Easy Concert Pieces 2

Trumpet Easy Concert Pieces
Easy Concert Pieces

Leichte Konzertstücke
for Trumpet in Bb and Piano

für Trompete in B und Klavier
Volume 1 / Band 1
Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

22 Pieces from 5 Centuries
22 Stücke aus 5 Jahrhunderten
Grade / Schwierigkeitsgrad:
very easy to easy / sehr leicht bis leicht
Edited by / Herausgegeben von

Kristin Thielemann
ED 22555
ISMN 979-0-001-16129-9
Volume 2/ Band 2
easy to intermediate / leicht bis mittelschwer
ED 22556
Volume 3 / Band 3
intermediate / mittelschwer
ED 22557
Cover illustration:
Light cone: © PROBilder – Fotolia.com
www.schott-music.com
Mainz · London · Berlin · Madrid · New York · Paris · Prague · Tokyo · Toronto
© 2018 SCHOTT MUSIC GmbH & Co. KG, Mainz · Printed in Germany
Preface
The Easy Concert Pieces series presents easy pieces for trumpet with piano accompaniment. Pieces
typical of their era and suitable for auditions, public performance, competitions or examinations are
ordered according to level of difficulty. These Easy Concert Pieces also provide appealing additional
material for use in trumpet lessons.
Volume 1 contains pieces with a range up to written c”, with d” appearing as a short top note in just a
few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articula-
tion that can be mastered quickly and easily make this book ideal for beginners.
Volume 2 contains pieces with a range no higher than written f”. Besides extending rhythmic scope and
requiring a little more in terms of phrasing and articulation, these pieces will encourage further explo-
ration of musical contrasts.
Volume 3 is intended for players with a well-developed embouchure who can play notes up to written
g”, though this note only appears as a short top note. Flexible articulation and legato playing with
a well-developed dynamic range are required for pieces that are longer than those in the preceding
volumes.
All the pieces are recorded on the CD included with each book, both in complete and playback ver-
sions (piano accompaniment).

In addition to the enclosed part for trumpet in Bb, a part for trumpet in C (Schott ED 22555-01) is
available for download at www.schott-music.com.
Kristin Thielemann
Translation Julia Rushworth
Vorwort
Die Reihe Easy Concert Pieces enthält leichte Werke für Trompete mit Klavierbegleitung. Nach Schwie-
rigkeitsgrad geordnet finden sich für ihre Epochen repräsentative Stücke, die sich für Vorspiele, Wett-
bewerbe oder Prüfungen eignen. Zudem dienen die Easy Concert Pieces als motivierende Ergänzung
im Trompetenunterricht.
Band 1 enthält Stücke bis zum notierten c‘‘, in einigen wenigen Stücken kommt das d‘‘ als kurzer
Spitzenton vor. Einfache und eingängige Rhythmen, gut ausführbare Tonverbindungen und Artikula-
tionen, die bereits nach kurzer Zeit leicht beherrscht werden, machen diesen Band zu einem idealen
Heft für Einsteiger.
Band 2 beinhaltet Werke bis maximal zum notierten f‘‘. Neben dem erweiterten Rhythmusspektrum
und leicht erhöhten Anforderungen in Phrasierung und Artikulation eignen sich diese Werke, um mu-
sikalisch differenzierter zu arbeiten.
Band 3 wendet sich an Spielerinnen und Spieler mit gut ausgebildetem Ansatz, die den Tonraum bis
zum notierten g‘‘ beherrschen, wobei dieser Ton nur als kurzer Spitzenton vorkommt. Flexibiliät in
Artikulation und Legotospiel sowie eine gut ausgebildete dynamische Bandbreite werden für die im
Vergleich zu den vorherigen Bänden längeren Stücke vorausgesetzt.
Alle Stücke sind auf der beigefügten CD in den Heften enthalten, als Vollversion und als Playback
(Klavierbegleitung).
Neben der beiliegenden Stimme für Trompete in B ist auf www.schott-music.com auch eine Stimme
für Trompete in C zum Download erhältlich (Schott ED 22555-01).
Kristin Thielemann
Contents / Inhalt
1. Luis Milán (ca. 1500 – 1561) Pavane....................................................................................... 5
2. Tilman Susato (ca. 1510 – ca. 1570) Rondo........................................................................................ 6
3. Tilman Susato La Mourisque............................................................................. 7
4. Johann Hermann Schein (1586–1630) German Dance / Deutscher Tanz................................................ 8
5. Adam Krieger (1634–1666) Minuet / Menuett...................................................................... 10
6. Henry Purcell (1659–1695) Rondeau.................................................................................... 12
7. Jeremiah Clarke (1674–1707) The Duke of Gloucester’s March................................................ 13
8. Antonio Vivaldi (1678–1741) Allegro (from / aus: Autumn / Herbst)........................................ 14
9. Georg Friedrich Händel (1685–1759) Gavotte (from / aus: Atalanta).................................................... 15
10. Georg Friedrich Händel Minuet / Menuett...................................................................... 16

(from / aus: Music for the Royal Fireworks / Feuerwerksmusik)
11. Johann Sebastian Bach (1685–1750) March / Marsch......................................................................... 18

(from / aus: Vereinigte Zwietracht der wechselnden Saiten)
12. Wolfgang Amadeus Mozart (1756–1791) Là ci darem la mano (from / aus: Don Giovanni)......................... 20
13. James Hook (1746–1827) Allegro moderato....................................................................... 22
14. Ludwig van Beethoven (1770–1827) Ode to Joy / Freude, schöner Götterfunken................................ 25
(from / aus: Symphony No. 9 / Sinfonie Nr. 9)
15. Jaques Offenbach (1819–1880) Cancan....................................................................................... 26

(from / aus: Orpheus in the Underworld /
Orpheus in der Unterwelt)
16. Antonín Dvořák (1841–1904) Largo......................................................................................... 28

(from / aus: Symphony from the New World /
Sinfonie aus der Neuen Welt)
17. Edvard Grieg (1843–1907) Morning Mood / Morgenstimmung........................................... 29

(from / aus: Peer Gynt Suite)
18. Engelbert Humperdinck (1854–1921) The Dew Fairy / Der kleine Taumann.......................................... 30
(from / aus: Hänsel und Gretel)
19. Gabriel Koeppen (*1958) Wind Song / Windlied............................................................... 32
20. Gabriel Koeppen Chill-Out.................................................................................... 34
21. Roger Ender (*1964) Soul Pop.................................................................................... 36
22. Kristin Thielemann (*1978) Ghost Story / Gespenstergeschichte........................................... 38
pitch bb / Stimmton b (Track No. 44)
Impressum
CD:
Matthias Kowalczyk, Trumpet, and Maria Ollikainen, Piano
Recording: Studio Tonmeister, Mainz
© 2018 Schott Music GmbH & Co. KG, Mainz
Printed in Germany · BSS 57583
1. Pavane Luis Milán
ca. 1500–1561
Basso continuo: Wolfgang Birtel
q ca. 120
4   
  4              
f
4             
   4      

6
  4 
4
f
  

 
( )
 
  

  

      
       
    
      


              
  
     
    
f
     
chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

 
11
        
p
     
               
                    
   

17
    

  mp
   

      
                     
f
       f    
             


23
  

f
 
()

p
   
f
 
  

  

()
   

                 

più f
        


   




    
    

    
   

più f
  


Das widerrechtliche Kopieren von Noten ist gesetzlich
verboten und kann privat- und strafrechtlich verfolgt werden.
Unauthorised copying of music is forbidden by law,
and may result in criminal or civil action.
6
2. Rondo Tilman Susato

ca. 1510 – ca. 1570
Arr.: Kristin Thielemann
q ca. 96
4          
  4                
f
4
   4   
  



 
 




 
  

   4 
4
f
    
 
     
7
            


        
                     

   

 
  
p
     
  
13 
    
       
mp
  
                           
     
   

   
      
mp
      
 
(poco rit.)
19
         
 
f
(poco rit.)
              
        
           
  
   
  

  
mf
      
f

    
from / aus: T. Susato, La Danserye

7
3. La Mourisque
Tilman Susato
h ca. 72
  C         
   
f (2.x ff )

   C            



  
  C  

f ( 2.x ff )
       
 
5 1. 2.
             
    
p
1. 2.

  
          
        

       
          
Fine
 
p
9
          
      

                


 
   
    
      
    
  
13 1. 2.
            
      
mp
1. 2.
    
                
    
      

            
mp

D.C. al Fine
CD: D.C. without repeat / D.C. ohne Wiederholung
8
4. German Dance / Deutscher Tanz

Johann Hermann Schein
1586–1630
h ca. 60
  C            
             
f

  C     
         
    
 6
 C

f
   
       


         

 
        
                         
   
  
13
  
p
   
        

                43
           
f p mf f
  43
                     
       
     
19
 
f
Tripla (h = h.)
p
  
mf
 

  
f

  
  
 43
3         
  4                
mf
 3
  4       
       
  
   3 
 4
f

  
     
9
27
            

       
                
          
   
 

 
 
mp
    
35
         
        
            


         
     
    
       

 
 
43
   
            
f p mf

           
  
 
f
   


p
 

mf
 

49
    
           
f
 
             
       
  

  

f
 

  

10
5. Minuet / Menuett
Adam Krieger
1634–1666
q ca. 108
3 
 4       
    
mf
3 
  4         
    
    
  
6
mf
  3 
4    
     
      
       
  p

   
        
    
    
 
11

 
   
 
p


  
  
               
    
mf
   
            
     
 
 
17
 


  
mf
    
   
 
     
         
  
           
  

mf
 
 
mp
    
f
  
11
22
   
   

mf
      
       
    
  
    
   
 

   
mf
   
27
 
       
 
mp f
 
     
     
    

    
 
  
mp
   
f
    
 
31
      
          
mf
        
           
   
 
 
 

      
mf

36
   
       
        
f
              
     
   
 
  
f
    
   
 
12
6. Rondeau Henry Purcell

1659–1695
q ca. 100
3     
 4              
f (2. x p)
3       
  4  

        
 
 
   3
4
f (2. x p)
  
  
6
     
           

                   
      
     
   
      
mf
 
cresc.
 
        
13
    
      
mp
         
           
       
 
                     


mp

19
                        
mf f mp p
  
   

     
  
 

 
  

 mf
       

f
  
mp
 
p
 

13
7. The Duke of Gloucester’s March

Jeremiah Clarke
1674–1707
q ca. 112
c         
             
f
 
  c                  
        

 
  
   c 

f
   
 


     
mp
 
  
6
                   
   p  
f


                        
     
   
       
f
   
p
  
11
            
     
 
             
   
mf
    
        
         
     
   

mf
        
 
  

rit.
 

16  
                     
     
mf f
rit.
           
           
           
   
 


mf




    
    
f
   

14
8. Allegro
from / aus: Autumn / Herbst Antonio Vivaldi
1678–1741
Arr.: Peter Mohrs / Kristin Thielemann
Allegro (q ca. 96)
 4
 4                       
f
4 
 4                                   
             
 4 
f
 4       
    
    
p
6
 G
                      
        

f

                                    
                
     
  
 

f
    
   

11
              
      
f mf
               
                    
      
               
 p
     
     
 
f

 
mf
 
 

16 cresc.

  G     G 
              
  
     
p
    cresc.    
                
                      
    
   

p
       
  
   

aus / from: A. Vivaldi, The Four Seasons / Die vier Jahreszeiten, op. 8/3
15
9. Gavotte
Georg Friedrich Händel
1685–1759
q ca. 120

 C    
             
f (2.x p)
 C   
          
       
  C
 
f (2.x p)
   
  
 



5
        
        
mp
       
   
   

 
  
   

mp
     

 
 
8

    
              
f

                
      
  

f

from / aus: G. F. Händel, Atalanta
   
  


 

16
10. Minuet / Menuett

q ca. 108
3
 4     

    
f
3
  4        
      
  3 
4
f


  

5
         
  
         
   
      
  
  


      
9
    
    
    
      
 p
    

    

from / aus: Händel, Music for the Royal Fireworks / Feuerwerksmusik
17
13
    
            
        
  
  


      
17

      
          
mf ( 2.x f )
           
    
    
  
  
 mf ( 2.x f )
  


      
21 1. 2.
  
            
1. 2.
           
           
      



 
     

18
11. March / Marsch

Johann Sebastian Bach
1685–1750
Tempo di Marcia (q ca. 120)
  c       
     
          
f
 c 
      
                  
     
  
f
  c 






 

     
 



5
           

p
               
         
      
  

p



f
         
9
 
                 

f
     
        
       
     


      

    
     


from / aus: J. S. Bach, Vereinigte Zwietracht der wechselnden Saiten, BWV 207
19
13
     
              
                 

  

mf
    
  

   
   
17
        
f
   
                  

          

    


             f


21
               
      
 
p f
                        
  

p f
  
 
          
25 
   

              
                
            

  
         

   
    


20
12. Là ci darem la mano

Wolfgang Amadeus Mozart
1756–1791
q ca. 108
  c                
   
mp mp
    
   c                   
   
6
  c 

mp

  

  
mp
 
                      

  
 
         
        
      
11
 
         
 
                     
 
    
       
  

 

       
    
16
 
 

  
  
   
               
     
  

  
mf
 
        

     
     
  
  
 





 
mf
     
p
from / aus: W. A. Mozart, Don Giovanni

21
21
        
     
mf
                
      
  
  


   

mf
     
p
25
     
                           
 

 
  

      
rit. a tempo
29
                 
   
f
  rit. a tempo

   
    

     
   
   

 
  



f
 
  

  

34
 
        
            
p
    
          
   
  

 
p




   
22
13. Allegro moderato

James Hook
1746–1827
q ca. 120
3    G
  4    

         
mp
 3  
  4    

      

  
   3   
4   
mp


















5 
           
      
f

         
         
  

f
 

     
9
   G
     

         
  
     

      

  
  
 
 
p





















13
         
    
mf
        
        
  


mf



    


23
17
      
  
         
   
    
      
  
   
 mf

    

 





 
  
    
p

  
 
22
      

   
   
        
    


     
 
    

     
    
f
 
27

       
 
                 
p mp

                      

 

 
p
       
  
mp
     
     
33 

     
                  
 
mf
    
     

         
        

      
 
mf

     
24
39

 
  G   
     

            
mp mf
    
     

     

   
 mp
             
              
mf

 
45
                
f
 
                                
    
 f

         
          
 
ossia
        
    
51
       
         
   
            
 
                  
  
    
            

 
57
  
  
  rit.
              
        
rit.
   

              
 
  

 


 
   
 
 
   
 
25
14. Ode to Joy

Freude, schöner Götterfunken
Ludwig van Beethoven
1770–1827
Arr.: Wolfgang Birtel / Kristin Thielemann
Moderato (q ca. 112)
c    
             
f
 
  c 





 
 
  
     
  
  

5
 c

f
       
 
 
              
   

           
              
 

9
  
           


                
    
mp
f

   

 
  

 
  

 
     
 

13
  
 
mp
        
 
f
              
   
           
              
 
   
  
       

 
from / aus: L. v. Beethoven, Symphony No. 9 / Sinfonie Nr. 9

26
15. Cancan Jacques Offenbach

1819–1880
q ca. 108–132
2 G
 4                 
     
2
  4      


        
     
  
 

           
   2
4            
7
  
 G
                
   
     

                 
 
               
         
  
  


         
14 1. 2.
        
        
 
 1. 2.
       
     

     

 
       

  
     
 
 


   
mp


 


19
      
      
         
          
 

 
  







 

 







from / aus: J. Offenbach, Orpheus in the Underworld / Orpheus in der Unterwelt
27
25
        
         
        
  
              

  
 
mp
  

 

 







 

 



 


33
G   G 
        
  
 
 pp
  
 
    
  
ff ff pp
    
                 

  
 
    
 
 
 
ff
     
  
pp
  

ff
 
  
 
pp
 
 
41 (poco a poco accel.)

G   
                    

f        
(poco a poco accel.)

                         
            
   
  
f
   
 
     
  
 

  

49  G 
               
          


                            
                
  
    
 

     
  

 

  
   
 
 
28
16. Largo Antonín Dvořák
1841–1904
Largo (q ca. 60) Arr.: Kristin Thielemann
  
c   
                    
    
mp

 c      

 
  
 
    
9
 
mp
 c  
 
 
 
 
   

        
     
                     
         


 mf
          

     
17
 
                      
mf
  
             
       
    
25
mf
     
  


 


              
                 
      
p  
f

           
  
 
 
   

33
p
  
 
 










f
 
 
       
  
   
   mp
     
  
     


  

 


   

p

 mp
  
  

from / aus: A. Dvořák, Symphony No. 9 “From the New World“ / Sinfonie Nr. 9 „Aus der Neuen Welt“
29
17. Morning Mood / Morgenstimmung

Edvard Grieg
1843–1907
Allegretto pastorale (q. ca. 60) Arr.: Kristin Thielemann
6   
 8                        
mp
6               
  8            
  6 
8
mp

  
mp
 

 
    
8
                                
      
f f

       
                
    
f
    
f

15
                                    
 
ff mp

      
           
             

     
ff mp
            
22
               
p
   pp
    
              
   
       
     
   

mp




from / aus: E. Grieg, Peer Gynt Suite



p
   
pp
 
30
18. The Dew Fairy / Der kleine Taumann

Engelbert Humperdinck
1854–1921
q = 84
4 
  4         
  
p
                               
 4 
  4
 4
   4 

mp
   
    
  
 
5
  
               
      

                                       
   
 
     

 
   
 
   
   
   
   

10
              

                               
      
 
                  
      
mf  

    
15
       
                        
             

   

 
                 


mp
       
from /aus: E. Humperdinck, Hänsel und Gretel

31
21
  
   
               
  
mp mf mp
      
    
                
 
 
f mp
          



mf
 





mp
26
        
    
         
p
            

                    
   

   p      
   


 

mf
32
         
     
mf
         
             
   

       
mp
     
38
  
   
     
p
dim.
     


 
      
 
        
    
   p
   
   
  

dim.
 
 


 
32
19. Wind Song / Windlied

Gabriel Koeppen
*1958
Rockfeeling (h ca. 96)
  C                
mf
  
  C      







   C 

mf
        

5
  
                  

       







 
 
   
         
10
             

   
    








    
   
   
 
CD: half-playback / Halbplayback: h ca. 80
 
    
f
33
15
      
             
  
             
       
  










20
     
 
f
           
 
          
    



mf
 
    
  
24
            


       
          
         
  








28 1. 2.
      
      
mf

1. 2.
  
       
         
   
 
  
 



 




34
20. Chill-Out Gabriel Koeppen

*1958
q ca. 112
c
    
c             

                 
     
  c 
 
mf
 
 
 
 

 
 
          
    
 
5
    
          
              
mp

       
 
     
                     
          
   
mp

  

   
  

        
10
 
        
  
        
     
     
                  
   
    
    
         
    
  
   
   



  
15

 
  

    
      
      (
    
                     
           
 
  
 


     

  

 
35
19
      
  )      
   
               
    
            
       
 
  



  

  

 
23
       
  
      
     
    
             

       
    
     
      

   
 
 
27 1. 2.
  
        
dim.
1. 2.
                
             
         
 
    

     
 
 
   


dim.
  


rit.
   
29

                
  (          ) 
rit. 

        

              
                 pp
  


    
 

    

 
36
21. Soul Pop

Roger Ender
*1964
Allegro (q = 120)
c      
     

f
  
 c  
     
     
   c
f
   
   
   
   
  


   

  
  

5
  
           
   
    
              
           
      
  
      

  

  

  
  
9 1. 2.
   
                
  
1. 2.
 
           
      



   
      
              

37
11
     
          

   


mf
       
          
   
     
      

  
 
mf
    
  
 
  
   

       

15
     
             
   
     
 
            
    



       
 
  
   
  
     
  
     
  
19
  
           
   
f
    
             
            


f
          
                
    
23
 
               
 

 
               
       
   
 

   

  
    
 
   
 


38
22. Ghost Story / Gespenstergeschichte

Misterioso Kristin Thielemann
Trumpet plays into the open piano /
Trompete spielt ins offene Klavier hinein * 1978
 4   
  4        
       
        
mf senza misura
 4            
mf
   4          
10
 4
   4 

 
h = 60

mf
           
Play normally / Normal spielen
ppp
 
 
  
     
    
               
f p
 
       

    


 
   





f


  simile


 

p



h = 80
Mysteriously / Listen curiously /
19 geheimnisvoll Neugierig aufhorchen
 *)
    O         
       
mp ppp fff ppp f
· Cluster on high black keys. / Listen curiously /
  
  
Cluster auf hohen schwarzenTasten

Neugierig aufhorchen
  
           
 
25

  
mp




ppp
 
Turn to the pianist, smile /
 
pp

 senza 
 
Zum Pianisten drehen, lächeln *)

    
    O 
     
f         ppp fff ppp
Listen curiously / Look at the trumpet player, smile / **)
Neugierig aufhorchen Zum Trompeter blicken, lächeln Left pedal / Linkes Pedal

            

   




mp
       
 senza 
  

 


ffff


*) Only blow air while moving the valves (put lips around the rim of the mouthpiece). /
Nur Luft pusten und Ventile dazu bewegen (Lippen über den Mundstückrand legen).
**) Keep right pedal pressed down, then press hard on the left pedal. /
Rechtes Pedal unten halten, dann stark auf das linke Pedal treten.
CD: only full version due to the very free interpretation / wegen der sehr freien Gestaltung wurde nur eine Vollversion aufgenommen
39
31 h = 72

           
     
p mf p mf
 
   
 

 

 

 

 

 

 


   

p
 
mf
 
p
  
mf
39

           
    
mp p
        
   
 
 
 
 
 
 
 


   
    
mp
   
p
47 q = 72–80

       
      
            
  

mp mf
    
                    
 
sempre con       sim.
53

       
  
   
      
   
      

        
 
    

40
59
 
                 
   
mp mf
   
            
    
   

mp
 
  

   
  


mf
 
 
64 rit.
Lento (q = 69)
 
      
    
mp

rit.
  
              
      

mp
 
   


p
 
   


69 con sord.
 *) 
  
   O O
p
   ppp fff ppp ppp fff ppp
Gliss. on
the black keys) /

(Gliss. auf

        schwarzen Tasten


    
**) **)

mf mp
 
Left pedal / Left pedal /
Linkes Pedal / Linkes Pedal /

     
     
   
*) Only blow air while moving the valves (put lips around the rim of the mouthpiece). / Schott Music, Mainz 57 583
Nur Luft pusten und Ventile dazu bewegen (Lippen über den Mundstückrand legen).
**) Keep right pedal pressed down, then press hard on the left pedal. /
Rechtes Pedal unten halten, dann stark auf das linke Pedal treten.
Trumpet Easy Concert Pieces
Easy Concert Pieces

Leichte Konzertstücke
for Trumpet in Bb and Piano

für Trompete in B und Klavier
Volume 1 / Band 1

22 Pieces from 5 Centuries
22 Stücke aus 5 Jahrhunderten
Grade / Schwierigkeitsgrad:
very easy to easy / sehr leicht bis leicht
Edited by / Herausgegeben von

Kristin Thielemann
ED 22555
ISMN 979-0-001-16129-9
Volume 2/ Band 2
easy to intermediate / leicht bis mittelschwer
ED 22556
Volume 3 / Band 3
intermediate / mittelschwer
ED 22557
Trumpet in Bb
www.schott-music.com
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© 2018 SCHOTT MUSIC GmbH & Co. KG, Mainz · Printed in Germany
Contents / Inhalt
1. Luis Milán (ca. 1500 – 1561) Pavane....................................................................................... 3
2. Tilman Susato (ca. 1510 – ca. 1570) Rondo........................................................................................ 3
3. Tilman Susato La Mourisque............................................................................. 4
4. Johann Hermann Schein (1586–1630) German Dance / Deutscher Tanz................................................ 4
5. Adam Krieger (1634–1666) Minuet / Menuett...................................................................... 5
6. Henry Purcell (1659–1695) Rondeau.................................................................................... 5
7. Jeremiah Clarke (1674–1707) The Duke of Gloucester’s March................................................ 6
8. Antonio Vivaldi (1678–1741) Allegro (from / aus: Autumn / Herbst)........................................ 6
9. Georg Friedrich Händel (1685–1759) Gavotte (from / aus: Atalanta).................................................... 7
10. Georg Friedrich Händel Minuet / Menuett...................................................................... 7

(from / aus: Music for the Royal Fireworks / Feuerwerksmusik)
11. Johann Sebastian Bach (1685–1750) March / Marsch......................................................................... 7

(from / aus: Vereinigte Zwietracht der wechselnden Saiten)
12. Wolfgang Amadeus Mozart (1756–1791) Là ci darem la mano (from / aus: Don Giovanni)......................... 8
13. James Hook (1746–1827) Allegro moderato....................................................................... 9
14. Ludwig van Beethoven (1770–1827) Ode to Joy / Freude, schöner Götterfunken................................ 10
(from / aus: Symphony No. 9 / Sinfonie Nr. 9)
15. Jaques Offenbach (1819–1880) Cancan....................................................................................... 10

(from / aus: Orpheus in the Underworld /
Orpheus in der Unterwelt)
16. Antonín Dvořák (1841–1904) Largo......................................................................................... 11

(from / aus: Symphony from the New World /
Sinfonie aus der Neuen Welt)
17. Edvard Grieg (1843–1907) Morning Mood / Morgenstimmung........................................... 11

(from / aus: Peer Gynt Suite)
18. Engelbert Humperdinck (1854–1921) The Dew Fairy / Der kleine Taumann.......................................... 12
(from / aus: Hänsel und Gretel)
19. Gabriel Koeppen (*1958) Wind Song / Windlied............................................................... 12
20. Gabriel Koeppen Chill-Out.................................................................................... 13
21. Roger Ender (*1964) Soul Pop.................................................................................... 14
22. Kristin Thielemann (*1978) Ghost Story / Gespenstergeschichte........................................... 14
pitch bb / Stimmton b (Track No. 44)
Impressum
CD:
Matthias Kowalczyk, Trumpet, and Maria Ollikainen, Piano
Recording: Studio Tonmeister, Mainz
Printed in Germany · BSS 57583
1 23 1. Pavane
Luis Milán
ca. 1500 1561
q ca. 120
4         
 4       
f
7
 4

( )
         
       

p
17
                 
f f

23
  () 
         
( )
     
 
più f
2 24
2. Rondo Tilman Susato
ca. 1510 ca. 1570
q ca. 96
4      
 4              
f
                      
9 8*) 
            
  
mp
20 2 **) (poco rit.)
              
   

f
from / aus: T. Susato, La Danserye
Das widerrechtliche Kopieren von Noten ist gesetzlich
verboten und kann privat- und strafrechtlich verfolgt werden.
*) or repeat bb. 1-8 / oder T. 1-8 wiederholen Unauthorised copying of music is forbidden by law,
**) or repeat bb. 17-18 / oder T. 17-18 wiederholen and may result in criminal or civil action.
4
3 25 3. La Mourisque
Tilman Susato
h ca. 72
 C           
     

f (2.x ff )
7 1. 2.
      

    
          
p
12 1. 2.
                   
  mp
© 2018 Schott Music GmbH & Co. KG, Mainz D.C. al Fine
CD: D.C. without repeat / D.C. ohne Wiederholung
4 26 4. German Dance / Deutscher Tanz

Johann Hermann Schein
15861630
h ca. 60 Arr.: Kristin Thielemann
    
 C                
f
5 6
                
f p
15
        43
           
mf f
  
19
3
Tripla (h = h.)
    
  4           
mf
25
 12
             

43
             
 
f p mf
49
    
       

  
f
5
5 27 5. Minuet / Menuett
Adam Krieger
16341666
q ca. 108 Arr.: Kristin Thielemann
3  
 4    


          

mf

8
           
      
p mf
14
  8
        
     
mf

      
27
         
        
mp f
35
  
          
         
mf f
6 28 6. Rondeau
Henry Purcell
16591695
q ca. 100
3   
4              
f (2. x p)
7 8
  
             

mp mf
20
                      
f mp p
6
7 29
7. The Duke of Gloucesters March
Jeremiah Clarke
16741707
3
q ca. 112
 c                    
f
                              
f  
p mf

13

         
   
  
mf

17
   
                 
   
f rit.
8 30 8. Allegro
from / aus: Autumn / Herbst Antonio Vivaldi
16781741
Arr.: Peter Mohrs / Kristin Thielemann
4
Allegro (q ca. 96)
3*)
 4                     
f f
 
 G
8
                       
 
2  

12
                  
      
G

f mf
 
 
18
          
G
            
 
p cresc.
aus / from: A. Vivaldi, The Four Seasons / Die vier Jahreszeiten, op. 8/3
*) or repeat bb. 1-3 / oder T. 1-3 wiederholen
7
9 31 9. Gavotte
16851759
q ca. 120

C           
 
     

f (2.x p) mp
6

                   
  
f
from / aus: G. F. Händel, Atalanta
10 32
10. Minuet / Menuett
q ca. 108 Arr.: Kristin Thielemann
3
4                   

f
7 8
           
   


20 mf ( 2.x f )
1. 2.
            
      
from / aus: Händel, Music for the Royal Fireworks / Feuerwerksmusik
11 33 11. March / Marsch

Johann Sebastian Bach
16851750
Tempo di Marcia (q ca. 120) Arr.: Kristin Thielemann

 c                    
   
p
2
f

         
6
          
7
13 f
  
    
             
 
f p f
24 
                       

from / aus: J. S. Bach, Vereinigte Zwietracht der wechselnden Saiten, BWV 207
8
12 34
12. Là ci darem la mano
Wolfgang Amadeus Mozart
17561791
q ca. 108
 c                   

mp mp
                     

11
                    
 
16
               
      
mf

20 2 4
          
     
 

mf
29 rit. a tempo
          
        

f
34
          
           
p
from / aus: W. A. Mozart, Don Giovanni
9
13 35
13. Allegro moderato
James Hook
17461827
G 
q ca. 120
3 
 4            



         
mp f
  G
7
          

    
   
    
 
13 10
             
     
mf p
29
  
   

                



   

mp
35

      
        
    


   
mf mp
 G  
41
      
  

          
mf
3
      
47
       
       
f
54  
                  
      
        
       
     
58
 
         
rit.
       

10
14 36 14. Ode to Joy

Freude, schöner Götterfunken
Ludwig van Beethoven
17701827

Moderato (q ca. 112)
  c                       
f
7
             
          
mp
12
           
        
 

f
from / aus: L. v. Beethoven, Symphony No. 9 / Sinfonie Nr. 9
15 37
15. Cancan Jacques Offenbach
18191880
2
q ca. 108–132
G    
4                       

   

9
 G
1. 2.
                
                     
  
17 16 G    
          
G
  

    pp         
ff ff pp
G
41 (poco a poco accel.)
          
    
                  
       
 
f
 G
49
  
                     
  
from / aus: J. Offenbach, Orpheus in the Underworld / Orpheus in der Unterwelt
11
16 38 16. Largo Antonín Dvořák

18411904
Largo (q ca. 60)
  
 c      
              
mp
7 8 
               
  mf
21
 
                  

p
   
   
27
      
          
   

f
32 2    
 
  



  
    
mp
from / aus: A. Dvořák, Symphony No. 9 “From the New World“ / Sinfonie Nr. 9 „Aus der Neuen Welt“
17 39 17. Morning Mood

Morgenstimmung Edvard Grieg
18431907
4
Allegretto pastorale (q. ca. 60)
6
 8                      
   
mp f
10
                          
 
    f
15
                                   
 
ff mp
22 2
                  
 
p pp
from / aus: E. Grieg, Peer Gynt Suite
12
18 40 18. The Dew Fairy

Der kleine Taumann Engelbert Humperdinck
18541921
4
q = 84
 
 4              

 
p
 
6
          
       
11 7
             
     
mp


     
23
               
 
mf mp
28
p
       
       
  
mf

34
       
        
dim. p
from /aus: E. Humperdinck, Hänsel und Gretel
19 41
19. Wind Song / Windlied
Gabriel Koeppen
*1958
Rockfeeling (h ca. 96)
  C                   
mf

6
  
                  
CD: half-playback / Halbplayback: h ca. 80

13
12 7
     
       
 
f
25 1. 2.
                 

   
mf
20 42
20. Chill-Out
Gabriel Koeppen
4
q ca. 112
c
* 1958
    
      
         


mp
 
9
            
          
   
14
              (
       
 4
  
19
            
  
    

)
 1. 
27 2.
              
dim.

rit.  
  
       
30
     
(          )

14
21 43 21. Soul Pop

Roger Ender
2
Allegro (q = 120) *1964

c   
       

     
 
f
         
8 1. 2.
       
   
   
  
    
   
11

 
        
  
mf

 
       
16
     
     
   
f

   
21
         
           

22 22. Ghost Story

Gespenstergeschichte
Misterioso Kristin Thielemann
3
Trumpet plays into the open piano / * 1978
4   
Trompete spielt ins offene Klavier hinein
  4     
          
       
mf senza misura mf
h = 60
 
10 Play normally / Normal spielen
      
  
            
f p
CD: only full version due to the very free interpretation /
wegen der sehr freien Gestaltung wurde nur eine Vollversion aufgenommen
15

17
 O
*)
     
 

 
mp ppp fff ppp
h = 80 Listen curiously /
2
Mysteriously / Neugierig aufhorchen

21 geheimnisvoll

          
         
   
 
   
f
f
Turn to the pianist, smile /
2
Zum Pianisten drehen, lächeln
h = 72

27
*)
   O  
  
   
  
ppp fff ppp p mf


34

     
     
p mf

40

     
       
mp p
q = 72–80
12

47

           
  
mp

62
 
rit.

        
       
mf
mp
2
Lento (q = 69)
67

con sord.
 
O O
*)
     
p
   ppp fff ppp fff ppp
*) Only blow air while moving the valves (put lips around the rim of the mouthpiece). /
Nur Luft pusten und Ventile dazu bewegen (Lippen über den Mundstückrand legen). Schott Music, Mainz 57 583

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Trumpet Easy Concert Pieces

Easy Concert Pieces

for Trumpet in Bb and Piano

Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

Edited by / Herausgegeben von

Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

1. Luis Milán (ca. 1500 – 1561) Pavane....................................................................................... 5

2. Tilman Susato (ca. 1510 – ca. 1570) Rondo........................................................................................ 6

3. Tilman Susato La Mourisque............................................................................. 7

4. Johann Hermann Schein (1586–1630) German Dance / Deutscher Tanz................................................ 8

5. Adam Krieger (1634–1666) Minuet / Menuett...................................................................... 10

6. Henry Purcell (1659–1695) Rondeau.................................................................................... 12

7. Jeremiah Clarke (1674–1707) The Duke of Gloucester’s March................................................ 13

8. Antonio Vivaldi (1678–1741) Allegro (from / aus: Autumn / Herbst)........................................ 14

9. Georg Friedrich Händel (1685–1759) Gavotte (from / aus: Atalanta).................................................... 15

10. Georg Friedrich Händel Minuet / Menuett...................................................................... 16

11. Johann Sebastian Bach (1685–1750) March / Marsch......................................................................... 18

Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

13. James Hook (1746–1827) Allegro moderato....................................................................... 22

15. Jaques Offenbach (1819–1880) Cancan....................................................................................... 26

16. Antonín Dvořák (1841–1904) Largo......................................................................................... 28

17. Edvard Grieg (1843–1907) Morning Mood / Morgenstimmung........................................... 29

19. Gabriel Koeppen (*1958) Wind Song / Windlied............................................................... 32

20. Gabriel Koeppen Chill-Out.................................................................................... 34

21. Roger Ender (*1964) Soul Pop.................................................................................... 36

22. Kristin Thielemann (*1978) Ghost Story / Gespenstergeschichte........................................... 38

pitch bb / Stimmton b (Track No. 44)

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

2. Rondo Tilman Susato

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

from / aus: T. Susato, La Danserye

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

4. German Dance / Deutscher Tanz

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

6. Rondeau Henry Purcell

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

7. The Duke of Gloucester’s March

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

10. Minuet / Menuett

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

© 2018 Schott Music GmbH & Co. KG, Mainz

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

11. March / Marsch

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

12. Là ci darem la mano

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

from / aus: W. A. Mozart, Don Giovanni

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

  rit. a tempo

13. Allegro moderato

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

14. Ode to Joy

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

from / aus: L. v. Beethoven, Symphony No. 9 / Sinfonie Nr. 9

15. Cancan Jacques Offenbach

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

Trumpet Easy Concert Pieces