This document provides an overview of medieval English literature and theatre. It discusses the time periods of Old English and Middle English literature. It also summarizes some of the key works produced during these eras, such as Beowulf, as well as genres of medieval drama like mystery, miracle, and morality plays. The document then focuses on Geoffrey Chaucer's Canterbury Tales, examining two of its stories: The Knight's Tale and The Miller's Tale.
This document provides an overview of medieval English literature and theatre. It discusses the time periods of Old English and Middle English literature. It also summarizes some of the key works produced during these eras, such as Beowulf, as well as genres of medieval drama like mystery, miracle, and morality plays. The document then focuses on Geoffrey Chaucer's Canterbury Tales, examining two of its stories: The Knight's Tale and The Miller's Tale.
This document provides an overview of medieval English literature and theatre. It discusses the time periods of Old English and Middle English literature. It also summarizes some of the key works produced during these eras, such as Beowulf, as well as genres of medieval drama like mystery, miracle, and morality plays. The document then focuses on Geoffrey Chaucer's Canterbury Tales, examining two of its stories: The Knight's Tale and The Miller's Tale.
Lecture 1: Medieval Literature and Medieval Theatre
dr Anna Kisiel anna.kisiel@us.edu.pl University of Silesia in Katowice
Timespan of Medieval English Literature
The Old English period (the Anglo-Saxon period): from the beginnings to 1066 (Norman conquest) The Middle English period: 1066 to the Renaissance
Early Medieval Literature
Early medieval contexts Oral literary tradition Poetics of medieval orature Sources: o The Exeter Book (including The Wanderer, The Seafarer) o The Vercelli Book (including The Dream of the Rood) o Junius manuscript o Robert Cotton’s manuscript (including Beowulf) Early English literature and cultural influences
Beowulf
The Northumbrian Renaissance
• Bede of Northumbria, Historia ecclesiastica gentis Anglorum • Caedmon’s Hymn
The Dream of the Rood
“Then saw I mankind’s Lord come with great courage when he would mount on me. Then dared I not against the Lord’s word bend or break, when I saw earth’s fields shake. All fiends I could have felled, but I stood fast. The young hero stripped himself – he, God Almighty – strong and stout-minded. He mounted high gallows, bold before many, when he would loose mankind.”
Political Changes in the 11th Century and Their Aftermath
The Norman Conquest of 1066 Cultural aftermath Layamon’s (Lawman’s) Brut Marie de France
Changes in the 14th Century
English social classes 1348 – the Bubonic Plague (the Black Death) Consolidation of national identity The European scene
Sir Gawain and the Green Knight
Gawain-Poet/Pearl-Poet Chivalric romance
Geoffrey Chaucer’s The Canterbury Tales
Significance The General Prologue The Knight’s Tale vs The Miller’s Tale The Miller’s Tale and the carnivalesque (Mikhail Bakhtin)
The Miller’s Tale and the Carnivalesque (excerpt 1)
3723 This Absolon doun sette hym on his knees This Absolon set himself down on his knees 3724 And seyde, "I am a lord at alle degrees; And said, "I am a lord in every way; 3725 For after this I hope ther cometh moore. For after this I hope there comes more. 3726 Lemman, thy grace, and sweete bryd, thyn oore!" Sweetheart, thy grace, and sweet bird, thy mercy!” 3727 The wyndow she undoth, and that in haste. The window she undoes, and that in haste. 3728 "Have do," quod she, "com of, and speed the faste, "Get done with it," said she, "come on, and hurry up, 3729 Lest that oure neighebores thee espie." Lest our neighbors espy thee." 3730 This Absolon gan wype his mouth ful drie. This Absolon wiped his mouth very dry. 3731 Derk was the nyght as pich, or as the cole, Dark was the night as pitch, or as the coal, 3732 And at the wyndow out she putte hir hole, And at the window out she put her hole, 3733 And Absolon, hym fil no bet ne wers, And Absolon, to him it happened no better nor worse, 3734 But with his mouth he kiste hir naked ers But with his mouth he kissed her naked ass 3735 Ful savourly, er he were war of this. With great relish, before he was aware of this. 3736 Abak he stirte, and thoughte it was amys, Back he jumped, and thought it was amiss, 3737 For wel he wiste a womman hath no berd. For well he knew a woman has no beard. 3738 He felte a thyng al rough and long yherd, He felt a thing all rough and long haired, 3739 And seyde, "Fy! allas! what have I do?" And said, "Fie! alas! what have I done?"
The Miller’s Tale and the Carnivalesque (excerpt 2)
3798 This Nicholas was risen for to pisse, This Nicholas was risen to piss, 3799 And thoughte he wolde amenden al the jape; And thought he would make the joke even better; 3800 He sholde kisse his ers er that he scape. He should kiss his ass before he escapes. 3801 And up the wyndowe dide he hastily, And he opened up the window hastily, 3802 And out his ers he putteth pryvely And he puts out his ass stealthily 3803 Over the buttok, to the haunche-bon; Over the buttock, to the thigh; 3804 And therwith spak this clerk, this Absolon, And then spoke this clerk, this Absolon, 3805 "Spek, sweete bryd, I noot nat where thou art." "Speak, sweet bird, I know not where thou art." 3806 This Nicholas anon leet fle a fart This Nicholas immediately let fly a fart 3807 As greet as it had been a thonder-dent, As great as if it had been a thunder-bolt, 3808 That with the strook he was almoost yblent; So that with the stroke he was almost blinded; 3809 And he was redy with his iren hoot, And he was ready with his hot iron, 3810 And Nicholas amydde the ers he smoot. And he smote Nicholas in the middle of the ass.
Medieval Theatre Mystery plays Miracle plays Morality plays Interludes Masques