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To interview him was to be stunned by how similar his verbal expression was to tenor lines that
seemed to begin mid-sentence and stop in equally unexpected places. And as someone else above has
mentioned, there were elements of Coltrane's last group, particularly in the rhythmic language and
Brian Blade's drumming - similar to Rashied Ali's - both weightless and intense, concerned more (or
just as much) with implying the pulse through duration rather than metre. Videos Help others learn
more about this product by uploading a video. Quartet In 2000, Shorter formed the first permanent
acoustic group under his name, a quartet with pianist Danilo Perez, bassist John Patitucci, and
drummer Brian Blade, playing his own compositions, many of them reworkings of tunes going back
to the 1960s. He composed extensively for Davis (e.g. “Prince of Darkness”, “E.S.P.”, “Footprints”,
“Sanctuary”, “Nefertiti”, and many others); on some albums, he provided half of the compositions.
Jerome Klinkowitz’s 1991 Listen: Gerry Mulligan is a useful reference but Jeru’s Journey by Sanford
Josephson published in 2015 is a disappointing attempt at a biography revealing little that is new. I
do love the book and appreciate the time and effort that you've put into it. Wayne Shorter has been
one of the absolutely seminal leaders of the jazz world for over fifty remarkable and often brilliant
years. Cerra's book is not the only one on Mulligan: Sanford Josephson's biography, JERU'S
JOURNEY: THE LIFE AND MUSIC OF GERRY MULLIGAN, appeared in 2015, and two oral
histories appeared earlier. In the biography Footprints: The Life and Work of Wayne Shorter,
journalist Michelle Mercer examined the group as well as Shorter's Buddhist influence in his music.
The book is a reader, and its seven discrete chapters cover specific periods in the musician’s musical
life, each chapter presenting selections from essays, articles, interviews and liner notes by various
hands and providing insights into Mulligan’s unique style, contributions and impact on the jazz
genre. Mulligan died on January 20, 1996, at what would be considered a still youthful 68. Great
breakdown around 4:45 as the sax solo continues. In 1964 Davis persuaded Shorter to leave Blakey
and join his quintet alongside Herbie Hancock, Ron Carter and Tony Williams. Davis’s so-called
Second Great Quintet (to distinguish it from the quintet with Coltrane) that included Hancock and
Shorter has frequently been cited by musicians and critics as one of the most influential groups in
the history of jazz, and Shorter’s compositions are a primary reason. Credit: Daniel Boud Also a
painter, Shorter preferred the interaction that music offered, and after his discharge from the army,
he practised tenor saxophone side by side with John Coltrane, before gaining notice in the big band
of flashy trumpeter Maynard Ferguson, where he met his future Weather Report co-founder, pianist
Joe Zawinul. After his discharge, he played with Maynard Ferguson. He stayed with Blakey for five
years, and eventually became the band’s musical director. When performing live with Davis, and on
recordings from summer 1969 to early spring 1970, he played both soprano and tenor saxophones; by
the early 1970s, however, he chiefly played soprano. There is a concert video recorded at the Lugano
Jazz Festival in 1987, with Jim Beard, keyboards, Carl James, bass, Terri Lyne Carrington, drums,
and Marilyn Mazur, percussion. Other pluses: Well recorded by Van Gelder, Lee Morgan!, and
Wynton Kelly, Paul Chambers, and Jimmy Cobb. At first, I was disconcerted that the book lacked an
index (possibly a financial decision) but rambling through its pages, I have welcomed the opportunity
to find surprises without arrows pointing to them. And no wonder. PC is spot on - for those of us
who have followed Wayne over the years, this was absolutely spellbinding, mesmerising, and played
at such a level of intensity time flew by. This is not like the Wayne Shorter records of the 1960's on
Blue Note where Wayne came into his own as a first rate jazz composer. Hekselman on guitar is
joined for this tune by his ZuperOctave trio, with Aaron Parks on keys and Kush Abadey on drums.
Tri-C offers both credit and non-credit courses as well as certificate programs in most career fields.
Their nifty time signatures would fuse any computer. Footprints Live! streams on Apple Music and
Spotify; on disc from Birdland Records Save Log in, register or subscribe to save articles for later.
Of course there are thousands of hours of Gerry on record and film to savor. We don't know when or
if this item will be back in stock. Simply enter your email address in the box below View previous
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Wayne was one of the few people who brought music to Miles that didn’t get changed.”. If I could I
have followed a theme, an occasional melody, a tune or even a rhythm perhaps then I would have
enjoyed it more. New Student Returning Transfer Visiting International College Credit Plus Non-
Credit All Student Types. They released an album titled 8:30, which won Shorter his first Grammy
for best jazz fusion performance. In 2016, Shorter was awarded a Guggenheim Fellowship in the
field of music composition, the only jazz artist to receive the honor that year. I want to feel
something special and quite frankly I was left cold. In the '60s, he joined the Miles Davis Quintet
alongside the late Davis, bassist Ron Carter, drummer Tony Williams and pianist Hancock. Herbie
Hancock’s 15 Greatest Hits ? 20 Most Famous Duke Ellington Songs. In 2015, the formidable 81-
year-old joined the Jazz at Lincoln Center Orchestra with Wynton Marsalis onstage for three
unforgettable nights; the result is The Music of Wayne Shorter, out Jan. 31 on CD and digital
formats. Although he's 78, last night’s sold-out concert was all new material, to me anyway, except
for what sounded like a version of “Atlantis” as an encore and a quote from Coltrane’s “A Love
Supreme”. Angelika Beener: A Confluence of Music, Writing, and Activism. He eventually left the
music scene in 1970 to pursue work in other fields. Shorter and his band has set a very high
benchmark for other contemporary jazz or other improvised music to live up to. We have to be
fearless, courageous, and draw upon wisdom that we think we don't have.” Wayne Shorter. The
concert last night at the Barbican was an unengaging, intellectually stifling melange of cold, self-
absorbed workouts, lacking any kind of soul, drive and - above all - engagement. This fact is
reflected in the compelling written material sourced by Cerra, which comprises the book’s first three
chapters and represents over two-thirds of the book’s pages. Angelika Beener: A Confluence of
Music, Writing, and Activism Most Popular Content. Had there been a jazz festival with Leon
Roppolo and Ornette Coleman on sequential stages, Gerry would have sat in with both of them and
made everyone feel at home with his presence. The band produce many high-quality recordings in
diverse styles, with funk, bebop, Latin jazz, ethnic music, and futurism being the most prevalent
denominators. Loading Shorter has always exploited space as a place into which he'd toss laconic
little motifs that he poked and pulled until he'd exhausted all their possibilities. Simon, Ira Gitler,
Michael Cuscuna, Jack Gordon, Nat Hentoff and Leonard Feather, among others. It’s the kind of
book that you dare not open unless you’ve got time to spare because it’s impossible to stop flipping
through and getting ambushed by pieces you never expected. Easy tunes? No, Shorter could not be
shorter on that. Wallace’s TV interviews were popular partly because of his prosecutorial style.
Throughout a nearly 50-year career (this month marks the baritone saxophonist’s 28-year
deathaversary), Mulligan was at the inflection point of many changes in jazz. This starts with some
intertwined lines from what sounds like a Rhodes piano and Hekselman’s guitar before some slow
drums come in. Cool delay on the flute just after 1:00 and then at 1:10 the drums change as the
woodwinds continue with the melody from the original and the guitar adds some subtle chords. Save
articles for later Add articles to your saved list and come back to them any time. The book artfully
brings together a large and varied selection of pieces written about the baritone saxophonist,
composer and arranger. In 1944, at the age of 17, he started out in big bands and his musical career
from then until the early ’70s represents his most productive and innovative period.
The author is not responsible for the accuracy of information supplied by third-party sources. One of
the most charming aspects of Mulligan is that he understood, and loved, the whole history of the
music. The Wayne Shorter Quartet at the Sydney Opera House. Is this accidental, or by design?”
Actually, it was the first time in years that, by happenstance, there were no black musicians in Gerry’s
quartet, but any short answer to that question would have sounded lame. As such, it is not only a
shifting multi-layered portrait of Mulligan, person and artist, it is also a cross-section of journalistic
and essayistic jazz history. After his discharge, he played with Maynard Ferguson. Which it why it
only got 4 stars (do we like the stars by the way - or are they naff?). Fleeting seconds of Wayne's
tones and moods floated occasionally above the virtuoso cacophony. I hope it gets the attention and
readership it deserves. Much preferred Sonny Rollins recent foray to the same venue. For some, he
would have been slightly behind Ellington's majestic Harry Carney; for others, he would have
outstripped Carney as an innovator and creative thinker. He then went on to graduate from New
York University in 1956 and served in the U.S. Army for a two-year stint. Nobody can doubt the
excellence of the technicians but I don't like paying to see four guys feel awfully pleased with their
technique. Yet what emanates from the saxophone is the most assured and compelling art of his
career, as if approaching the vanishing point that is the silence that surrounds all music, and lies at its
core. For this tune, Fischer is joined by frequent collaborator Sly5thAve on flute, sax, and clarinet,
and by Clint Yerkes on trumpet and flugelhorn. He next joined the Miles Davis Quintet, becoming
what that bandleader referred to as the ensemble’s “intellectual musical catalyst” before co-founding
the pioneering group Weather Report. The book artfully brings together a large and varied selection
of pieces written about the baritone saxophonist, composer and arranger. He first rose to prominence
in the late '50s as the primary composer for Art Blakey's Jazz Messengers. Reading about Steve Jobs
this week and his abilities, according to co-workers, to create a “Reality Distortion Field” where his
audience would be convinced of what he was saying, however outlandish, Shorter used to have a
similar, more dominating, charismatic presence than was in evidence last night. The concert last night
at the Barbican was an unengaging, intellectually stifling melange of cold, self-absorbed workouts,
lacking any kind of soul, drive and - above all - engagement. It is modern, abstract art, created right
in front of you, and it is beautiful. As I was saying earlier, it is another blowing session, but it is
really very good. He asked questions that had been prepared by his staff, and Gerry answered frankly
about his career, his experiences with drugs and the law, and other aspects of his life. JuJu and Speak
No Evil are well known recordings from this era. Although he's 78, last night’s sold-out concert was
all new material, to me anyway, except for what sounded like a version of “Atlantis” as an encore
and a quote from Coltrane’s “A Love Supreme”. In the 1960s, he went on to join Miles Davis’s
Second Great Quintet, and from there he co-founded the jazz fusion band Weather Report. With
music by Wayne Shorter and a libretto by esperanza spalding, Iphigenia is not an adaptation of the
Greek myth as much as it is an intervention into myth-making itself, and an intervention into opera
as we know it. Wallace’s TV interviews were popular partly because of his prosecutorial style. In the
'70s he joined keyboardist Joe Zawinul and co-founded Weather Report, which became one of the
most renowned jazz groups of the decade. When the definitive Gerry Mulligan biography is finally
written, Steven Cerra’s book will be an essential source.