Professional Documents
Culture Documents
The 1492 landing of Christopher Columbus in the West Indies, engraving circa
1592 by Theodore de Bry, included in The History of America, published in
Frankfurt, 1602
1. (2016-MCQ-01)
By the time the engraving was produced, the event portrayed had resulted in which of
the following?
A. The large-scale migration of Native American peoples to Europe
B. The transfer of plants, animals, and diseases between Europe and the Americas
C. The establishment of colonies in the Americas by all major European powers
D. The creation of an extensive plantation system in the West Indies that relied on
Native American coerced labor
2. (2016-MCQ-02)
The image could best be used to illustrate which of the following general aspects of
the initial encounters between Europeans and Native Americans?
A. European explorers were often outnumbered by Native Americans.
B. Advances in military and maritime technology usually gave Europeans an
advantage over Native Americans.
C. Lack of knowledge of Native American languages hindered the Europeans’ ability
to understand Native American cultures.
D. The arrival of Europeans often threatened existing hierarchies in Native American
societies.
3. (2016-MCQ-03)
The image provides the most reliable information about which of the following?
A. European attitudes toward non-European peoples
B. Stylistic features of Native American art and artifacts
C. The exact geographic location of Columbus’ first landing in America
D. The willingness of Native Americans to welcome the arrival of Europeans
4. (2016-MCQ-04)
The image provides the clearest evidence for which of the following features of
European expansion in the early modern period?
A. The spread of Christianity as a justification for the subjugation of indigenous
peoples
B. The reliance of European colonists on indigenous peoples as sources of
information about new territories
C. The rapid adoption of some European technologies by indigenous peoples
D. The creation of hybrid cultures that incorporated both European and indigenous
elements
Questions 5 - 8 refer to the image below.
Giorgio Vasari, The Massacre of the Huguenots, painting commissioned by Pope
Gregory XIII for the papal residence in the Vatican, 1574
6. (2017-MCQ-02)
Which of the following was most directly intended to resolve the conflict illustrated in
Vasari’s painting?
A. The Peace of Augsburg
B. The Edict of Nantes
C. The Pragmatic Sanction
D. The Civil Constitution of the Clergy
7. (2017-MCQ-03)
Based on the imagery and intended audience of Vasari’s painting, the artist’s most
likely purpose was to portray the events in the painting as
A. a terrible misunderstanding
B. a horrific abuse of royal power
C. an example of divine retribution
D. a cautionary tale against the dangers of mob violence
8. (2017-MCQ-04)
Vasari’s interpretation of the events depicted in the painting would most likely have
been shared by which of the following groups in the sixteenth century?
A. High clergy in the Church of England
B. The rebels in the German Peasants’ War
C. The delegates at the Council of Trent
D. Christian humanists such as Erasmus of Rotterdam
11. (2016-MCQ-17)
In the nineteenth century, the events depicted on the maps came to be seen as a
problem primarily due to the emergence of
A. nationalism
B. socialism
C. conservatism
D. imperialism
Questions 12 - 15 are based on the following graph that shows estimated average
seed yields* for wheat and barley in various regions of Europe.
Source: Norman J. G. Pounds, A Historical Geography of Europe,
Volume II: 1500–1840, Cambridge University Press, 1979, p. 182.
*Seed yield (or crop yield) is a ratio of the number of seeds of grain harvested for each seed sown.