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Gendered Reason: Sex Metaphor and
Conceptions of Reason
PHYLLIS ROONEY
Reason has regularly been portrayed and understood in terms of images and met
that involve the exclusion or denigration of some element-body, passion, na
instinct-that is cast as "feminine." Drawing upon philosophical insight into
phor, I examine the impact of this gendering of reason. I argue that our conce
of mind, reason, unreason, female, and male have been distorted. The polit
"rational" discourse has been set up in ways that still subtly but powerfully in
the voice and agency of women.
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78 Hypatia
maleness of reason in a way that brings to light what exactly it is that makes
that maleness suspect. This will also include an examination of some of the
historical and philosophical ramifications of splits like that between reason
and emotion.
Bacon's famous marriage metaphor, "let us establish a chaste and lawful
marriage between Mind and Nature ... ," is one that is often cited in discus-
sions about the role that certain images of control and domination have played
in the development of moder science (Harding 1986; Keller 1985; Merchant
1980). In focusing more specifically on reason, I am in part taking off from the
work of Genevieve Lloyd in her book The Man of Reason: "Male" and "Female"
in Western Philosophy (1984). Lloyd explores the regular juxtaposition of reason
and maleness in the works of many of the major figures in the history of Western
philosophy, and she argues that this is not a superficial linguistic bias but
something that lies deep within our philosophical tradition. Yet apart from
saying that such associations have an effect on "the philosophical imagina-
tion," that they "forge powerful symbolic connections," she does not pursue
in much detail what that effect is. It is such questions raised by her work that
have led to my explorations in this paper. With my attention to metaphor I
am also narrowing the focus somewhat more than Lloyd has done. My plan is
to take advantage of philosophical insight into metaphor to bring into clearer
focus central problems surrounding the metaphorical gendering of reason.
I use the term "metaphor" as it is often used in philosophical discussions-it
can include uses of image and simile, as well as instances of allegory and model
considered as extended metaphors. I use the term "sex metaphor" to refer to
metaphors that draw upon some aspect of a male-female dynamic, such as a
voyeuristic act, a sexual act, or a relationship or marriage situation. I am
particularly interested in the use of sex metaphors to highlight certain aspects
of the dynamics of reason and unreason. The term "reason" encompasses
various senses that it has had in the history of philosophy: usually it refers to
that faculty or process by means of which we gain "proper" knowledge or truth.
The term "reason" in this broad sense can also include uses of the term
"rationality." With this latter term the emphasis is more on paradigm processes
or models of reasoning as in the currently popular conceptions of instrumental
rationality.2
In some cases it is possible to separate what a particular philosopher said
about women from his characterization of irrationality or unreason as "femi-
nine." Plato comes to mind here. While he prized rationality in the form of a
spirited reason, he conceived of it as involving a shedding of what was at least
symbolically associated with femaleness, as we will see. Yet he also held that
women were, in principle, capable of high degrees of rationality, and some have
speculated about "Plato's feminism." Plato is, however, more the exception in
this regard. In this paper I separate the issue of the metaphorical construal of
unreason as feminine from claims about women's (literal) irrationality. This is
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Phyllis Rooney 79
One can hardly turn one's gaze to Greek philosophy with this issue in mind
without recalling the Pythagorean table of the opposites. Aligned with "male"
on one side we have one, rest, straight, light, good; and aligned with "female"
on the other we have many, motion, curved, darkness, bad.4 The original
mythic theme involved associating the forces of unreason with the Furies, the
earth goddesses who represented dark forces with mysterious subterranean
female powers. The pervasive thematic dichotomy in Greek thought between
form and formlessness, or between form and matter, is almost inevitably played
out with the associations clearly drawn: reason and form are aligned with
maleness, and formlessness and matter are aligned with femaleness. This is
played out in numerous metaphorical and literal ways. Aristotle, for example,
bolstered this further with his theory of generation: in procreation the male
imparts the motion or the form to the child, while the female provides only
the passive indeterminate matter.5 We get, well established, a theme that in
one way or another informs the imagination (sometimes unconsciously) of just
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80 Hypatia
about every well-known philosopher to follow. The path of reason, the path
to knowledge and truth, will involve in some way a transcendence of the
"feminine." The words "female" or "feminine" need not be used. We may
simply get a discussion about the need to control irrational impulses, instincts,
"lower" passions, or the vagaries of nature. Yet the imaginative and emotional
substructure that makes such needs seem self-evident is often revealed quite
surprisingly in an overt reference, or in the workings of what may seem like a
superfluous metaphor.6
The imaging of reason as male is not as overt with Plato as it is with
Aristotle-initially, that is. For Plato the bearer of immortality is the rational
soul and the path of reason involves some kind of escape from the body. Reason
is not opposed to passion simpliciter: when properly guided by the nobler strings
of Eros, the man of wisdom reaches for transcendence, for true knowledge of
the forms. However, the Phaedrus image of the pull of the two winged horses-
depicting the proper and improper pull of Eros-is elsewhere connected
symbolically with the distinction between male homosexual and heterosexual
love.7 More particularly, certain forms of association with women do not bode
well for the man intent on the path of wisdom. The well-known allegory of
the cave in the Republic (Bk. 7), the ascent from which marks the path toward
true knowledge, does not seem to draw explicitly on gender imagery. Yet, it
surely comes to life anew with Luce Irigaray's call to "Read it this time as a
metaphor of the inner space, of the den, the womb or hystera, sometimes of the
earth... an attempt at making metaphor, at trying out detours, which not only
is a silent prescription for Western metaphysics but also, more explicitly,
proclaims (itself as) everything publicly designated as metaphysics, its fulfill-
ment, and its interpretation" (Irigaray 1985, 243; Plato 1937, 1: 773ff.).
Plato's Theaetetus metaphor of the philosopher of ideas as a midwife may seem
to reverse the gender orientation of the creator, the generator, the arbiter of
ideas and truth. Yet we should notice that Socrates is presenting himself as the
midwife ministering to Theaetetus's philosophical confusions (Plato 1937, 2:
150-53). I would also suggest that a fuller exploration of the play of imagery
here reveals a pattern not unlike that discussed by Evelyn Fox Keller in her
analysis of Bacon's imagery in his account of the "virilization of the scientist."
She argues that behind the simple denial of the feminine as subject is "a prior
co-optation of the female mode-a co-optation which, given the initial
impulse toward denial, necessitates an ever more urgent and aggressive
repudiation" (1985, 40-42). For Bacon this also involved, in part, appropriat-
ing the imagery of birthing. Juxtaposing the allegory of the cave with the image
of the philosopher as midwife gives a fairly compelling picture of a drawing
away from the realm of the maternal and the female in what is surely another
paradigm example of the "simultaneous appropriation and denial of the
feminine" (Keller 1985, 41). In Greek mythology Athena, the goddess of
wisdom, reason, and military strategy (among other things), represents the
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Phyllis Rooney 81
personification of this pattern. Bom from the head of her father Zeus, she
assumes the role of the archetypal father's daughter.8
With Aristotle the form-matter split emerges in a somewhat different way,
and its connection with a male-female dialectic is often more explicit, an
instance of which we have already seen in Aristotle's theory of generation. The
forms no longer belong in their purity to a separable transcendental realm, but
form now becomes the intelligible principle of matter, and the soul becomes
the form or intelligible principle of the body. The rational part of the soul
"naturally" rules the irrational part, yet this relationship is often explicated in
terms of political metaphors-the "natural" authority of master over slave and
of free man over free woman. In the Nicomachean Ethics Aristotle writes:
In this passage Aristotle illustrates his sense of the proper and just relation-
ship between the rational and irrational parts of the soul by means of such
"proper" relationships between master and slave and between husband and
wife. The irrational part also conflicts and struggles with the rational principle.
It is important to note here that the gender metaphor is class specific, referring
to free citizens of the state.9 In exploring Aristotle's use of such analogies
Elizabeth Spelman suggests that there is a type of circularity here. Aristotle
speaks of the natural ordering of the soul in terms of these political analogies.
Yet, this "natural" rule between persons is argued for in part by drawing upon
the dynamics of the ordering in the soul, coupled with Aristotle's view that
the rational principle has proper authority in the souls of free men while it does
not in free women or in slave women and men.0l It is useful to keep such
possibilities of circularity in mind, for, as I will suggest later, they typically
reveal the workings of a deep metaphor.
While the first-century Alexandrian Philo does not stand out in our history
like Plato and Aristotle, Lloyd highlights his use of the story of the Fall as an
allegory to help elucidate the relationship between mind and sense perception.
Woman, representing sense perception, is the source of the Fall for man, who
represents sovereign mind. Lloyd draws our attention to the following passage
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82 Hypatia
in Philo which may well be the most explicit statement of the symbolic
associations under discussion:
A fairly consistent picture emerges from the ancient era in our tradition,
and it is one that will be played out later in various ways. Already we see that
merging of the "natural" and the political that is so familiar to feminists. And
the metaphorical pattern is set in place: it structures the "given" or desired
relationship of reason and unreason that is to provide an invisible, if not visible,
first premise for many philosophers to come.
Later philosophers certainly present different variations on the theme. With
Augustine, for example, woman is not presented as something alien to reason,
yet she symbolizes the mind's lesser intellectual functioning in its attention to
managing the practical affairs of life: "Just as in man and woman there is one
flesh of two, so the one nature of the mind embraces our intellect and action,
or our council and execution, or our reason and reasonable appetite." Aquinas,
largely echoing Aristotle, sees man as symbolizing the human vital functioning
that includes reason, and woman provides the means for the material genera-
tion of that vital functioning principle.12
As we move on to later centuries and the flourishing of Enlightenment
ideals, we may imagine that many of these underlying images (associated with
the Aristotelian view) are left behind. But we get what is at best a shift in the
articulated, explicit claims about reason and mind. Descartes described the
"natural light of reason" in ways that did not clearly involve some form of
exclusion of a feminine element, and he allowed that "even women" could
develop his rational method. Susan Bordo argues, however, that this rationalist
project-with its interweaving of ideals of clarity, dispassion, and detachment
into Cartesian conceptions of rationality and objectivity-comes into a some-
what different focus when viewed in terms of the great anxiety of the intellec-
tual culture in which Descartes found himself, an anxiety due to a kind of
separation from the organic female universe of the Middle Ages. Drawing upon
themes of modern developmental psychology, specifically an understanding of
the development of masculine ideals of separation and individuation, Bordo
thus suggests a psychocultural reading of the work of Descartes.13 Lloyd also
argues that the Cartesian split between mind and body was, in part, an
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Phyllis Rooney 83
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84 Hypatia
While virtue in its pure form is portrayed as a woman, she is the passive
object of male vision, and we see where the voice of power and reason is
located. We should also note that the perception and exercise of morality in
its lesser form (due to a lapse of reason) is portrayed in terms of captivation by
the charms of the sensuously adorned woman.
This philosophical use of woman as vehicle for metaphor is clearly related
to the use of gender-interaction metaphors to depict the workings of rationality
and irrationality. Eva Feder Kittay (1988) has examined this use of woman
more explicitly and presents a view of the mediational role for men that both
metaphor and women have played. Of particular interest for my project are
examples where woman is cast as the other of the knowing subject, or in
opposition to such "proper" knowing. An example from Locke illustrates his
connection between woman and deception:
... all the art of rhetorick, besides order and clearness, all the
artificial and figurative application of words eloquence hath
invented, are for nothing else but to insinuate wrong ideas,
move the passions, and thereby mislead the judgment ... elo-
quence, like the fair sex, has too prevailing beauties in it to suffer
itself ever to be spoken against. And it is vain to find fault with
those arts of deceiving wherein men find pleasure to be
deceived. ( bk. 3, chap. 10, sec. 34; Locke 1975, 508)
One cannot pass here without noticing Locke's eloquent use of a "figurative
application of words" to persuade us of the deceptions of eloquence!
In distinguishing the feeling of the sublime from that of the beautiful,
Schopenhauer discusses the "transition into the state of pure perception"
where the state of pure knowing "is obtained first of all by a conscious and
violent tearing away." He continues:
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Phyllis Rooney 85
the condition for the most perfect kind of knowledge ... and
the source of heat, the first condition of all life ... 15
Of the various elements in this passage we note the strong sexual imagery, and
insofar as the "female" is suggested, she is not aligned with the "eternal, free,
serene subject of pure knowing" but with its oppositional moment. And we
notice the recurring images of violence and struggle.
In the American pragmatist tradition we see efforts to relinquish ties with
what is perceived to be the burden of old, worn-out metaphysical systems.
Gone, for example, are appeals to flights to transcendental realms in the
explication of reason, knowledge, and truth. Yet in what would typically be
called the "seminal work" in the pragmatist tradition, C. S. Peirce's paper
"How to Make Our Ideas Clear," we hear again that call to form clear and
distinct ideas as we set out to shape our conceptions and frame our truths. At
the end of the first section of the paper, the urgency of this call is drawn to our
attention quite vividly by a description of what a single unclear idea lurking
in a young man's head will do:
Many a man has cherished for years as his hobby some vague
shadow of an idea, too meaningless to be positively false; he has,
nevertheless, passionately loved it, has made it his companion
by day and by night, and has given to it his strength and his life,
leaving all other occupations for its sake, and in short has lived
with it and for it, until it has become, as it were, flesh of his
flesh and bone of his bone; and then he has waked up some
bright morning to find it gone, clean vanished away like the
beautiful Melusina of the fable, and the essence of his life gone
with it. (1982, 82-83)
The pattern is well set in place. Many of the earlier uses of metaphor portray
the growth of reason and true knowledge in terms of an extrusion of some
aspect that is seen as female or feminine. Many of the later examples charac-
terize a lapse in reason, or the surfacing of unreason, as involving an explicit
or implicit intrusion of a feminine element, not untypically as the lure of
shadowy feminine charms.
Some general questions arise at this point. Granted that the use of sex and
sexist metaphors was fairly persistent in philosophical conceptions of reason
and knowledge in our Western tradition, does that necessarily mean that the
way philosophers actually proceeded in their reasoning practices was in some
sense biased or defective? Even if we grant that such images played an
important role in historical conceptions of reason, how are we to argue from
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86 Hypatia
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Phyllis Rooney 87
root metaphor, one that has become so deeply embedded in our thought that
we no longer even recognize it as such, though its offshoots are everywhere
visible and play an active role in the way we frame our conceptual truths. Some
of the recent work on metaphor helps shed light on this predicament.
There is general agreement about the overall structure of metaphor: "the
presentation of the facts belonging to one category in the idioms appropriate
to another" (Ryle 1949, 10); "the essence of metaphor is understanding and
experiencing one kind of thing in terms of another" (Lakoffand Johnson 1980,
5). Some are reluctant to give a precise definition, and it has been suggested
that metaphors share at best a kind of Wittgensteinian family resemblance
(Ortony 1979, 5).
Max Black has given a very useful analysis, one that I think is particularly
helpful in our examination of sex metaphors and reason. He first distinguishes
between what he calls the primary subject (or primary domain) and the secondary
subject (or secondary domain). In most of the examples above the primary
domain is the realm of reason, mind, or soul; it is that which is being described
or explained. The realm of male-female relations is the secondary domain,
aspects of which are being used to help explain or describe the primary domain.
Black's interaction view of metaphor involves understanding the thoughts and
structures of the two domains as being "active together" and "interacting" to
produce a meaning that is the resultant of the interaction. Spelling this out in
more detail, he explains how the reader takes the system of implications from
the secondary domain and constructs a corresponding system of implications
about the primary subject.16
With a metaphor, Black claims, the reader is forced to connect the two ideas
or subjects by a "system of associated commonplaces" relating to the secondary
subject, where "the important thing for the metaphor's effectiveness is not that
the commonplaces shall be true, but that they should be readily and freely
evoked." The structure of the secondary domain, defined in large part by focal
words or phrases, acts as a screen through which we see the primary subject:
"The metaphor selects, emphasizes, suppresses, and organizes features of the
[primary] subject by implying statements about it that normally apply to the
[secondary] subject." He illustrates this with an example. If we want to describe
a battle in the language of chess, that choice requires that some aspects of the
battle will be emphasized while others will be neglected. He points out that,
"to describe a battle as if it were a game of chess is accordingly to exclude, by
the choice of language, all the more emotionally disturbing aspects of warfare,"
and he adds, in parentheses, that "similar by-products are not rare in philo-
sophical uses of metaphor." We should take special note also of an aspect that
Black mentions but doesn't seem to emphasize-that the interaction goes both
ways. We must not think that the implication system of the metaphorical
expression (the secondary subject) remains unaltered by the metaphorical
juxtaposition, for "if to call a man a wolf is to put him in a special light, we
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88 Hypatia
must not forget that the metaphor makes the wolf seem more human than he
otherwise would." And last, but not least, we should pay attention to cases
where "it would be more illuminating ... to say that the metaphor creates the
similarity than to say that it formulates some similarity antecedently existing."
Black argues that interaction instances of metaphor are the only kind that are
of importance in philosophy (1962, 37-47).
I will draw upon this analysis later in my examination of the use of sex
metaphors. First, I want to look at an interesting extension of Black's view, one
that bears some similarity to our situation with sex metaphors and reason in
involving the repeated use of a particular metaphor. Some have suggested
exploring a parallelism between the use of metaphor in a literary (and perhaps
philosophical) text and the use of models in theoretical science, where a model
is understood in terms of the sustained and systematic use of a metaphor. Mary
Hesse has taken advantage of this direction to present an expanded picture of
scientific explanation, one that, she claims, avoids many of the problems of
the traditional deductive account of explanation (1980, 111-24). She holds
that the traditional account should be modified and supplemented by a view
of theoretical explanation as metaphoric redescription of the domain of the
explanandum, that which is being explained or described. She argues that the
observation language of science, like all natural languages, is continually being
extended by metaphoric use. As a result of model "interaction" new observa-
tion predicates come into the picture, allowing new predictions to become
possible.
In a discussion of the impact of gender metaphors in the development of
modern science, Sandra Harding argues that Hesse appears to lose the logic of
her argument when Hesse claims elsewhere that pragmatic success in descrip-
tion and prediction eventually takes over and that social or political values
involved in the initial formulation of a theory (and possibly expressed through
metaphor) are no longer implicated. Harding is right in suggesting that the
later disappearance of explicit appeals to such metaphors may well signal not
their dispensability as "mere" heuristic devices but their actual success in
shifting theoretical concepts and priorities.17 The idea of a metaphor being
adopted to the point of its own disappearance into invisibility or transparency
is also brought to our attention by Black when he warns about a metaphor
turning into a self-certifying myth:
Some might argue that the instances cited above of sex metaphor charac-
terizing reason are more like the "spontaneous" use of literary and poetic
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Phyllis Rooney 89
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90 Hypatia
behavior resulted. At the same time, such theories managed to account for
occasional small-brained male "geniuses"!
Now that we think of ourselves as belonging to a more sophisticated
scientific era we may be somewhat amused by all of this. However, before we
let the smile sink too deep we should take a closer look at the current
"scientific" search for that elusive gene or hormone level, or that elusive aspect
of brain lateralization that would "explain" why men are more mathematical
(or rational) than women. As feminist biologists and philosophers of science
are bringing to light, these studies show interesting lapses in reasoning when
it comes to setting up the experimental situations and interpreting actual
findings.18 It may well turn out that the factor sought is no more hidden, though
perhaps no less elusive, than the subtle workings of a deep metaphor.
1. The basic elements of the structure are a male node (aligned with
reason), a female node (aligned with unreason), and some sort of
relationship between them.
2. When reason is operating correctly the male node represents the locus
of activity, and a "proper" relation with the female node has been
established.
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Phyllis Rooney 91
It should also be noted that when the relationship assumes the form of an
"agreeable harmony," it is still the male node that is given the voice of agency,
that sets the parameters of the harmonious exchange, while the female is
relatively passive or silent. For the purpose of my argument it does not matter
that different philosophers construed the nodes and relationship slightly
differently: the female node has variously represented body, sense, passion,
nature, instinct, feeling. While many philosophers associated passions with a
denigrated female node, Plato's and Hume's positions could not easily be so
characterized. In the case of these two philosophers we see a division more in
terms of "higher" and "lower" passions or calmer and more violent passions,
and we don't need to speculate at great length about which node the "lower"
passions are associated with.19
I will first examine the impact of this gendered reason on what is seen as the
primary domain, our understanding of the nature of mind and its "contents"-
reason, thought, emotion, intuition. Later I will focus on issues that pertain
more to the secondary domain, the nature of woman, man, and the relationship
between them, as well as the general impact of the recurring conjunction of
maleness and reason, femaleness and unreason. In our discussions in feminist
theory we have to be ever mindful of our history when we make claims about
reason or about women, but particularly when we make claims about women's
reasoning. The full impact of the distortions that are our legacy is only
beginning to come to light. Within the scope of this paper I can discuss only
a few of the many issues that need to be examined.
We have seen that a metaphor regularly functions as a screen through which
different aspects of the subject under view can be organized, emphasized, or
suppressed. Metaphor theorists often talk about how the metaphor sets the
focus and frame of the subject of discourse. How has the operation of a gendered
reason informed our philosophical understanding of mind and reason? The
general strategy here is to become more consciously aware of the frame by
means of which we construct our problems and theories. By doing so we may
facilitate the dissolution of many of these problems. Here I draw in part upon
what I consider an important aspect of Wittgenstein's philosophical method-
ology. By drawing our attention to somewhat naive images presupposed in our
philosophical questions, he continually prompts us to see-often by means of
the "shock value" of exposing a metaphor-that those presuppositions may be
precisely what is at issue in the problem. Wittgenstein's "therapeutic" approach
includes making us aware of the ways in which our intellectual problems are
often brought about by what he calls our "bewitchment" by language!20 A
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92 Hypatia
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94 Hypatia
over our theorizing about human thought and reasoning. This ideal of an
"abstract" or "universal" reason gives us at best a highly constrained or
distorted view of what we do when we think and act, including-or perhaps
above all-when we think and act well.
More specifically, we have inherited in our philosophical tradition a some-
what impoverished language and discourse, making it difficult to even talk
about what Hume and Baier are suggesting. We have difficulty articulating
what it is to think and act with "imagination as well as logic, rhyme as well as
reason." These terms have been given fairly clear gender alliances in an
oppositional structure nurtured largely by gendered reason's articulated flight
from the emotional, the imaginative, and the natural. The problem here, not
just for our understanding of akratic action but for many of our philosophical
discussions on mind and knowledge, is that we then try to force our analyses
into simplistic and distorted structures-we have to deal with oppositions and
paradoxes that reside primarily in the frame through which we view the
problem. Concerning philosophical debates in this area, then, the feminist
challenge must include the following questions: What sets the frame and focus
of the discussion? Why are certain concepts thought worthy of analysis and
others not? How do certain ideas acquire the status of fundamental notions
and first principles while others are seen as derivative or trivial? Why is a
certain mode of analysis thought to be the ideal, "rational" way to proceed?
With the specific example of akrasia we might ask, why is the "charge of
irrationality" an overarching issue for our understanding of akratic action?
Excepting acts that harm self or others, is it even a general problem that in a
rich life of engagement, change, and surprise we sometimes do things we had
not intended to do or had intended not to do?22 A controlled predictable life
directed mostly by a humorless sovereign reason would in the end be a fairly
dull one!
We next turn our attention to the secondary domain of the metaphorical
structure under discussion. How has the persistent association of maleness with
reason and femaleness with unreason helped constitute our understanding of
male, female and the relationship between these? For a start, there has been a
pernicious blurring of the literal and the metaphorical in claims about women
and rationality-such a blurring is just about inevitable with any powerful
metaphor that captures the imagination and intellect. We can now begin to
understand why philosophers' misogynistic views and their incessant claims
about women's (literal) lesser rationality were often adopted without the
minimal level of scrutiny that these thinkers applied in other areas. Such
claims, though presented as empirical "descriptions" or "findings," surely had
their basis elsewhere. Given a long history of physical and metaphorical
exclusions of women from the domain of the "rational" (as well as the gendered
construction of reason itself), it is questionable whether such claims even make
philosophical sense. What propels the idea that reason is some kind of distinct,
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Phyllis Rooney 95
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96 Hypatia
[Rich 1979; Belenky et al. 1986]). It is not simply a question of whether reason
is good or bad, for, given its history, we hardly know what reason is. A central
issue is that the parameters and politics of "rational" method, discourse, and
voice are defined in ways that still subtly but powerfully diminish women's
voices. Nor is it simply a matter of revaluing that traditionally associated with
the feminine, because the very language of valuation and validation is itself
infected by the metaphorical structure. The continuing feminist struggle to
create a world that encourages women to their full expression in words and
action must be supported by nothing short of the remythologizing of voice and
agency and the remythologizing of reason, emotion, intuition, and nature.
In discussing the historical creation of woman as Other in her introduction
to The Second Sex, Simone de Beauvoir talks about the historical representation
of woman as incidental, as inessential, in opposition to man, the essential, the
subject, the absolute. She then points out:
It has become abundantly clear that our ideas about the differ-
ences between the sexes far exceed what can be traced to mere
biology; that, once formed, these ideas take on a life of their
own-a life sustained by powerful cultural and psychological
forces. . . . The task of explaining the associations between
masculine and scientific thus becomes, short of reverting to an
untenable biological reductionism, the task of understanding
the emotional substructure that links our experience of gender
with our cognitive experience. (1985, 80)
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98 Hypatia
rationality and understanding. We don't have the means to talk about how our
intuitions, impulses, and instincts sometimes bespeak a deeper knowing. And
yet we get the clear sense that the most creative insights in the history of
thought emerge in part out of a special and rare ability to go beyond the
caricatures of such enforced divisions.27
The history of reason, emotion, and imagination has surely been a curious
one. Despite reason's articulated stance of separation from emotion and
imagination, it has embedded itself in an emotional and imaginative substruc-
ture characterized largely by fear of, or aversion to, the "feminine." And so,
allied with its metaphor that has become a myth, there is a sense in which
reason has come full circle. In its attempt to gain distance from myth and fable,
it has propelled itself, not by the power of reason (whatever that would be),
but by the power of a myth.
NOTES
An early version of this paper was presented at the University of Iowa's Project on the
Rhetoric of Inquiry spring 1989 conference Discourse, Rhetoric, and Culture. I would like
to thank Christiane Hartnack, Katherine Hayles, Evelyn Fox Keller, Robert McKim,
Nancey Murphy, Cecilia Ridgeway, and anonymous Hypatia reviewers for helpful com-
ments on an earlier draft of this paper.
1. For useful discussions of the theoretical, social, and political ramifications of the
reason-gender issue, see Harding (1982) and Ruddick (1987). Grimshaw (1986) discusses
the "maleness" of philosophy and reason-see especially her introduction and chaps. 1
and 2. Lloyd (1984) is a central reference for my discussion that follows.
2. I am paying attention particularly to that "grand" sense of reason in our philo-
sophical tradition. Some might claim that my arguments do not affect specific concep-
tions or instances of reasoning and rationality. Though beyond the scope of this paper, I
would argue that the "grand" conception has influenced our thinking about reasoning
and rationality in its specific forms: it influences what we admit as paradigm cases of
reasoning, and it influences the way we conceptualize those processes to ourselves.
3. For an examination of historical philosophical conceptions of "woman," see
Mahowald (1978).
4. Aristotle discusses the Pythagorean table of opposites in his Metaphysics, bk. 1,
chap. 5, 986a-986b (Aristotle 1941, 698-99). See also Whitbeck (1976, 55-60).
5. Aristotle, Metaphysics, bk. 1, chap. 6, 988a (Aristotle 1941, 702); Aristotle,
Generation of Animals, bk. 2, 732aff. (Aristotle 1953, 131ff). See also Lloyd (1984, 2-9).
6. The phrase "emotional substructure," used by Keller ( 1985, 80), is one that I think
is especially useful in describing the workings of these types of metaphors.
7. On the figure of the pair of winged horses and the charioteer, see Phaedrus, secs.
246ff. (Plato 1937, vol. 1, 250ff.) On knowledge and the different forms of love, see
Symposium, especially secs. 209-12 (Plato 1937, vol. 1, 333-35). For further discussion of
this, see Keller (1985, 21-42) and Lloyd (1984, 18-22). Andrea Nye (1990), in her
feminist reading of the history of logic, also explores this weaving of imagery in the ancient
opposition between poetry and logic.
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100 Hypatia
(with its distinction between civic and private realms) rather than through a more explicit
gendering. Hume's view in this respect is not unlike that of Descartes. There has been
much discussion of Hume's seeming inversion of the power relationship between reason
and the passions: "[Reason] is and ought to be nothing but the slave of the passions"
(Treatise of Human Nature, vol. 2, pt. 3, sec. 3). By this he means that the passions supply
the ends, and reason can only work out the means toward those ends. Hume's position
cannot be seen to "solve" many of the central concerns raised in this paper. There is still
a strict division between reason and the passions and they still function in a type of
opposition or battle. And he does not explicitly dissociate reason from maleness and the
passions from femaleness. To suggest that Hume solves the gender issue here is akin to
suggesting that feminism is simply about the battle over who gets to "wear the trousers"
in the household!
20. This approach is well illustrated in Wittgenstein (1953). A large part of this text
is devoted to issues in philosophy of language and mind, with Wittgenstein's continual
promptings about the role of philosophy as a kind of therapy to help us find our way back
out of our intellectual confusions, to help "shew the fly the way out of the fly-bottle."
See, for example, secs. 109ff., 133, 309.
21. Naomi Scheman (1983) discusses this issue with mind, connecting male experi-
ence of individualism with the individualist assumption underlying philosophical
accounts of the nature of the objects of psychology. Nancy Holland (1990) also discusses
this issue, specifically with regard to tendencies toward atomism in Locke's epistemology
and metaphysics. Some may point out that critiques of various versions of atomism are
not new in our philosophical tradition, suggesting that the feminist critique adds nothing
new. I would argue, on the contrary, that insofar as the development of a "problem"
(atomism or whatever) has something to do with gender, class, or race associations, then
that problem cannot be fully understood or resolved until a feminist analysis exposes the
impact of those historical associations.
22. Questions can be raised about specific acts that hurt ourselves or others, acts that
we may not intend and that we later regret. I am not suggesting that there is no problem
with such acts-I don't think that the "problem" of akrasia captures it. (The problem of
akrasia is also generally taken to include acts that would not normally be considered
immoral.) What is suggested, however, is that a deeper understanding of human action,
within the purview of ethics or without, cannot be achieved within a highly individual-
istic, traditionally rationalistic narrative that does not take into account the very social
and changing nature of the individual and of the reasoning processes themselves. With
such an understanding we can also hope to get a clearer picture of which acts are
problematic and why, and which are not. See Baier (1985) and Scheman (1983) for
discussions pointing in this direction.
23. It may be of interest here also to connect the metaphorical workings of an
embattled reason (fending off the unruly impulses and passions) with the metaphorical
structure of argument as war discussed by Lakoff and Johnson (1980, 4-6). In arguments
we adopt positions, attack and defend points, demolish arguments and, and shoot down our
opponents. We might then perhaps better understand the strong hold of the adversary
method in philosophical discussion, often carried on past the point of constructive
dialogue. Janice Moulton (1983) discusses the adversary paradigm in philosophy from a
somewhat different perspective.
24. See Gilligan (1987, 27 and 31). Feminist concerns have been raised about
whether Gilligan's "care perspective" embodies too much of what philosophers have
traditionally said about women as they placed them aside into their special private realm
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Phyllis Rooney 101
with their special "feminine" virtues. See Kittay and Meyers (1987) for helpful discussions
of the philosophical implications of Gilligan's work. I examine this whole issue, paying
particular attention to the implications of gendering (including the gendering of ratio-
nality) in traditional moral theory, in "A Different Differenct Voice: On the Feminist
Challenge in Moral Theory," forthcoming in The Philosophical Forum.
25. Lloyd (1984, 105). Sherry Ortner (1986) strikes a similar theme. She considers it
misguided to "focus only upon women's actual though culturally unrecognized and
unvalued powers in any given society, without first understanding the overarching
ideology and deeper assumptions of the culture that render such powers trivial" (1986,
63).
26. In speaking of "distorted" and "less distorted" conceptions of reason I do not mean
to suggest that there is a true, pure reason that has yet to be discovered-particularly
because such an "ideal" reason, conceptually separable from the more "unruly" aspects of
life and psyche, draws its inspiration from the historical gendering of reason, as argued in
this paper. When I speak about "less distorted" conceptions of reason or reasoning I mean
conceptions that are more empowering of all sentient creatures, that are unifying rather
than divisionary, and that get us into greater connection and understanding with all
aspects of our human thought and experience. Code (1987) stresses this aspect of
maintaining continuity with experience as a necessary part of "epistemic responsibility."
My argument in this paper is about the kind of conceptual, imaginative, and mythological
work that needs to be done as a necessary step toward the elaboration of such conceptions
of reasoning.
27. One of the important developments that is emerging out of feminist philosophy
is a shifting of this gender-oppositional discourse that is our legacy, along with the creation
of new types of discourses. The feminist debate in ethics is contributing to the develop-
ment of a new discourse of moral deliberation, of responsibility, of self, of autonomy, of
agency. See Kittay and Meyers (1987). For a very useful discussion on the possibilities of
reconceptualizing the epistemological import of emotion, seeJaggar (1989). Keller (1983)
has explored a model of empathy as a way of knowing in her biography of Nobel geneticist
Barbara McClintock.
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