Preview Script

Daughters of Eve
by

Tom Casling
Daughters Of Eve
by Tom Casling

© Tom Casling, 2017. All Rights Reserved

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Publication History:
November 2019 : First Edition

Type: Drama
Length: Full Length
Cast: 6f, 3m/f
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PW-0525 Rev A
Characters (6f, 3m/f)
Principals (6f)
• Ginny - 50s, a retired teacher married to John
• Sandra - 45-50, a religious sister
• Tesss - 45-50, a feminist, activist, lecturer
• Liz - a model and ‘it’ girl
• Pauline - 45-50, a full-time housewife and mother of two
• Becki - 30s, a mum-to-be
Support (3m/f)
• Paramedic 1 and 2 (m/f)
• Police Officer (m/f) Could be unseen
• Pizza Delivery (m/f) Could be unseen
Time
A Bank Holiday weekend in August 2012
Set
The action takes place in a comfortably furnished, but isolated, country lodge. There are three doors; one
DSL (the main entrance), one US off-centre (leading to the bedroom), and one DSR (to the kitchen). The
Lodge has two large comfortable sofas and a large screen TV central to the action. If a large screen TV is
not available, then the audience become the TV area. Around the room are various smaller tables and
sideboards. A coffee table sits between the sofas. A guitar is in evidence throughout the show, leaning
against the wall.
Scene Run
Act 1
Scene 1 8pm, Friday Night at Dorney Cottage
Scene 2 7am, Saturday morning
Scene 3 3pm, Saturday afternoon
Scene 4 1 hour later
Act 2
Scene 1 8am, Sunday Morning
Scene 2 1pm, Sunday Afternoon
Scene 3 7pm, Sunday Evening

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ACT ONE
Scene 1
7.30pm on Friday evening. At rise, Ginny, the organiser, is discovered. She is bringing nibbles in and placing them
strategically around the room. She wears a pinny and is clearly trying to create a good impression for her guests.
Ginny (Looking round the room). Glasses, wine glasses… I’ve forgotten the wine glasses. (She exits
and returns carrying a tray of glasses. As she places them on the coffee table FX/SFX: the doorbell
rings. She looks surprised, takes off her pinny and straightens her hair). Goodness, someone’s
early. (She goes to the main door and opens it, to reveal Sandra). Sandra, come in… goodness,
you’re wet through. Let me take your coat… leave your bag there.
Sandra (Removing her coat, revealing the garb of a religious sister). Hello Ginny. It’s nice to see you
again.
Ginny It’s nice to see you too. Let me get you a towel, you’re soaked through.
Sandra I managed to get a lift to the station, but I walked the last mile.
Ginny I forgot you don’t drive. I should have remembered. I’m cross with myself, now.
Sandra Don’t be. It was quite a nice walk.
Ginny But you’re soaked.
Sandra (In a good natured way as if nothing is any trouble). Yes, well; it was quite a nice walk, apart
for the rain.
Ginny Do you want to go and get changed?
Sandra Yes please. I think something drier and less formal might be in order.
Ginny I’ll make you a hot drink.
Sandra Thank you.
Ginny You’re in your usual room.
Sandra Thank you.
FX/SFX: the doorbell rings again.
Ginny Off you go then, you’ll catch pneumonia.
Sandra I won’t be long. (She exits).
Ginny (Opening the main door). Pauline, do come in. Aand Becki, forgive me; I didn’t see you there.
Becki You have to be joking, look at the size of me.
Ginny Oh my goodness, you’re pregnant! You didn’t say.
Pauline That’s what I said.
Ginny (To Becki). But I thought …
Pauline (To Ginny). IVF.
Ginny IVF?
Becki In Vitro Fertilization.
Ginny (Being prim and proper and a very private person She appears shocked as if Becki has said a rude
word). I see, well I…
Becki (Interrupting). I wanted to surprise you all.
Ginny Well, you have. When is it due?
Becki I’m thirty-six weeks.
Ginny Should you be here?
Becki I’m pregnant, not ill.
Ginny No I meant…
Becki It’s not due for another few weeks. I think I’ll survive the weekend.
Pauline It’s nice to see you again, Ginny.
Ginny Sorry, I’m forgetting my manners. Come in, give me your coats.
Pauline Are we the first?
Ginny Oh, no, Sandra’s here. She’s upstairs. She’s wet through. She walked from the station.
Becki Whatever for? One of us could have picked her up.
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Pauline You know Sandra… too proud to ask.
Ginny I was about to make her a hot drink, would either of you like one?
Pauline Ooh, yes. Tea, please, White, no sugar.
Becki Yes please, the same for me, but three sugars.
Ginny Three?
Becki I know, I’m trying to cut down.
Ginny Make yourselves at home, you know the drill, the rooms are as normal. (She exits).
Pauline You sit down and take the weight of your stomach. I’ll take the bags up.
Becki Thanks, Pauline, you’re a mate. (Pauline exits to the bedrooms whilst she wanders around
looking at things: photos, trophy’s etc. As she does so FX/SFX: the doorbell rings. Shouting
through to Ginny). I’ll get it. (She opens the door to reveal a masculine-looking female). Tess,
how nice to see you. I thought it might be you.
Tess What, no Ginny?
Becki She’s making drinks.
Tess Good, mine’s a whisky.
Becki Hot drinks?
Tess Then I’ll have a tea (beat) with a whisky in it.
Becki Oh Tess!
Tess Tell me that you’ve just put on a bit of weight.
Becki I’m pregnant.
Tess Why? Haven’t I taught you anything?
Becki I want to be pregnant.
Tess Do you mean you want to be pregnant or that you want a child?
Becki Good point. (Pause) Do you know if pregnancy causes haemorrhoids?
Tess Being pregnant means that you can blame everything on your condition.
Ginny (Entering, carrying four cups). Theresa, you’ve come, can’t I get you a drink?
Tess Yes thank you. I’d like a …
Becki Tea, she’d like a tea, I was just going to go through and make her one.
Ginny You sit down and … rest. I’ll do it.
Tess Beside it’s only a small kitchen, with narrow doors.
Becki (Jokingly to Tess). Bitch.
Tess (Smiling). Absolutely. Who else is here?
Becki So far: me, you, Ginny, Pauline and Sandra. Liz is expected, but I got a text saying she
may be late.
Tess Nothing new there, then.
Becki She’s a busy woman.
Tess Why do you say that?
Becki What?
Tess She’s a busy woman. We’re all busy, or can be. Why do you need to qualify it by saying
‘woman’?
Sandra and Pauline enter. Sandra moves to Becki, embracing her.
Sandra Becki, oh my goodness just look at you. You look radiant.
Becki (Genuinely pleased). Thank you… although I don’t feel it.
Pauline (Going over to Tess). Tess, how are you? I’m pleased you came.
Tess I nearly didn’t. As I said last year, I couldn’t see any value in continuing to meet.
Sandra Oh, Tess; it’s a tradition. We’ve met up now for the last fifteen years.
Becki Is that how long we’ve been meeting?
Pauline I look forward to it. It’s my annual escape from the kids, and Bob.
Tess Well, I’m here. Let’s see how it goes, eh?
Sandra So we’re only one short.

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Becki Liz is coming; she’s just going to be late.
Pauline Did she give a time?
Becki No, she just said it would be later in the evening. But its eight o’clock now!
Ginny OK, then; let’s get down to business. Grab a seat and I’ll go through the itinerary for the
weekend. Then we can have a bite to eat and an early night. How does that sound? (They
all take a seat). OK… well, as is our norm, I’ve managed to organise a schedule that is both
fun and challenging. I’ve also tried to allow time for us to talk and spend time with each
other. Here’s the schedule. We all take turns in the kitchen, cooking, and cleaning the
communal areas.
Pauline Which means we all take turns and no leaving it all to Ginny.
Tess I suppose that’s meant for me.
Pauline No it’s just that Ginny ends up doing everything, and we need to share the responsibilities.
It’s a break for her too.
Becki I’ll try, but I can’t promise too much. It depends on how I feel. I tire easily these days.
Tess You always did.
They all laugh.
Becki Meanies.
Ginny Right then, first things first. (She points a remote control at the TV/Music System and an old
school song starts. They all pick up the refrain and join in and clap when it comes to an end). OK,
later on tonight I’ve organised pizza and a movie.
Pauline Oh… did you get it?
Tess Get what? Which one have you brought?
Ginny Well, yes… I did, but I wasn’t sure how appropriate it was.
Becki Appropriate?
Ginny For Sandra, her being religious
Tess How does being religious affect watching a movie
Ginny Well you know scenes with S-E-X in it.
Tess Oh great, so let’s spell it out, because religious people can’t spell.
Sandra Being a nun doesn’t shield me from the ways of the world. Anyway, chances are that I’ve
seen it. What is it?
Pauline ‘Dirty Dancing’ with Patrick Swarthy (They all laugh). What’s the matter? What have I said?
Becki ‘Swayze’, his names ‘Swayze’… Patrick Swayze.
Pauline Honestly, Ginny; you’re one of life’s innocents, never mind Sandra.
Ginny I admit it, John and I have led a sheltered life, but it works for us. We’ve had no need for
all this modern stuff; I have him and he has me. It’s enough for us and we’ve been happy.
Tess It’s all conditioning.
Ginny What is?
Tess All this relationship stuff for better or worse in sickness and in health till death do us part.
St Ginny and St Bloody John… patron saints of the perfect marriage!
Pauline I don’t agree. Take no notice of her, Ginny, she’s just being mean. (To Tess). Haven’t you
ever met anyone you want to spend the rest of your life with? You know a partner… I
mean even… well, even people of your persuasion must…
Tess (Interrupting). My persuasion! God, after all this time you still can’t say it, can you? Any of
you. I’m gay. It’s not a life choice or a phase or a condition; I am attracted to women, not
men.
Pauline I was just trying to say…
Tess We’re all different. Don’t you get it? No one is right or wrong. No way is right or wrong.
Sandra, in the words of Theseus to Hermia in ‘A Midsummer’s Night Dream’, has chosen
‘to abjure the society of men’. Ginny is monogamous; Becki has chosen to live with her
partner, rather than marry him, and to have a child out of wedlock; and Pauline… well,
Pauline steals other people partners, apparently. Then there’s Liz, the trophy queen.

3
Pauline What do you mean: “steals other people’s partners”?
Tess Oh, let’s not get all self-righteous here. But wasn’t Bob happily married when you met
him.
Pauline You cow. We’ve been together for years now, we have two beautiful children.
Tess So did his previous wife.
Pauline (Jumping up). Why you… I ought to…
Tess Ought to what?
Ginny No, Pauline, please… she doesn’t mean it.
Tess Don’t I?
Ginny No you don’t, Tess.
Sandra (Trying to defuse the situation). you’re quite wrong you know.
Tess About what?
Sandra I haven’t chosen ‘to abjure the society of men’. I’m a nun, a religious sister. I haven’t
rejected life. In joining the society, I chose to embrace life in all its fullness.
Tess Yeah, right. You haven’t embraced a man in your life. You’d run a mile. The only thing
you’ve embraced is the hogwash the Church teaches you. Even as a kid at school you
didn’t fit in. That’s why you’ve ended up as you have.
Ginny That’s enough, Tess.
Tess All I’m saying is that…
Ginny (Interrupting). No, Tess. I said that’s enough. We’ve only been together a short while and
already you’ve had a go at everybody.
Tess Had a go… I don’t believe this. I told you all last time that this was a mistake. I obviously
shouldn’t have come. (She gets angry and rises). Perhaps I should leave.
Ginny Perhaps you should calm down.
Tess I’m going to my room.
Pauline Don’t let us stop you.
Ginny Pauline, please… this isn’t helping.
Tess exits, storming out. Becki is crying quietly and Pauline notices.
Pauline Hey, hey what’s the matter with you? Don’t let all this commotion upset you. It will upset
your baby, and you don’t want that, do you?
Becki Do you think we should be married, Peter and me? She might be right. We’re bringing a
child up out of wedlock.
Ginny You’re bringing a child up in a loving relationship. What more could any child want or
need, especially in today’s world.
Becki Thank you, Ginny.
Ginny That’s all right, love. I meant it. Pauline, why not get everyone a stiff drink and I’ll go and
see Tess.
Becki Not for me.
Ginny No, love, of course not. Perhaps a hot chocolate with extra sugar for you.
Becki You’d better make it a double.
Pauline I’ll do it.
Sandra Do you want me to come up with you and talk to Tess.
Pauline No thanks, Sandra, I can manage. I’m used to her.
Ginny exits upstairs and Pauline exits to the Kitchen. Sandra moves towards Becki and snuggles up.
Sandra Do you think this counts as ‘embracing someone’?
Becki (Giggling). Yes, but it probably makes you a lesbian, though.
Sandra (In mock horror, laughing). Oh no!
Becki Is she right, Sandra?
Sandra Who?
Becki Tess… about the rest of us.
4
Sandra Yes and no. Sometimes when she goes off on one like that she makes me think.
Becki How do you mean?
Sandra Well, Tess and I are similar in many ways. She’s right, I didn’t fit in at school, and neither
did she. We weren’t interested in fashion, boys, materialism… the things we should have
been interested in. Oh, don’t get me wrong, I wanted to fit in and I tried, but it only made
me feel awkward and gawky. Do you know what I mean? The things that looked good on
the other girls looked stupid on me. When I wore make-up I felt like a clown. I couldn’t
dance, didn’t understand music, and if a boy gave me a second look, I felt extremely
uncomfortable.
Becki Was there ever anyone?
Sandra Oh yes, once. But the thing that attracted us to each other were the differences I’ve just
explained. He felt the same within his own peer group. We thought we’d found what was
missing in each other’s company, but we hadn’t… we just found companionship and a
mutual appreciation of how isolated we felt. When I joined the order it all became clear, I
kind of fitted… for the first time in my life. Do you know what I mean?
Becki I think so. It’s like I felt when I met Peter; like we’d always belonged.
Sandra Yes, that’s it. In many ways Tess and myself are not too dissimilar. We both prefer the
company of other women. We’re not caught up by the trappings of life. We didn’t fit, so
we chose other options.
Becki You haven’t mentioned God, though.
Sandra No, I haven’t, have I? And that’s were Tess and myself differ. She’s a confirmed atheist
and I’m a believer, although sometimes I wonder.
Pauline (Entering with the drinks). One hot chocolate and one red wine.
Becki Aren’t you having one?
Pauline I thought I would wait for Ginny, maybe see how Tess is.
Sandra Good idea.
Ginny enters.
Pauline How is she?
Ginny Angry, but more with herself than anyone else I think. It’s been building for some time
now. Every year she turns up here and every year she is adamant that she doesn’t want to
be here. Something draws her, though. She’s agreed to stay. She’s going to have an early
night and see us all tomorrow. She’ll probably feel sheepish, so anything you can do to
help…
Sandra We’ll all try extra hard, Ginny, and thanks for organising all this.
Pauline In some ways I can understand her, you know. We all go way back. We’ve been friends
since school and I always tell myself I won’t come this year and that I’ll cancel, and…
here I am. Are you all right, Ginny?
Ginny I’m fine; I shouldn’t wind her up like that.
Sandra Like what? You didn’t do anything.
Ginny Yes, I did. I went on about John and how happy we are together and what a great life I
have. It was insensitive of me.
Pauline I think I was to blame by not knowing the right terminology to use. I know she’s gay but
it’s like walking on eggshells sometimes, trying not to offend her.
Ginny Would anyone like any food? I have snacks prepared but what with all the upset, I forgot.
(FX/SFX: the doorbell rings). Oh, that’ll be Liz. (She gets up to answer the door).
Police Officer Excuse me, madam, but do you know an Elizabeth Kirwin?
Ginny Yes, she’s a friend of ours. Is everything all right?
Police Officer We have her in the car, madam. She appears quite distressed. When we picked her up she
give us this address.
The women all rise and crowd around the door.
Pauline What is it? Is everything all right?
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Becki Ginny… can we help?
Sandra Has there been an accident?
Ginny I’ll come with you, Officer, and help.
Police Officer Thank you, madam, she’s quite distraught… we were concerned for her well-being.
Fade to black.
Scene 2
At rise it is the same scene as the night before. The room, though, is dishevelled. Some brightly coloured luggage,
belonging to Liz is beside the wall near the front door. It is early morning but it has clearly been a late night.
Ginny is clearing the room trying to make it slightly more presentable as Pauline comes down. Pauline and Ginny
are in dressing gowns.
Pauline Morning, Ginny
Ginny Morning, Pauline.
Pauline Quite an eventful evening.
Ginny Yes.
Pauline What time did you finally get to bed?
Ginny Oh, about two o’clock. She cried herself to sleep so I covered her over and left.
Pauline Do we know what happened?
Ginny No, not really, but I suspect from the state she was in last night and the little she could say
coherently, it was to do with some man in her life, and a break-up.
Pauline Nothing new there, then.
Ginny There does seem to be a pattern.
Pauline Am I the first up?
Ginny No, Sandra has gone for a walk. Tess is keeping a low profile I heard her moving about
but thought it best to leave her to herself. What about Becki?
Pauline Fast asleep, bless her, probably for the best. Do you need a hand?
Ginny That would be nice I thought perhaps we could do some muffins or croissants as people
get up. We could ease ourselves into the morning and let people do their own thing; that
way, people won’t feel obliged to talk to each other unless they want to.
Pauline Good idea.
Sandra (Entering, having completed her walk). Morning, you two. It’s a beautiful day out there. I’d
recommend a walk if you get the opportunity.
Ginny We were just suggesting something similar to give people the chance of company or space
depending on how they feel
Pauline Would you like a croissant?
Sandra That sounds great, but I’ll get my own and have a tidy round, why don’t you two take the
opportunity to get ready and I’ll sort out breakfast.
Pauline Come on, Ginny. We don’t get many offers like that.
Pauline and Ginny make to exit.
Sandra Tea all right?
Pauline That would be wonderful. (She exits upstairs).
Ginny Green tea for me if you don’t mind. (She picks up Liz’s bags). I’d better take these up. She
hates to make a show without a full set of make-up. (She exits, upstairs).
Sandra takes on the mantle of tidying up. As she does so her demeanour shows that she is quite content with life.
During the course of this, Tess enters from upstairs.
Tess Morning.
Sandra Morning, Tess.
Tess Bit of a commotion last night.
Sandra Are you referring to yourself, or the arrival of Liz
Tess Both, I suppose.
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Sandra Are you all right?
Tess Yes, I am now.
Sandra Do you want to talk about it?
Tess What’s to talk about? It was what it was.
Sandra I guess so.
Tess I’m sorry for what I said about you. I didn’t mean it.
Sandra (Laughing, good-naturedly). Yes, you did.
Tess Yes I did, didn’t I? I’ve thought it for a while and when I lose control things just come out.
Sandra It’s fine. There was some truth in what you said. I question myself all the time. Am I
doing the right thing? Am I running away from life and the things I find difficult? Should I
marry… have children? You didn’t say anything I don’t ask myself on a daily basis.
Tess And what do you answer to yourself?
Sandra Ah, well… that can depend on what kind of day I’m having or what’s going on in my life
at that moment in time.
Tess Sounds a bit like me, without the God bit.
Sandra Yes.
Tess Sandra… (Pause). What’s it about?
Sandra What? What’s what about?
Tess Life.
Sandra Well, that’s a bit of a giant question for this early in the morning. I hope you’ll forgive me
if I don’t try to answer it right here and now.
Tess (Smiling). Sometimes it just all seems too much. Do you know what I mean?
Sandra Yes I do. But it beats death.
Tess Does it?
Sandra Oh my goodness! (She stares at Tess) Tess, I’m sorry; how flippant of me.
Tess Don’t be going all religious on me now.
Sandra No…. Look I have a friend who is a good counsellor. She works specifically with females;
she’s good, I could ask her to…
Tess To what? To talk to me? I don’t do talking. You should know that… especially to
strangers.
Sandra No I just thought you were… Well, when you said…
Tess Suicidal? No, I love life too much. I’m just on a bit of a downer at the moment. I’ve got
some problems I need to sort out.
Sandra Talk to me, Tess, Whatever you say stays between us. If you can’t talk to me, who can you
talk to? We’ve known each other since school.
Tess (Changing the subject). Is Liz OK?
Sandra I’m not sure. She was quite upset. She wasn’t making much sense last night.
Tess She doesn’t make sense, full stop.
Sandra Why do you say that? What is it about you and Liz?
Tess You have to ask? She’s everything thing I hate about society’s idea of women. She’s
obsessed with looks, fashion, make-up, size, weight… She’s a human clothes-horse. She
gives women a bad name. She’s bought into all that crap about what women are or should
be. We’re complete opposites.
Sandra Yes, but she’s always been like that; she’s no different from lots of other women.
Tess And that’s supposed to make it all right?
Sandra What’s wrong, Tess? Something is clearly wrong. You need to talk to someone and
knowing you there aren’t a lot of options. You can choose to keep it to yourself or you can
talk to someone. Talk to me. (Tess hesitates, then takes a letter from her pocket and passes it to
Sandra, remaining composed and silent. Reading the letter, her face changes, then she puts the
letter down on the Sofa absent-mindedly, disturbed by its contents). Oh Tess, I’m sorry.
Tess Don’t pity me, please, Sandra, I couldn’t cope with it if you pitied me.
Sandra No, sorry, you’re right. Is there any treatment available?
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Tess No.
Sandra What’s the prognosis?
Tess Poor.
Sandra Have they…
Tess Do you mean how long..? It’s OK you can say it.. I don’t know. The only thing I do know
is I won’t be at next year’s reunion.
Sandra Oh, Tess… I don’t know what to say. You have to tell people, you have to tell the girls.
Tess I will, but not yet, I need you to keep it to yourself
Sandra Yes, of course.
Tess There is nothing to say.
Sandra No.
Tess I envy you, you know.
Sandra Me?
Tess Yes, your belief. It’s never been an issue before. For me, it’s always been about the here
and now. People like you, though, believe in something beyond the here and now and that
must be quite comforting. I’ve tried to believe and I’ve spent the last few months wanting
to believe so that it’s not so final. Do you understand that?
Sandra Yes I do, and thank you for saying it. It puts things in perspective for me. I don’t always
have such a strong belief as you say. In fact part of my reason for coming here was to try
and regain something I felt I’d lost. Your comments last night were harsh, but only
because you said things I’d been telling myself.
Tess Don’t take any notice of me I’m just a frustrated old dyke who can’t find love.
Sandra It’s funny you should say that, because that’s what I told them last night when you
stormed out.
Tess You cheeky bugger!
Sandra No, I didn’t, really. (Pause, tongue in cheek). I could give you a hug if you don’t
misinterpret it.
Tess Don’t worry you’re not my type.
Sandra (She hugs Tess). Oh yes, and what is your type?
Tess (With a strange look on her face). You’d be surprised; another time, maybe. That’s enough
sharing for one day. People will think I’m soft if they find out.
Sandra Do you fancy a walk?
Tess A walk?
Sandra Yes… I’ve just been for one, but I don’t mind another. I find the outdoors quite uplifting
at this time of the morning.
Tess OK, will I need a coat?
Sandra No, it’s quite mild, so let’s get out before everyone wakes up. We won’t go far.
Tess and Sandra exit, laughing. As they leave Pauline and Ginny enter, now fully dressed.
Pauline Sandra doesn’t seem to have made much progress. Come on, I’ll give you a hand or
nothing will ever get done. (They tidy around). So much for tea and croissants.
Ginny Never mind, we’ll make our own.
Pauline Did you look in on Liz.
Ginny Yes, not much change there. I took her case up. She grabbed her make-up bag like a man
would grab his life-jacket on a sinking ship.
Pauline Bless her. She’s nothing without her face on, is she?
Ginny So she would have us believe, but I think she’s made of sterner stuff.
Pauline I hope so… looks like she’s going to need to be.
Ginny Do you mind if I give John a ring. I try to ring him each day if we’re apart.
Pauline No, please do.

8
Ginny He’s a good man, always has been. He’s always been solid and reliable. When I look
around at the others, I can’t help feeling that their lives would be so different if they had a
similar relationship.
Pauline Thanks for that.
Ginny Oh, I wasn’t meaning you, dear, although until you met Bob you were a bit of a lost soul,
yourself. Do you remember?
Pauline I do, and you’re right. I know I went through a number of disastrous relationships in my
time. I wouldn’t go back there for the world, but I’m not complacent. Men are a breed
apart. Just when you think you know them they drop a little bombshell. I really feel for
Liz, she leaves herself wide open.
Ginny Yes. I know what you mean. (She takes her phone and rings her husband) … … Hi, John, it’s
me … … Yes everything’s fine, love … … Yes, everyone arrived all right … … Yes,
even Tess … … I know that’s what we thought but she came … … Yes, Liz is here.
She’s a bit of a mess though … … Sorry, yes I’ll pass on your love to her … … OK, to all
of them … … Look, I’d better go, I’ll fill you in when I see you. Remember, I’ve cooked
various meals and labelled them with instructions. They’re all in the freezer so you just
pop them in the microwave for the time I’ve written on the lids … … OK, well I’ll see
you in a few day’s time … … Yes, bye love, bye. (She ends the call).
Pauline Everything all right.
Ginny Yes, he just worries about you all. He sees you as an extended family.
Pauline Did you never want children, Ginny?
Ginny We couldn’t, and MFI didn’t exist then.
Pauline I think you mean IVF!
Ginny Whatever. I was just thinking when Becki arrived the other day, how things have changed.
Pauline Yes, her and Peter were desperate for a child. She was telling me how although she loves
Peter, something was missing. She desperately wants a child.
Ginny Yes, I know. John and myself thought about adopting but we decided that it wasn’t to be.
If we weren’t able to have children then we would take that as a sign. Instead we just
devoted ourselves to each other. I have to say that it’s proved to be the right thing for us.
Becki (Entering). Morning, everyone. Sorry I overslept. I don’t seem to have any energy these
days.
Ginny Morning, love. You take all the sleep you need.
Becki (Giving an exaggerated twirl). Does this look all right? I can’t find anything decent to wear
at the moment. I just feel like a beached whale.
Pauline You look great, stop worrying.
Becki I thought I might ask Liz for some advice. She always looks stunning and has such good
ideas for outfits.
Ginny I would go easy there, pet, let’s see how things are.
Becki Yes, of course; I forgot.
Ginny I might pop up and see if she wants a cup of tea or anything and then we could go for that
walk.
Pauline Oh, that sounds like a nice idea. We could have breakfast when we get back.
Becki Do you mind if I don’t come with you. Walking isn’t my strongest discipline at the
moment.
Ginny Oh, sorry, Becki, that was thoughtless of me. We can stay and have breakfast together…
al-fresco if you want.
Becki No, please you go for your walk. I could do with chilling out, slobbing around for a while,
if you don’t mind. In fact if you want to get away I’ll take Liz her tea up. (Pause). It’s all
right… I’ll be discreet. Just because I’m the youngest, doesn’t mean I lack tact.
Pauline Come on Ginny. That’s us being told.
Pauline and Ginny get their coats and exit. Becki exits into the Kitchen and enters carrying a cup of tea.

9
Becki (Tasting the tea and grimacing). Urgh! Cold tea. Still, beggars can’t be choosers. (She moves
further into the room and sees Tess’s letter on the sofa. She picks it up as a matter of course,
glances at it, folds it as if to put it away on a shelf, but then stops and looks at it again).
Liz (Entering, looking extremely glamorous). Where is everyone?
Becki Out walking, I think. At least Pauline and Ginny are, and Sandra always does… it’s part of
her morning routine. So, it’s just me and you, oh, and Tess.
Liz (Throughout the next conversation she touches up her make up and the way she looks). Oh,
God… just when you think it can’t get any worse, there’s Tess.
Becki She’s not that bad. (Liz stares at her incredulously as if to say ‘Oh yes, she is’). Well, you know
what I mean.
Liz I didn’t see her last night.
Becki I don’t think you were in a state to see anything when you arrived. Anyway, she was in her
room.
Liz Yes sorry about last night; momentary lapse of composure. I noticed one thing, though…
you’re pregnant.
Becki IVF. Peter and I didn’t hold out a lot of hope, but it happened first time.
Liz Well, congratulations. You do know however that this is going to totally change your life.
Becki Yes.
Liz Well good luck with that. It’s not for me… stretch marks, maternity pads, baby sick, baby
poo, definitely not in keeping with a glamorous lifestyle.
Becki My, you are a little ray of sunshine, aren’t you? I was feeling quite uplifted ‘til you
arrived.
Liz Sorry, dear. I’m not knocking it. It’s just not for me. I can see though that it will be
absolutely wonderful for you.
Becki Liz… What’s an ‘intra-cranial neoplasm’.
Liz A what?
Becki An intra-cranial neoplasm.
Liz I’m not sure. Is that some kind of pregnancy speak?
Becki (Changing the subject, realising Liz’s lack of interest and knowledge). Yes, that’s it. It was just
something I read.
Liz You could Google it if you’re worried.
Becki I would if I was at home but there’s no computer here. Ginny doesn’t understand
technology.
Liz My lap-top’s in my room if you’d like to use that. Do me a favour though and give me a
few minutes on my own… I need to make a phone call and was just wondering how to ask
you if you could give me five minutes.
Becki No problem. You should have just asked.
Liz Thanks, you’re a darling (Becki exits as she takes out her mobile phone, looks at it for a while,
then takes a deep breath and dials) … … Gareth? It me, Liz … … No please don’t hang up.
(Beat) Are you still there? … … Look, I want to apologise about yesterday. Perhaps I was
hasty, perhaps we both were … … I know … … Yes, I know … … This doesn’t have to
be the end of the relationship … … Well, how would you feel if you came home and
caught me shagging your best friend? … … No, I’m not blaming you, I’m just asking …
… How am supposed to behave. We were in a relationship and you were playing around
with my best friend. Look, Gareth, I’m not happy but I can’t lose you … … (She is sobbing
now, almost desperate). Please, Gareth, we can sort it out … … We can. I’ll change… … I
will, I promise … … Yes, I know you have needs, Gareth … … Can we meet; if you can
just meet with me I’m sure we can sort this out … … Yes. Dorney Cottage. If you can
pick me up at two o’clock, we can talk about it … … I know you’re not promising
anything … … I’m just asking to meet with you, to chat, that’s all … … Thank you,
Gareth. You won’t regret it I promise … … Yes, bye.
Fade to black.

10
Scene 3
At rise, all the characters are in the Sitting Room. They are in good spirits and are watching the end of the film
‘Dirty Dancing’. They are singing along to a track and Pauline, Becki, Sandra and maybe Liz, begin to dance and
gyrate. Ginny and Tess abstain, one from mock horror, the other, on principle. As the music comes to an end the
dancers flop on the sofas.
Liz “Nobody puts Baby in a corner…”.
Tess Except Baby herself.
Liz What’s that supposed to mean; is that some barbed comment.
Ginny Girls, we said no negativity, remember?
Sandra Well, Ginny, what did you think?
Ginny I liked it, it was a good story.
Pauline Did you like the music?
Becki Did you like Patrick Swarthy? What about that six-pack?
Some of the women make appreciative noises.
Ginny Six-pack?
Sandra It’s a reference to his abdomen.
Pauline How do you know that?
Sandra I like tight abdomens.
The women all jeer at Sandra for divulging this, she being a nun.
Liz (Looking at her watch) What time is it?
Pauline Three o’clock.
Liz Three o’clock.
Ginny The pizza man’s late. I can give them a ring.
Liz Oh, no, that’s not a problem; it’s just that I was expecting a call, that’s all.
Tess From anyone in particular?
Liz From Gareth.
Tess There’s a surprise.
Ginny Oh, Liz, are you sure?
Liz Yes, of course I’m sure; we spoke earlier. He said he might pop over.
Tess He’s coming here?
Liz Well, just to pick me up. We’re going out for a chat.
Tess What’s the matter… has one of his other girlfriends dumped him?
Liz What’s it got to do with you? Why are you always so mean?
Tess Sorry, perhaps you like being treated like a doormat. I was just expressing some concern.
Liz Some concern? (Biting back). No you weren’t, you were goading me, belittling me. Well,
guess what? I don’t need it from you. I can get that kind of treatment from others.
Tess Obviously.
Liz You’re such a bitch, do you know that? Do you do it because your own life is such a
mess?
Tess My life’s a mess! Well, that’s choice coming from you.
Liz What’s your problem? Why are you like this?
Tess Because you don’t need all this crap. You don’t need him. You don’t need the succession
of men that you’ve had to justify your existence. Look at you. You’re an attractive
woman. You’ve got a good career, not my choice, I admit it, but you are successful. You
have money and opportunity, but you have shit taste in men. You always attract the ones
who want to abuse you, to cheat on you. What’s your problem? Can’t you have a bit of
respect for yourself?
Liz Oh, so what do you suggest, Do you think I should cut my hair short, dress in dykie
clothes, make love to women who obviously have bags of self-esteem despite the fact that
they can’t attract anyone decent of the opposite sex?
11
Ginny Please, Liz, Tess… don’t do this; it’s not necessary, please…
Liz Tell her, not me… I don’t need relationship advice from someone who is so messed up
they can’t even work out what gender they are.
Tess Messed up, don’t you dare call me messed up. That’s great coming from the woman who
wrote the book on how not to live your life.
Liz (FX/SFX: her mobile phone rings and as she answers it she screams at Tess) Shut up. Do you
hear me, just shut up … … No, not you. Sorry, Gareth I was just talking to Tess … …
Yes, I know you’re late … … I though you weren’t coming … … No, I’m coming out
now; just wait there. (She turns to everyone else and says). Look, I’m sorry, and I’m grateful
for what you did last night, but it will be all right, I know it will.
Tess Don’t go, Liz.
Liz Yeah, right, Like I’m going to do that.
Tess Tell him to piss off. Don’t do this to yourself. Please, you don’t need him.
Liz Don’t tell me what I need or don’t need. Who are you to give me advice, I mean look at
you!
Pauline (To Liz). She means well, love. She may not be very tactful, but she’s only saying what we
all think.
Liz (To the others, staring at each one in turn) Is she right? Is this what you all think?
Ginny We’re just concerned, Liz, that’s all. We want what’s best for you.
Liz How would you all know what’s best for me. You don’t even know Gareth, you’re just
making a value judgement.
Becki But we know you, Liz, we don’t want you to get hurt, that’s all.
Liz I’m big enough to look after myself. OK? I’m sorry about last night and I’m grateful for
what you all did, but I’m old enough to make my own decisions, now. This isn’t school, it
isn’t the debating society, and I don’t need your approval or permission. This is my life
and I’ll make the decisions.
Tess Yeah, right; and we’ll pick up the pieces when you get it wrong.
Sandra Tess, please let it go. You don’t need this.
Liz She doesn’t need it, how do you think I feel? (FX/SFX: her phone rings again) … … Yes …
… I’m sorry, Gareth … … (She moves towards the main door). No, please stay there, I’m on
my way out now; look you can see me at the door. (She exits).
Tess stands, to go to her room.
Sandra Don’t go, Tess, we need to talk about this.
Tess What’s to talk about it? She’s gone, she’ll be back later and we’ll all be there to pick up
the pieces. It’s what we do.
Sandra That’s right. That’s why we’re friends and why we’ve stayed together for so long. It’s why
we put up with each other.
Ginny (Feeling uncomfortable and trying to jolly everyone along). Well, I wonder where that pizza is?
I’m starving. I’ll give them a ring again.
Pauline And I’ll put the kettle on.
Becki Do you mind if I just sit here.
Ginny I’ll sit with you, if that’s alright.
Tess I hate to be a party-pooper but I need some time out. I’ll be back in a while. I’m not
feeling like company at the moment.
Ginny That’s fine, love. We understand.
Tess exits.
Becki I wonder if this is the right time to have a discussion.
Ginny What about, love?
Becki I’m not sure. What I mean is I’m not sure how to bring the subject up.
Sandra Well, why don’t you just come out with it and we’ll take it from there.
Becki If you’re sure.
12
Ginny Just say it, love, we’re all friends.
Becki Well, if you’re sure…
Pauline Come on, love, it’s not like you to be shy…
Becki Tess has a brain tumour and is going to die. (Stunned silence descends). I found this on the
sofa this morning. I didn’t understand it so I looked it up on Liz’s computer, she has an
intracranial neoplasm. It’s the posh name for a brain tumour. (Ginny takes the letter).
Pauline Is it true?
Ginny It would appear so.
Pauline But surely there’s something they can do.
Sandra No, it’s inoperable.
Ginny You knew?
Sandra She told me this morning. I must have left the letter on the sofa.
Pauline She didn’t say.
Ginny That’s Tess for you. She wouldn’t. She doesn’t like to show any signs of weakness.
Sandra She’s known for a while, and was just trying to find the right time. She’s only just coming
to terms with it herself.
Ginny That would account for her erratic behaviour for the last year.
Pauline With respect she’s never been rational
Becki What are we going to do?
Ginny We can’t do anything.
Sandra We can’t say anything. You must let her tell you in her own time and in her own way. All
we can do is provide the right opportunity for her to be able to tell us.
Ginny I agree. (FX/SFX: the doorbell rings). This might be Liz… perhaps we shouldn’t mention all
this, given the last twenty minutes.
Pauline I’ll get it. (She answers the door).
Pizza Delivery Good afternoon, ladies. I have six individual pizzas. That will be forty-eight
pounds, please.
Fade to black.
Scene 4
An hour later. Pizza boxes are strewn around and the group (minus Liz and Tess) are all present. They have had a
drink and their guards are down. It is not obvious, but the group are playing a game of ‘Truth or Dare’. Sandra
has lost a question and has to sing a song as her punishment. During this situation, Tess enters.
Becki No, that’s not fair. The question is: ‘How many lovers have you had in your life?’. You
have to answer the question truthfully or accept a forfeit.
Sandra I did. I have never made love to a man before.
Pauline You’re still a virgin?
Sandra Yes. Why does that shock you?
Ginny Right, that’s enough.
Becki Have you ever wanted to?
Sandra That’s two questions.
Pauline Yes, but just for curiosity’s sake… Come on, you can tell us..
Sandra Well, yes… I have thought that this is something that… No, this isn’t fair. I’m not going
to answer that.
Pauline and Becki start whooping.
Ginny Look, Sandra isn’t the only one feeling uncomfortable about this. Can we change the
subject now?
Tess Why should it be so shocking, I’ve never slept with a man either.
Becki Yes but you’ve…
Tess I’ve what?
Sandra Thank you, Tess.
13
Ginny Tess, would you like some pizza? I can warm yours up.
Tess No, thank you. I seem to have no appetite at the moment. (They all exchange glances).
What? What did I say.
Sandra Nothing, nothing at all. (Changing the subject). OK then, what’s my forfeit.
Ginny You don’t have one; you answered the initial question.
Sandra Well, I think I should do one anyway.
NOTE: Sandra’s forfeit need not be the guitar and song, but it should be something not normally expected of a
Nun, and should be chosen to be within the actor’s capabilities. Possibly a couple of ribald limericks. Adjust the
dialogue and action to suit.
Pauline A song. Give us a song.
Sandra I can’t! I’ve got a dreadful voice. I can play the guitar. If you all sing along, I’ll play. How
about that?
Pauline ‘Wild Rover’… play ‘Wild Rover’.
Sandra picks up a guitar and starts the well-known song. The others join in for a verse.
Becki Whose turn is it now?
Pauline Ginny, it’s Ginny’s turn.
Ginny Oh no, I’ve had enough now… let’s stop.
Becki Ginny?
Ginny Yes, love?
Becki Have you ever been attracted to another man.
Ginny No, of course not
Becki Too quick
Ginny What?
Becki You answered too quick. You didn’t really consider the question properly.
Tess She might have a point.
Sandra I suppose we all have in a way.
Ginny There was someone, once; a long time ago. Nothing happened but he showed me a lot of
interest and I was quite flattered, so perhaps Becki is right. I was attracted to him and he I,
but nothing ever came of it, or ever could. John and I are totally devoted to each other.
Pauline Whose turn is it now?
Becki Tess, it’s Tess’s turn.
Pauline What about it, Tess? Do you want a turn?
Tess I don’t mind. I don’t think there’s a question I would be afraid to answer. (They all look at
each other again). What? What’s going on?
Pauline Nothing, love.
Tess Who’s got a question for me, then?
Becki I have, I have.
Pauline Becki…
Tess Go on then, do your worst.
Becki Is it true you’re dying?
Ginny Becki!
Tess What? What did you say?
Becki I’m sorry, but I need to know. I want to help, but I didn’t know how to broach the subject,
so I thought I should just come right out with it.
Pauline (To Tess). It’s all right, love. You don’t have to answer that, not ‘til you’re ready and you
want to.
Tess looks at Sandra, feeling betrayed.
Sandra It wasn’t me, Tess, I promise. We left the letter on the sofa and Becki found it.
Pauline It doesn’t matter, Tess. You don’t have to answer if you don’t want to.
Ginny Oh, Tess, we’re so sorry. How are you feeling? I mean carrying this around on your own.
14
Tess (Looking at them all for a moment). I’ll take the forfeit, if that’s OK. (She picks up the guitar
and starts to play and sing REM’s ‘Everybody Hurts’ Alternatively, Tess could play a CD of the
song and sing along with parts of the song, or could get from her bag and read the poem version).
Song Lyrics Poem Version
When your day is long When your day is long
And the night And the night is yours alone
The night is yours alone When you're sure you've had enough of this life
When you're sure you've had enough Hang on, don't let yourself go.
Of this life 'Cause everybody cries
Well hang on And everybody hurts, sometimes.
Don't let yourself go
Sometimes everything is wrong
'Cause everybody cries
Then it's time to sing along.
And everybody hurts sometimes
When your day is night alone
Sometimes everything is wrong If you feel like letting go
Now it's time to sing along If you think you've had too much of this life;
When your day is night alone (hold on) Well, hang on, 'cause everybody hurts.
(Hold on) if you feel like letting go (hold on)
If you think you've had too much Take comfort in your friends.
Of this life, well, hang on Everybody hurts, don't throw your hand.
If you feel like you're alone…
'Cause everybody hurts No, no, you're not alone.
Take comfort in your friends
Everybody hurts If you're on your own in this life
Don't throw your hand The days and nights are long
Oh, no When you think you've had too much
Don't throw your hand Of this life to hang on…
If you feel like you're alone Well, everybody hurts, sometimes
No, no, no, you're not alone Everybody cries.
If you're on your own And everybody hurts sometimes
In this life So, hold on, hold on…
The days and nights are long Everybody hurts
When you think you've had too much You’re not alone.
Of this life, tTo hang on
Well, everybody hurts sometimes
Everybody cries
And everybody hurts sometimes
And everybody hurts sometimes
So, hold on, hold on
Hold on, hold on
Hold on, hold on
Hold on, hold on
Everybody hurts
You are not alone

She puts down the guitar (or stops the CD, or puts down the poem) and looks at them all.
Tess Does that answer your questions?
Ginny Oh, Tess, yes… that was beautiful.
Pauline Tess, I…
Sandra goes to Tess, puts her arm around her, and, as she does so, FX/SFX: the house telephone rings.
Tess Saved by the bell!
They all laugh, awkwardly.
Ginny Just ignore it. They’ll ring back if it’s important.
The house telephone continues to ring.

15
Becki I’m sorry for dumping it on you like that, Tess; it was tactless of me.
Tess It’s all right. It needed to be in the open… I just didn’t know how to tell you all. (Indicating
the house telephone). You should get it, they seem insistent.
Ginny (Rising to answer the telephone). I’ll ask them to ring back later. (She goes to the house
telephone and answers it, as the others comfort Tess). Hello, 257632 … … Yes, speaking …
… Would it be possible for you to ring back later, we’re … … I’m sorry. Yes, that’s me.
Elizabeth Kirwin … … Yes, but she’s not here at the moment … … She’s what? Where is
that please? … … Yes, we’ll be right over. Thank you for calling … … Bye-bye. (She
hangs up, looking shocked, whilst the others wait, expectantly). It’s Liz…
Tess What’s she done now?
Ginny That was the hospital. She’s tried to take her own life.
Snap blackout. Suitable music plays.

END OF ACT ONE

INTERVAL
ACT TWO
Scene 1
The next day. At rise, Ginny is discovered sitting on the sofa with Pauline. They have been up all night at the
hospital. Ginny and Pauline have just returned home, Tess and Becki are in their bedrooms, and Sandra has
remained at the hospital with Liz.
Ginny What a night. I don’t think I can take much more of this. It’s been two nights in a row,
now. We came here to relax and to enjoy each other’s company, and it’s been one crisis
after another.
Pauline All we need now is for Becki to go into labour and we can call it a complete disaster!
Ginny Ah… don’t talk like that. Anyway having a baby isn’t a disaster.
Pauline No, I know what you mean. I just meant that with Tess’s condition and Liz in the hospital
with an attempted suicide, what else could go wrong?
Ginny We should get some sleep… Becki and Tess have got the right idea. They were sound
asleep when I looked in on them.
Pauline It was good of Sandra to stay at the hospital.
Ginny Yes. We’re going to need all our strength to get Liz through this when she comes home.
Pauline Well, let’s give it a couple of hours and if we’ve heard nothing I’ll go down there and
relieve her.
Ginny What are we going to do, Pauline?
Pauline Don’t ask me, Ginny. We all look to you for the answers. You’re the strong one.
Ginny The strong one?
Pauline Yes.
Ginny I wish I had your confidence in me.
Pauline Oh, come on; you must know we all look to you for common sense; for the answers. I
mean, when I broke up with Sid and teamed up with Bob, it was your advice that kept me
sane. And when Sandra decided to go into the convent you sat with her for a few nights as
she agonised over the decision… and Becki, bless her; she sees you as the font of all
wisdom, and if it wasn’t for you and Sandra, Tess would have gone through school
without any friends at all.
Ginny I don’t know what to do this time, Pauline.
Pauline Yes you do, Ginny. They need you, and you’ll be there for them.
Ginny I can’t… you don’t understand.
Pauline Yes, you can. You’ve become a mum to Liz over the years. She has no one else, not really.
I mean who does she run to every time something goes wrong? Yes, she has us as friends,
but you’re the port in her storms.
16
Ginny But it’s not fair, I can’t… I won’t… not this time.
Pauline Ginny! You don’t mean that.
Ginny I do, Pauline. I can’t; don’t you understand?
Pauline Yes, you can. You’re just overwrought. It’s like we said; we’re all tired. You’ll feel better
after you’ve had some sleep.
Ginny No… no, I don’t
Pauline What’s wrong? You can’t abandon her now. She needs you.
Ginny It’s too close. You don’t understand. (She breaks down and begins to cry).
Pauline Hey, hey… come on. What’s wrong? This isn’t like you.
Ginny Oh, Pauline, I’m sorry; I hate being weak like this.
Pauline Come on, Ginny. What’s the matter?
Ginny I can’t, I can’t tell you I’m so ashamed.
Pauline Ashamed? What of?
Ginny It’s Liz… that’s what brought it back. That’s why I was so relieved when Sandra agreed to
stay with her. I just couldn’t do it.
Pauline Couldn’t do what?
Ginny It was too close to my own experience.
Pauline What was? Do you want me to ring John and get him to come over?
Ginny John? No you can’t, he would never forgive me for talking to you about it.
Pauline About what? You’re not telling me anything. Come on, Ginny, love. You’re not making
any sense.
Ginny John had an affair six months ago.
Pauline John did?
Ginny Yes.
Pauline Your John? (Ginny nods through her tears). No, not your John. (Beat). But you didn’t say
you… Oh, my God, I’m so sorry, Ginny.
Ginny I was ashamed. I couldn’t.
Pauline But you and John. I mean you had the perfect marriage.
Ginny I thought so to.
Pauline But who with?
Ginny Does it matter?
Pauline I suppose not.
Ginny I couldn’t cope.
Pauline Who could? Did you see it coming? Didn’t you have any suspicions?
Ginny No, why would I?
Pauline But you’re still together? I mean the phone call the other day.
Ginny Yes we’re working it through. He stopped seeing her. It was something and nothing.
Pauline Shouldn’t you be with him, I mean together, why didn’t you say something? Oh, Ginny,
why are you here? Why did you go through with this weekend? You should be at home,
together.
Ginny (Nodding). I couldn’t let you all down, you all need me. Who am I kidding? I needed you.
Pauline Oh, Ginny.
Ginny Don’t pity me, please, Pauline. I couldn’t cope with pity.
Pauline It’s not pity, love, it’s concern, respect, love. You’ve been there for all of us when we
needed you, and we weren’t there for you.
Ginny But you didn’t know.
Pauline No, we didn’t; but we should have. God what’s happening to us?
Ginny It’s all right, honestly.
Pauline No, it’s not Ginny… It’s not all right.
Ginny I had to tell you, Pauline.
Pauline I know you did love. I know you did.
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Ginny Can you forgive me?
Pauline Forgive you? What’s to forgive?
Ginny I was distraught.
Pauline Of course you were.
Ginny That’s why this stuff with Liz upset me so much; that’s why I couldn’t stay.
Pauline I know, it’s understandable.
Ginny No, you don’t understand.
Pauline I do. It was too much for you. God knows it was too much for me, but with you carrying
this around as well.
Ginny No, that’s not it, Pauline
Pauline It isn’t?
Ginny No. I need to tell you the rest.
Pauline OK. That’s OK.
Ginny I couldn’t cope, I tried to work it through with John but it was the betrayal.
Pauline I know, love.
Ginny I took an overdose, sleeping pills. I didn’t mean too. I just wanted the pain to go away. I
wanted someone to help me. John tried but I didn’t want him.
Pauline Oh, Ginny… Oh, Ginny, you should have rung me… you should have rung one of us.
They sit, rocking.
Ginny I can’t face Liz, Pauline, I cant. I’ve been there and I can’t go back there. Not now. Not at
this moment in time. It’s too raw.
Pauline I understand.
Ginny Do you? (Beat). Honestly?
Pauline Yes, love.
Ginny You’re not angry, or ashamed of me?
Pauline No, love. How could I be?
Ginny I don’t know. I just thought…
Pauline We need to get you out of here before Liz comes back.
Ginny No, I should stay. I should be brave and stay. You girls need me.
Pauline Nonsense. Is everything OK with you and John, now?
Ginny Yes… Oh, yes; I love him so much, and he loves me.
Pauline Right, well, that’s where you need to be right now, with John.
Ginny But I…
Pauline (Interrupting). No buts! Up you go, get your gear, and I’ll drive you home. Go on… get
your suitcase and give me your phone. (She makes a call as Ginny exits upstairs) … … John?
… … It’s Pauline … … No, no problem as such … … Yes, everything’s fine … … Yes.
Look, John; Ginny’s confided in me. She’s told me everything … … Yes, everything …
… That’s not important; I’m not interested. What I am interested in is getting Ginny home
to you. She needs to be with you … … No, that’s not a problem, I’m bringing her … …
Yes. see you in about an hour … … OK, bye then.
Fade to black.
Scene 2
Several hours later. Tess, Becky and Sandra are talking. Liz has returned and is in her bedroom and Pauline is on
her way back having dropped Ginny off at home.
Sandra So didn’t they say anything?
Tess No, like I said, Becky and I were in our rooms, when Ginny came in and said a tearful
goodbye and told us that Pauline would fill us in.
Becki She wished me well on the birth of the baby and said she’d be in touch.
Sandra Honestly, you two are useless. Didn’t it worry you that Ginny was upset? She never gets
upset. Well, not in that way.
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Tess Perhaps John’s ill.
Becki Yes, that’ll be it… John will be ill. You know how close they are.
Sandra Well, I suppose we’ll know soon enough when Pauline gets back. At the moment we have
more pressing problems. Now, Liz is upstairs. I’ve had a long chat with her. She’s quite
vulnerable, so we need to be sensitive.
Tess I can’t believe that anyone would go that far over a bloody man.
Sandra Tess!
Tess What?
Sandra What have I just said?
Tess I know but life’s too short, isn’t it. Here’s me wanting to live longer and feeling that life
isn’t fair, and that silly cow is trying to end her life. It doesn’t make sense, does it?
Sandra No, it doesn’t and I’m not excusing her behaviour, but we talked. We had plenty of time to
talk, through the early hours of the morning, and hopefully she’ll talk to you as well.
When she’s ready though, and in her own time.
Becki (Twitching). Ow, that hurt.
Sandra What’s the matter?
Becki Oh nothing just a twinge.
Tess A twinge?
Becki A bit of indigestion, I suppose. I’ve been eating like a horse the last few days.
Sandra (Speaking for the others, who are now looking at each other knowingly and in a slightly worried
way). Why don’t you go and have a lie down. It’s been quite a weekend.
Becki I think I will, if you don’t mind. I just don’t seem to have any energy this weekend. (She
exits upstairs).
Tess (In a quiet voice). Do you think it’s the baby?
Sandra It could be. If it is, its early days, though.
Tess I didn’t know you were an expert on babies.
Sandra I’m not. I was playing for time.
Tess How’s that then?
Sandra Well, Pauline will be back shortly; it’s only an hour’s run each way. It’s Sunday and she’ll
want to get back to fill us in.
Tess I see what you mean.
Sandra Anyway, we can deal with that in an hour or so. We have other things that are more
pressing.
Tess I suppose so. How’s Liz?
Sandra Vulnerable, feeling sorry for herself and embarrassed about seeing you all.
Tess So nothing new there, then.
Sandra Tess, please!
Tess I know. I don’t blame her, though. We’re all products of our circumstances, aren’t we?
Sandra I suppose we are. I told her about you. I hope you don’t mind.
Tess No, not really. It’s not like I’m going to sit down with her and have a meaningful
discussion, is it?
Sandra Pity, you have a lot in common.
Tess Like what?
Sandra Oh I don’t know. It’s just that whilst we were talking this morning, I thought about you a
lot. She’s fond of you, you know. She just doesn’t understand why you hate her so much.
Tess I don’t hate her. I just get frustrated at the way she has no respect for herself. The way she
lets other people use her.
Sandra Well, we all do that from time to time
Tess Even you?
Sandra Even me. Do you know that I came here this weekend to make my mind up about staying
in the Order?
Tess Did you?
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Sandra Yes.
Tess You kept that one quiet.
Sandra I’ve met someone.
Tess Oh, Sandra that’s brilliant
Sandra Is it?
Tess Well, yes; don’t you think so?
Sandra That’s just it. I don’t know.
Tess Do you love them.
Sandra Yes. I’ve known them for a while, really, but I’ve tried to push my feelings away.
Tess Why?
Sandra Because I took vows… I made a commitment.
Tess Lots of people do and then they break them. It doesn’t make them a bad person. What
you’re feeling isn’t just confined to the religious life.
Sandra That sounds like it is being spoken with commitment.
Tess Well even lesbians can fall in love.
Sandra Why do you do that?
Tess Do what?
Sandra Put yourself down like that.
Tess I don’t.
Sandra You do. You use the word ‘lesbian’ as if it’s some kind of derogatory thing.
Tess I wasn’t aware that I did. Perhaps I do it because that’s what I’ve come to expect from
others.
Sandra Perhaps. Or maybe it’s nothing to do with the relationship, but how you feel about
yourself.
Tess Too deep for me. Anyway what’s he like?
Sandra Who?
Tess This new man in your life and how did you meet him?
Sandra Who said it was a he?
Tess Isn’t it?
Sandra No.
Tess Well you little…
Sandra She’s a sister within the same order as myself.
Tess How long has this been going on?
Sandra It hasn’t.
Tess What do you mean?
Sandra She doesn’t know yet. I haven’t told her how I feel.
Tess How do you know that she…
Sandra I don’t. I might tell her and she might be shocked; she might reject me. That’s the chance
one takes. You can go through life not taking chances or telling someone how you feel and
you then miss out on something that can be beautiful and fulfilling. Even if it’s for a short
time. But that’s not the decision I have to make.
Tess It isn’t?
Sandra No, the decision I have to make, is to do with how I feel about this, and about how I feel
about continuing with the Order.
Tess I see.
Sandra My love for this woman isn’t in doubt. It never has been. I have been attracted to her since
the day I joined. It isn’t a sexual feeling or a physical attraction. It’s something much
deeper, much more profound.
Tess So if she’s in the same Order why can’t you just stay put and see each other.
Sandra Special relationships aren’t allowed. Even in terms of friendship. We have to love all our
sisters equally.

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Tess Sounds stupid to me.
Sandra Me too, but I’m not playing this by my rules. I’m playing it by theirs and what I agreed to
when I joined.
Tess Why are you telling me this, Sandra?
Sandra Because you’re listening and I need to talk to someone. Besides you shared something far
more significant with me.
Tess Thank you.
Sandra You’re welcome. I’d best go and check on Becki. If Pauline comes back will you tell her,
and send her up.
Tess Sure. I need one of your walks, I think. I won’t be long.
Sandra Enjoy!
As Sandra exits upstairs Tess gets up and starts to put on her coat. She is about to leave when Liz enters from
upstairs looking bedraggled and not her usual glamorous self. She seems to have made no effort, and more
importantly, doesn’t seem embarrassed about her appearance. Liz and Tess both see each other and look
awkward, not knowing what to say.
Tess Hi.
Liz Hi.
Tess I was just going for a walk.
Liz That’s nice. I was going to make a coffee.
Tess Great. (She turns to leave).
Liz Sandra told me about your illness. (Beat). I’m so sorry.
Tess Yeah me too. Thanks
Liz What for?
Tess For caring.
Liz Of course I care.
Tess Me too. About your illness…
Liz Attempted suicide.
Tess Yeah, whatever.
Liz You must think I’m a really selfish cow, in the circumstances.
Tess What do you mean?
Liz Well you not having long to live and me wasting my life.
Tess Shit happens.
Liz Do you want a coffee…?
Tess I was going to go for a…
Liz Walk… Yes, you said, I just thought…
Tess What?
Liz That you might want to have a coffee with me.
Tess Long shot.
Liz Yeah long shot but worth a try. See you later?
Tess You any good at making coffee? I’ve never seen you turn your hand to it before.
Liz Not really, but I’m out of options and people to make one for me.
Tess You sit down and I’ll do it?
Liz You sure?
Tess I said so didn’t I?
Liz Yes you did.
Tess How do you like it?
Liz White Two sugars. I shouldn’t, I know, I’m trying to cut down, my figure…
Tess Yeah, right.
Liz It was a joke.
Tess Sorry, I missed it. (She exits into the Kitchen).
Liz wanders around, looking awkward.
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Liz Sandra said that Ginny has gone home.
Tess (Offstage). Yes. Apparently she’s upset about something. We thought it might be to do with
John.
Liz I’ll miss her.
Tess (Offstage). Me too.
Liz Is Becki all right?
Tess (Offstage). Difficult to say. She had a twinge. We thought it might be the early stages of
labour.
Liz I thought she wasn’t due for another four weeks.
Tess (Offstage). Yeah, me too. But it could have been brought on early because of…
Liz Because of me?
Tess (Entering with the coffee and handing one to Liz). Sorry it’s a mug I know you like a cup and
saucer.
Liz This is fine. (Her hands shake as she drinks her coffee).
Tess No, not just because of you. It’s been a stressful weekend, hasn’t it; what with my news,
your situation, and now Ginny.
Liz Should we ring for an ambulance for Becki. I could drive her there.
Tess You’re not in a position to drive anyone anywhere, from what I can see.
Liz I suppose not.
Tess You OK?
Liz I’m sorry.
Tess What for?
Liz For everything, I suppose.
Tess For this weekend, or for all the weekends since school?
Liz Both.
Tess Me too.
Liz Why do you hate me, Tess? I’ve never understood.
Tess I don’t hate you. I thought you hated me.
Liz No. I just never understood what I’d done to you to make you so mad at me.
Tess You haven’t done anything.
Liz So why the animosity?
Tess I guess I was frustrated at the way you live your life.
Liz But why? It was my life. I never criticised your life choices.
Tess True.
Liz So why?
Tess Because of who you are; what you’re trying to be… for not respecting yourself. How’s that
for starters.
Liz But that’s my decision really, isn’t it?
Tess I suppose so.
Liz I always thought it was to do with envy.

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