Professional Documents
Culture Documents
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GRAMMAR READING/WRITING CULTURE
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SCOPE AND SEQUENCE
CHAPTER COMMUNICATIVE GOALS VOCABULARY
been mentioned
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GRAMMAR READING/WRITING CULTURE
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SCOPE AND SEQUENCE
CHAPTER COMMUNICATIVE GOALS VOCABULARY
❯ Professions and
❯ Talk about likes and occupations 234
dislikes
❯ Work and the
❯ Talk about professions workplace 234
and internships
❯ Talk about things you
had done
reservations
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GRAMMAR READING/WRITING CULTURE
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SCOPE AND SEQUENCE
CHAPTER COMMUNICATIVE GOALS VOCABULARY
❯ Make comparisons
Getty Images
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GRAMMAR READING/WRITING CULTURE
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
SCOPE AND SEQUENCE
Appendices
Appendix A: Avere and essere 432
Appendix B: Verbs conjugated with essere 433
Appendix C: Verbs with irregular past participles 433
Appendix D: Regular verbs: Simple tenses and compound tenses with avere and essere 434
Appendix E: Irregular verbs 435
Appendix F: Verbs and expressions followed by a preposition + infinitive 438
Appendix G: Verbs and expressions followed by a preposition + noun or pronoun 439
Appendix H: Verbs and expressions that require the subjunctive 440
Maps 441
Glossario
Glossario Italiano–Inglese 443
Glossario Inglese–Italiano (Online)
Index 453
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TO THE STUDENT
Piazza: luogo di incontri is intended to bring the life of the piazza and the
region into the classroom by embedding culture in all the activities and providing
opportunities that encourage you to make your own discoveries. Piazza focuses on
learning the language simultaneously with the culture and addresses the interests
of the modern-day student by finding a balance between what is traditionally sound
pedagogy and new ways to present material. We know that you are motivated to
learn how to communicate in Italian, and Piazza is based on an experiential approach
to language instruction that targets real-life communicative and cultural situations.
Through instructional activities that emphasize the interconnectedness between
reading, writing, listening, speaking, and culture, you will have opportunities to
synthesize all skills and to experience the language and culture. It is our goal to
prepare you to communicate in Italian and appreciate the culture as you navigate
your way through the regions and numerous great piazzas of Italy.
ORGANIZATION
Every chapter of Piazza opens with learning strategies that will help you get the
most from your study of Italian. Reading and following these suggestions will
help you to gradually understand and communicate more easily in and out of the
classroom. It is unrealistic to expect your language to be perfect, but these strategies
will help increase your fluency and confidence.
To better understand the layout of the textbook, it is beneficial to spend some time
going over its features. Piazza is composed of 12 chapters. Each chapter follows this
format:
Nel cuore della regione includes colorful photos with captions that highlight unique
and noteworthy information about the region or regions presented in the chapter.
Andiamo in piazza! offers photographs and descriptions that introduce the two
principal piazzas that will be discussed in the chapter in depth.
Vocabolario consists of visual presentations and exercises that provide guided and
pair work opportunities to help you gain an understanding of meaning.
TO THE STUDENT xv
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The dialogues in Lingua dal vivo introduce you to the characters of each chapter
as you follow their activities throughout the day. Simple questions following the
dialogues help you verify comprehension.
Struttura gives details about the new grammatical structures you encountered in the
previous dialogues.
Pratichiamo offers numerous guided exercises that prepare you to better learn the
mechanics and usage of the structure. Open-ended oral activities help you practice
the new language you are learning.
Come si dice? presents useful expressions and/or simple grammatical uses that
require little explanation. you learn their functions and how to use them in context
to facilitate more sophisticated communication.
Leggiamo! includes readings from Italian publications that help you quickly become
more comfortable reading authentic texts. Each reading is preceded by exercises
that will prepare you to understand the text and followed by comprehension
questions and activities.
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
Piazza’s Online Learning Path
The Learning Path is the online guide that helps you become active participants in
the learning process. By becoming more self-reliant, you can achieve success in your
course and also move one step closer to becoming a lifelong learner. Here are the
main steps online:
• Ready!: A short introduction to the main points of each section encourages you
to anticipate and make connections with the new material.
• Learn it!: New thematic vocabulary and structures are presented in the Learn
it! sections. This presentation is followed by a short assessment, allowing
you to work with the material in varied ways as well as check and verify your
comprehension. It is not graded or sent to your instructor.
• Practice it!: These activities make up the majority of your online work, allowing
you to apply the material to real-life scenarios. Activities include matching,
multiple choice, and fill-in-the-blank. The grammar tasks also provide targeted
feedback to assist you.
• Use it!: These activities give you a chance to use what you are learning and to
express yourself creatively in a more personal way. These activities most often
test both written and oral abilities, and can be submitted online or prepared
for class discussion.
• Got it!: This step helps you gauge your understanding of key concepts. You
begin by answering a series of questions to self-assess your command of
each learning objective. If you are not confident in your understanding of a
learning objective, you can review the suggested resources before taking the
assessment. This review is key to building and maintaining your knowledge of
key concepts. It’s also a great way to prepare for a test.
ACKNOWLEDGMENTS
The authors would like to thank the many people at Cengage Learning who shared
our vision for this new project and who helped make it a reality. We would like
to thank Lara Semones for her initial input on this project and for facilitating the
transition to Melody Sorkhabi who then guided us through the details of this
process. We appreciate Melody’s spirit of compromise by being open to our ideas
and working with us to find solutions. We would like to thank the many other
people who helped with the design, production, and art, for their innovative
and creative contributions. In particular, we thank the digital production team at
Cengage that builds the MindTap product.
TO THE STUDENT x v i i
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
We would especially like to thank Antonella Dell’Anna, University of Arizona,
Tempe, for her invaluable contribution and expertise in writing exercises for the
MindTap Program. Her work with the Pratichiamo! sections provides creative
additional exercises with varying formats to increase learning and fluency. Her
collegiality during this sometimes stressful process and her professionalism in
working under many deadlines is very much appreciated.
A very special thanks goes to our Content Manager, Brianna Bemel, and our Subject
Matter Expert, Lori Mele Hawke, for their expert editorial suggestions and unending
patience as we worked to develop the new MindTap program and improve the
second edition of Piazza. We couldn’t have done it without them. They both provided
critical guidance and feedback on our work and above all demonstrated kindness and
understanding. For their hard work and professionalism, we are most grateful.
A number of people helped perfect our manuscripts and we thank them all.
Annalisa Mosca was a particularly fine proofreader who showed great attention to
detail. Stephanie Longo did an excellent job as a copyeditor. Laura Gagliardi was our
native reader whose expertise was invaluable. All of these people worked hard to
help us, and we recognize and appreciate their efforts.
Donatella would like to thank Elissa Tognozzi for being such a great companion on this
long journey. Her professionalism, dedication and patience were invaluable and greatly
appreciated. She would also like to thank all her colleagues for their precious advice and
support. Elissa would like to thank Donatella as we move into this second edition. Her
insights, her talent, her sense of humor, and her support, kept us both going when we
needed it most. Elissa and Donatella would like to thank Elissa’s son, Anthony Jondreau,
for his help with the MindTap program. His contribution made our work a lot easier.
The authors and publisher would like to thank the following colleagues for their meaningful
contributions to the first and second edition of Piazza.
WRITERS
Melina Masterson, U of Lucia Ghezzi, Fashion Institute of Denise Caterinacci, Case Western
Massachusetts-Amherst, Technology, Native Read and Reserve U, Testing Program
Testing Program & MindTap Copy Edit Brian Barone, U of Central Florida,
Assessments Alessandro Zafarana, Laura Testing Program
Annalisa Mosca, Purdue U, Copy Gagliardi, Native Read and Copy Sabina Perrino, U of Michigan,
Edit Edit Testing Program
The authors and publisher would like to acknowledge the work of the many reviewers who
have provided insightful comments and constructive criticism for the first and second edition
of Piazza.
x v i i i TO THE STUDENT
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ADVISORY BOARD MEMBERS
Brunella Windsor, California State U, Chico Nicoletta Tinozzi Mehrmand, U of California, Riverside
Elise Magistro, Scripps College Alessia Colarossi, U of Florida
Maria Keyes, SUNY - Albany Tiziana Serafini, U of Wisconsin - Madison
Copyright 2020 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
Antonella Bassi, U of California, Davis, Reviewer Maria Belaustegui, U of Missouri Kansas City, Reviewer
Brittany Asaro, U of California, Los Angeles (UCLA), Reviewer Jessica Greenfield, U of North Texas, Reviewer
Sara Guzzetti-Saposnik, U of California, Los Angeles Alessia Blad, U of Notre Dame, Reviewer
(UCLA), Reviewer Veronica Dristas, U of Pittsburgh, Reviewer
Ambra Meda, U of Central Florida, Reviewer Lorraine Denman, U of Pittsburgh, Reviewer
Maria Grazia Novelli Spina, U of Central Florida, Reviewer Francesca Italiano, U of Southern California, Reviewer
Mary Watt, U of Florida, Reviewer Renee D’Elia-Zunino, U of Tennessee, Reviewer
Guido Carlo Pigliasco, U of Hawaii, Reviewer Giuseppe Tassone, U of Washington, Reviewer
Jan Kozman, U of Kansas, Reviewer Elena Bender, U of Wisc., Madison, Reviewer
Frank Nuessel, U of Louisville, Reviewer Silvia Giorgini-Althoen, Wayne State U, Reviewer
xx TO THE STUDENT
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DEDICATION
E.T.
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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
CAPITOLO 1
LEARNING STRATEGY
Building a Foundation
Language learning is an ongoing process based on the mastery of a sequence of skills acquired in a
variety of settings, some formal, some informal. Language learning is also cumulative. You will continue
to build your understanding of the language as you proceed through this text by practicing previously
learned concepts with new material. Make sure you understand any new material before going forward
so that you build accurate language skills. In the beginning, especially, set reasonable goals for yourself.
No one learns a language overnight, but you can attain fluency if you continue to take the right steps!
2 due CAPITOLO 1
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IN PIAZZA CON GLI AMICI
Lucertolone / Shutterstock.com
Piazza Navona, at one time a stadium that would be filled with
water and used for naval war games, is today one of the most
revered Roman piazzas. At the center of the piazza is the famous
Fountain of the Four Rivers by Gian Lorenzo Bernini, a Baroque
architect and sculptor.
COMMUNICATIVE GOALS
❯❯Greet others, introduce yourself, and say good-bye
❯❯Learn the Italian alphabet, sounds, and pronunciation
❯❯Exchange personal information and ask about one’s well-being
❯❯Ask and answer questions about objects in the piazza
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the blind, and the ignorant, metaphorically speaking. Papa brought
them home and mamma took pity on them. Now it was Becky Sill, a
great, overgrown girl of sixteen, whose intemperate father had just
died in the poorhouse, where the three younger children—boys—
were waiting for a chance to be put out to the farmers.
“Look at this ’ere floor, Miss Rose! I’ve scrubbed it white as snow.
And I’ve been a peelin’ of pertaters.”
“This floor is sufficient, Becky; and peeling, and potatoes.”
“O, law, you’re just like your mother. Some people are born ladies
and have fine ways. I wasn’t.”
“You have been very industrious,” I returned, cheerfully; and then I
went at the dinner.
The hungry, noisy troop came home from school. What if they
were all boys!
Do you want a photograph of us? I was past seventeen, not very
tall, with a round sort of figure, and dimples everywhere in my face,
where one could have been put by accident or design. My skin was
fair, my hair—that was my sore point. I may as well tell the truth; it
was red, a sort of deep mahogany red, and curled. My features were
just passable. So, you see, I was not likely to set up for a beauty.
Fan was sixteen, taller than I, slender, blonde, with saucy blue eyes
and golden hair, and given to rather coquettish ways. Nelly was
fourteen, almost as tall as I, with papa’s gray eyes,—only hers had a
violet tint,—and mamma’s dark hair. Daisy was next, eleven, and on
the blonde order. Lily, whose name was Elizabeth, and Tim, aged
seven. Her real cognomen was Gertrude; but we began to call her
Tiny Tim, and the name, somehow stuck to her. What a host of girls,
to be sure!
“Papa,” I said that evening, going to the study for a good night
kiss, where he was writing in the quiet,—“papa, are you sorry to
have so many girls?”
I had been exercised on the subject all day, and I wanted to
dispose of it before I slept.
“Why, my dear! no;” with a sweet gravity.
“But, papa,”—and I stumbled a little,—“it isn’t likely that—that—we
shall all—get married—”
I could not proceed any farther, and hid my face on his shoulder.
“Married! What ever put such an absurd idea into your head,
Rosalind? A parcel of children—married!”
I knew papa was displeased, or he would never have called me
Rosalind.
“O, dear papa, don’t be angry!” I cried. “I was not thinking of being
married, I’m sure. I don’t believe any one will ever like me very
much, because my hair is red, and I may be fat as Mrs. Downs. And
if I should be an old maid,—and I know I shall,—I want you to love
me a little; and if I’m queer and fussy, and all that, you must be
patient with me. I will try to do my best always.”
“My dear darling! what a foolish little thing you are! Some of the
old women have been talking to you, I know. I shall certainly have to
turn the barrel upside down, and find the sermon on bridling the
tongue. You are all little girls, and I will not have the bloom rudely
rubbed off of my peaches. There don’t cry about it;” and he kissed
my wet face so tenderly that I did cry more than ever.
“My little girl, I want us to have a good many years of happiness
together,” he said, with solemn tenderness. “Put all these things out
of your head, and love your mother and me, and do your duty in that
state of life to which it shall please God to call you. I want you to be
like Martin Luther’s bird, who sat on the tree and sang, and let God
think for him. And now, run to bed, for I wish to finish this sermon
while I am in the humor.”
I kissed him many, many times. I was so sure of his sweet, never-
failing love. And I suppose fathers and mothers never do get tired of
us!
CHAPTER II.