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Polly - Leonard Cohen (1956-1961) - Around The World in 80 Short Stories
Polly - Leonard Cohen (1956-1961) - Around The World in 80 Short Stories
I wa i t e d u n t i l I wa s c e r ta i n P o l ly w o u l d b e h o m e
from school and then I ran up my street toward her house. When I reached her
driveway, I could already hear her wooden flute. I could have stayed there and
listened to all the music I wanted to, but I walked into her backyard. She was
seated deep in a large garden chair, her head back, her eyes closed, and the
instrument held high and lightly against her lips. I listened for another moment
until she heard me. She opened her eyes and stopped playing, but she didn’t
remove the wooden flute from her lips.
“It’s not a wooden flute,” she said, with great contempt, “it’s a recorder. Can’t
you remember that? Recorder. I’ve never even heard of a wooden flute.”
“I could have stayed in the driveway without you ever knowing and listened to
you play,” I told her, hoping to impress her with my honesty.
“Well, you know what you have to do if you want to come around here.”
Polly always spoke to me that way, as if she didn’t like me and I bothered her.
But I knew that I was practically her only friend. When we went to grade school,
we always walked home together. She was three grades ahead of me, and now
she attended the junior high and she always walked home alone. She dropped
the instrument into her lap and tapped it with her fingers as she spoke.
“Let’s see. What’ll I make you do today for your song? What did I make you do
yesterday?”
“I had to find out how many somersaults could be done from one end of the
lawn to the other.”
“You forget! Do you think I set these tasks for nothing? You just better find out
again how many there were.”
“Eighteen.”
“That’s what you said in the first place,” she reminded me.
“That was yesterday’s. You still got to do today’s. And I haven’t decided what
today’s will be yet.”
“Please decide, Polly,” I said solemnly, wondering if the music was worth the
humiliation after all.
And she folded her arms on her chest. I remember seeing a cluster of dandelions
when I had kneeled beside the garage. I picked 7 there. Across the fence, I saw
some yellow flowers among the bushes, but I discovered that they were
chrysanthemums.
The sky was getting dark. I knew that soon I could be called for dinner.
Polly didn’t even answer. I took a shortcut across a few fences to the field beside
the Layton’s. Sheila, a girl in my class, was playing there by herself.
Sheila was unsatisfied with my answer, but she ran off and returned with a
handful of the precious blossoms.
I was halfway back to Polly’s when I remembered the red string. I raced to my
own house where I knew there was some on the kitchen table.
“No, no,” I spluttered, “but I’ll get you a bouquet soon, I will.
“That’s alright. What do you want? A glass to put them in?”
“Just a piece of red string to tie them up with,” I said, getting what I wanted from
the kitchen drawer.
Centre position so that she couldn’t see me. I lay on my back, looking up at the
darkening sky. Then the music began. Sky, leaves, garage, grass, everything
seemed to lean on us as if the music were thin powerful wire, pulling everything
together. I closed my eyes. Polly played the song through a few times and then
started to play her own song. She entered into her own tune, so softly that I
hardly realised she was no longer playing Greensleeves. Yes, the somersaults and
flowers meant nothing, and Polly was right and asking for them. No, I just
couldn’t sit by her anytime and have her play for me. Some gift had to be made.
Raindrops fell on my face, but I waited until I could feel them through my shirt
before opening my eyes. Polly stopped playing and looked at me as if I were
responsible for the rain.
Polly got up and opened the small garage door and disappeared inside without
motioning me to follow. I heard the music start again. Lady Greensleeves. I
entered and closed the small door behind me it was very dark and smelled of oil
and last years leaves, some of which I crushed under foot. I could barely make
out Polly, who was sitting on some old crates and leaning against the damn wall.
I sat down a few feet from her period the music was much louder in the garage.
It filled up the stone room like a flood. I could hear nothing but the song and the
rain against the small high windows of the sliding door. After a very few
minutes, she stopped playing and announced that I’d better go home now
because she was putting the recorder away and because she had enough of me
anyway. I opened the door for her and we both went out into the yard. It was
raining very lightly. She put the instrument under her blouse to protect it.
“Will the rain hurt it?” I asked, trying to show interest and gratitude.
“’Will the rain hurt it, will the rain hurt it?’” she mocked.
“What do you think the rain will do? Help it? Turn it into gold?”
“I guess not,” I said, and she began to mount the stairs into her house.
“I didn’t promise, but I’ll tell you anyhow,” I said, happy to recount the
experience. “It was so Polly would play the wooden flute to me.” and I told her
about the dandelions and the rain in the garage.
“Well, if that’s the way she treats people, it’s no wonder she doesn’t have any
friends.” Still, Sheila was interested and she asked if maybe she couldn’t come
along one afternoon.
“We can try tomorrow,” I said, immediately sorry for my words because I knew
it wasn’t a thing that should be shared. Besides, I thought that Polly would be
angry.
“I hope you didn’t bring her here for me to entertain the both of you. I’m not an
organ-grinder. You alone are bad enough,” she said to me, ignoring Sheila
altogether.
But I could see that Polly was actually flattered that I had brought her another
spectator. I wondered what she would make the both of us do.
“Do you like music, Sheila?” Polly asked, lightly prodding her in the stomach
with the instrument.
“You mean about the somersaults and the dandelions? Yes, he told me. I helped
him pick some of them.”
She leaned towards me. “You little cheat. You didn’t tell me anybody helped
you.” I said that I didn’t think it mattered. “Of course, it matters, you’re just a
cheat. Well, you’re not going to getaway with anything this time if you want to
hear me play.”
“what do you want us to do?” I said, looking at Sheila Kama who I thought,
must be sorry she had come in the first place.
“Let me see,” Polly said Carmen sinking back into her chair and looking at the
two of us.
Sheila handed it to her period Polly got up and tide one end around my waist
and the other end around Sheila’s waist so that we were bound about a foot from
one another. We were both too curious to protest.
“Now just wait a second,” Polly said, and ran up the stairs into her house. She
returned with some newspaper which she began to roll up. “Have you a
handkerchief?” she asked me.
I assured her that nothing bad would happen and she submitted. The fact is we
were both fascinated by the whole ritual.
“Now the idea is,” Polly said, placing A roll of newspaper in each of Sheila’s
hands, “the idea is that when I start blowing, you start bashing him with the
newspaper and you don’t stop until I stop blowing.” And she said to me, “You
must keep your hands in your pockets.”
I watched Polly. She looked at me as she removed the mouthpiece from the
instrument and put it into her lips. She blew hard and it sounded high and harsh.
Sheila brought one row lightly down on my shoulder. Police stepped very close
to Sheila and blew the mouthpiece right beside her ear. She began to squeal and
rain blows down on my head and shoulders. Polly never took her eyes off me
during the whole thing. Then the whistle stopped, but Sheila didn’t, and I had to
catch hold of both her hands. I seemed to be the only one at all upset. Sheila was
grinning, and Polly seemed satisfied.
“So you told her about that too? You don’t know anything about secrets, do
you?” Polly strode to the garage door and pushed it open. “All right, you two.
Get in, if you want to.”
We followed her, and I closed the door behind us. There was the same damp
autumn smell in it brought back to me the afternoon two days past. I could
hardly wait for the music to begin. I wondered if it would be the same with
Sheila there. Polly took her old seat and Sheila and I settled ourselves a little
distance away. The music began and soon it filled the whole garage,
overwhelming me. It called into our stone room the vast night from the other
side of the world. I reached for sheila’s hand. As soon as my fingers touched
hers, she took my hand between both her hands and pressed it against her
mouth. Then she leaned against my shoulder and kissed my cheek. I wanted to
join my voice with the flutes. I held her close against me. I knew no afternoon we
j y g
would ever spend would be as beautiful as this. In the week that followed we
visited Polly almost everyday. And everyday we submitted ourselves to the
humiliations Polly had prepared. Soon, I hardly knew whether I came for the
music or the secret embrace which the music and the darkness allowed. There
was number such division on sheila’s mind.
“Why do we want to put up with all her nonsense for?” she said. “We could meet
without her, in your garage or mine?”
But I wasn’t at already to give up the music and Sheila knew it was no use
arguing with me. So, we continue to visit Polly, always careful to show her the
greatest respect. She suspected nothing. She thrived on us. She never spoke
except to give us a command or call us down. Although she knew nothing of our
movements in the dark she seemed to sense how much we needed her, or at any
rate how much I needed her. Arrogant as she became, I was ready to do
whatever she will. One afternoon, or tasked involved finding a broken yoyo
which Polly had hidden at the bottom of one of the garbage cans underneath her
back steps. Sheila refused to assist me as I removed each soaked, smelling
package. Polly didn’t seem to mind. I had to turn away from the search several
times to prevent myself from retching. I finally found the toy.
Sheila was disgusted with me and I felt terribly degraded myself. I didn’t know
what to say.
“You’d better wash your hands before we begin,” Polly ordered me.
When I returned, we took our places in the garage. Polly began her music and
when I felt that she was caught up with it and knew that her eyes were closed
and her heart part of the sound, I drew Sheila towards me. And with the damp
bricks ringing, the oil glistening and dark rainbows and the leaves softly
splintering under my tapping shoe we loved with all our eleven-year-old
passion. Sheila was not so affected by the atmosphere. I was her real interest, and
this afternoon, she was bolder than she had ever been. She began to tickle me in
the ribs.
“’Careful, careful,’” she mocked, brushing my cheek with her lips. Then she
kissed me loudly on my nose.
And then suddenly, we were both of us laughing out loud, unable to contain
ourselves, exhilarated by our impudence. the music stopped abruptly. Polly ran
across the garage and switched on an electric light I had never noticed. Sheila
and I were still in each others arms. In a second, Polly understood the deception
we had practised on her the past week, how we had used her to excuse our
embraces and why we had so cunningly endured her insults. And in her deep
humiliation and pain with both hands she pressed the flute across her eyes and
sank into a sitting position in the oil and dirt on the floor of the garage, her body
trembling.
“You two. You two,” was all she could manage.
“Oh, Polly,” I began, kneeling beside her, not knowing what to say. “Start again,
please start again. This time we’ll really listen, won’t we, Sheila?”
Sheila walked to the door of the garage and opened it. With one hand, Polly
pushed me away using as much strength as she could muster. I followed Sheila
out of the garage.
“No wonder she has no friends,” Sheila said, as she walked down the street. “No
wonder she has to walk home alone.”
But I was not prepared to discuss the awful thing that had just happened and
after I had made an appointment to meet her the next day after school, I walked
home for dinner. Sheila and I met in my garage, as we had planned the day
before. She had arrived before me and had arranged dome boxes for us to sit on.
I sat down, and she put her head against my shoulder and squeezed my hand.
It seemed so pointless, the two of us sitting there in that half-lit garage, our
slightest movements and whispers echoing the silence back to us that I could
hardly sit still.
“Course I like you. It’s just that I can’t stay, that’s all. I have to do something for
my mother. We’re having company and I have to go downtown and pick up
some flowers for the tables,” I lied.
And I fled from the garage, leaving Sheila pouting in the darkness. As I walked
up the street, I wondered what I would say to Polly, and what she would say to
me. I lingered for a few minutes in the driveway, listening to the music, then I
walked to the backyard. She was sitting as usual in the wooden chair. She looked
up at me and continued playing. I sat down on the grass, not far from her. When
she had finished her song, she said, “You know, I had to remove all the garbage
and then put it back to hide the yoyo in the first place.”
She didn’t answer. She got up from the chair and stood behind me. I didn’t know
what she was going to do. She kneeled down behind me, put her arms over my
shoulders and held the wooden flute before me. The sun on the varnish made it
look like gold.