Professional Documents
Culture Documents
Church, Plaza
Dwellings complex; town City planning parks,
Real estate, safe housing,
and houses, planning, waterfronts,
accessories, tenements,
shelters, fortification, civic civic/gov’t
squatters, convention arch,
worship buildings and structures, public
commercial/business,
Architecture areas, official installations, private works, apartments, Public works
condos, malls,
residences, residences, residences, offices,
subdivisions,
mosque, commercial health and public
development, low-cost
masjid, state structures, education, business
housing
edifices cemeteries, bridges, chalet
lighthouse
PRE-COLONIAL ART PERIOD
900 - 1565
Ritual (Performance)
•A pray to be endowed
with the strength of the
animal they hunted.
Kashawing in Mindanao
Literature
•Oral Story telling/Oral Literature-
when our ancestors told stories about
hunt.
•Legends, Epic Tales, and
Theater
•When they imitated the movements
of animals that they hunted, this
marked as the early beginnings of
theater or play.
Music and Dance
•When they learned to add drum
beating and attach a rhythm of their
movements, they had given birth to
music and dance.
Architecture
•A Lean-to is a portable
shelter of the negritos
made by the tree branches
and twigs, using leaves and
fonds for siding. A screen
resting on the ground and
help up at an angel by one
or several poles, the lean-to
is both roof and wall,
protecting dwellers from
rain and heat of the sun.
Fine arts
•Painting: Tattoos
(CENTRAL VISAYAS)
• The Pintados or painted
ones, inhabitants of the
Visayan island are
described by the
conquistadors used sharp
metal instruments
previously heated over fire
in painting their bodies
Decorative Art
•FLAKE STONE
•Old Stone Age (Paleolithic)
•Espinosa Rance Site, Cagayan
1600-8000 BC
•dated about 9 million years,
the oldest man
•made object associated with
the fossils of a proboscidean,
a prehistoric elephant
•Pottery
•Manunggul Jar (Discovered in 1965)
•The tradition of potter dates back to
prehistoric times as proven by the
mannungul jar which is at least 3, 500-year-
old and which depicts on its lid tow
boatmen riding a banca on their way to
great divide. Pottery become more
associated with objects for daily use such
as palayok for cooking and the Bangka
and tapayan for storing liquids
SPANISH COLONIAL ART PERIOD
1521 - 1898
•Spaniards arrived in the Philippines
in 1521
•the colonizers used art as a tool to
propagate the Catholic faith through
beautiful images to explain the
concepts behind Catholicism and to
tell the stories about life and passion
of Christ.
•Natives where forcibly resettled in
towns structured according to Plaza
Complex
•Hispanic churches, the baroque style was
predominantly employed; they were
characterized by grandeur, drama, and elaborate
details that purposely appealed to the emotions.
•San Agustin Church
•Sto. Tomas de Villanueva Church
in Miag-ao, Ilo-Ilo
•Images of saints and interpretations
of biblical narratives were considered
essential worship.
•Under the strict watch and patronage of
the church, images were produced
through painting, sculpting, and
engraving.
•17th
Century, Chinese artisans, under
Spanish rules were engaged in making
icons or saints or “santos”
•In colonial churches, santos are
displayed in a decorative altar niche
called retablo
•With coming of the Spaniards, who
brought western musical instruments
like pipe organ, the violin, the guitar,
and the piano
•Catholic liturgical was introduced in 1742
when Archbishop of Manila, Juan Rodriguez
Angel, established a singing school at Manila
Cathedral that thought western church music.
•“Pasyon or Pabasa” as it sometimes
called or the biblical narration of Christ’s
passion chanted in an improvised melod.
•Among lowland
Christian communities
of Pampanga, Ilocos,
Bicol and IloIlo,
secular music from
such the “awit and
corrido” soon
flourished.
•Spanish
colonizers,
complete with
highly
embellished
carrozas
containing
religious tableus
of catholic
saints scenes
from the bible.
•In 19th Century, Zarzuela or Sarsuwela was an
operetta which features singing and dancing
interspersed with prose dialogue which allowed
the story to be carried out in a song.
•Severino Reyes and Hermogenes Ilagan, who
wrote sarsuwelas in Tagalog were the most
distinguished playwrights of their day with
Honorata ‘Atang’ de la Rama as their most
celebrated leading actress
•The first sinakulo or passion play was written
in 1704 by Gaspar Aquino de Belen. Its
narrative was culled entirely from the biblical
account of christ’s passion and death on the
cross.
•The sinakulo was tweak to convey Christ’s
suffering as a methaphor for the suffering
of Filipinos under Spanish colonial rule.
•Two local theater forms that were
greatly influenced by Catholicism were
moro-moro- or komedya. The word
‘moro’