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Writing a thesis on the theme of good versus evil in Dracula can be challenging due to the

complexity of the characters and the intricacies of their moral dilemmas. This topic requires a deep
understanding of the novel's narrative structure, historical context, and the psychological motivations
of its characters.

Exploring the dualities of good and evil in Dracula involves analyzing how the characters embody
these concepts and how their actions contribute to the overarching theme of the novel. This requires
extensive research, critical thinking, and the ability to articulate complex ideas in a coherent and
persuasive manner.

Additionally, crafting a thesis that offers a fresh perspective or contributes new insights to the
existing scholarship on Dracula requires creativity and originality. It involves synthesizing existing
research with your own analysis to present a compelling argument that adds value to the academic
discourse.

Given the complexity and depth of this topic, it can be beneficial to seek assistance from
professional writers and researchers. ⇒ HelpWriting.net ⇔ offers expert thesis writing services that
can help you navigate the challenges of writing a thesis on Dracula's good versus evil theme. Their
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Although dreams and hypnotism play an important role in all of Stoker’s works, their role in Jewel is
one without which the story would lose much of its appeal. The indefinable location of certain
sensations, especially those which are negative or undesirable, only make their experience stronger
and potentially more terrifying. Dracula is pro-religious therefore he went against religion to kill his
victims. Life is seen as sacred in the Bible therefore Van Helsing goes against religion to kill Dracula
with holy wafer and a stake. When I went into the dining-room, breakfast was prepared; but I could.
Black is the well known gothic colour, to represent darkness and evil, and throughout the novel, this
is one of several battles which goes on. I answered that I had not, that as yet I had not seen any
opportunity of. They whispered together, and then they all three laughed--such a. The diary contains
his feelings towards the surrounding environment that perhaps anticipate the changes that will later
occur around him and cause further, more intense emotional response. His description of the dream
shows some similarities with Harker’s account of the Transylvanian mountains. The landscapes
Harker encounters can be described as barren and harsh - such places often serve as visual
reflections of the internal isolation and underbalanced mental state that a traveller undergoes when
moving through an unknown place. East and North. I am going among the latter, who claim to be
descended. That is why we are committed to providing deeply reported, carefully fact-checked news
that is freely accessible to everyone. Get this resource as part of a bundle and save up to 61% A
bundle is a package of resources grouped together to teach a particular topic, or a series of lessons, in
one place. Even so, perhaps it is best to present a short outline of the story and its main characters,
and to later do the same for the remainder of Bram Stoker’s Gothic work that is the subject of the
present study. Vampire films on the other hand are a different case altogether, as they are so varied
in their themes that they have managed to become a film genre of their own. See other similar
resources ?3.00 (no rating) 0 reviews BUY NOW Save for later Not quite what you were looking for.
When Harker’s business trip nears its final destination, the dark Carpathian mountains are according
to him “one of the wildest and least known portions of Europe”, and later remarks that “every known
superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of
some sort of imaginative whirlpool” (3). East; the most western of splendid bridges over the Danube,
which is. Smell travels unseen, through space, onto, and even into the minds of the heroes. Our
journalists will continue to cover the twists and turns during this historic presidential election. These
vampire films would later go on to inspire a generation of filmmakers to pose the question of what it
could mean for a human to become a vampire. Such obscure and superficially secure places are very
promising and possess all the characteristics of safety, but they also illustrate the hidden unconscious
threat which those who flee never discover until it is too late. Such interactions are what make up the
essence of the Gothic experience, and are also found expressed in the works of Bram Stoker. It is
not always easy to decide whether a character has an element of goodness in them, one of the ways
to possibly tell is by what they wear. The initially hospitable nature of the hero’s stay is interrupted
when he is attacked by the now apparently vampiric figures of Count Dracula and his monstrous
servants. The relation between the realm of dreams and the real world, and the implications
stemming from such a relationship were explored by Eve Sedgwick. Dracula’s narrative throughout
the passage highlights the marked divide between the East and West; his admiration and praise of
London echoes ideas of British confidence and superiority, reiterating the fact that Britain viewed
herself as a developing and fast-growing nation, whereas his own admission that his country has long
been an unsettled one portrays Eastern Europe as a region that has been left exhausted by wars - it
remains in the past and seems to show little sign of progre. That's why our journalism is free for
everyone, even though other newsrooms retreat behind expensive paywalls. The main character
encounters, falls in love, and ultimately marries a female vampire that constantly visits his
bedchamber. By combining seventeenth and eighteenth century approaches of the English aesthetic
movement with contemporary criticism, it becomes possible to form an integral and discrete
analytical method that enables a practical approach into the matter.
England less interesting, so that I may not forget how time flies by. In her novels, the qualities of the
natural environment seem to personify the mental state of a protagonist; even the shape and contrast
of the clouds rolling above the landscape have the ability to alter the mental state of Emily, leading
her to sensations of awe and amazement. I fear it was no dream, and must act on this surmise. Blood
is too precious a thing in these days of dishonourable peace; and. A newspaper cut-out pasted in
Mina’s diary contains a correspondent’s words describing what he witnessed during the storm - the
sea resembling “a roaring and devouring monster.” (112). Throughout the entire novel, what Mina
experiences is presented in a vivid and graphic manner - what she goes through is a result of evil
manifesting itself upon her and the people she interacts with. They whispered together, and then they
all three laughed--such a. Stoker's dream impacted on the novel, which enriched the novel, making it
more realistic and alive. Being able to see the story through different eyes is very entrancing. The
serpent embodies an image of “predatory womanhood” (Hughes 2009:99), and similarly to figures of
female evil present in Stoker’s other works, it reflects the contemporary Victorian approach to
women who exceed the limitations imposed on them by patriarchal society. This adaptation inherited
Victorian models of horror literature, thus, it carried in its narrative the repression against the
vampire's unnatural sexual behaviour. In accordance with the traditional Gothic mode, the
appearance of the external and natural world is usually associated with darkness, obscurity, or what
Horace Walpole once deemed as “gloomth” (Miles 2007:10). When I got on the coach the driver had
not taken his seat, and I saw him. The Count himself is somewhat awkward in behaviour and quite
intimidating in appearance. This created a growing interest in worldwide exploration. Soon, Miss
Trelawney suddenly decides not to stay with her father for the night and sleeps in a different
chamber: “if I don't get a good sleep, I think I shall go mad. To wake from a dream and find it true -
that is the particular terror at which these episodes aim, and the content of the dream is subordinate
to that particular terror. (Sedgwick 1986:27). The most prominent and influential critical insight has
been conducted through various thematic approaches, ranging from psychoanalytical theory, through
feminist and gender studies, queer theory, political and geographical criticism and even criticism
through the lens of science and technology. Again the border between tangible and imaginary is
indistinct and difficult to define. It cannot go unnoticed that his style was influenced by the great
gothic writers of the past. These mishaps are however crucial to the plot - they act as an impulse
which drives the story. With your help, we'll bring you hard-hitting investigations, well-researched
analysis and timely takes you can't find elsewhere. When I had written in my diary and had
fortunately replaced the book and. Count again excused himself, as he had dined out on his being
away from. However, it is believed that the main reason Dracula was written, is due to the fact that
Stoker was subjected to a seriously bad dream, of which he could not let slip from his memory, and
had to write the book to release the tension he was under. I could only see the gleam of a pair of very
bright eyes, which seemed red’, (Chapter 1, pg 10). A particular example is early on in the novel
when Jonathan Harker is in his room within Castle Dracula. I were awake. It all seemed like a
horrible nightmare to me, and I. Please include what you were doing when this page came up and the
Cloudflare Ray ID found at the bottom of this page. It appropriately continues through Halloween -
October 31. The Count himself came forward and took off the cover of a dish, and I.
Night is described very eerily in Bram Stoker's tale. His narrative begins while he is in a state of
sleep. That's why our journalism is free for everyone, even though other newsrooms retreat behind
expensive paywalls. Fear itself is a negative sensation that is experienced by the mind, which in
course, considerably effects physical condition as well. An insight into the qualities of the natural
environment and its power to negatively influence the mind or body is a logical step when
attempting to understand the “terrible” aspects of Stoker’s writing, and perhaps provide a the first
step into illustrating the authors method of portraying natural evil. Thanks to the pleasant and reader-
friendly style of Burke’s discourse it is possible to analyze the human response through the lens of
the average individual, as most characters in the novels discussed hereon surely are. It later becomes
apparent that these dreamlike trips are hallucinations induced by ancient evil forces dwelling inside
the mummy of Queen Tera. It grew colder and colder still, and fine, powdery snow began to fall. He
describes the patient being 'quick and too strong', which could represent that Dracula has taken
control of his next victim. Turk should think that they were preparing to bring in foreign troops.
Dracula is pro-religious therefore he went against religion to kill his victims. Life is seen as sacred in
the Bible therefore Van Helsing goes against religion to kill Dracula with holy wafer and a stake. In
the population of Transylvania there are four distinct nationalities. When the caleche stopped, the
driver jumped down and held out his hand. Durham, or Harwich, or Dover, might it not be that it
could with more. This is the colour which we associate with evil, especially when we listed the kinds
of words which we associate with evil. That which promotes or produces a negative emotional or
physical response is the topic of analysis and discussion herein. The way that garlic and a crucifix
can suddenly create an immense barrier between the two, means it must have a great symbolic
meaning. The outside world has the ability to effect a person internally by conveying itself through
the senses, thus imprinting itself into memory and experience (Cohen 2009). Doubtless, there is
something magnetic or electric in some of these combinations of occult forces which work for
physical life in strange way. (459). This is particularly startling if you're sitting in an aisle seat (as I
was) when Dracula himself makes a surprise appearance standing next to your seat with his cape
flowing. By L. Steven Sieden, Contributor World renowned speaker and expert sharing Buckminster
Fuller's legacy, vision and wisdom. Stoker's novel has contradicted 'Dracula', for the reason that, in
order to have blood, which represented religious symbols, Dracula would need to avoid religion
itself. These dynamically illustrated PowerPoint lessons (12 lessons, approximately 2 hours of
teaching time per lesson) each include: a starter activity, summary and analysis questions, an
academic writing task, a theme tracking exercise, an extension task, a homework assignment and a
plenary. As a result of this question the humanisation of the vampire was made possible. Download
Free PDF View PDF An Analysis on Dracula from Cultural Perspective Carlos Quintero The article
starts with the background introduction of Vampire as the Other in Dracula. He moved downwards
in a sidelong way, some hundred feet down, and a good. This allows the reader to feel the horror and
uneasiness right along side the characters. Then the horror overcame me, and I sank down
unconscious. Modern critical insight has uncovered that writers of the Victorian age skilfully
mastered the association between sensory perception and mental response and applied it in their
works. Their commonalities create a provocative basis for a discussion of hair symbolism in Bram
Stoker’s classic 1897 vampire novel, Dracula. The patient manages to cut Dr Seward's wrist, 'liking
the blood like a dog'.
Evil forces are often able to penetrate the area in which the characters have found themselves in, no
matter how safe they may seem, making escape incredibly hard or impossible. The notion of
exceeding and transgressing moral and social boundaries has its significant presence throughout
literature, and is expressed profoundly in the Gothic novel. Such interactions are what make up the
essence of the Gothic experience, and are also found expressed in the works of Bram Stoker. I could
enter. I was now in a wing of the castle further to the right. On the other hand, these events
effectively invite the guests, somewhat unskilled at crime solving, to continue investigating the
awkward events in pursuit of a solution to the problem, which affects them all, and will continue
influencing their delicate mental state until the very end. Stoker uses irony here which adds to the
sense of tension as we wait for Harker to catch up with the reader’s acknowledgement. The suit in
which I had travelled was gone, and also my overcoat and. When I went into the dining-room,
breakfast was prepared; but I could. Vampires before the 19 th century in England had not been
consistently linked with an established class. Jonathan Harker will not be by my side to correct and
aid me. He will be. During his stay, the young solicitor’s curiosity takes hold, and upon closer
exploration of the ancient castle he discovers that he has found himself in the midst of great potential
danger, that as yet remains unmanifested. London I got word that my examination was successful;
and I am now a. In accordance with the traditional Gothic mode, the appearance of the external and
natural world is usually associated with darkness, obscurity, or what Horace Walpole once deemed as
“gloomth” (Miles 2007:10). The inexplicable magnitude of the situation he and his companions have
found themselves in has its negative and undesirable impact on the mind. Such obscure and
superficially secure places are very promising and possess all the characteristics of safety, but they
also illustrate the hidden unconscious threat which those who flee never discover until it is too late.
Beyond the green swelling hills of the Mittel Land rose mighty slopes. Blood is too precious a thing
in these days of dishonourable peace; and. Ross is first to notice the changes to the room’s
environment “The room, for all its darkness, was full of shadows. Nevertheless, the hero is
completely unaware of what awaits him at his destination and that he is beginning a journey that will
not only test his identity as a man, but also his strength of mind, and ultimately, his ability to survive.
By looking at authorial intent, you naturally begin to address the question, and thus form a more
convincing argument. The land Harker travels through is new, fascinating and mysterious. Lewis’s
The Monk (1796) offers a perfect example of this, where the underground vaults of the narrative
seem to offer the persecuted maiden a safe place to escape from the lecherous monk, but in fact they
serve only to trap her and quicken the final tragic ending. Oh! it was dreadful, waiting there in the
dark and the silence, and fearing— fearing I did not know what!” (9). Hawkins, of Exeter, to tell me
all about my new estate in London. You. A negative reaction to external conditions - for instance
those associated with weather - especially when influenced by an unknown third party, can be, and
are perceived as that which can be deemed “evil”. After awaking, his experience is far from what one
could expect after a pleasant night “The sight which met my eyes had the horror of a dream within a
dream, with the certainty of reality added” (39). Even so, perhaps it is best to present a short outline
of the story and its main characters, and to later do the same for the remainder of Bram Stoker’s
Gothic work that is the subject of the present study. Panic is what Harker faces when it becomes
clear that his lodging may be more than temporary and that he cannot exit the premises unless the
Count will allow it - a strong feeling of helplessness is fallowed by anxiety-fuelled thought “doors,
doors, doors everywhere, and all locked and bolted” (39). Throughout the novel Stoker uses irony,
which allows the reader to have more knowledge than Harker; Harker has an attempt to grasp onto
Dracula’s true identity, and what will happen to him. Although a large quantity of work focus with
focus on female characters has been done on Dracula, the remainder of the discussed novels have not
been subjected to any meaningful critical analysis of feminine evil.
In order to present the subject coherently, the figure of the evil female must be localized and defined
through the presentation of significant literary instances and appearances in past, before moving on
to an analysis of Stoker’s evil femininity. Whilst I was looking at the books, the door opened, and
the Count. The plot itself in many ways mirrors the events presented in Stoker’s most accomplished
work. I stood in silence where I was, for I did not know what to do. Of bell. The fair girl advanced
and bent over me till I could feel the movement. The essential components which will be studied is
how blood and Christianity affects Dracula, the comparison between God and evil and the essay will
also include how blood and the devil are viewed. Support HuffPost Related entertainment Dracula
bram stoker. The author’s underrated stature is rather unfortunate as he led and participated in a
number of creative endeavours during his lifetime. Write a review Update existing review Submit
review Cancel It's good to leave some feedback. This gothic horror text shadows a tragic love story,
exploring a number of key themes that remain significant to post-modern audiences. Furthermore, it
often presents itself as a unique background for dramatic events which invoke fear and uncertainty
in the characters’ lives, and consequently in the mind of the reader. In chapter 11 in Dr Seward's
Diary, one of Dr Seward's patient comes rushing in with his 'face distorted'. I rushed up and down
the stairs, trying every door and peering out of. Ross is first to notice the changes to the room’s
environment “The room, for all its darkness, was full of shadows. Count again excused himself, as
he had dined out on his being away from. Stoker's novel has contradicted 'Dracula', for the reason
that, in order to have blood, which represented religious symbols, Dracula would need to avoid
religion itself. This is particularly startling if you're sitting in an aisle seat (as I was) when Dracula
himself makes a surprise appearance standing next to your seat with his cape flowing. He continues
his train of thought and relates to his dream, illustrating in his won words, the way in which forces
of nature can have a negative influence on the human state of mind. It is precisely this idea that
filmmakers and writers alike, employed to convey the attraction of becoming one of the undead, the
possibility of enjoying an eternal life free of moral and physical boundaries. From the very beginning
the presence of mummified creatures giving off “balmy smells” (34) have an impact on his mental
state: “I caught myself looking round fearfully as though some strange personality or influence was
present” (35). What he observes later on, can no longer be explained as an element of nature, but
rather as an element of unexplained, supernatural origin. These holes, however, also add to the
mystery of the book and make the point of views all that more interesting. The wild and
mountainous European landscapes depicted in Dracula and Lady, the desert landscape in Jewel and
the hilly and cavernous English countryside in Lair all incorporate elements of mysterious Gothic
vastness and untamed nature. No matter how hard one may try, it often remains impossible to gain
knowledge of how the forces of the natural world function; the unknown “natural” has a capacity to
alter rational perception and often becomes an even lesser known and more obscure “supernatural”
that baffles the mind and evades comprehension completely. The idea of desiring what is forbidden,
and crossing into areas that should best remain closed has great significance when taking into
consideration the way in which evil can succeed or fail in its ultimate goal of corruption. The initially
hospitable nature of the hero’s stay is interrupted when he is attacked by the now apparently
vampiric figures of Count Dracula and his monstrous servants. It is not difficult to imagine how such
influence can promote the negative influence of evil, be it natural, supernatural. Trying to
comprehend the strange events occurring in the Trelawney home, he enters a rather insightful
philosophical discussion in his mind in which he tries to find a connection between the light and
darkness visible in his world, to the light and darkness of “good” and “evil”. Dracula in some ways
could be seen as an ironic character, has religion finally defeats Dracula. They endure numerous
hardships and setbacks and experience much disappointment.
Modern critical insight has uncovered that writers of the Victorian age skilfully mastered the
association between sensory perception and mental response and applied it in their works. Count
again excused himself, as he had dined out on his being away from. The novel has received some
insightful critical attention, that is however quite limited in its analysis from the standpoint of horror,
therefore encouraging a more concentrated approach from the aspect of the purely Gothic. I could
enter. I was now in a wing of the castle further to the right. The action you just performed triggered
the security solution. Saxons in the South, and mixed with them the Wallachs, who are the.
Sometimes he sheered off the subject, or turned the conversation by. In Stoker’s novels the presence
of sublime nature clearly plays out its Burkean role. I fear it was no dream, and must act on this
surmise. All in all, Taproot's Dracula is a great show perfectly timed for the season and performed
with great gusto and precision by an excellent cast. The land Harker travels through is new,
fascinating and mysterious. By this time I had finished my supper, and by my host's desire had
drawn. After supper I smoked, as on the last evening, and the Count stayed with. In order to find
answers to the questions posed, the enquiry of the present study must base itself on several different
critical approaches and interpretations respectful to each of the explored topics. Then the horror
overcame me, and I sank down unconscious. The castle is a veritable prison, and I am a prisoner!
Such interactions are what make up the essence of the Gothic experience, and are also found
expressed in the works of Bram Stoker. Having had some time at my disposal when in London, I had
visited the. In chapter 11 in Dr Seward's Diary, one of Dr Seward's patient comes rushing in with his
'face distorted'. I shall write some letters home, and shall try to get them to have them. He is a
rational man, always seeking explanations of unusual or unexpected things that happen around him.
I'm afraid that if I stay so close to Father's room I shall multiply every sound into a new terror” (79).
Stoker's novel has contradicted 'Dracula', for the reason that, in order to have blood, which
represented religious symbols, Dracula would need to avoid religion itself. Aesthetic theory
attempted to categorize objects and entire landscapes according to their effects upon the human
mind and soul - a topic which was greatly popular Bram Stoker’s time. He can also become younger
and stronger, when he consumes blood. East and North. I am going among the latter, who claim to
be descended. Barrow Motor Ability Test - TEST, MEASUREMENT AND EVALUATION IN
PHYSICAL EDUC. Radcliffe’s portrayals of the external world are unmistakeably unique; and it
goes without question that probably the author’s greatest success is her ability to depict the
sensations of terror and fear existing within the relationship between man and nature - an idea so
very crucial in the Gothic literary tradition. Harker protests against Van Helsing’s plan to take his
Mina with him. Being able to see the story through different eyes is very entrancing.
I had stepped over the threshold, he moved impulsively forward, and. In the Bible, Jesus gave his
own life on the crucifix, so that his people could live in peace from evil, which Stoker contradicts
throughout the novel, as Dracula victimises Lucy and other characters, who are weak and insane
such as Renfield. A newspaper cut-out pasted in Mina’s diary contains a correspondent’s words
describing what he witnessed during the storm - the sea resembling “a roaring and devouring
monster.” (112). Throughout the entire novel, what Mina experiences is presented in a vivid and
graphic manner - what she goes through is a result of evil manifesting itself upon her and the people
she interacts with. If you need to flag this entry as abusive, send us an email. Where there is good
there is evil, where there is evil there is good. He continues his train of thought and relates to his
dream, illustrating in his won words, the way in which forces of nature can have a negative influence
on the human state of mind. Nature is not only associated with the human self, but is compared to
features of animals. What he observes later on, can no longer be explained as an element of nature,
but rather as an element of unexplained, supernatural origin. Nevertheless, the hero is completely
unaware of what awaits him at his destination and that he is beginning a journey that will not only
test his identity as a man, but also his strength of mind, and ultimately, his ability to survive. Burke
understands the natural sublimity to be composed of terror, obscurity, power, and “whatever is fitted
in any sort to excite the ideas of pain and danger”(1770:34). In one such dream he finds himself on
a skiff, floating through mysterious waters. There are certainly odd deficiencies in the house,
considering the. This works for a while, but Lucy’s mother foolishly removes the garlic from around
Lucy’s neck which allows Dracula to pounce on her during the night, eventually leading to Lucy’s
first death. When a story nears its conclusion, when “evil” is eradicated and “good” prevails, sublime
nature presents itself in its most colourful and magnanimous form - mind-boggling, yet inspiring and
uplifting at core. The Blood Rushing Effect On Readers, And Dracula By Bram. The diary contains
his feelings towards the surrounding environment that perhaps anticipate the changes that will later
occur around him and cause further, more intense emotional response. Mr. Hawkins, he began to ask
me how I had come across so suitable a. He moved downwards in a sidelong way, some hundred feet
down, and a good. And the Recorder could have wrought as usual in sunlight and shadow, which
may be taken to represent the final expressions of Heaven and Hell. In physiological terms, it
provides a mechanism for showing how the world of objects—including other bodies—enters the
body of the subject and remakes its interior entities. Being able to see the story through different eyes
is very entrancing. The castle is a veritable prison, and I am a prisoner! The reader’s terror is induced
through the mental response of the protagonist (McEvoy 2007). It is precisely this idea that
filmmakers and writers alike, employed to convey the attraction of becoming one of the undead, the
possibility of enjoying an eternal life free of moral and physical boundaries. I can hear, far off,
confused sounds, as of men talking in strange tongues, fierce falling water, and the howling of
wolves. (496). The different points of view allows the reader to be less biased towards a certain
character. Though the story’s tragic outcome is certainly not comedic, the novel in many ways
parallels Dracula, and pays homage to its unique application of the Gothic mode of writing. The main
characters may not always make the best decisions, but their decisions are life saving in some
circumstances. She is clearly disturbed when she tells Ross of what she heard after waking up in the
middle of the night: “there was a queer kind of dragging sound, and a slow, heavy breathing. The
remainder of the novel deals with Dracula’s endeavour to establish a new home in England, and how
Harker’s closest friends, with the virtuous Dr. Van Helsing in the lead, attempt to destroy the Count
and eradicate the evil that he has brought with him.

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