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An Intro To Oud Fundamentals
An Intro To Oud Fundamentals
Tuning system:
• There are several tunings available for the oud depending on the needs of the song/player. We’re going to
• 4 maqams have quarter notes (Bayati, Saba, Rast, Sika) and 4 don’t (A’agam, Nahawand, Hijaz, Kord).
• 8 primary maqams in Arabic music; lots of branches. The maqams can di er slightly when played
ascending vs descending.
• Every maqam (and branch) evokes in the listener a di erent feeling; subjective
• Three maqams typically start from C (their root note is C): A’agam, Nahawand, and Rast
• Four maqams typically start from D (root note is D): Bayati, Saba, Hijaz, and Kord (di erent than
“chord”)
• One maqam typically starts from E half at (root note is E half at): Sika
Maqams:
• Nahawand (harmonic minor): dark, gloomy, and intimately sad, like a breakup song, typically starts from C
◦ Ascending: C - D - E at - F - G - A at - B (natural) - C
◦ Descending: C - B ( at) - A at - G - F - E at - D - C
• A’agam (major): happy, upbeat, bright, celebratory (“happy birthday” is a popular example), starts from C
◦ C-D-E-F-G-A-B-C
• Bayati: one of the most popular maqams (sounds very Arabic), many popular church songs use it
◦ D - E half at - F - G - A - B at - C - D
• Sika: evokes the feeling of euphoria (or tarab) in Arabic music - nostalgic feeling - unusual start: E half at
• Hijaz: pop example is “Arabian nights” from Aladdin, starts from D, evokes mystery and adventure
◦ D - E at - F sharp - G - A - B at - C - D
◦ Descending: C - B at - A - G - F - E half at - D - C
• Kord: often used in romantic songs, evokes feelings of intimacy, warmth and closeness (no quarters)
◦ D - E at - F - G - A - B at - C - D
How to sit and how to hold the oud: See photo