Professional Documents
Culture Documents
Pre-Assessment
UNIT STANDARDS: UNIT TARGETS: Describe the Pre-Assessment, which should pre-assess EVERY unit target (not an
RL11-12.2: Determine two individual lesson):
or more themes or T#1: I am learning to
central ideas of a text DEFINE political satirical Prior to the unit, students will complete a THINK, PAIR, SHARE, activity that asks
and analyze their allegories. students to answer the following questions on their own first before discussing it
development over the with their table group:
course of the text, T#2: I am learning to
including how they EXPLAIN the historical 1) What is theme? What elements of a story develop theme(s)?
interact and build on one context of The Crucible. 2) What is satire? What is the purpose of being satirical?
another to produce a 3) What is an allegory?
complex account. T#3: I am learning to
EXPLAIN allegorical This pre-assessment does not directly link to The Crucible as the expectation is many
RL. 11-12.6: Analyze how context of The Crucible. students have not read or watched the play. What this pre-assessment primarily
point of view and assess if students can:
perspective are used to T#4: I am learning to
manipulate the reader IDENTIFY motifs 1) Define theme and how it can develop to determine if they can IDENTIFY and
for a specific purpose or (vengeance, mass hysteria, ANALYZE themes and motifs in The Crucible. (T#4-5).
effect, including but not reputation, intolerance, 2) Define satire and its purpose to assess if additional instruction on basic
limited to satire, sarcasm, etc.) in The Crucible. satire is needed before they can DEFINE political satirical allegories. (T#1,
irony and T#7)
understatement. T#5: I am learning to 3) Define allegory to assess if further instruction is needed before students can
ANALYZE the development EXPLAIN the relationships between the historical and contemporary
RL11-12.7: Analyze diverse of themes and motifs in influences for The Crucible (T#2-3, T#6)
media interpretations of the context of the author’s
a story, drama or poem, contemporary and Students will not be specifically assessed on their knowledge of Puritan beliefs and
evaluating how each historical influences. McCarthyism, only their ability to recognize that authors can use non-direct content
version interprets the to comment on social or political elements.
source text. T#6: I am learning to
ANALYZE how character Depending on the pre-assessment information and data, I make changes throughout
HS.UH.CO.4 Analyze the motivations contribute to the unit by adding more time to particular elements. I will need to decide whether
conflicting ideologies and or not to include a prerequisite lesson on theme and motifs as well as allegories
policies of the United the development of theme depending on these results. Much of the pre-assessment material will already be
States and Soviet Union and motifs. addressed and reviewed throughout the unit, but depending on the results will
and their impact, both inform me what may need more focus than a part of a lesson.
domestically and T#7: I am learning to
globally, during the Cold COMPARE/CONTRAST how
War Era between 1945- the 1996 film interpreted
1991. or emphasized the
political allegory in The
ILP.2: Employ, develop Crucible.
and refine schema to
understand and create
text.
RL11-12.2: Determine two T#2: I am learning to EXIT-SLIP: Students will WHOLE-GROUP READ LESSON 3 LINK
or more themes or EXPLAIN the historical use the provided space on ALOUD: 1. PRE-ASSESSMENT/
central ideas of a text context of The Crucible. Google Forms to make a ● For my students BELLRINGER:
and analyze their prediction about the text. with IEP: Students will use
development over the T#6: I am learning to Students will respond to ○ We will be Google Jamboard
course of the text, ANALYZE how character this specific prompt: reading to respond to the
including how they motivations contribute to the text bellringer prompt
interact and build on one the development of theme After beginning Act One allowed. Students will
another to produce a and motifs. and doing research into This will answer the
complex account. the Salem Witch Trials accommo question: How can
itself and Puritanism, date individual
RL. 11-12.6: Analyze how make a prediction about those characters
point of view and how this play will with IEPs contribute to
perspective are used to progress. Feel free use this for developing a
manipulate the reader questions as a guide: reading story?
for a specific purpose or What will be the major fluency 2. GUIDED ACTIVITY:
effect, including but not conflict and how will it and At the beginning
limited to satire, sarcasm, resolve? Who will start reading of each Act,
irony and this conflict? comprehe Arthur Miller
understatement. nsion. describes each
GUIDED ACTIVITY character within
● For my students the play, including
with IEPs background
information and
○ Include motivations. To
rephrasin keep track of
g/defining these characters,
of each student will
categories fill out a
through spreadsheet to
use of track characters
questions by name,
to ask. background
○ Modeling information (Who
to are they related
demonstr to? What kinds of
ate how power do they
to further have in the
complete community?), and
the character
spreadshe motivations (Are
et. they making
○ All accusations or are
material is they the accused?
digital. What or who do
EXIT SLIP: they want?). As
● For my students we begin reading
with IEPs: Act 1, the
○ All instructor will
responses introduce this
to exit practice and
slips will complete the first
have several characters
digital, as a class
technolog together.
y options. 3. WHOLE-GROUP
○ Student READ ALOUD: As a
who class, we will read
requires a Act 1 together.
scribe will Several students
have one will be assigned
accessible roles within the
to them. play and will
verbally act out
the lines to their
classmates.
Introducing
dramatic
literature in the
class in ways
students can act it
out has many
benefits including
fostering critical
thinking and
problem solving
skills (Scotti). We
will stop at the
introduction of
Rebecca Nurse.
What is not read
in class will be
read outside of
class as
homework.
4. EXIT-SLIP:
Students will use
the provided
space on Google
Forms to make a
prediction about
the text. Students
will respond to
this specific
prompt:
After beginning
Act One and doing
research into the
Salem Witch Trials
itself and
Puritanism, make
a prediction about
how this play will
progress. Feel free
use this questions
as a guide:
What will be the
major conflict and
how will it
resolve? Who will
start this conflict?
RL. 11-12.6: Analyze how T#1: I am learning to EXIT-SLIP: As an exit-slip, PRE-ASSESSMENT: 1. PRE-ASSESSMENT:
point of view and DEFINE political satirical students will respond to a ● For my students As a
perspective are used to allegories. Padlet asking them to with an IEP: THINK-PAIR-SHAR
manipulate the reader answer the following ○ Pairings E activity, students
for a specific purpose or T#2: I am learning to question: After your made will review the
effect, including but not EXPLAIN the historical webquest and the based on concept of satire
limited to satire, sarcasm, context of The Crucible. research we have done on varying and make an
irony and the Salem Witch Trials, levels of educated guess on
understatement. T#3: I am learning to how is Arthur Miller able ability. what an allegory
EXPLAIN allegorical to make this commentary? WEBQUEST ACTIVITY: is (Kagan). Have
HS.UH.CO.4 Analyze the context of The Crucible. What is comparable about ● For my students students think on
conflicting ideologies and these two investigations? with an IEP: the following
policies of the United ○ All questions:
States and Soviet Union responses
and their impact, both are made a. What is
domestically and using a the
globally, during the Cold technologi purpose
War Era between 1945- cal of satire?
1991. resource. b. What do
○ Inclusion you think
ILP.2: Employ, develop of an
and refine schema to multiple allegory
understand and create modalities is?
text. including 2. WHOLE-GROUP
two INSTRUCTION: As
videos a whole group, we
and one will discuss how in
article for Arthur Miller’s
those who capturing of the
are visual Salem Witch Trials
learners, in this play is
auditory actually a
learners, comment on
or something else,
struggle making it an
with satirical allegory.
reading We will define
comprehe allegory as a class
nsion. and identify that
EXIT SLIP: the particular
● For my students instance that
with an IEP: Arthur Miller is
○ A scribe is commenting on is
available the Red Scare.
to the 3. WEBQUEST
student as ACTIVITY: To build
needed. context around
the Red Scare and
○ Responses have students
are begin making the
collected comparison
electronic between the
ally Salem Witch Trials
through and McCarthysim,
Padlet. students will
complete a guided
webquest (Ikpeze
645).This will be
done prior to
reading Act 2 of
the play as it is
there that
students will
begin to see how
hysteria develops.
4. EXIT SLIP: As an
exit-slip, students
will respond to a
Padlet asking
them to answer
the following
question: After
your webquest
and the research
we have done on
the Salem Witch
Trials, how is
Arthur Miller able
to make this
commentary?
What is
comparable about
these two
investigations?
RL11-12.2: Determine two T#2: I am learning to EXIT SLIP: On a sheet of WHOLE-GROUP READ 1. PRE-ASSESSMENT:
or more themes or EXPLAIN the historical paper, ask students to ALOUD: As an introductory
central ideas of a text context of The Crucible. respond to the following ● For my students activity to this act,
and analyze their prompt: Identify one with IEP: have students
development over the T#5: I am learning to character in the play and ○ We will be create a set of
course of the text, ANALYZE the development explain their role in the reading questions on what
including how they of themes and motifs in development of hysteria. the text they would like to
interact and build on one the context of the author’s This should be a short allowed. be answered in
another to produce a contemporary and response in 2 to 3 This will this Act to invoke
complex account. historical influences. sentences. accommo critical thinking
date skills (Lent 111).
RL. 11-12.6: Analyze how T#6: I am learning to those 2. WHOLE-GROUP
point of view and ANALYZE how character with IEPs READ ALOUD:
perspective are used to motivations contribute to for Students will
manipulate the reader the development of theme reading continue reading
for a specific purpose or and motifs. fluency The Crucible by
effect, including but not and beginning Act 2 of
limited to satire, sarcasm, reading the play as a
irony and comprehe whole class.
understatement. nsion. Continue
completing the
character
motivations
spreadsheet as we
go along. As we
read, asks
students to
consider the
following
questions in
preparation for
their exit-slip:
a. Who is
causing
the
hysteria?
b. Why are
they
causing
the
hysteria?
3. EXIT-SLIP: On a
sheet of paper,
ask students to
respond to the
following prompt:
Identify one
character in the
play and explain
their role in the
development of
hysteria.
UNIT STANDARDS UNIT TARGETS Describe the Post-Assessment, which should assess EVERY unit target (not an
individual lesson):
RL11-12.2: Determine two T#1: I am learning to
or more themes or DEFINE political satirical Prior to this post-assessment, the rest of the unit will progress along these lines:
central ideas of a text allegories. 1. Prior to reading Act 3, students will read about Arthur Miller and his own
and analyze their examination during the Red Scare.
development over the T#2: I am learning to 2. Read Acts 3 and 4 of the play.
course of the text, EXPLAIN the relevancy of 3. As a whole-group, come up with a general theme for the play prior to
including how they Puritan beliefs/history to breaking it down into motifs (with instruction on themes and motifs as
interact and build on one the themes of The needed based on the pre-assessment).
another to produce a Crucible. 4. Watch the 1996 film version and make comparisons between two forms of
complex account. media.
T#3: I am learning to 5. Complete a whole-group activity in which we analyze John Proctor and
EXPLAIN the relationship explain his connections with an identified motif.
RL. 11-12.6: Analyze how between Mccarthyism and
point of view and the themes of The As their final for this unit, students will complete an analysis project analyzing the
perspective are used to Crucible. motifs of The Crucible through their selected character. Students will form a group
manipulate the reader and select a specific character (excluding John Proctor) and a motif identified by the
for a specific purpose or T#4: I am learning to class. In their groups, students will create a visual project (website, slideshow
effect, including but not IDENTIFY literary themes presentation, piece of art) that examines how the character’s motivations and
limited to satire, sarcasm,(vengeance, mass hysteria, actions progress or expand the motif.
irony and reputation, intolerance,
understatement. etc.) in The Crucible. All projects must be accompanied by a 1-2 page reflection (written as a group) that
demonstrates or answers the following:
RL11-12.7: Analyze diverse T#5: I am learning to
media interpretations of ANALYZE the development
1. An introduction with identifiable context, purpose, and hints to the
a story, drama or poem, of literary themes in the
evaluating how each context of the author’s organization of the project. (T#1-3)
version interprets the contemporary and 2. A clear thesis statement identifying the chosen character and how their role
source text. historical influences. in the play develops a specific motif. (T#4, T#6).
3. An explanation of the visual element itself and why you chose to present
HS.UH.CO.4 Analyze the T#6: I am learning to your analysis this way.
conflicting ideologies and ANALYZE character 4. At least 2 uses of textual evidence from the written and film versions of the
policies of the United background and
play to explain the linkage between the character and motif. (T#6, T#7).
States and Soviet Union motivations in their role in
and their impact, both developing the themes of 5. A paragraph forming a connection between the specific character, motif, and
domestically and the play. the satirical/political allegory of the play. (T#1-3).
globally, during the Cold 6. A concluding paragraph answering a “so what?” question about the
War Era between 1945- T#7: I am learning to character and motif.
1991. COMPARE/CONTRAST how
the 1996 film interpreted The above list will be used as the assessment tool. Students will present their
ILP.2: Employ, develop or emphasized the
projects with their groups to the entire class at the end of the unit.
and refine schema to political allegory in The
understand and create Crucible.
text.
Works Cited
Garcia, Patricia. “Accessing Archives: Teaching with Primary Sources in K–12 Classrooms.” The American Archivist, vol. 80, no. 1, 2017, pp.
189–212. JSTOR, http://www.jstor.org/stable/26356726.
Ikpeze, Chinwe H., and Fenice B. Boyd. “Web-Based Inquiry Learning: Facilitating Thoughtful Literacy with WebQuests.” The Reading Teacher,
vol. 60, no. 7, 2007, pp. 644–54. JSTOR, http://www.jstor.org/stable/20204518.
Kagan, Spencer. “The Structural Approach to Cooperative Learning.” Educational Leadership. Dec. 1989, pp. 12-15,
https://files.ascd.org/staticfiles/ascd/pdf/journals/ed_lead/el_198912_kagan.pdf
Scotti, Stefano. “Exploring the Power of Drama Education in the Classroom.” Europass Teacher Academy, 23 Oct. 2023,
www.teacheracademy.eu/blog/drama-education/#:~:text=Integrating%20drama%20in%20classrooms%20allows,emotions%20and%20learn%2
0effective%20expression.