THE POPULAR ALI.

70RGAN LIBRARY
 A ll M y L o v in g , 4
A m a r illo , 6
A nna, 9
B a n k s O f T h e O h io , 1 2
B e M in e T o n ig h t, 1 4
C a lif o r n ia D r e a m in ', 17
C a n 't H e lp F a llin g In L o v e , 2 0
D e a d w o o d S ta g e , 2 2
D o n 't L a u g h A t M e , 2 6
E v e n T h e B a d T im e s A r e G o o d , 2 8
F r e n e s i,3 1
F r ie n d s A n d N e ig h b o u r s , 3 4
F ly M e T o T h e M o o n , 3 7
G o o d M o r n in g S ta r s h in e , 4 0
H a p p y F e e t, 4 3
H itc h in ' A R id e , 4 6
I F e e l F in e , 5 2
If I H a d A H a m m e r, 5 4
I 'll N e v e r F a ll I n L o v e A g a in , 5 6
I 'll W a lk W ith G o d , 5 8
I m p o r ta n c e O f Y o u r L o v e ( T h e ) , 4 9
I t's A R a g g y W a ltz , 6 4
I W o n 't F o r g e t Y o u , 6 2
K is s M e H o n e y - H o n e y , 7 0
K n o c k T h r e e T im e s , 6 7
L io n S le e p s T o n ig h t ( T h e ) , 7 4
L ittle B o x e s , 7 2
M a r ia E le n a , 8 0
M a s s a c h u s e tts , 82
M y L o v e I s O n ly F o r Y o u , 8 4
N o M a tte r H o w I T r y , 8 6
P e ttic o a ts O f P o r tu g a l, 7 7
P o p c o rn , 9 0
R a in y D a y s A n d M o n d a y s , 9 5
R in g O f F ir e , 9 8
R o m e o A n d J u lie t, 1 0 0
S a b re D a n c e , 1 0 2
S c a r le t R ib b o n s , 1 0 7
S o f tly W h is p e r in g I L o v e Y o u ,ll 0
S o m e o n e N ic e L ik e Y o u , 1 1 5
S o W h a t's N e w , 1 1 8
S te p to e A n d S o n , 1 2 4
T h is W o r ld ls N ot M y H om e, 121
T u rn O n T h e S u n , 1 2 6
T h e W in d m ills O f Y o u r M in d , 1 4 0
W h a t's N e w P u s s y c a t, 1 3 0
W h o A re W e , 1 3 2
W ith o u t H e r , 1 3 6
Y e s te r d a y W h e n I W a s Y o u n g , 1 4 8
Y o u 'd B e tte r L o v e M e , 1 4 5
 W o r d s a n d M u s ic by
JO H N LENNO N and PAUL M cC A R TN E Y

G e n e ra l E le c tro n ic & P ip e O rg a n s

8 ' I IV U p p e r: F lu te 8 ', 4 ' S trin g 8 ' U p p e r: 43 8070 604

V ib ra to : On L o w e r: D ia p a s o n 8 ' F re n c h H o rn 8 ' V ib ra to

P la y : U pper and L ow er P e d a l: 1 6 '+ 8 ' P e d a l: 5 -(4 )

V ib ra to : On

Brightly
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C lo s e your eyes and I 'l l k is s you, To -

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d re a m s w ill com e tru e .
A nd th e n w h ile I 'm a -
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© C o p y r ig h t 1963 and 1964 b y N o rth e rn Songs L td ., 2 4 B ru to n S tre e t, London W 1 X 7 AH.

I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
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-;-k~-he "5 W o rd s a n d M u s ic by

---- - J . P H IL L IP S and M . P H IL L IP S

8 ', 4 ', 2' I II U p p e r: F lu te 8 ', 4 ' Q u in t U p p e r: 00 8786 645

V ib ra to : On L o w e r: F lu te 8 ', 4 ', D ia p a s o n 8' L o w e r: (0 0 ) 8 3 6 3 3 3 0 (0 )
P la y : U p p e r: & L o w e r P e d a l: 8' P e d a l: 5 -(3 )
M e d iu m ro c k beat V ib ra to : On V ib ra to : On

Am G F G

1. I 'd b e sa fe a n d w a rm _ " If I w a s in L . A .,
2. If I d i d - n 't te ll h e r _ I c o u ld I e a v e _ to - d a y
~

© C o p y r ig h t 1965 and 1966 b y W in g a te M u s ic C o rp .

© C o p y r ig h t 1970 by Am par M u s ic C o r p ., M o r tim e r H o u s e , 3 7 -4 1 M o r tim e r S tre e t, London W 1.
In te r n a tio n a l C o p y r ig h t S e c u re d . A ll R ig h ts R e s e rv e d .
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RAY CHARLES a n d S .K . R U S S E L L ALBERTO D O M IN G U E Z

S in g le - M a n u a l O r g a n s G e n e ra l E le c tr o n ic & P ip e O rg a n s D ra w b a r O rg a n s
8 ', 4 ', 2 ' I II U p p e r: F lu te 1 6 ', 8 ', 4 ', 2 ' M ix t 2 ' U p p e r: 88 8000 008
V ib r a to : On L o w e r: F lu te 8 ', 4 ' D ia p a s o n 8' L o w e r: (0 0 ) 7 6 5 4 3 2 1 (0 )
P la y : U pper and L ow er P e d a l: 8' P e d a l: 4 -(2 )
V ib r a to : On V ib r a to : On

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© C o p y rig h t 1 939 b y S o u th e rn M u s ic P u b lis h in g C o . ltd ., N e w Y o rk , U .S .A .
A s s ig n e d 1941 to P e e r In te rn a tio n a l C o rp ., U .S .A .
S o u th e rn M u s ic P u b lis h in g C o . ltd ., 8 D e n m a rk S tre e t, lo n d o n W C2H 8 lT .
In te rn a tio n a l C o p y rig h t S e c u re d . A ll R ig h ts R e s e rv e d .
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W o rd s a n d M u s ic b y
BART HOW ARD

S in g le - M a n u a l O r g a n s G e n e ra l E le c tr o n ic & P ip e O rg a n s D ra w b a r O rg a n s
8' 4' I II III U p p e r: F lu te 1 6 ' (O r 8 ), 2 , M ix t. 2 U p p e r: 50 8068 553
V ib r a to : On ( O r T w e lf th ) L o w e r: (0 0 ) 7 5 4 3 3 3 3 (3 )
P la y : U pper and L ow er L o w e r: F lu te 8 ', 4 ', ( O r M e lo d ia 8 ) P e d a l: 5 - (3 )
D ia p a s o n 8' V ib r a to : On
P e d a l: 8
V ib r a to : On
M e d iu m B ossa N ova T em po
Am (7 ) Dm7

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s ta r s ; L et me see w hat s p r in g is lik e on

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© C o p y rig h t 1954 b y A lm a n a c M u s ic In c ., N e w Y o rk , U .S .A .
A ll rig h ts fo r th e W o rld (e x c lu d in g U .S .A . a n d C a n a d a ) c o n tro lle d b y K e n s in g to n M u s ic L td ., 1 9 -2 0 P o la n d S tre e t, London W 1V 3DD.
In te rn a tio n a l C o p y rig h t S e c u re d . A ll R ig h ts R e s e rv e d .
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Good mOlftiftg ltG"hiftC

W o rd s b y M u s ic by
JA M E S RADO and G ERO M E RAGNI G ALT M acD E R M O T

S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8 ', 2 ', I II ill V U p p e r: S trin g 8' U p p e r: 00 4544 222
V ib ra to : On L o w e r: F lu te 8 ', 4 ', (O r M e lo d ia 8 ') L o w e r: (0 0 ) 7 7 5 6 3 1 0 (0 )
P la y : U pper and L ow er P e d a l: 8' P e d a l: 3 -(2 )
V ib ra to : On V ib ra to : On

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© C o p y r ig h t 1967, 1968, by Jam es R a d o , G e ro m e R a g n i, G a lt M a c D e r m o t , N a t S h a p ir o , U n it e d A r t is t s M u s ic C o . In c .

A ll r ig h t s c o n t r o lle d a n d a d m in is t e r e d b y U n it e d A r t is t s M u s ic C o . In c ., N e w Y o rk , U .S .A .
U n it e d A r t is t s C o . L t d . , M o r t im e r H o u s e , 3 7 --4 1 M o r t im e r S tre e t, London W 1.
I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
 ~
Ni - b y n a b -b y n o o -p y La la la 10 10.
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S ong, song, song, s in g , s in g , sl s in g

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I feel fine
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W o rd s a n d M u s ic by

.J < . r:J:-oo 1'1 ~t.!: S U G G E S T E D R E G IS T ~ A T IO N S

JO H N LENNO N and PAUL M cC A R TN E Y

) IC .J c f b 4'NoO -
S in g le - M a n u a l O rg a n s II I_ G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8 ', 4' I II III V 1&· U p p e r: F lu te 1 6 ' ( O r 8 ') U p p e r: 6 0 7 6 0 0 2 2 0 (0 )
V ib ra to : On := - F l. 2 ', P ic c o lo 2'
P la y : U pper and L ow er L o w e r: S trin g 8 ' D ia p a s o n 8' L o w e r: (0 0 ) 5 5 4 4 2 2 0 (0 )
P e d a l: 8 P e d a l: 4 -(2 )
V ib ra to : On V ib ra to : On
M o d e ra te beat

Eb7

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l. Ba - b y 's good to m e, you k n o w ,_ S h e 's hap -

2, Ba by says s h e 's m in e , you k n o w ,_ S h e 's te lls -
-

---
3. Ba by buys her th in g s , you k n o w ,_ He buys-

L ow er
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py as can be, you know , She s a id so.

me all th e tim e , - you know , She s a id so.
her d ia - m ond rin g s _ you

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know , She s a id

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© C o p y r ig h t 1964 fo r th e W o r ld b y N o rth e rn Songs L td ., 2 4 B ru to n S tre e t, London, W 1 X 7 AH.

I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
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If I had a hamme,
r! LilA II; f ~/n.,'d' W o rd s a n d M u s ic t

Jico:,!
LEE HAYS and PETE SEEG E=

.1z ~~4

S in g le - M a n u a l O rg a n s t!rJ;e.1 G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s

8 ' 4 ' I II U p p e r: ,T p t 8 , S tr 8 U p p e r; 43 6804 434
V ib ra to : On L o w e r: F18, 4. L o w e r: (0 0 ) 7 5 5 4 5 1 2 (0 )
P la y : U pper & L ow er D ia p . 8
P e d a l: 8 P e d a l: 4 - (2 )
V ib ra to : On V ib ra to : On

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1. If I had a ham - m e r ,_ I 'd h a m m e rin th e
2. (If I had a) b e ll, I 'd rin g it in th e
3. (If I had a) song, I 'd s in g it in th e
4. (W e ll I got a) ham - m e r ,_ A nd I 'v e _ got a
,.,
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t I' m o rn - I n g ,_ I 'd h a m -m e r in th e ev - 'n i n g -
m o rn - in g ,_ I 'd rin g it in th e ev - 'n i n g _
m o rn - in g ,_ I 'd s in g it in th e ev - 'n i n g _
b e ll, A nd : I 'v e_ _ got a song
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h a m -m e r out
a ll 0 - ver th is la n d ; I 'd rin g _ _ _ out

< a ll 0 - ver th is la n d ; I 'd s in g -- out

a ll 0 - v e rth is la n d ; I t !s t h e h a m - m e r of

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© C o p y rig h t 1958 and 1959 b y L u d lo w M u s ic In c ., N e w Y o rk , U .S .A . .

A ll rig h ts fo r th e B ritis h C o m m o n w e a lth o f N a tio n s (e x c lu d in g Canada) a n d th e R e p u b lic o f E ire c o n tro lle d by TRO E s s e x M U S IC L td .,
1 9 -2 0 P o la n d S tre e t, London W 1 V 3DD.
In te rn a tio n a l C o p y rig h t S e c u re d . A ll R ig h ts R e s e rv e d .
 Eb em

dan - g e r ,_ I 'd h a m -m e r out a w a rn - in g ,_

dan - g e r ,_ I 'd rin g - out a w a rn - in g ,-
dang - g e r ,_ I 'd s in g _ out a w a rn - in g ,_
ju s - tic e ,_ I t 's t h e b e l l _ o f_ fre e d o m ,_

- - •
··

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It.
I 'd
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h a m -m e r out lo v e
. ...
b e -tw e e n a ll of my
••
b ro th -e rs ,
•••••
I 'd rin g _ out lo v e b e -tw e e n a ll of my b ro th -e rs ,
I 'd s in g _ out lo v e b e -tw e e n a ll of my b ro th -e rs ,
I t 's th e s o n g a - bout lo v e b e -tw e e n a ll of my b ro th -e rs ,
oQ - -Q -
0

·
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J fiJ £/111 :
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BARRY, R O B IN
W o rd s

and
and M u s ic

M A U R IC E G =

/r II o /, ; S U G G E S T E D R E G IS T R A T IO N S
tlll{('/
S in g le - M anual O rg a n s .= - G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r -O rg a n s
8 ', 4 ', 2 ', I II U p p e r: F lu te 1 6 ', 8 ', 4 ' T ru m p e t 8' U p p e r: 00 8766 007
V ib ra to : On L o w e r: F lu te 8 ', 4 ', D ia p a s o n 8' L o w e r: ( 0 0 ) 6 4 4 6 4 3 2 (C
V o x -C h o rd : P o s itio n 2 P e d a l: 1 6 '+ 8 ' P e d a l: 5 -(3 )
P la y : U pper and L ow er V ib ra to : On

.
1. Feel rm g o - in ' bac to M ass - a - chu -
2. T rie d to h itc h a rid e to San F ra n c is - co, _

3. T a lk a- bout th e life in M ass - a - chu s e tts , _

Eb Fm Ab

.
Som e - t h i n g 's te ll-in g me I m ust go
G o tt - a do th e th in s_ I w an na
Speak a - b o u t th e peo p Ie I have

© C o p y r ig h t 1967 b y A b ig a il M u s ic ( A u s tr a lia ) P ty . L td ., fo r A u s tr a lia , Japan and S o u th A fr ic a .

© C o p y r ig h t 1967 b y A b ig a il M u s ic (L o n d o n ) L td ., 6 7 B ro o k S tre e t, London W 1, fo r th e r e s t o f th e W o r ld .
In te r n a tio n a l C o p y r ig h t S e c u re d . A ll R ig h ts R e s e rv e d .
 1'\ I 0 oa '1 '
I

. .
I ~
.•.. ...
~
••• ~-u.
c h u - s e tts The day I le ft her ~ ta n d -in g on my
T h e y b ro u g h t m e back to ~ee my w ay w ith
M a s s :. a -
...--......-- •....
A nd

I • . ~ ~ ~ •
·

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ow n. you.

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-(j)CODA

w ill re -

J J

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t ~
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--- I w ill re - Im e m -b e r M a ss - a - c h u - s e tts ,
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 Popcoln
S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s

8 ', I II U p p e r: C la rin e t 8' U p p e r: 00 7272 420

V ib ra to : O ff L o w e r: D ia p a s o n 8' L o w e r: (0 0 ) 6 2 5 1 4 0 2 (0 )

P la y : U pper and L ow er P e d a l: 16+8 P e d a l: 5 -(3 )

V ib ra to : O ff (O r L e s lie C h o ra le ) V ib ra to : O ff (O r L e s lie
M o d e ra to C h o ra le )
Bm

m .- - : --- .
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1 -1 ,..., ......, ~ t-l r-; 1 -1 H

· ,.
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© C o p y r ig h t 1969 and 1971 b y B o u rn e C o ., N e w Y o r k , U .S .A .
© C o p y r ig h t 1970 b y B o u rn e M u s ic L td .. 3 4 - 3 6 M addox S tr e e t, London, W 1 R 9PD .
In te r n a tio n a l C o p y r ig h t S e c u r e d . A ll R ig h ts R e s e r v e d .
 112~m ~ .(Bm)
.

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JJ.
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 Rainy dayl and mondayl
W o rd s by
P A U L W ilL IA M S
!_fJiAl/: S U G G E S T E D R E G IS T R A T IO N S
M u s ic b y
. ROGER N IC H O L S

S in g le - M a n u a l O rg a n s / ). G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8 ' I II IV V u I t;l£fl (...l,) tifP U p p e r: S trin g 8 ', C la rin e t 8' U p p e r: 0 0 7 7 8 7 .7 5 3
V ib ra to : On L o w e r: F lu te 8 ', 4 ', (O r M e lo d ia 8 ') L o w e r: (0 0 ) 6 5 2 0 0 0 0 (0 )
P la y : U pper & L ow er P e d a l: 8' P e d a l: 5 -(2 )
V ib ra to : On V ib ra to : On

T a lk - in ' to m y -se lf_ and fe e l - in ' o ld ,

W h a t I'v e g o t th e y u se d _ to c a ll th e b lu e s,
W hat I fe e l has com e_ and gone be fo re ,

--1 ~

I
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e I I

,
so m e -tim e s l'd lik e to
q u it.-- n o -th in g e v - e r se e m s to fit_ H a n g -in ' a -ro u n d ,_

t n o -th in g
no need
is re a l-Iy w ro n g ,_
to ta lk is o u t, _ _
fe e l- in 'lik e
w e k n o w w h a t it's a ll
I d o n 't b e -Io n ~
a - b o u t_
lW a lk - in '
H a n g - in '
a -ro u n d ,_
a -ro u n d ,_

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g.
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t
e
n o -th in g to do but
frown'l
- ........, I

so m e k in d o n o n e -Iy c lo w n ; R a in -y d a y s a n d M o n -d a y s al -w a y s get m e - dow n.

n o -th in g to d o b u t fro w n ;

f .. ~ t t 3 -r . J ). .~
·

·· .
(J
- - .. ... ...
© C o p y rig h t 1970 b y A lm o M u s ic C o rp ., C a lifo rn ia , U .S .A .
A ll rig h ts fo r th e B ritis h C o m m o n w e a lth o f N a tio n s (e x c lu d in g Canada a n d A u s tra la s ia ) a n d th e R e p u b lic s o f E ire a n d S o u th A fric a ,
and Is ra e l c o n tro lle d by Rondor M u s ic (L o n d o n ) L td ., 1 0 a P a rs o n s G re e n , London SW 6.
In te rn a tio n a l C o p y rig h t S e c u re d . A ll R ig h ts R e s e rv e d .
 F u n -n y b u t it se e m s I a l-w a y s w in d u p h e re w ith y o u
3 . In stru m e n ta l

'" I . - -
, '- Jooi"""'"
- ~ I

n ic e to k n o w so m e -b o -d y _ lo v e s m e . F u n -n y but it se e m s th a t it's th e

~ # ---~
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Bb Am7 E m aj7 F m aj7

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T~~~

ti'vl r ~Y!.o4A;/J~A;J M ERLE K IL G O R E

W o rd s
and JU N E
a n d M u s ic
CARTER
by

S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a rO rg a n s
8 ', I II III --U p p e r: F lu te 8 ', T ru m p e t 8 ', S trin g s 8' U p p e r: 60 8523 001
V ib ra to : On L o w e r: F lu te 8 ', 4 ' D ia p a s o n 8' L o w e r: (0 0 ) 6 4 3 3 3 2 2
P la y : U pper and L ow er P e d a l: 8' P e d a l: 5 -(3 )
O r: U pper and Pedal V ib ra to : On V ib ra to : On

M o d e r a to
Eb

Love is a b u rn -in g th in g , A nd it
ta s te of lo v e is s w e e t, W hen

by w ild de - s ire , I fe ll in - to a rin g of fire .

you _ lik e a c h ild , oh, th e fire w ent w ild .

© C o p y r ig h t 1962 b y P a in t e d D e s e rt M u s ic C o rp ., N e w Y o rk , U .S .A .

A ll r ig h t s fo r th e B r it is h C o m m o n w e a lt h o f N a t io n s ( e x c lu d in g C a n a d a a n d A u s t r a la s ia ) a n d th e R e p u b lic s o f E ir e a n d S o u t h A f r ic a c o n t r o lle d by
S h a p ir o , B e r n s t e in & C o . L td ., 3 7 G r e a t P o r t la n d S tre e t, London W 1.
I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
t • -
I

I fe ll in - to a b u m -in g rin g of
-
<

f ··
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r
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f i r e ,_ I w ent dow n, dow n, d o w n , a n d th e fla m e w ent h ig h -e r, A n d it

~ -e - ~ ~ -e -: -.- " !i- n n

··
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112 Eb
 W o rd s by M u s ic b y
JA C K SEGAL EVELYN D A N Z IG

S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8' I II IV V U p p e r: T ru m p e t 8 ', S trin g 8' U p p e r: 00 7487 531
V ib ra to : On L o w e r: F lu te 8 ', 4 ' (O r M e lo d ia 8 ') L o w e r: (0 0 ) 5 6 4 1 1 0 0 (0 )
P la y : U pper and L ow er D ia p a s o n 8'
P e d a l: 16+8 P e d a l: 4 -(2 )
V ib ra to : On V ib ra to : On

'" JJ,
I " I

f)
I peeked in to say good - n ig h t
-.-
and
A ll th e s to re s w e re c lo s e d and shut - te re d ,

J. 1· -~ 1 · J
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.

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th e n I h e a rd my
•• c h ild in
• rJ'
p r a y 'r
a ll th e s tre e ts w e re d a rk and b a re

I 1· - -J J 1· d-
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·· . . . .
'J 'J

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."

f •
"A nd fo r me som e scar - le t rib - bans,
in our ow n No scar - le t rib - bans,

I J 1· - - -1 . J
·
I I I

··
. . .

© C o p y r ig h t 1949 b y M ills M u s ic , In c ., 1 6 1 9 B ro a d w a y , New Y o rk , N .Y . 1 0 0 1 9 , U .S .A ., M ills M u s ic L im it e d ,

230 P u r le y W a y , C ro y d o n , CR9 400.
I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
 ~~
··
tJ - 4- - • c;•
scar - let rib - bons for my hair
one rib - bon for her hair
J

··
n~J.
-~j J j. J
·
I I I

·· ··
. .
-
.

~
(G ) D Cmaj7 C6 Em

Thru the my heart was ach - ing, Just be -

If I to be two hun - dred, I will

the break - ing peeked in and

er where __ those ove ly

j.- - - - -

~ ~. I

t. • - ~ •
ing
on her bed in gay pro - fu - SlOn ly -

scar - let rib - bons, scar - let rib - bons

~. J J ---J J
j.
J

·
I I I I

··
- -
. . .
-
.
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e ~. -
there, love - ly rib - bons, scar - let
J.
J J --J .
··
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·· . . ~ ·

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on on

, e. • .•. • ~ .
rib - bons, scar - let rib - bons for her hair.

J J. - -J J J. J
·
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J l,
C(on G)

. . .
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for her hair
J. --- -J . j.- - - - - - - - .
··
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W o rd sby
S o w h a t~ n c w M u s ic by
PE G G Y L E E JO H N P IS A N O

S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8 ', 4 ', 2 ' II U p p e r: F lu te 8 ', 4 ', 2 M ix t 2 ' (O r U p p e r: 73 5014 002
T w e lfth ) C la rin e t 8 ' (O r 1 6 ') Q u in t
V ib ra to : On L o w e r: F lu te 8 ', 4 ' (O r S o lo 8 ' M e lo d ia 8 ') L o w e r: (0 0 ) 4 1 3 1 2 2 1 (0 )
P la y : U pper and L ow er P e d a l: 8' P e d a l: 5 -(3 )
V ib ra to : On V ib ra to : On

A ,7
1'1
C
~ . I ~ I ~

·· ..
~ I'

So te ll m e, b a b e , w h a t's n e w ~ -- A nd h o w 's th e sc e n e w ith you?_

-

.
0
yeah,

&-
I need vou so -
--
--
-
&
H o w y o u 'll
~ & ----
nev- er know _
-----
··
I

.
0

··
~ ••
, .
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•• ~
- G ee it's good to se e you b a b e !-
-
-
_ & . b· /fr-·
.. 0

.
0

•• -d- -d-

C C#o G7 112. G7
. . ··
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good to se e you
•• ~'
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b a b e ._
9- I,n ~o ",.
0

· .

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··
~ ±~
-d- - -
© C o p y r ig h t 1966 b y A lm o M u s ic C o rp ., L o s A n g e le s , C a lif o r n ia , U .S .A .
A ll r ig h t s fo r th e B r it is h C o m m o n w e a lt h o f N a t io n s ( e x c lu d in g Canada a n d A u s t r a la s ia ) , th e R e p u b lic s o f E ir e a n d S o u th A f r ic a and Is ra e l
c o n t r o lle d by Rondor M u s ic (L o n d o n ), L td ., 10a P a rs o n s G re e n , London SW 6.
I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
 ~

I @.

-- -e _-6-'
Y ou w a lk e d in ,

I
>- >- >- >- -. ..
.u ,> -

··
I V I
, I

--- , ,

-
-e- ~
-:;t.. v' :i

fI .....-...

@.

lig h ts
,
w ent on a ll ov
--...
- er my fa c e ;

L. ,[o·. L.
~
·

~- .. -
··
o· -4 -

I I

Y ou lit_ ~ th e p la c e and y o u 'v e been to o lo n g

~ l

..
I~ l' T - "

- So te ll m e, b a b e , w h a t's new ? Y ou

-e-
- - -e

.. I

- :i
 , ~ I

t.
g lad to see me to o ? H ey , my

I
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-- - --e - , C -9 -°
.
0

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1'1

.
t..
w o rld is
-
sp in -
"0
n in '~ N ow
I

I know I'm w in - n in '!

0 no ~~
.
0

··
-6- -6-

JII'

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t! "
Y ou stay hom e now ; d o n 't ev - er ro am now , an d

.
... .f- I- ~:
0
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·
0

-d- #-d 4- -rJ to- ••

 Thi, WOIld i, not my home
T r a d itio n a l a rra n g e d by
MARY REEVES

S in g le . - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s

8 ', 4 ', 2 ', I V U p p e r: F lu te 1 6 ' s trin g 8' U p p e r: 50 7650 300

V ib ra to : On L o w e r: F lu te 8 ' ( o r S o l o 8 ', L o w e r: (0 0 ) 5 6 2 3 2 2 2 (0 )

P la y : U pper and L ow er M e lo d ia 8 ')

P e d a l: 8' P e d a l: 4 -(2 )
V ib ra to : On V ib ra to : On

VERSE

I t..
~

··
F

I .
- .
I

-.. -
T h is w o rld is not m y- hom e Pm ju s t a - pass in g

-it---- ....• ~ ~J -R
·· :

·· ·· ..
-+
.,

~
. . .
-e -"
.
~
th ro u g h , M y tre a s u re s a re la id up som e - w h e re b e -y o n d th e

~ ~
~ :§

··
.. :;t • ":it- .. ":it- -

. " .,
, , , & .....J ----
b lu e . The a n -g e ls b e c k -o n fro m h e a v -e n s ___ o p -e n

1,..# ~ J~ -A
··

.
··
~
-;- .- ., - :j. ..
© C o p y r ig h t 1965 b y A c c la im M u s ic In c ., U .S .A .

A ll r ig h ts fo r th e W o r ld ( e x c lu d in g U .S .A ., Canada and C o n tin e n t o f A fr ic a ) c o n tr o lle d by B u r lin g to n M u s ic C o . L td ., 9 A lb e r t E m b a n k m e n t,

London, S E 1.

In te r n a tio n a l C o p y r ig h t S e c u re d . A ll R ig h ts R e s e rv e d .
 C h o ru s
F

have no__ frie n d lik e

- r- 3 ----,

~
. -
I , ~. .
you, :-" h e a v - e n 's not my hom e th e n L o rd w hat w ill I

-&-: - ti" ~ bt e:
··

··
.. :i
.. :;t. .. ••
 II F .
. ·· ··
~
m o re . (I) m o re .
r ." \
- { i- ... ~ ....- ~
... ~
··
· ·
r ." \

·· ··
"
" : j. • ~ - •• CI

2. I have a lo v in ' m o th e r ju s t over in g lo ry la n d ,

A n d I d o n 't expect to s to p u n til I shake her hand;
S h e 's w a itin g n o w fo r me i n h e a v e n 's o p e n d o o r,
A n d I c a n 't fe e l a t h o m e in th is w o rld a n y m o re .
(T o C h o ru s)

3. Just over in g lo ry l a n d w e 'l l liv e e te rn a lly ,

The s a in ts o n e v e ry hand a re s h o u tin g v ic to ry ;
T h e ir songs o f s w e e te s t p ra is e d rift back fro m h e a v e n 's sh o re ,
A n d I c a n 't fe e l at hom e in th is w o rld a n y m o re .
(T o C h o ru s)
 TUln on Ihe Iun
W o rd s and M u s ic by
M IT C H MURRAY and PETER CALLANDER

8 ',4 'III U p p e r: T ru m p e t 8 ', S trin g 8 ' U p p e r: 44 8866 355

V ib ra to : On L o w e r: F lu te 8 ', 4 ', (S o lo 8 ' L o w e r: (0 0 ) 6 7 5 6 4 3 3 «(})
M e lo d ia 8 ')
P la y : U pper & L ow er P e d a l: 16+8 P e d a l: 5 - (3 )
M o d e ra to V ib ra to : On V ib ra to : On
D CHORUS 1 2 G
~ ~

I t
.. .. .. •
T u rn o n th e su n , tu rn o n th e su n L ig h t u p th e w o rld ,

·· - - ~

··
..,.. .•.. -,r -,r ..•.. ..-' .... ..,. · '- - - - -

JL

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.. •..••••.••......
0 f:.I

tu rn on th e su n , le t's sm ile a - g a m ._ 1 . T in - k e r,
2 . M in - e r,
.•.•. ~

..
•
··
- "----" -,r. -.J1_______T -J- ?f -,j-

© C o p y r ig h t 1969 by In tu n e M u s ic L td .
I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
 ta i - lo r - d i - a te _ _ a ll th e lo v e you ca~
ste p Ie e - rn o tio n s a re c o rn - in g back __

L aw - y e r, a pi - o n-e & _
S a il - o r, you c a n 't ig -n o re _

O -p e n th e d o o rs, te ll e v - 'ry -o n e .
L ig h tu p th e w o rld , o rn e e v - 'ry -o n e .
---

g o o dtirn e s a re in ,l
h u n -d e r a n d ra in 5
 W h a t ~ new pUllycat?
W o rd s by M u s ic b y
HAL D A V ID BURT BACHARACH

S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8 ', 4 ', 2 ', I II U p p e r: F lu te 1 6 ', 8 ', 4' T ru m p e t 8' U p p e r: 00 8768 007
V ib ra to : On L o w e r: F lu te 8 ', 4 ', D ia p a s o n 8' L o w e r: (0 0 ) 6 4 4 6 4 3 2 (0 )
V o x -C h o rd : P o s itio n 2 P e d a l: 1 6 '+ 8 ' P e d a l: 5 -(3 )
P la y : U pper and L ow er V ib ra to : On

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t. \..o o -l ,
W h a t 's n e w P u s-sy -c a t w hoa W h a t 's n e w
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··

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C h o ru s
G
•• .
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P us- s y - c a t, Pus - s y - c a t, I 'v e got flo w - e rs and

~~ £- ~ ~~ ~£-
··

··
-a - -a - ~c;.I

© C o p y r ig h t 1965, 1966 b y U n it e d A r t is t s M u s ic C o . In c ., N e w Y o rk , N .Y ., U .S .A .
U n it e d A r t is t s M u s ic L t d . , M o r t im e r H o u s e , 3 7 -4 1 M o r t im e r S tre e t, London W 1.
I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
 ", .. IN T E R L U D E ,
• I 1 , G

t.J •
G ath - er up_ -- all th e g o o d n ess in you, tu rn o n th e su n
~

tu rn o n
0

th e su n .

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··
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?1

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W h at a --
w o rld _ w h enw e all b e - g in to tu rn o n th e su n an d
. .-.-.
sm ile a -g ain _

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 W h a t ~ new pUllycat?
W o rd s by M u s ic b y
HAL D A V ID BURT BACHARACH

S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8 ', 4 ', 2 ', I II U p p e r: F lu te 1 6 ', 8 ', 4' T ru m p e t 8' U p p e r: 00 8768 007
V ib ra to : On L o w e r: F lu te 8 ', 4 ', D ia p a s o n 8' L o w e r: (0 0 ) 6 4 4 6 4 3 2 (0 )
V o x -C h o rd : P o s itio n 2 P e d a l: 1 6 '+ 8 ' P e d a l: 5 -(3 )
P la y : U pper and L ow er V ib ra to : On

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----
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t. \..o o -l ,
W h a t 's n e w P u s-sy -c a t w hoa W h a t 's n e w
1Tff
~ 1= ~ -!- :: :: := l- t: ~
··

·
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C h o ru s
G
•• .
•• - .. ~ -a - ..
P us- s y - c a t, Pus - s y - c a t, I 'v e got flo w - e rs and

~~ £- ~ ~~ ~£-
··

··
-a - -a - ~c;.I

© C o p y r ig h t 1965, 1966 b y U n it e d A r t is t s M u s ic C o . In c ., N e w Y o rk , N .Y ., U .S .A .
U n it e d A r t is t s M u s ic L t d . , M o r t im e r H o u s e , 3 7 -4 1 M o r t im e r S tre e t, London W 1.
I n t e r n a t io n a l C o p y r ig h t S e c u re d . A ll R ig h t s R e s e rv e d .
'" ~
ill ill
. ill

, .. ~
-.
PUS -sy -c a t, I love you yes I do.
~ ~ ~ ~ -2 -
~
··

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-d - :5 1 : ?;
~
 Without he,
W o rd s a n d M u s ic by
N IL S S O N

S in g le - M a n u a l O rg a n s G e n e ra l E le c tro n ic & P ip e O rg a n s D ra w b a r O rg a n s
8' I II III V U p p e r: D ia p a s o n 8 ', F lu te 8 ', 4' U p p e r: 44 7657 432
V ib ra to : On L o w e r: F lu te 8 ', S trin g 8' L o w e r: (0 0 ) 5 4 4 4 3 3 3 (1 )
P la y : U pper and L ow er P e d a l: 8' P e d a l: 5 -(2 )
V ib ra to : On V ib ra to : On

M o d e ra to (n o t to o s lo w )
Em7 A7

I s p e '! l d t h e n ig h t in a c h a tr_ th in k - in ' s h e 'l l be th e re _ B ut she

I t 's ju s t no good an - y - m o re _ w h e n you a lk th ro ' th e d o o r_ of an

" '- '

n e v -e r com es a n d th e n I w akeup w ip e th e s le e p fro m my eyes_
e m p -ty ro o m _ a n d th e n you go in - s id e a n d s e t a ta - h Ie fo r one_

., .r L....J
.
t " '- 'I • L I it·
ris e and fa c e _ a n -o th - er day w ith - o u t Ih e r.
I t 's no fu n to s p e n d a n -o th -e r d a y w ith -o u t Ih e r.
• •
·
1

·· .
-d . -.i ..,
- -e -

© C o p y r ig h t 1968 by R ock M u s ic C o ., C a lif., U .S .A . . .

A ll r ig h ts fo r th e B r itis h C o m m o n w e a lth o f N a tio n s ( e x c lu d in g Canada a n d A u s tr a la s ia ) a n d th e R e p u b lic o f E ir e c o n tr o lle d by

S u n b u ry M u s ic L td ., 1 5 5 -1 5 7 O x fo rd S tre e t, London W 1.
In te r n a tio n a l C o p y r ig h t S e c u re d . A ll R ig h ts R e s e rv e d .
 ~.

-
··
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II!
- - •

j -
·· ··
I

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T
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l' l'
fV

We b u rst th e p re t -ty b a l- 100n_ it to o k u s to th e rn o o n _ such a

~e~ -- :::::n b e -::::::::::= = :::::::::::::-

··

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•• T
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....-- ....--

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b e a u - ti - fu l th in g _ B u t i t 's end - ed now _ and it s o u n d s lik e

- a
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lie
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say I'd ra -th e rd ie th a n ~pend a n - o th - e r day Wi out h e r.

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t.J - ,j- - ,j- - ,j- T T ••

g ro o v e s lik e a c lo c k but th e hands

on.

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t -:i -:i 7- -:i-_....__7- • - --------
lo v - e rs to p a rt _ _ A nd i t 's b re a k - in ' m y h e a rt_ to

··

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71.
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spend a n -o th -e r
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on w ith - out her I t 's a ll

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w ro n g w ith - out her C a n 't go

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The songs in this book
A ll M y L o v in g
A m a r illo
A nna
B a n k s O f T h e O h io
B e M in e T o n ig h t
C a lif o r n ia D r e a m in '
C a n 't H e lp F a llin g I n L o v e
D e a d w o o d S ta g e
D o n 't L a u g h A t M e
E v e n T h e B a d T im e s A r e G o o d
F re n e si
F r ie n d s A n d N e ig h b o u r s
F ly M e T o T h e M o o n
G o o d M o r n in g S ta r s h in e
H appy Feet
H itc h in ' A R id e
I F e e l F in e
If I H a d A H a m m e r
I 'll N e v e r F a ll I n L o v e A g a in
I 'll W a lk W ith G o d
I m p o r ta n c e O f Y o u r L o v e ( T h e )
I t's A R a g g y W a I tz
I W o n 't F o r g e t Y o u
K is s M e H o n e y - H o n e y
K n o c k T h r e e T im e s
L io n S le e p s T o n ig h t ( T h e )
L ittle B o x e s
M a r ia E le n a
M a s s a c h u s e tts
M y L o v e I s O n ly F o r Y o u
N o M a tte r H o w I T r y
P e ttic o a ts O f P o r tu g a l
P o p c o rn
R a in y D a y s A n d M o n d a y s
R in g O f F ir e
R o m e o A n d J u lie t
S a b re D a n c e
S c a r le t R ib b o n s
S o f tly W h is p e r in g I L o v e Y o u
S o m e o n e N ic e L ik e Y o u
S o W h a t's N e w
S te p to e A n d S o n
T h is W o r ld I s N o t M y H o m e
T u rn O n T h e S u n
T h e W in d m ills O f Y o u r M in d .
W h a t's N e w P u s s y c a t
W h o A re W e
W ith o u t H e r
Y e s te r d a y W h e n I W a s Y o u n g
Y o u 'd B e tte r L o v e M e . '

Never again
wonder what to play!
... b e c a u s e th e r e a r e a n o th e r e le v e n w o n d e r f u l a lb u m s in
'T h e P o p u la r A ll- O r g a n L ib r a r y ', e a c h c o n ta in in g
f if ty a ll- tim e f a v o u r ite s th a t e v e r y b o d y lo v e s to h e a r .
A lb u m s a r e a v a ila b le s in g ly
o r b e a u tif u lly s lip - c a s e d in s e ts o f f o u r .
H a v in g th e tw e lv e v o lu m e s m e a n s th a t y o u 'll a lw a y s W is e P u b lic a tio n >
h a v e s o m e th in g n e w a n d a p p e a lin g to p la y . I S B N O . 8 6 0 0 1 .5 6 0 .2
A s e le c tio n o f title s f r o m e a c h b o o k in th is lib r a r y O rd e r N o . A M 2 1 9 7 3

is s h o w n o n th e in s id e b a c k c o v e r o f th is b o o k .