2

Hark, I Hear the Harps Eternal (

Hark, I Hear the Harps Resounding
TTBB, a cappella

Attr. F. R. Warren Craig Camahan

Rhythmically, somewhat detached (J = ca. 96)

mf
Tenor 1
) — \._

Hark, I hear the harps e ter - nal ring ing-

Hark, I hear the harps re - sound - ing! “Christ is

mf
Tenor 2 i. I I .‘ I
Z • I.- - —. . I—.
‘-.—--- C)
I
—

Hark, I hear the harps e - ter - nal ring ing-

Hark, I hear the harps re - sound - ing! “Christ is -

mf
Bass I J’65 I I II I I I It- F-’ I
Hark, I hear the harps e - ter - nal ring ing-

Hark, I hear the harps re - sound - ing! “Christ is

mJ
*1 ( — I — I_
Bass 2
I I I I
.—

I I I
Hark, I hear the harps e - ter - nal ring ing-

Hark, I hear the harps re - sound - ing! “Christ is

/I,5i I I I L) I L I I
-----

Keyboard (1or rehearsal only,)

—7’- 1 1C A A r r; — —
I I I

Texts: “Hark! I Hear the Harps Eternal,” attributed F. R. Warren (PD). Also incorporating “Comfort, Comfort Now My
People,” Johann G. Olearius, 1653-1711, translated Catherine Winkworth, I $29- 187$, alt. (PD); and “Come, Thou
Long-Expected Jesus,” Charles Wesley, 1707-1788 (PD).
Tune: INVITATION, from The Southern Harmony, 1854, William Walker (PD).
Music: Newly composed, and copyright © 2012 with this publication.
Copyright © 2012 Bimamwood Publications (ASCAP)
A division of MomingStar Music Publishers, Inc., St. Louis, MO
C
All rights reserved. Printed in U.S.A. www.MomingStarMusic.com
Reproducing this publication in any form is prohibited by law without the permission of the publisher.
 3

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on the far ther__
- shore, As I near those swoll - en
near,” we hear them_ say. “cast a - side the______ work of

on the far ther__

- shore, As I near those swoll - en
new;” we hear them_ say. “cast a - side the______ work of

on the far ther

- shore, As I near those swoll - en
neai;” we hear them say. “Cast a - side the work of

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on the far ther
- shore, As I near those swoll - en
nea;;” we hear them say. “Cast a - side the work of

F 2_

J H t -

wa - ters with their deep and sol emn_ roar.

Al 1 e 1u ;a,_ a1 1e
-

dark - ness, alt you chit dren- of the— day.” - - - - -

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wa - ters with their deep and sol emn_ roar.
Al le-lu ia,
-

dark - ness, all you chit dren- of the— day.” - -

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wa ters with their deep and sol emn roar.

Al le-lu ia
- -

dark - ness, alt you chit dren- of the day. - -

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wa - ters with their deep and sol enm roar.
Al-le-lu-ia
-

dark - ness, alt you chil dren- of the day.

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saint ly, to that land of per fect_

- rest; and I
Je -
-

sus, born to set thy peo pie_

- free, from our

saint ly, to that land of per feet,

- per - feet rest; and I
Je -
-

sus, born to set thy peo pie,

- set us free, from our

F F F F i
saint ly, to that land of per feet,
- per - feet rest; and I
Je -
-

sus, born to set thy peo pie,

- set us free; fivm our

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saint ly, to that land of per feet
- rest; and I
Je -
-

sus, born to set tkv peo pie - free, from ottr

P P r r P
aa C
F F
hear them sing - ing faint ly in the man - sions of the
hope in
-

fears and pain re - tease__ us; let us find our

F F F F
hear them sing - ing faint ly in the man - sions of the
hope in
-

fears and pain re - lease us; let us find our

FFH F FF F
hear them sing - ing faint ly in the man - sions of the
hope in
-

fears and pain re - lease us; let us find our

them sing ing faint ly in the man sions of the

hear -
-

hope in
-

fears and pain re - tease us; let us find our

P P if P P if F

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3.
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