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Critical Analysis
I. Introduction
a. The work being criticized
i. Title of selection: Fifty Shades of Grey
ii. Author: E. L. James (Erika Mitchell)
iii. Genre: Fiction, Erotic Romance, Love
iv. Setting: Seattle and the surrounding region of the Pacific Northwest, in May and
June 2011.
v. Historical context: The original version of Fifty Shades of Grey, as well as the
sequels, was based on a Twilight fanfiction series called Master of the Universe,
which was written by James under the username "Showqueens Icedragon" and
released in episodes on fan-fiction websites. However, James pulled the tale from
the websites and posted it on her website, FiftyShades.com, after people voiced
their worries over the narrative's sexual undertones. Anastacia Steele and
Christian Grey were given new names by James when he subsequently rewrote
Master of the Universe as an original work.
vi. Characters:
Protagonist
Anastasia "Ana" Steele, a 21-year-old English Literature student
attending Washington State University.
Christian Grey, a 27-year-old billionaire, entrepreneur, and CEO
of Grey Enterprises Holdings Inc.
Antagonist
Christian’s obsession with dominance and his refusal to engage
in emotional intimacy.
Other characters
Katherine "Kate" Kavanagh, Anastasia's best friend/roommate
who begins a relationship with Christian's older brother, Elliot
Grey.
Carla Wilks, Anastasia's mother.
Dr. Grace Trevelyan-Grey, Christian Grey's adoptive mother.
Jose Rodriguez, one of Anastasia's close friends.
Elliot Grey, Christian's adopted older brother.
Mia Grey, Christian's adopted younger sister.
Jason Taylor, Christian's bodyguard and head of his security.
Ray Steele, Anastasia's father.
Carrick Grey, Christian's adoptive father.
Bob Adams, Anastasia's stepfather.
Paul Clayton, the brother of the owner of Clayton's Hardware
Store.
Andrea, Christian's assistant
vii. Tone
The story uses a tense tone for the most part as Ana constantly finds
herself intense situations with Christian. Though the novel features
moments of excitement, the mood throughout a large portion of the
story is sensual and tense.
viii. Point of view
Fifty Shades of Grey’ employs the first-person perspective as Anja serves
as the narrator.
ix. Figurative Language
Simile
"He comes bounding into the shop like a gamboling dark-eyed
puppy" (pg. 182)
"His voice is warm and husky like dark melted chocolate fudge
caramel" (pg. 25)
"I am quaking like a leaf" (pg. 111)
Metaphor
"His words are like some kind of incendiary device; my blood
flames"
"The more girly I look perhaps the safer I'll be from Bluebeard"
(pg. 126)
Foreshadowing
One day, Christian Grey appears at the hardware store where
Anastasia Steele works, and buys cable ties, tape, rope, and two
overalls. His purchases are a part of the foreshadowing, where
the author hints at the fact that Christian is fond of BDSM.
Irony
Christian's Discovery of Ana's Virginity (Dramatic Irony)
When Christian presents Ana with a lengthy list of sexual
acts and asks her to identify which ones she is
comfortable with. Readers are aware that Ana doesn't
yet know what she likes, but Christian is not aware of
this. He assumes she is much more worldly and
experienced than she actually is.
Christian's Gift of Tess of the D'Urbervilles (Situational Irony)
Early on in their relationship, Christian buys Ana an
expensive gift: a first edition of the Thomas Hardy
novel Tess of the D'Urbervilles. The gift is ironic if
someone is familiar with the plot of Hardy's novel. In that
story, Tess is seduced and eventually raped by a wealthy
and powerful man. As a result of that event, a series of
tragic events unfold, ending in her death. Ana sees the
gift as a romantic gesture, which, on the surface, it is.
However, there is also an ironic warning which she
refuses to see. The novel should make Ana more aware
of the dark potential of pursuing a relationship with
Christian, but instead she simply interprets it as a
thoughtful gift.
Christian's Initiation into BDSM (Situational Irony)
Ana assumes that because of Christian's strong and
domineering personality, he has always been a
dominant. Ironically, Christian actually began by acting as
a submissive to Mrs. Robinson. This event runs counter
to what a reader has been expecting based on the
information and based on how he treats Ana. The fact
that Christian has been a submissive in the past is ironic
given that he finds it almost impossible to understand
why Ana is sometimes frightened and overwhelmed. It
makes him more likely to assume that she can cope with
whatever he gives to her.
Ana's Final Surrender (Situational Irony)
At the end of the novel, Ana asks Christian to show her
the worst pain he is capable of inflicting. She hopes that
this experience will make her less afraid of him, because
she will have seen the worst that could happen.
Ironically, the outcome is the exact opposite: Ana ends
up horrified and repulsed by the pain Christian inflicts.
She thought she wanted to see the full truth of what he
is capable of, but this knowledge rips them apart rather
than brings them together.
Imagery
Christian’s Office
The imagery of Christian's office hints at his personality
and character. Just like the space, he is visually striking
and unforgettable. At the same time, he is cold and
opaque, and it is challenging to get a sense of who he
actually is.
Red Room
The imagery of the red room gives an impression of both
pleasure and a sense of sinister foreboding. Red is
traditionally the color of passion, but also pain and
suffering. The vivid imagery with which the room is
described reflects Ana's intense emotional reaction
when she enters the space. It also prefaces the intense
sensations of both pleasure and pain which she will
experience within this space.
Christian and Ana's Dinner
The imagery is used to convey how intense the attraction
is between the two: whenever she is around him, all of
Ana's senses are heightened, and she feels everything
more acutely. The dinner is a moment when Ana tests
the limits of her power by deliberately teasing Christian,
and then refusing to spend the night with him. The
imagery conveys the tension and desire that both of
them are experiencing.
Christian and Ana's Lovemaking
Throughout the novel, Christian and Ana's sexual
encounters are described using vivid imagery. Fifty
Shades is a blatantly erotic novel which is designed to
stimulate a reader's arousal, and the use of imagery is
what allows this to happen.
b. Despite the fact that the story is presented as erotic love story, I do believe that this story
has nothing to do with love at all, my hypothesis is Christian Grey and a cult recruiter are
using the same method in order to catch their prey.
c. In order to prove my hypothesis, I will going to compare the Actions of Christian Grey in
the novel to the steps of indoctrination that cult use in order to gather members.
II. Short summary of the work
a. Exposition
i. In Washington, the shy and naive English literature college student Anastasia
“Ana” Steele lives with her best friend Katherine who writes for their college’s
student paper. Due to illness, Katherine asks Ana to take her place and interview
with a rich entrepreneur named Christian Grey.
b. Rising action
i. The next day Ana, Katherine, and Jose go to see Mr. Grey; after the photoshoot,
Mr. Grey asks Ana out for a date. They go for coffee and Mr. Grey asks about her
family and if she is dating. They hit it off, but Ana believes that she is not good
enough for Mr. Grey, despite her friends’ encouragement.
After her finals, Ana receives a mysterious package from Mr. Gray containing Tess
of the d’Urbervilles. Later that night Ana drunk dials Mr. Grey, who promptly
informs her that he is going to pick her up. Her friend, Jose, attempts to kiss her
but is stopped by Mr. Grey’s arrival.
c. Climax
i. Anastasia goes on another date with Mr. Grey where he takes her in his
penthouse using his private helicopter. Once there, Grey asks her to sign a non-
disclosure, which she agrees to sign. He then takes her to a room of BDSM toys
and gear. Mr. Grey asks her for a contract which entails a dominance and
submission clause; that will be a purely sexual relationship with no emotional
involvement. Then they have sex and Mr. Grey takes Ana’s virginity.
Ana receives several packages from Mr. Grey over the next couple of days. Such
gifts include a laptop and a detailed version of the dominant/submissive contract.
They exchange several emailing, flirting, and teasing each other about their new
arrangement.
d. Ending
i. Christian surprises Ana by showing up in Georgia, and they spend the night and
following day together. While in Georgia, Ana learns she got a job at Seattle
Independent Publishing. Christian has his driver Taylor pick up Ana from the
airport when she lands back in Seattle. Ana remains uncertain about whether she
should stay in a relationship based on control and power when she wants genuine
intimacy and closeness. Ana tells Christian she wants to know how bad the
physical pain can get, and Christian hits her with his belt six times. She
understands she can never be who he needs, and he will never be who she needs.
Realizing the relationship is over, she cries as Taylor drives her home.
III. Argument
a. The audience saw this novel as a romantic novel that tells a Cinderella story of how an
ordinary girl manage to be with a good-looking 27 year old billionaire. However Christian
Grey, despite being a successful businessman owning expensive cars, a helicopter, and a
million-dollar penthouses implements a pattern of behavior that is beyond bad.
Throughout the movie, Christian engages in what’s known as “Thought Reform” or most
commonly known as indoctrination in order to seduce Anastasia Steele, he follows the
exact steps that cults are using to brainwash innocent people to join their group and
perform acts that are normally impossible for them to do such as killing other innocent
people or children as sacrifice for their God, taking their own life by drinking poison and
many other unthinkable acts, the only difference is Christian Grey do not want to see
Anastasia ending her own life, what he want is for her to be submissive to his every whim
in and out of bed.
With all of these as my evidence to support my claim, I can safely say that all evidence
that can find in the novel clearly pointed to how the actions Christian Gray is similar to
how a cult recruits its members, all of the eight step of indoctrination is followed by
Christian from start to finish and can be seen clearly in the novel as I laid out the specific
lines and events happened in the novel. Additionally, I can safely state that in the novel
fifty shades of Grey, Christian didn’t display any emotions resembling love towards
Anastasia Steele. The love and affection that the majority of the audience saw between
Christian and Anastasia is nothing but an illusion created by misunderstanding the novel
itself, even Anastasia stated this in chapter 24, page 472 that “The BDSM is a distraction
from the real issue. The sex is amazing, he's wealthy, he's beautiful, but all that is
meaningless without his love and the real heart-fail is that I don't know if he's capable of
love. He doesn't even love himself”.
IV. Conclusion
a. At the end of the day, all of the things that I write in this critique paper is my own opinion
and understanding of the material, I cannot force anyone to believe all the things that I
have written, but still, as a reader, I can’t help but notice all the similarities of Christian’s
action to those of how the cult recruit their members. As I examine the material, I can’t
deny the similarities and I can’t also deny that maybe, it’s all just a coincidence, that all of
his action in the novel when it comes to how he approach Anastasia is similar to that of a
cult. The interpretation of any literary piece are and will always be based on the audience
who reads the material and having more than one interpretation are unavoidable.