Bb Eb bey Be of the aye of the years. Repeat and Fade Bb F 2 s22 fs 8 #8 morn - ing, (an - gel) just touch my cheek be-fore you leave me, ba - by.BLUE BAYOU ° ‘Words and Music by ROY ORBISON and JOE MELSON Moderately F c7 F Lf = bd Tm so lone - some all the _ time, and to be with of my friends; f & Hl Blue Bay - ou — Blue Bay - ou. vr Copyright © 1961 Renewed 1969) by Acut Rose Muse, ne, Barbra Orizon Mune Company, Orb Lee Music and RKey Darius Muscr, & Hl Sav - ing nick-els, -ing dimes; working ‘til the sun don’t shine, Say - ing nick-els, - ing dimes; working ‘til the sun don’t shi F Eb F &" & look-ing for-ward to hap-pi-er times on Blue Bay. I'm go-ing look-ing for-ward to hap-pi-er times. on Blue Bay. I'm go-ing id r ‘f come what = may_ to 7 where you gon-na stay on ,_—____ where the F & day and the cat-fish play on_-—-Blue Bay - ow. fine and the world is mine. on Blue Bay - ou.3 Fe Bb Bbm ] = = = fish-ing boats with their sails a - float;_ if, —«L_— could on - ly see. that fa = irl of mine — by my side, the sil - ver moon and the eve-ning tide, oh — = __# mil-iar sunrise through sleep-y eyes, how —hap-py Td. be. some sweetday, gon - na tke a - way this in - side Tl nev-er be blue; my —dreams_come true — a ae a“BLUE EYES CRYING IN THE RAIN Words and Music by FRED ROSE Sad 27COWARD OF THE COUNTY . Words and Music by ROGER BOWLING and BILLY EDD WHEELER Moderate Country 2 c F c i sg Ee coward of ___ the coun - ty, to prove the coun + ty wrong. named_ him — Tom-my, “i Ft F ooniah © 1979 ca ui bling, A Din of Un7 o ae ae folks just called him —yel- low,__ they were when his dad -dy — died_ ‘cause he was my broth - ers son_2 still re = call the fin- al words. broth - er + but yours is just be - ‘the thingstrou - ble = It won't mean you're weak if you turn the oth - er cheek, hope you'reold =e There'sarms he did- n't. have while he was Gat-lin boys. came + in’, They took turns. at Beck ~Db ‘ ate (Spoken) there was three of them! (Sung)Tom-my © - pened up. shat-tered look_. than he__ could G i fe feached a - bove— the fire - place and took — down his dad-dy's pic - ture,25 fon his dad-dy's_ face, heard these words a gain:_ a D> & Db se 8 Hy the things Ive done, : from trou-bie ~ Ab Ob zh Ee It won't mean you're weak if you turnser hope you're old “ + der you don’t have to fight tort FF [PTE are Gatlin boys just laughed__ at him__—_ when he g. & if walked in - to the bar - room. One of | them.got up—— and met him half-= way ‘cross the floor. When Tom-my turned. a - round__ they ssid, PREP look! ol” yel-ow's—_leay ~ in’ (Spoken) But you coulda heard a pin drop when Tommy stopped and blocked the door. (Sung)Twenty years of bot-tled up in - side him, He — was-n’t hold - in” —noth-in’ back —> Do a a When — Tom-my left_ the bar Gat = lin boy was stand-in’, said, ‘This one’s for Beck watched the last one fall, (Spoken) And I heard him say, + ised you, Dad, the things you done, walk a-way from —trou- ble29 Now please don't think I'm you un-der - stand: yougot - ta fight whenyou're a cr'f fF Ev ‘ry-one__ con = sid - ered himBOOT SCOOTIN’ BOOGIE Words and Music by ar RONNIE DUNN Moderate Shute (4-1) at Out inthe coun - ty past the Got a good__ job, Tork hard (Instrumental solo) bar - ten - der asks me, says, 7 city lim - it sign, well there's. a hon, = ky ton __ near the for my | mon - ey. When it’s quit - tin’ —_ time, I (Solo) “Son, what will it be?" T want a shot at that red - head yon - der i > coun - ty line, ‘The joint starts jump - in’ ev - ty hit the door run ~ nin’ 1 fire up my pick - up truck (Solo) Yok - in? at me,___ The dance floor’s hop - pin’ and it's copyright © 1981 Sonyary Songs Lc Aight Adminitere ty SomiATY hac Plating, # muse Square Wet, Mata 137203, InterrotinalCapygh Secures All Rights Reseed31 night when the sun goes down, ‘They got whis and let the hors - es run. T go fly - (Solo) hhot - ter than the Fourthof Ju = ly. 1 see out - = key, wom - en, mu = sic and smoke, _ It's in’ down that high - way to that hide - a - way (Solo) in - laws, crooks and straights _ where all the = cow = boy folk 20 t boot scoot - in? stuck out inthe _ woods, wo do the boot scoot = in” (Solo) all out__ mak - in’ it shake do - in’ the boot scoot - in’ (Solo ends) The32 come on boot scoot-in’! 2 jack, E zi by meet me out beck, we're gon-na_boo-gie. ea 3 s Oh, — get down tum a- round, goto town, boot _scoot-in’ a 37 g0 to town, boot scoot-in’ 3 BT it i ig Woh, - get down, tun“a - round, — boo - gie,__ 3 3 g0 to town, boot scoot.in’34 CRYING Words and Music by ROY ORBISON and JOE MELSON Moderately slow, with feeling G7 eB Hi * f for a - while; was o- ver you but I saw you last night;. you held my I love you e - ven more than T LFF hand so tight,__—as_you stopped did be - fore, but dar - ling, sa enytght © 1961 Renewed 1988) by AcuRose Music Inc, Sarbara Orton Music Company, Orb ie Music and Key Darks Mae “Al Rights Reserved Used by Permission35 g GT a wished me you could-n’t don’t love TH al- ways a- lone and rll be ;Cc c+ FIC Fm ¢ ing. It’s hard to ing. ‘eah, - LF F eee of your hand can start me in © - ver ft it Te | Vg J thought that you, etDISTANT DRUMS ° Words and Music by CINDY WALKER cr F ei & a — of bu - gles. blow - ing, far (2nd time only) &. re is 35 nm 8) TE COMBINE ‘Al Nahas Coatolted br CObnaneL MOOSE COW. ame Adnaeated by Bil BLACKWOOD MAUNIC BI,Let’s share Or theic cr fe = we can might change you love me, Ma - ry, 38 —— 8 be-fore it’s too our wed - ding _ —3—, FT ca the time there may —3— ci. g Ma - ry, mar - ryELVIRA Words and Music by DALLAS FRAZIER Medium Country beat c7, = 1. Eyes that’ look like ven, cher = ry wine,a girl can sho’ nuff — make my lit -tle light Ft F ¥ | get a fun ny — feel - ing Up and down my spinefi-e for El com papa mow mow, Gid-dy-up, a oom pa- pa Gid-dy-up, 2 oom pa pa oom pa -pa mow mow, is D'S. and Fade way (Repeat Cho. 1 - fade} Bist Verse 2. Tonight I'm gonna meet her At the hungry house cafe ‘And I'm gonna give her al the love ! can She's gonna jump and holler “Cause | saved up my last two dollar ‘And we're gonna search and find that preacher man ChorusFOR THE GOOD TIMES . Words and Music by KRIS KRISTOFFERSON Slowly efit fof Gm Gm7 C7, Don't look so know it's 0 find an - oth er; —— Fmajz £6 Gm Gm7 c7, C7sus = “ i i He But life goes and this old world will keep on And I'll be if you should find you ev - er t mn 3 Fmaj? F FT Hie Let's just be we had some Don't say a a» bout to - —— copa ©1968 carer 846 Ma Pbisting, ne lomo nenevesC7sus F F6 Fmaj7 F F7 HS that we're burn ~ ing when you leave me, Guitar Tacat eg Hold your warm.45 7 2 3 3 F Fmaj7 ea Ey ae a i Hear the whis - per of 2 ~ gainst ‘And make be - lieve fone more _—_____. For the Ml get a = goodFOLSOM PRISON BLUES Words and Music by JOHN R. CASH Moderately (not too slow) Chorus the train - ins i's roll - in’ “round the was just my = ma - ma told me Gim = G 1 ain't seen : I don’t know al - ways be ev-er play with (© 1986 Renened 1984) HOUSE OF CASH IN (OV Acantted by BUG MUSIC AlIRigMS Reser Used by Parmiion|47 and time keeps just to ee train keeps hear that whis- tle s on down to sone _——— 1 hang my t—— 3. L bet there's rich folks eatin’ in a fancy dining car. ‘They're prob’ly drinkin’ coffee and smokin’ big cigars, But 1 know Thad it comin’, I know 1 can’t be free, But those people keep a-movin’, and that’s what tortures me. 4, Well, if they freed me from this prison, if that railroad train was mine L bei I'd move on over a little farther down the line Far from Folsom Prison, that’s where I want to stay, ‘And Td let that lonesome whistle blow my blues away8 FRIENDS IN LOW PLACES Words and Music by DEWAYNE BLACKWELL and EARL BUD LEE Moderately, with a beat A Bbdim7 Bm? Bi B Ee mp Bladd9) A Pe Blame it all ons my_— roots. _ guess I was wrong. Bbdim? Bm7 mB oe a showed up in boots and ru ~ ined your black f fair. just’ don't be = Jong, but then T've been - — be- fore. 7 The last one Ev-‘ry- thing's all pig © by caer SMa ting nad tong Tr ‘AtRighs on beta of sonia Tues ue Ravine oy SaymT¥ Mure Paiing € Wa Savre West Nash, TN 37203 Intemational Copjgrt Seared Al Rights Reread49 —— 3 last one to show; was the last one» you thought you'd see. just say good - night and I'll my - self. to the door. — —3— saw the sur - prise 1 did - n't mean Bbdim7 Bm7 eal ap 3— —3 —_ — fear in his eyes__ when 1 took ~— his. glass of, cham —-_pagne, cause a big scene, just give, me an ho - our and Bm7bs/D And 1 toast - ed you, said, “Hon - ey, well, I'l be as_—shigh_aas.—that i"Cause I've got 7 you'll nev - er hear__._ me com - plain.” that you're liv - in’ in. plac = es where the me51 = cial grac - es, Think I'll Tt Bm7 = ao a> To Coda T've got friends —Bm? e Hi es copa T've got friends. in plac - es where the Tcial grac = es. Think I'll T Bm7 a” sis. Oh, ['ve got friends E A Repeat and Fade Optional EndingTHE GAMBLER Words and Music by DON SCHLITZ Moderate country 2 Trig & Ab/Eb “ a bound for no peoples fac - with the gam = ler what their cards____ were both 00 tired 10 So. way they held their s And if you don’t — mind — we took turns copyran ©1977 Sony nuns tights Admininaa by art i ubistng 8 Me Sauce Wes Nave. 1137203 Treating Coors Sued Al bt ReeveAb/Eb ay Ee bore-dom 0 - andhe drank down my last ri rh FP _ AGT oFThen he bummed a cig and asked me fora ae oR ‘ And the night got death - ly qui - faco lost all ex-pres - Bb Ab E> said “If you're gon. na play_ the game,boy ya got-ta learn to play. it right. iF ze > Ab i know when to fold_ TrY EFA37 E> Ab 5 “2 > know when to walk a= way_ and know when to run. when you're sittin’ at PRERLE™ FT * 7 ey ie a there'll be time - ough for count - i when the deal - in’sEv'ry gam~ bier knows that the ref knowin what to. throw a way and-—know-in ‘ry hands a win sure viv what to keep. your sleep.when he'd some-where finished speak-in’, the dark 59 > he turned back towards the win - sleep the —gam- bler he broke ace that | could keepknow when to. hold___ ‘em, know when to [te ERAP > E B fe gi and know when to run. when you're sit- tin’ ble there'll be oa _ # # ¢ «|e time e - nough. for count - in’ when the deal -in’s done “You got to done.”” a iF 8 a6 HARD ROCK BOTTOM OF YOUR HEART Words and Music by HUGH PRESTWOOD Moderately fast Country A @ = Twas led___ that we built__ A E, a it and in weak Its foun - da@ time sleeves Fm A B eo i EF] = you’d come or burn zWe can’t justBm7 E Bm? E Fm > (Instrumental solo)66 fae DS. al Coda (ola ents): And I erp copa ee S To the hardao at> a Repeat and FadeGEORGIA ON MY MIND Words by STUART GORRELL ‘Music by HOAGY CARMICHAEL Slowly F AT. DbIAb Fm6o/G G7 Db7/Ab CTIG B Ls] fa" He ms nf F Al, D7 Dr#s =D? c7, F ATH AT. Dm g Ey ES fe Make — me think a Edim? C13 F c7as F 8 Be B ea part? —___ Some sweet day copyright © 1230 by Peers pyright wenewed Incermainal copyright scores" Al Rights ResenedAy, D7 Dy#s D7 oe fc blos-soms fall F € AID Dm a Edim? C13 FE mE & Bf “cause that’s where T Gm Bbm F E7 Gm co oc F Fidim Ee @& #& # gS & £8 i Just an old sweet song keeps Geor-gia___ on70 Gm7 c7es F Aq, gE Fl & eH (Geor-gia on my mind) Dm Gm Bbm F & moon-light through the Dm Bb7 Dm Gm6 Dm? GI eyes smile ten - dern Dm Gm6 Dm? E7 Fidim Fm6 = s 2 '@ B Gm Bbm E? Gm G9 cis > song 2 F -BbGI9. C785 is @ £ B F Dm Gm? C13. C7#s gf 2 8° 8n HE’LL HAVE TO GO Words and Music by JOE ALLISON ‘and AUDREY ALLISON Moderately F c7, F FC C7, g el @ z sweet lips a ilit- tle clos - a, let's pre - Gm7c cr, that we're to = geth - ~ = TH tell theB F 7 Bb & & & ne juke - box way down low, and you can F cr F FIC cr Ea Lei B Ez your friend there with you__ he'll have to go,________ Whis-per F Bb F & & @ you love me true, Gmc cr, hold -ing you a Though love isF FT Bb @ Ea & make up your mind; Te got to — know. Should 1 up—— or will you tell him he'll have 10 a You can't the words I want to hear while you're with an - oth - er man, Bb F C7, & & me, an-swer “Yes” or “No;* dar-ling, 1 will un - der - stand.5 F Bb F & & & sweet lips adit le. closer tthe phone, let's pre - Gmc 7. that we're to - geth - er - ee, Tl tell the F F7 Bb F & & & ® ee to turn the juke - box way down low, and you can tell_—_-your friend there cr, = with you he'll have to —_ Put your ur f6 HELP ME MAKE IT THROUGH THENIGHT |. Moderato KRIS KRISTOFFERSON mw FF * t|e Fe rle Pak is BACKWOOD MUSIC NEn AT. sia the care who's right orie Ds.stcade CODA79 HEY, GOOD LOOKIN’ Words and Music by HANK WILLIAMS Moderately How's a -bout How's 3 ~bout =< » —| opyight © 189 (armed 175 by Al ove Mus ne ond Mam Music inthe USA ‘Angus for Ham tore kamastred by etaong ont ine ‘Mnghtsousde the USA Conroted by ait ee Ma ‘ight Resenes Uses by Permsionyou think Tee been We could find us How's about keep two dol - lar bill O-ver the fence r r = 1 know a spot right over the ill soda find “me one ‘for five "or ten nt weep it? °a1 o7 7 im a wan-na have fun come a - long. writin’ your name down on ev. ~ Good Lookin’ Good Lookin’ How's a - bout cook How's about cook = in’82 HERE YOU COME AGAIN Words by CYNTHIA WEIL Moderate ‘Music by BARRY MANN Fiz id ze. . : "onan ch a bl Here you come a ~ getty just when I've be- gun to get my- Here you come a~ gain, just when I'm. a-bout to make it 3 cb A self to-geth-er, you waltzright in the door, just _like you've done be-fore___ work with-out you, you look in-to my eyes and Ite those pret-ty lies ; wrap__ my heart _‘roundyour lit-tle fin-ger. pret-ty soon. 3 P FP ov rsscwrasmsmenasmemscmneEs ee Ha came to doubt you. All yougot-tado——_ is _—_smile that smile P cian” at i q oat sa) Ee ie i there go all my____de - fens-es Just leave it up to you and in a lit- 2 tt + tle while —— you're mess-in'up____ my mind___ and _fill - in’ up___ my sens-es. 3 - — : - 4 a an » fe wae Here you come a - gait look-in' bet - (2nd time instrumentalhas a right~__ toy and Ent Ant Ent Amt, - shak-in'me__up so that all I real-ly know here youcome a- gain All you got- ta do —— 3 ¥ F is smile that smile and there go all___ my___ de - ont bm fe Ee Det a Just leave it up to. you___and in —— 7 3a ont i ‘Abmayt E (Cpa = fill-in! up—— my sens-es. Here you come a- gain, 3 bk be Hs 2 a; #F look-in' bet - ter than a bod-y has 3 3 Fut Bom? Fm Bbmot Bho ae i Bae Fe ob S i TF shak- in’ me —. up all I real~ly know here you come —_ Ei s fe Repeat and fade here 1 fo___ Z. | BELIEVE IN YOU Words and Music by ROGER COOK and SAM HOGIN Moderately slow, triplet feel (2 Fi in gu per-stare— or gan- ie food and_for-eign cars, that Heav ‘eg “waits for “on -y_ those who. con- ae oat lieve the price of gold, grow ing old, —— think of God as_ love, up) a - bove,— oa > 7 Dri Resewed Ineratonal Copyigh secre) ed byright is right and left is. wrong. that’ ~— north and south. can’t. get. a long, that, watch - ing peo - ple ev- ty -where He —knowswho does and does-n't_ care, and 3 3 east and west is west and —_be-ing first is al-waysbest:but Ibe - lieve or = i= nary man, some-times | won - der who | am; but | believe in love;— 1 believe in Momard Dad 1 besleve in: mag" ic and 1 be-lieve ia and | be-lieve iaknowwith all my cer-tain-ty— what's go in’ on with you and 3 don't be- lieve vir ity is as common as__ it used to be, in 3still a live. in Hol- ly -wood,that gas 0 - line’s_ in shortsup- ply... the ris ing cost of get-tin’ by; but | be. 3 lieve in love lieve in olb_ folks; lieve in love; Vieve in babies; — Instrumental 3 = 7 be-lieve in. chil - dren; be-lieve in believe in, Mom and Dad PO & 3-4 & : D.S. and Fade| CAN LOVE YOU LIKE THAT Words and Music by MARIBETH DERRY, JENNIFER KIMBALL and STEVE DIAMOND Moderate Ballad c Em Be ca “f With pedal read you Cin - der - el-la, it would come true ney - er make a prom-ise in - tend to keep. FE Gisus wg fae one day your Prince Charming would comié—__res - cue you when IT say for - ev - er, for - ev - er’s. what “T copyright © 1995 Citetion Musi Corp, EMI Full Kea Mute Co. Frends And Angels Mus Second Wave Mus and Bamond Cts Sighs or Pena and angel use Convoes ane Aaminered by EM Fu eel Mu Co _l highs for Scr Weve Mu adstered by Univeral” Mea Mane ishing A son of Unveil tuo, "A righs fr Deand ut Admininered by Zomba Enertves, ne ‘a ights Revered Used byParmision€ a like ro - man - tic mov - iess Pm no Ca - sa - no - va, way you felt when Ro-me - 0 kissed Pll ‘be holding noth-ing back when Em al ney-er will for - get Iswear thismuch is true: Gisus Em7 at gE Ju- ti. eo All this time that you've been wait - it comes to you. You dream of love that’s ev - er - last - F Em7 F e @ you don’thave to wait no Well, ba-by, o- pen up your GTsus c T can love you like that. Fa Fi me Em T would make you my world, — move heay-en and earth —F GT sus you were my give you my a EB — be all that you need, show you you’reev - ’ry-thingthat’s pre-cious to Bb GTsus er Ifyougive me a chance, __ I can love you like EG F GTsus3 c Gm7 it i You want ten - der - ness, Dm7 ¢ Gm7 Dm? Pl oe heart of you. Ifyou der - stands, _ F GTsus & ee you don't have to lookI can love you, I1_____ can, I can love you like that. IT would make you my world, — move heavy - en and Ei = Twill give you my be all that you need, show you you're ev - y Repeat and Fade GTsus ‘ry - thing that’s precious to . can love you like that.95 | CAN’T STOP LOVING YOU Words and Music by DON GIBSON GI ¢ sony / a tfGi G7 ei 8 since we've been a - c BG Cc C7 F & can’t stop lov can’t stop lov 4 —— —— so Pvemade up) my mind to live —— there’s no use to a Pre- tend ——3—>it’s use - less to the way that I —3— in dreams of yes -_ter- for me, that one love is. | LOVE A RAINY NIGHT ‘Words and Music by EDDIE RABBITT, EVEN STEVENS and DAVID MALLOY Moderately Bright mf love. a rain -ynight; love a rain - _y_ night. 24 a rain - y night; it’s such beau - ti-ful sight. 1 love 5. (Instr, solo ad lib.) Ey light «ning when it fights up the sky. ‘taste therain © on__my_— ii love to hear the thun- der; watch the feel the on my face; 2. Well, 1 love makes__me feel good. You know it moon = light shad - ows, — in the (end solo)Show-ers wash all_ my cares a - . Puts a song in. this heart of night. + y night. j DS. al Fine after repeat yrnight, ooh, . in = y night, Well, 1 fove—“ | WALK THE LINE Words and Music by JOHN R. CASH ModerateBe - cause you're Be - cause you're Om7 Fe F/A GmT F 3. As sure as night is dark and day is light, Tkeep you on my mind both day and night. ‘And happiness I've known proves that it’s right Because you're mine I Walk The Line 4. You've got a way to keep me on your side. You give me cause for love that I can’t hide. For you I know I'd even try to turn the tide Because you're mine { Walk The Line 5. L keep a close watch on this heart of mine. keep my eyes wide open all the time. keep the ends out for the tie that binds Because you're mine I Walk The Line102 IT’S YOUR LOVE Words and Music by STEPHONY E. SMITH Moderately G 6 Ete of c pic c pe ¢ G Male: Dancin’ in the dark, a ig mid-dle of the night. Tak-in' your —heart__ c G Ea — and hold-in" it tight B - mo-tion-al toucha Em] touch-in’ my skin, and ask-in’ you to do ei you've been do-in’ all o- vera ~ gain. & = Es —— Don't think [can keep it I just got-ta_ let you know Ey that won't let me go. Both: It's your love—— It just does some-thitBe It sends a shock right through And if you about the spell I'm D DIC ~ det, a @ Male: Better than I was, more than I am,Em] Hl Es oS and all of this hap-pened by takin’ your hand. DFE Es & And who I am — now e E Both: And now that we're to-geth-er, I'm strong-er than ev-er. I'm hup-py and free. % | 3 beau - ti ful thing Don’t think 1 can keep it all_—i # Male: { Oh, did you ask me why I've changed? All I got-ta do is say your sweet name. — Bork: | 1 just’ gotta let you know what it is that won't “let me go. Ey ese Both: It’s your love. It just does some-thin’ to Ik sends a shock right through And if you a-bout the spell I'm der, Male:DIC = G aE i DS. al Coda108 THE KEEPER OF THE STARS Words and Music by KAREN STALEY, DANNY MAYO and DICKEY LEE Moderately slow D ATsus i i of It was mo ae - ci - dent,_ Soft moon - light on your face,— G a a: & me find - ing you. oh, how you shine. - one had a hand takes. my ___ breath eran © 204 carers NG Icy Sirsa Star Music Murrah Music Corporation, ira ong Of Po Tie Maseae AICH long be-fore_ we Fr ATsus 5 ev-er knew. to look — in - to your eyes. "So Heay - en’s There real - look at = you to ~ show my grat - i - ?ATsus Ay G sure knew what he was do. Ay, D ee a when he joined these two hearts.ve got all. I'M ever Em Ay ay thanks to theKeep - er of the T S ATsus | i Da ac - ei-dent,— DFE Em AT D ATsus long be-fore. we13 LOOKIN’ FOR LOVE Words and Music by WANDA MALLETTE, PATTI RYAN and BOB MORRISON A Ei ‘Moderately E Fém Well, I've spent a life-time And) I was a- lone then, no love in sights D tm tf if t sin- gles bars and good time _lov - ers were and I did ev - ‘ry - thing TI could to get me Eet> ° 42 Ll ney - er true, _ Play- in’ a fool’s_ through the night. Don’t know. where it start = f © porn coma WC a SOUTHERN DAYS MUS aint by COFYNGHT MANAGEMENT INTERNATIONA)and tell - in’__ those T turned toa all____ the wrong look - in’ for in all the wrong look - in’ for all the wrong sr look - in’ for ______ man-y fac - es, search-in’ their eyes — look - in? for = man-y fac - es, — search-in’ their eyes — look - in’ for i man-y fac - es, — search-in’ their eyes —Em Fam G A "s look - in’ for trac - es look - in’ for trac - es look -in’ for trac - es Ee Fém D tr iH He Hop-in’ to find Hop-in’ to find Now that I've found_ To Coda dis - cov -er an - oth-er heart ook -in’ for love. dis-cov - er an - oth-er heart look - in’ for love. dis - cov -ered t tone Then youcame a-knock - i my heart's door; CODA DS. al Coda ry # look - in’ for in all____ the wrong plac - es;Fim "7 man-y fac - es, — search-in’ their eyes Fém G A a5 Fem Ee Now that I’ve found. —a_friend, + oer bless the day_ G Hh init ie A fa Ht Repeat and Fade I diis- cov -ered look -in’ for love —“LOVE WITHOUT END, AMEN Words and Music by ‘AARON G. BARKER Moderately, with a beat D a Ce Et e D Ht — my day with a shin - er on— y- school one in the spring of eight get sent home from + ther. 1 be-came_ a fa ter why. Fa - ther's son. the rules_ and it Fight-in’ was_ a - gainst stub-born boy was just like my was mo doubt that When Dad got —home «I told that sty ‘And when I thought. my pa - tience had —_been— copyright © 1980 0-Tex Music OM and Bl Bile Mae (BM, 1900 1th Avenue South, Mave, TH I72N2 ‘ernatonal Copyright Secured. All Rights Reserved& #8 & jut dike = T'd test - ed to D af a 7 7 the worst. ‘and wait-ed for to him. 1 passed it on stood there on those = trem - lin’ took my Daddy's secret And he said, Te tell__ you a > my. Dad-dy said. se = cet that_fie si said, AT, ¢ Pe “Dad - dys. love their chil - G D A i's a love with - out — I's a love with - out end,and stood out - side _ pearl - y gates. — When sudden - ly, I re-al_- ized. there must be some. mis-take. If they know half the things I've done they'llAnd then E bet i = some = where from heard these words «a - gain And they said, Ec al fa = ther’s. love, se that my dad-dy said___ was123 A B E BGS A co py bf dad-dys just. don't love. their chil - dren ev - ‘ty now. and then, i's a lovewith-out end, A ove with-out end,124 OH, PRETTY WOMAN Words and Music by ROY ORBISON and BILL DEES Moderate Rock NC. A Fim & B walk - ing down the won't you par - don A Fm ea B the kind 1 like meet, 1 could - n't help see, Copyright © 1988 Renewed 1982) by Acut Rose Muse Ine, Barbara Orion Mani Company, Orbiee Music and Rey Barkus Muse “Al Rights Rezerved Used by PermisionNo one Are could you eS lieve you, love - ly Took lone= while, — Pret - ty wom - = while, — give your smile _ Dm og c & & i yeah, yeah, yeah, —__ Pret- ty wom - ansay you'll Fim Dm ET A Fim DmFam & t> don’t walk on by, Fem129 IE that’s the way it must home, it's. late__ET & Is she walk - ing back131 RING OF FIRE ‘Words and Music by MERLE KILGORE and JUNE CARTER Moderately Bright i ‘Bb ED Bb Eb oA SSS —o love is. a burn-ing thing taste _________ of___ love is, sweet i Hath A Ul 1¢|Bb Eb Bb by wild de - fell for you like a F7 B Bb He oe = - I fell in - to a Oh, but the js se 7S eS Ring Of fire went Eb burn-ing Ring Of Fi- reFv Bb Bb F?7 down, down, down flames went The Ring Of The Ring Of burns, burns, Bb F7 Bb (Repeat for fadeout) F7 = Ce The Ring Of Fire, The Ring Of 2134 RELEASE ME Words and Music by ROBERT YOUNT, EDDIE MILLER and DUB WILLIAMS Moderately slow F C7, 5 c7, wi i a gE love you anos oy = al - ways want her fool to cling. =135 F c7, F Fdim BbOF OF FT & zg @ mH He To — waste our lives would be a Her lips are warm while yours are To live a lie would bring us Bb F cl, a : 2 = re = lease let me love a - re - lease me, dar - ling, let me re ~ lease let me love a -136 SNOWBIRD Words and Music by GENE MacLELLAN Brightly c et Em Dm7 t nf c @ B i neath this snow I was young = my Spread your ti - ny breeze “a - long — the and an that he’ll (©1970 Renewed 1988) MI BLACKWOOD MUSICINGG7 ay un thing take on - born — grass ies that it would the snow back ly break = my want — the could, you of gen - tle to me of I I flow most know breez ing me you a for that’s where gain its the it should coat thing came 1 to that from de turn I on cideDm7WHEN YOU SAY NOTHING AT ALL Words and Music by PAUL OVERSTREET Moderately slow and DON SCHLITZ Bb Ab Bb Eb Bb AbIC Bb 3 Eb 8 &" g& a I's a-maz—~ ing how. you can speak right_ to my heart. All day long Tecan hear peo-ple talk = ing out loud, — With-out say = ing a word__ you can light up the ‘but when you hold me near. you drown out the F " F Eb Bb Ab Bb Ab Bb me & &" &§ i 8 — Try as 1 may— I couldnev - er ex-plain— Old Mis-ter Web - ster couldnev - er de-fine—, (©1900 Scneen ems. en MUSICINC, lusic PUBUSHING,hear when you don’t said be- tween your. Bb Ab Bb Eb Bb Eb SE ey be Ee & smile on your face. lets me know that you need_ me. There’s a truth in your eyes. say-ing you'll Ab Bb Eb Bb Ab Bb &" gE = & — ~ nev-er leave. me, A touch of your hand_says you'll catch. me if ev - er I fall. AbIC Bb/DEb/G Ab Bb Eb Bb SB spon oe a & as — Now you say it best when you say noth-ing at all.__“1 when you say noth-ing at all. Eb Bb Ab Bb Eb Bb Ab gE & & gf fe" = CODA Bb Eb Bb ®, & Ee ® a & when you say noth-ing at all. Eb BD AbIC Bb EbYOU ARE MY SUNSHINE Words and Music by JIMMIE DAVIS and CHARLES MITCHELL Tenderly F a a Faim F FT h | 1 : ;$ —__ 1 dreamed =I make > if you will real - —_— and. noone. 4Fim FPlease don't ed I 3p Foo Fm | s = # & fm aye wae You wld me“ ft rit.