Easy Concert Pieces 3

Trumpet Easy Concert Pieces
Easy Concert Pieces

Leichte Konzertstücke
for Trumpet in Bb and Piano

für Trompete in B und Klavier
Volume 2 / Band 2
Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

19 Pieces from 5 Centuries
19 Stücke aus 5 Jahrhunderten
Grade / Schwierigkeitsgrad:
easy to intermediate / leicht bis mittelschwer
Edited by / Herausgegeben von

Kristin Thielemann
ED 22556
ISMN 979-0-001-16130-5
Volume 1/ Band1
very easy to easy / sehr leicht bis leicht
ED 22555
Volume 3 / Band 3
intermediate / mittelschwer
ED 22557
Cover illustration:
Light cone: © PROBilder – Fotolia.com
www.schott-music.com
Mainz · London · Berlin · Madrid · New York · Paris · Prague · Tokyo · Toronto
© 2018 SCHOTT MUSIC GmbH & Co. KG, Mainz · Printed in Germany
Preface
The Easy Concert Pieces series presents easy pieces for trumpet with piano accompaniment. Pieces
typical of their era and suitable for auditions, public performance, competitions or examinations are
ordered according to level of difficulty. These Easy Concert Pieces also provide appealing additional
material for use in trumpet lessons.
Volume 1 contains pieces with a range up to written c”, with d” appearing as a short top note in just a
few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articula-
tion that can be mastered quickly and easily make this book ideal for beginners.
Volume 2 contains pieces with a range no higher than written f”. Besides extending rhythmic scope and
requiring a little more in terms of phrasing and articulation, these pieces will encourage further explo-
ration of musical contrasts.
Volume 3 is intended for players with a well-developed embouchure who can play notes up to written
g”, though this note only appears as a short top note. Flexible articulation and legato playing with
a well-developed dynamic range are required for pieces that are longer than those in the preceding
volumes.
All the pieces are recorded on the CD included with each book, both in complete and playback ver-
sions (piano accompaniment).

In addition to the enclosed part for trumpet in Bb, a part for trumpet in C (Schott ED 22555-01) is
available for download at www.schott-music.com.
Kristin Thielemann
Translation Julia Rushworth
Vorwort
Die Reihe Easy Concert Pieces enthält leichte Werke für Trompete mit Klavierbegleitung. Nach Schwie-
rigkeitsgrad geordnet finden sich für ihre Epochen repräsentative Stücke, die sich für Vorspiele, Wett-
bewerbe oder Prüfungen eignen. Zudem dienen die Easy Concert Pieces als motivierende Ergänzung
im Trompetenunterricht.
Band 1 enthält Stücke bis zum notierten c‘‘, in einigen wenigen Stücken kommt das d‘‘ als kurzer
Spitzenton vor. Einfache und eingängige Rhythmen, gut ausführbare Tonverbindungen und Artikula-
tionen, die bereits nach kurzer Zeit leicht beherrscht werden, machen diesen Band zu einem idealen
Heft für Einsteiger.
Band 2 beinhaltet Werke bis maximal zum notierten f‘‘. Neben dem erweiterten Rhythmusspektrum
und leicht erhöhten Anforderungen in Phrasierung und Artikulation eignen sich diese Werke, um mu-
sikalisch differenzierter zu arbeiten.
Band 3 wendet sich an Spielerinnen und Spieler mit gut ausgebildetem Ansatz, die den Tonraum bis
zum notierten g‘‘ beherrschen, wobei dieser Ton nur als kurzer Spitzenton vorkommt. Flexibiliät in
Artikulation und Legotospiel sowie eine gut ausgebildete dynamische Bandbreite werden für die im
Vergleich zu den vorherigen Bänden längeren Stücke vorausgesetzt.
Alle Stücke sind auf der beigefügten CD in den Heften enthalten, als Vollversion und als Playback
(Klavierbegleitung).
Neben der beiliegenden Stimme für Trompete in B ist auf www.schott-music.com auch eine Stimme
für Trompete in C zum Download erhältlich (Schott ED 22555-01).
Kristin Thielemann
Contents / Inhalt
1. John Dowland (1563–1626) Come again, sweet love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
2. Dietrich Buxtehude (ca. 1637–1707) Symphonia (from / aus: Heut triumphieret Gottes Sohn) . . . . . 5
3. Marc-Antoine Charpentier (1643–1704) Prélude (from / aus: Te Deum) . . . . . . . . . . . . . . . . . . . . . . . . . 6
4. Jeremiah Clarke (1674–1707) The Prince of Denmark’s March . . . . . . . . . . . . . . . . . . . . . . . . 8
5. Antonio Vivaldi (1678–1741) Allegro (from / aus: Spring / Frühling) . . . . . . . . . . . . . . . . . . . 10
6. Georg Philipp Telemann (1681–1767) Adagio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

(from / aus: Trumpet Concerto / Trompetenkonzert)
7. Jeremiah Clarke (1674–1707) Trumpet Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
8. Johann Sebastian Bach (1685–1750) Aria (from / aus: Peasant Cantata / Bauernkantate) . . . . . . . . . . 16
9. Georg Friedrich Händel (1685–1759) La Réjouissance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

(from / aus: Music for the Royal Fireworks / Feuerwerksmusik)
10. Wolfgang Amadeus Mozart (1756–1791) The Bird Catcher’s Song / Der Vogelfänger bin ich, ja . . . . . . . . 20

(from / aus: The Magic Flute / Die Zauberflöte)
11. Ludwig van Beethoven (1770–1827) Scene by the Brook / Szene am Bach . . . . . . . . . . . . . . . . . . . . 22
(from / aus: Symphony No. 6 / Sinfonie Nr. 6)
12. Frédéric Chopin (1810–1849) Prélude (Rain Drop / Regentropfen) . . . . . . . . . . . . . . . . . . . . . 24
13. Giuseppe Verdi (1813–1901) Va, pensiero (from / aus: Nabucco) . . . . . . . . . . . . . . . . . . . . . 26
14. Giacomo Puccini (1858–1924) Il bel tambur maggior (from / aus: La Bohème) . . . . . . . . . . . . . 28
15. Richard Wagner (1813–1883) Steuermann, lass die Wacht . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

(from / aus: The Flying Dutchman / Der fliegende Holländer)
16. Arthur Sullivan (1842–1900) The Policeman’s Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

(from / aus: The Pirates of Penzance)
17. Mátyás Seiber (1905–1960) Foxtrot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
18. Kristin Thielemann (*1978) A Tribute to “Alice in Wonderland” . . . . . . . . . . . . . . . . . . . . . 36
19. Daniel Hellbach (*1958) Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
pitch bb / Stimmton b (Track No. 39)
Impressum
CD:
Matthias Kowalczyk, Trumpet, and Maria Ollikainen, Piano
Recording: Studio Tonmeister, Mainz
© 2018 Schott Music GmbH & Co. KG, Mainz
Printed in Germany · BSS 57584
1. Come again, sweet love
John Dowland
15631626
Arr.: Kristin Thielemann
q ca. 88
4          
  4  
      
mf
  
4       
       
   4           
  4 
 4
mf
  
    
       
chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

6
       
          
 

 
 
p
       
        

         
     

  

 
   


  
   
p
  

 
 

10
                    

f
              
  
         
 
          

   
  

  
f
    
  
Das widerrechtliche Kopieren von Noten ist gesetzlich

verboten und kann privat- und strafrechtlich verfolgt werden.
Unauthorised copying of music is forbidden by law,
and may result in criminal or civil action.
5
2. Symphonia Dietrich Buxtehude
ca. 16371707
q ca. 128 Arr.: Kristin Thielemann
6 
 4        
    



         
  
   
mf
 6             
                
 4 
              
      
   6  
4
mf
   
  
          

6
   
                      
 
    

  
              
             
  
       
  

             
   
 

mp
   
 
10
       
     
f
 

             
    
       
            
    
  
           
 
f
 
14

                       
        
 
   
            
                 
           
       

   

 
   


from / aus: D. Buxtehude, Heut triumphieret Gottes Sohn
6
3. Prélude Marc-Antoine Charpentier

16431704
q ca. 108
      
  C             
 
f
                
  C          
  C 

f
        
 
5 
       
           

           
        
    
   
     
 


 
mf

9
     
      
       

 
  

    
  
  
  
 
   
 
   


   
13
        
p
     
       
      
           
   
  
from / aus: M.-A. Charpentier, Te Deum
  
  
 

p

7
17
            
        
mp
             
    
            
  


  
 

 
  
   
mp
21
            
         
f
    
         
        

  
          
 
     
f
25
      
              

                
              
   
           
    
29 rit. 
   
              
rit.
           
             
   
     
  

 
8
4. The Prince of Denmarks March

Jeremiah Clarke
16741707
Arr: Kristin Thielemann
q ca. 108
  c            
   
f
       
   c  
      




   c 

f
   
    
 

   
5 
     
           

   
           

    
  
     
     
 


9
     
 
         
         
    
   

f

 
            


13
     
  
                  

        
  


 
 
       
  

9
17
  
           
mf

  
        
        
  

mf
      

    
21
  
              
  
               


         
  
       
         
25
      
       
  
ff
 
         
         
   
  
f
 
 
            


29 
     
           
                 


        
  


 
 
       
  
10
5. Allegro
from / aus: Spring / Frühling
Antonio Vivaldi
16781741
Arr.: Peter Mohrs / Kristin Thielemann
Allegro (q ca. 76)

4
  4                          
f

4                         
 4       
 f
 4 
 4 







   
 mf
 

4

               
 

f mf
      
       
                    
        
 f mf
          
        
 
8 
                       
     
f mp
          
            
          
   



f

  

 
   

mp

11  
                
         
p mf
                 
          

   
 
p

  
from / aus: A. Vivaldi, The Four Seasons / Die vier Jahreszeiten, op. 8/1
mf
 



 
11
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12
6. Adagio Georg Philipp Telemann
16811767
Adagio (q ca. 96)
 4
  4                  
mf

4       
 4        

  4 
4
mf
   
 
       
5
   
              


    
   
 

 
               
9 
   
                 
 
          
     
  
     

 
     

  
         
14

            
 
p mp

      
   
  

 
 
     

from / aus: G. Ph. Telemann, Trumpet Concerto / Trompetenkonzert


p
       
mp
 
13
18
 
        
             
mf
  

  
 



 
 

 
       
mf
       
22

                    
 p
        

  
 
             
p
 
26
     
       


        
 
f
    



 
 
  
  
   

    
f
       
30 
 () 
                 
     

           
    
          
  
  
14
7. Trumpet Tune Jeremiah Clarke

16741707
q ca. 96
 
4   
  4 
           
   
f mf
4   
   4      
  

  

   4   
4
f
   

mf

    


5
 
                      
 
f mf f

       
   

      
 
f
    
   

mf
     
f
9
     
     
                    
   
 
f
    
  

mf
      



13
     
  
                            
   
 
     

f

  

mf
      
15
17
  
        
          
  
p mp

     
 
  
    
      
 
 
p
        

mp
      
21  
               
    
         
mf
  
                  

   

 mf
  
      
      
 
25
     
  
                    
   
    
     
   

p




 
mp
     
29 rit.

               
    
         
mf f
rit.
 
                 


 
   

mf
      
f
    
 
16
8. Aria Johann Sebastian Bach
16851750
Arr.: Peter Mohrs
q ca. 104
4
  4                    
f mp
4
   4          
       
            
   4
4 
f
  
       
    

mp
5
    
                 
f


          
      
    
         
     
 

    
  

f
   
10
          
                

      
   
              
    
         
  

 
    
15
            
          
         

          
    
   
  
  
  
mp
     
from / aus: J. S. Bach, The Peasant Cantata / Die Bauernkantate

17
20  rit.

                     
  
f
rit.

                  
          
  
  


f
  
    
 

9. La Réjouissance
Georg Friedrich Händel
16851759
h = 76 
4 
  4                         

mp mf f
4
  4     
 

                  


mp
mf f
 4        
 4           
7
                      

  

p

                           

           
   
p
      

13

                  

  
mf
 
    





   
   
      
 
  
  

 
    

mf

p
   
from / aus: G. F. Händel, Music for the Royal Fireworks / Feuerwerksmusik

18
18
       
    
                              

24
  
 
mp
 
mf
 


      

 
 
       
                  
            
     
  

 
    
 p
        

30
                 
p
  
        


                     
 
36
 
 

  


f
 

  
p
      
                
mf

                          
      
42
  
 
mf
  







  


              
 
     
p

              
   
   
  
    
   
     
p
    
  
19
47 
               
      
       
f

                      
      
 

53
  

 
 

   
 
f


      
  
 


p
    
         
      
        
 
 
   
   

 

 
   mf
 
 

58
          
  f
                        
   

62
  




   

 


   
    
f




                
 
p

              
   
   
  
    

67
  
     
        
p
   
    
rit.


  

      
      
f
  rit.

             
            
 
          

 f

      
   
20
10. The Bird Catchers Song

Der Vogelfänger bin ich, ja
Wolfgang Amadeus Mozart
17561791
Andante (q ca. 120–136) Arr.: Wolfgang Birtel

2   
  4                  
p
 
 2 
  4                 
               
   2 
4
p
                 
 
6  
                   
      
mf

                  
    
  
   
     

  
  
   
 
  

11
 

         

   
   

             
mf p mf
*)

                     
      
   
 p       
   
     

mf
 
 
 
 
mf
      


17 
     
                 

      
p
mf
        
                                 
 
        
 p   
  
 

      

 
 
 
 
from / aus: W. A. Mozart, The Magic Flute / Die Zauberflöte KV 620

mf
 
   
   
*) Piano ad lib. instead of trumpet / Piano ad lib. statt Trompete

21
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On laisse une page blanche pour faciliter la tourne.
Aus wendetechnischen Gründen bleibt diese Seite frei.

22
11. Scene by the Brook

Szene am Bach Ludwig van Beethoven
17701827
Andante con moto (q ca. 96)
 
3
  4                 
p
 3
   4                 
           
   3 
 4
p
      
9
 
     

           


                          

   
        
17 
            
   
mf
                              
             
  
 
mf
     
24
            

    
   
                    
  
   


   
from / aus: L. v. Beethoven, Symphony No. 6 Pastoral / Sinfonie Nr. 6 Pastorale

  
23
31

  
           
mf

                          
 
  

   
mf
           
37
         
      
                                  
                   


p
   
                   

44
          
  
mp
    
           
   

mp
        
                         

52 
      
          
    
        
     
 
                    
                       
  


24
12. Prélude
(Rain Drop / Regentropfen) Frédéric Chopin
18101849
Sostenuto (q ca. 64)
   7
 c               
   
mp (liberamente)
 
  c                         
      
    
   c 
mp
 





       

sim.
 
 
5  
  
           


        
                           
           
9
  

 
        


   
          
     
                      
12
 



 

          
 G     
      

                         
   
  
 
 

  

25
15 
         
  
    

                    

   
 


     
        
18

    
   
        
      
             


  


       
 

 
22
  7
                
 

            
      
       
     
  
       
  
  

25
 (rit.)
        
(rit.)

                   
    
     
  
  
       
  
 
26
13. Va, pensiero
Prisoners Chorus / Gefangenenchor Giuseppe Verdi
18131901
Cantabile (q ca. 52)
4   
  4      

mp
               
  4                        
 4

6 6 6 6
p sim.
  4
4        

3 3
            
    

                                 
  
       
  
 
       
5
       
    
                  
                
   
  
    
   
7 3 3
3 3
   
    
         
     

  
       
         

  
 
 
     
from / aus: G. Verdi, Nabucco

27
9 3 3
             
             
                  

    
  

  
   

11 3
3
                

       
                                       


  
  
     
13
3
   
  
   
     
               

               

  
   
      
16 3 3
3 
            
   
                 

                    
      
  
 
    
  



28
14. Il bel tambur maggior Giacomo Puccini

18581924
q ca. 104
2  
  4         
     

mp
 2 
  4    
      
    
   2
 4
p
   

    

mp
   

   
8
            
      


    
       
       
  
  
   

         
14
   
               
         
   
   

cresc. poco a poco f
                    
 

           
       
  
   

cresc. poco a poco
  


    

  

f
     

23
    
    
3 3 3
      3
       

                
             
 ff 3 p
3
 
3  3 3 3

          
             
        
from / aus: G. Puccini, La Bohème
29
29
 
        
     

    
f
    

       
 
            
    
 
      
    


   

f
    

 
36
      
  
   

      
   
 
       
    
       

    
  
  
   

       


   

43
  
           
          
 

    
     
  
                
  

    

  

       
50
3 2 
   4     
 4       

         

ff
 
     
 3   2          
        4     4 
 
  
      ff 
  

  
     
3
4
 2
4



  
      
  



 
30
15. Steuermann, lass die Wacht

Richard Wagner
18131883
Animato, ma non troppo Allegro (q = 132) Arr.: Kristin Thielemann
4  
  4          

    
f

4
  4     
       

         
5
  4
f
4  

 

   
 
   

 
 
    
                          
 

3 3 3

    



              
    
9
   
         
  
  


       
   
  
p
 
   

      
      
      
  
13
        
  

p
       

     
         
         
 
 
                
     
    
   
  
 
from / aus: R. Wagner, The Flying Dutchman / Der fliegende Holländer

 

   

 


31
17

       

          
   
mf p 
        
 
      
       
    
    
   
 

mf

     
p
   

21
 
 

          

            
          
 
mf p f

           
        

     
  
mf
     
p
 
  
f


p

           
26
              
f
   
f

       
 

 

     

p

f
          f
 
         
         
   
31 
    
                          
 
  
3 3 3

        
   


 
 

         
     
  
 
 
 


 

  

32
36
     
                            

   
3 3 3

                 
             
   
   

   




 

  

  

41
       
 
     
 
   

p
f
      
  

                          
  
  
 

 


    
  

 
p
  

   
f
  

46 
                
       


                            
                  
   
  


 



  



  



  


  
51 1. 2.
              
         

1. 2.
 
                        
 
             
     
  



  



  



   

 
 

 
33
16. The Policemans Song

Arthur Sullivan
18421900
Allegro marziale (q ca. 108) Arr.: Kristin Thielemann
 
4   
  4    
     
            
  
mf  
4
  4         
  
   
         
 
   4 
4
mf
    
       

   
6 
                
                

p mp

       
                  
            

    
      




p
     


11
                         
 
mf

           
 
            
   
     
  
mp
       
mf
       
 
16 a tempo

                    
          
f
 a tempo   

               
   
         
   
   
f
 
from / aus: A. Sullivan, The Pirates of Penzance
   
     



34
17. Foxtrot
Mátyás Seiber
19051960
Arr.: Stefan de Haan
q ca. 132
  
 c          
mf
 
     
 c          
  c
mf
              

5
    
   
 
           
       
 
f
                  
 
            

f
   
10
 
               
      
 
                    
 
      
         



35
15
 
       


   
              
     
     
 
 









p
 
   

  



 
20
     
  
            
mf

         
 
 

 
    
     
mf
               
25
   
                
f

      
        
  

   
f



    



  
29
 
   

 
   
       

  
           


    

 
 



 




 





36
18. A Tribute to Alice in Wonderland

Kristin Thielemann
*1978
q ca. 76
  c     

                 sim.                      
  c
 
  c 


p dolce



  sim.

 
  




6
           
  
    
mf dolce
 

 

          
       
  
  
    
 

mf
       
  


11
        
       
       

          
                        
    
          
  

   


16

  
   
        
f
         sim.
            
    
                         
   

f

 


  


 
  
mf

37
20
    
            
     
mp f
        
     
       
   


 
 
mp

    
f
  
 

 
25
       
            
   

       
               

  
 

 

     


 
29 rit.

  
      
mp

 rit.                 sim.
 
        
   
  
    
  
    
mp

 




34 Cup-Mute  

          

  


      

  

   
 

 
  

 
 
  
 

   
38
19. Memories
Daniel Hellbach
*1958
q ca. 132
4 
  4                  

mf
C‹ F‹7 B¨ C‹
4
  4 
                     
 
   
   4
4
mf








5
           
          
C‹ F‹7 B¨ E¨


        
                 
   
9
 









                      
A¨ D‹7b5 G‹7 C‹7


                    
             
  








13
  
                 
p mf
F‹7 B¨7 E¨

          
       
 
 
      
  
 
p






mf


39
17
                      
A¨ D‹7b5 G‹7 C‹7


                    
             
  








21
                         
mp f
F‹7 D¨ B¨‹7 G

  
                           


  

mp





f
 
 
25
   
                 
mf
C‹ F‹7 B¨ C‹

  
         
           
 
   
  

mf








29
           
         
 
C‹ F‹7 B¨ C‹

    
                    
    
  





    
    



  

Fine
40
Cup-Mute
33 Etwas langsamer
     
C‹ F‹7 B¨ C‹

  
                        

  

mp








37
     
C‹ F‹7 B¨7 E¨

                 
     

   
  









41
           
 
mp
A¨ D‹7b5 G‹7 C‹7


      
     
       

  
   
senza
45 sord.
 
        
F‹7 G7 A¨ F‹ G“4

                     
       
  
     
ff
D. C. al Fine
Schott Music, Mainz 57 584

Trumpet Easy Concert Pieces
Easy Concert Pieces

Leichte Konzertstücke
for Trumpet in Bb and Piano

für Trompete in B und Klavier
Volume 2 / Band 2

19 Pieces from 5 Centuries
19 Stücke aus 5 Jahrhunderten
Grade / Schwierigkeitsgrad:
easy to intermediate / leicht bis mittelschwer
Edited by / Herausgegeben von

Kristin Thielemann
ED 22556
ISMN 979-0-001-16130-5
Volume 1/ Band1
very easy to easy / sehr leicht bis leicht
ED 22555
Volume 3 / Band 3
intermediate / mittelschwer
ED 22557
Trumpet in Bb
www.schott-music.com
Mainz · London · Berlin · Madrid · New York · Paris · Prague · Tokyo · Toronto
© 2018 SCHOTT MUSIC GmbH & Co. KG, Mainz · Printed in Germany
Preface
The Easy Concert Pieces series presents easy pieces for trumpet with piano accompaniment. Pieces
typical of their era and suitable for auditions, public performance, competitions or examinations are
ordered according to level of difficulty. These Easy Concert Pieces also provide appealing additional
material for use in trumpet lessons.
Volume 1 contains pieces with a range up to written c”, with d” appearing as a short top note in just a
few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articula-
tion that can be mastered quickly and easily make this book ideal for beginners.
Volume 2 contains pieces with a range no higher than written f”. Besides extending rhythmic scope and
requiring a little more in terms of phrasing and articulation, these pieces will encourage further explo-
ration of musical contrasts.
Volume 3 is intended for players with a well-developed embouchure who can play notes up to written
g”, though this note only appears as a short top note. Flexible articulation and legato playing with
a well-developed dynamic range are required for pieces that are longer than those in the preceding
volumes.
All the pieces are recorded on the CD included with each book, both in complete and playback ver-
sions (piano accompaniment).

In addition to the enclosed part for trumpet in Bb, a part for trumpet in C (Schott ED 22555-01) is
available for download at www.schott-music.com.
Kristin Thielemann
Translation Julia Rushworth
Vorwort
Die Reihe Easy Concert Pieces enthält leichte Werke für Trompete mit Klavierbegleitung. Nach Schwie-
rigkeitsgrad geordnet finden sich für ihre Epochen repräsentative Stücke, die sich für Vorspiele, Wett-
bewerbe oder Prüfungen eignen. Zudem dienen die Easy Concert Pieces als motivierende Ergänzung
im Trompetenunterricht.
Band 1 enthält Stücke bis zum notierten c‘‘, in einigen wenigen Stücken kommt das d‘‘ als kurzer
Spitzenton vor. Einfache und eingängige Rhythmen, gut ausführbare Tonverbindungen und Artikula-
tionen, die bereits nach kurzer Zeit leicht beherrscht werden, machen diesen Band zu einem idealen
Heft für Einsteiger.
Band 2 beinhaltet Werke bis maximal zum notierten f‘‘. Neben dem erweiterten Rhythmusspektrum
und leicht erhöhten Anforderungen in Phrasierung und Artikulation eignen sich diese Werke, um mu-
sikalisch differenzierter zu arbeiten.
Band 3 wendet sich an Spielerinnen und Spieler mit gut ausgebildetem Ansatz, die den Tonraum bis
zum notierten g‘‘ beherrschen, wobei dieser Ton nur als kurzer Spitzenton vorkommt. Flexibiliät in
Artikulation und Legotospiel sowie eine gut ausgebildete dynamische Bandbreite werden für die im
Vergleich zu den vorherigen Bänden längeren Stücke vorausgesetzt.
Alle Stücke sind auf der beigefügten CD in den Heften enthalten, als Vollversion und als Playback
(Klavierbegleitung).
Neben der beiliegenden Stimme für Trompete in B ist auf www.schott-music.com auch eine Stimme
für Trompete in C zum Download erhältlich (Schott ED 22555-01).
Kristin Thielemann
Contents / Inhalt
1. John Dowland (1563–1626) Come again, sweet love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
2. Dietrich Buxtehude (ca. 1637–1707) Symphonia (from / aus: Heut triumphieret Gottes Sohn) . . . . . 5
3. Marc-Antoine Charpentier (1643–1704) Prélude (from / aus: Te Deum) . . . . . . . . . . . . . . . . . . . . . . . . . 6
4. Jeremiah Clarke (1674–1707) The Prince of Denmark’s March . . . . . . . . . . . . . . . . . . . . . . . . 6
5. Antonio Vivaldi (1678–1741) Allegro (from / aus: Spring / Frühling) . . . . . . . . . . . . . . . . . . . 7
6. Georg Philipp Telemann (1681–1767) Adagio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

(from / aus: Trumpet Concerto / Trompetenkonzert)
7. Jeremiah Clarke (1674–1707) Trumpet Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
8. Johann Sebastian Bach (1685–1750) Aria (from / aus: Peasant Cantata / Bauernkantate) . . . . . . . . . . 8
9. Georg Friedrich Händel (1685–1759) La Réjouissance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

(from / aus: Music for the Royal Fireworks / Feuerwerksmusik)
10. Wolfgang Amadeus Mozart (1756–1791) The Bird Catcher’s Song / Der Vogelfänger bin ich, ja . . . . . . . . 10

(from / aus: The Magic Flute / Die Zauberflöte)
11. Ludwig van Beethoven (1770–1827) Scene by the Brook / Szene am Bach . . . . . . . . . . . . . . . . . . . . 10
(from / aus: Symphony No. 6 / Sinfonie Nr. 6)
12. Frédéric Chopin (1810–1849) Prélude (Rain Drop / Regentropfen) . . . . . . . . . . . . . . . . . . . . . 11
13. Giuseppe Verdi (1813–1901) Va, pensiero (from / aus: Nabucco) . . . . . . . . . . . . . . . . . . . . . 12
14. Giacomo Puccini (1858–1924) Il bel tambur maggior (from / aus: La Bohème) . . . . . . . . . . . . . 12
15. Richard Wagner (1813–1883) Steuermann, lass die Wacht . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

(from / aus: The Flying Dutchman / Der fliegende Holländer)
16. Arthur Sullivan (1842–1900) The Policeman’s Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

(from / aus: The Pirates of Penzance)
17. Mátyás Seiber (1905–1960) Foxtrot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
18. Kristin Thielemann (*1978) A Tribute to “Alice in Wonderland” . . . . . . . . . . . . . . . . . . . . . 15
19. Daniel Hellbach (*1958) Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
pitch bb / Stimmton b (Track No. 39)
Impressum
CD:
Matthias Kowalczyk, Trumpet, and Maria Ollikainen, Piano
Recording: Studio Tonmeister, Mainz
Printed in Germany · BSS 57584
1 20 1. Come again, sweet love
John Dowland
15631626
q ca. 88
4    
  4       

      
mf

6
          
        
  
p
          
10
     
   

f

2 21 2. Symphonia
Dietrich Buxtehude
ca. 16371707
q ca. 128
6
 4             
     

mf
     
5
  
                         
9 3
              
     
f

15

                 
      
Das widerrechtliche Kopieren von Noten ist gesetzlich
© 2018 Schott Music GmbH & Co. KG, Mainz verboten und kann privat- und strafrechtlich verfolgt werden.
from / aus: D. Buxtehude, Heut triumphieret Gottes Sohn Unauthorised copying of music is forbidden by law,
and may result in criminal or civil action.
6
3 22
3. Prélude Marc-Antoine Charpentier
16431704
q ca. 108
      
 C             
 
f
5
    7
                   
p
17
           
    
        
mp
22
   
                        
 


f
     
28 rit.
      
            
from / aus: M.-A. Charpentier, Te Deum
4 23 4. The Prince of Denmarks March

Jeremiah Clarke
16741707
Arr: Kristin Thielemann
q ca. 108
 c                 
f
   
7
 8
                 
     
mf
21
        
            
ff
27

                    
   
7
5 24 5. Allegro
from / aus: Spring / Frühling Antonio Vivaldi
16781741
Arr.: Peter Mohrs / Kristin Thielemann
Allegro (q ca. 76)
 2 *)
4
  4                          


f
   

6
                           
   
f mf f
10
          
 
           
             

mp p mf

from / aus: A. Vivaldi, The Four Seasons / Die vier Jahreszeiten, op. 8/1
*) or repeat bb. 1-3 / oder T. 1-3 wiederholen
6 25
6. Adagio Georg Philipp Telemann
16811767
 4
Adagio (q ca. 96)
 4            
   
mf
7
           3

             
   
15
   
                   

p mp mf
 
22
  
   
         p           
 
  f
          () 
28
          
         
  
from / aus: G. Ph. Telemann, Trumpet Concerto / Trompetenkonzert
8
7 26 7. Trumpet Tune
Jeremiah Clarke
16741707
 
4
  4                
   

  
f f
6

mf
 8*)
               
 

mf f
17
  
        
            
p

mp
21
 
 
                         


 

mf
25 4 **) 
            
rit.
               
  
mf f
*) or repeat bb. 1-8 / oder T. 1-8 wiederholen
**) or repeat bb. 17-20 / oder T. 17-20 wiederholen
8 27
8. Aria Johann Sebastian Bach
16851750
q ca. 104 Arr.: Peter Mohrs
4
  4                       
f mp
          
6
            
f
12 3
                         
20
  rit.
                       
f
from / aus: J. S. Bach, The Peasant Cantata / Die Bauernkantate
9
9 28
9. La Réjouissance Georg Friedrich Händel
16851759
h = 76

4
 4                  


mp mf f
   
6
                 
p
12
   15
      
                   

mf

      
32
                
p mf
39

                  
45
     
        
               
 
p f
 7

51
                   
f
63

                      
p
 
68 rit.
                
     
f
from / aus: G. F. Händel, Music for the Royal Fireworks / Feuerwerksmusik
10
10 29 10. The Bird Catchers Song

Der Vogelfänger bin ich, ja
Wolfgang Amadeus Mozart
17561791
Andante (q ca. 120–136)  Arr.: Wolfgang Birtel
2
  4                             
p
 
6   
                                  

    
mf mf
  
*) ossia
  
     

   
13

              
           

p mf
     
  
 

 

ossia
18

     

                 
     
p
© 2018 Schott Music GmbH & Co. KG, Mainz mf
from / aus: W. A. Mozart, The Magic Flute / Die Zauberﬂöte KV 620
*) Piano ad lib. instead of trumpet / Piano ad lib. statt Trompete
11 30
11. Scene by the Brook Ludwig van Beethoven
Szene am Bach 17701827
 
Andante con moto (q ca. 96) Arr.: Kristin Thielemann
3
  4           
p
9
 
    

           
mf
18


             
     
from / aus: L. v. Beethoven, Symphony No. 6 Pastoral / Sinfonie Nr. 6 Pastorale
11
26 2 2
                 
mf
35

 
    
       
 
41 7
             
 
mp
53

       
  

   
12 31 12. Prélude
(Rain Drop / Regentropfen) Frédéric Chopin
18101849
Sostenuto (q ca. 64)
   7
 c                  

mp (liberamente)
 3 G
    
5
  
              
14  3 
              
  
  
      
 
23
  7  (rit.)
                   

12
13 32
13. Va, pensiero
Giuseppe Verdi
Prisoners Chorus / Gefangenenchor 18131901
Cantabile (q ca. 52)
4   
 4        
3
        
      
mp
5 3 3 3
                    
3
    
9 3
                         
3 3 3
  
13 3 3
 3
           
3
          
     

from / aus: G. Verdi, Nabucco
14 33
14. Il bel tambur maggior Giacomo Puccini
18581924
4
2     
 4                 
   
   
mp
   
            
12
         
  
6
cresc. poco a poco
  
19
                     
  

f f

32
                      
    

                     
39
    
      
     
48
  3 2 

          4     4           
          
ff
from / aus: G. Puccini, La Bohème
13
15 34 15. Steuermann, lass die Wacht

Richard Wagner
18131883
      
Animato, ma non troppo Allegro (q = 132)
4
  4        
 
 

   

 
f
 3 3
 2
    
6
                    
 
   
3 p
 
  
12
          
   
    
      
  
1      

  
17
   

      


   
  


mf p mf
    
22
     

          
        
p  f

f
27 2       
   
 
   
 
 

   

 
f 3 3
34
    
            
            
  
3 3 3
38
   
          
  

    
     
3 p
2 
     
43
        

  
      

f
     
50
  
2.
     
1.
            
  



from / aus: R. Wagner, The Flying Dutchman / Der fliegende Holländer
14
16 35
16. The Policemans Song
Arthur Sullivan
18421900
Allegro marziale (q ca. 108)
 
4 
 4             
            
  
mf 
5


                         
      
p
10
                                  
mp mf

15 a tempo
             
 
    
f
from / aus: A. Sullivan, The Pirates of Penzance
17 36
17. Foxtrot Mátyás Seiber
19051960
q ca. 132 Arr.: Stefan de Haan
 c         
           
    
mf
 
7
 
                      
 f
 
 4
     
13
         
     
  

  mf
      
22
  
             
f

     
28
     
  
 
        


15
18 37 18. A Tribute to
Alice in Wonderland
Kristin Thielemann
q ca. 76
6
*1978
 c        

      
mf dolce
 
10
           
      
  

14
 
    
   
  
f
1

18
      
    
        
mp

23
                 
     
f
27
     rit. 2

           


mp
34 Cup-Mute
  
   
      

16
19 38
19. Memories
Daniel Hellbach
*1958
q ca. 132
4
  4                  
 
mf
            

   
11
                     
p mf
17
                
mp
22
                           
f mf
27
                            
 
Fine
Cup-Mute senza
9
Etwas langsamer
1 1 1
     
33 sord.
       
 


  
mp
D. C. al Fine
© 2018 Schott Music GmbH & Co. KG, Mainz Schott Music, Mainz 57 584

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Easy Concert Pieces 3

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Trumpet Easy Concert Pieces

Easy Concert Pieces

for Trumpet in Bb and Piano

Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

Edited by / Herausgegeben von

Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

1. John Dowland (1563–1626) Come again, sweet love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

3. Marc-Antoine Charpentier (1643–1704) Prélude (from / aus: Te Deum) . . . . . . . . . . . . . . . . . . . . . . . . . 6

4. Jeremiah Clarke (1674–1707) The Prince of Denmark’s March . . . . . . . . . . . . . . . . . . . . . . . . 8

5. Antonio Vivaldi (1678–1741) Allegro (from / aus: Spring / Frühling) . . . . . . . . . . . . . . . . . . . 10

6. Georg Philipp Telemann (1681–1767) Adagio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

7. Jeremiah Clarke (1674–1707) Trumpet Tune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

9. Georg Friedrich Händel (1685–1759) La Réjouissance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Schott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

12. Frédéric Chopin (1810–1849) Prélude (Rain Drop / Regentropfen) . . . . . . . . . . . . . . . . . . . . . 24

13. Giuseppe Verdi (1813–1901) Va, pensiero (from / aus: Nabucco) . . . . . . . . . . . . . . . . . . . . . 26

15. Richard Wagner (1813–1883) Steuermann, lass die Wacht . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

16. Arthur Sullivan (1842–1900) The Policeman’s Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

17. Mátyás Seiber (1905–1960) Foxtrot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

18. Kristin Thielemann (*1978) A Tribute to “Alice in Wonderland” . . . . . . . . . . . . . . . . . . . . . 36

19. Daniel Hellbach (*1958) Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

pitch bb / Stimmton b (Track No. 39)

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

Das widerrechtliche Kopieren von Noten ist gesetzlich

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

3. Prélude Marc-Antoine Charpentier

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

4. The Prince of Denmarks March

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

© 2018 Schott Music GmbH & Co. KG, Mainz

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

                 

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

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chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

from / aus: G. Ph. Telemann, Trumpet Concerto / Trompetenkonzert

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

7. Trumpet Tune Jeremiah Clarke

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

from / aus: J. S. Bach, The Peasant Cantata / Die Bauernkantate

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

© 2018 Schott Music GmbH & Co. KG, Mainz

from / aus: G. F. Händel, Music for the Royal Fireworks / Feuerwerksmusik

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

10. The Bird Catchers Song

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

© 2018 Schott Music GmbH & Co. KG, Mainz

from / aus: W. A. Mozart, The Magic Flute / Die Zauberflöte KV 620

*) Piano ad lib. instead of trumpet / Piano ad lib. statt Trompete

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chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

11. Scene by the Brook

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

from / aus: L. v. Beethoven, Symphony No. 6 Pastoral / Sinfonie Nr. 6 Pastorale

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

© 2018 Schott Music GmbH & Co. KG, Mainz

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

chott Music, 600017526, 04.11.2019 12:37:33, Pablo Camblor, pablocamblorgarcia@gmail.com, 1

Trumpet Easy Concert Pieces

4. The Prince of Denmarks March

10. The Bird Catchers Song

from / aus: L. v. Beethoven, Symphony No. 6 Pastoral / Sinfonie Nr. 6 Pastorale

16. The Policemans Song

18. A Tribute to Alice in Wonderland

4 23 4. The Prince of Denmarks March

10 29 10. The Bird Catchers Song