Professional Documents
Culture Documents
Chapter Outline
• Trends in Legislative-Executive Relations
This section traces the ebbs and flows in legislative-executive relations during and after the
Cold War. The section also examines the consequences of situational context and
congressional diplomacy.
• Collaboration and Discord in the Cold War
This section provides an extensive analysis of presidential-congressional relations
from the Truman administration to the Reagan administration. The section also
identifies important legislative changes that occurred as a result of these relations as
well as the U.S.’s foreign policy decisions such as the Vietnam War.
• New Tensions in the New World Order
This section identifies the ways in which the international order following the Cold
War challenged Congress’s relationship with the George H.W. Bush and Clinton
administrations.
• Deference in the War on Terror
This section examines how the September 11, 2001 terrorist attacks led to widespread
congressional support for the Bush administration in the early years of the wars in
Afghanistan and Iraq, as evidenced by several important pieces of legislation.
• Congressional Pushback in the Obama Years
This section discusses the growing dissent in Congress throughout the Obama
administration on several important issues, including intelligence gathering and the
use of military force in Iraq, negotiations over Iran’s nuclear ambitions, and Russian
aggression in Ukraine and elsewhere.
Steven W. Hook, U.S. Foreign Policy: The Paradox of World Power Instructor’s Manual
Fifth Edition
Classroom Suggestions
Steven W. Hook, U.S. Foreign Policy: The Paradox of World Power Instructor’s Manual
Fifth Edition
Discussion Question: Ask students to read the 1973 War Powers Resolution (Appendix B). The
1973 War Powers Resolution (or Act) was an attempt by Congress to place limits on the
executive branch’s ability to engage the US military abroad. However, since its passage, every
US president has been criticized for possible violations of the resolution, including President
Obama’s decision to intervene in Libya. Was the President in violation of the War Powers
Resolution, or was he simply fulfilling the US’s obligation to the UN and later NATO? What is
the problem(s) with the War Powers Resolution?
Discussion Question: Since the end of the Cold War, Congress has made several attempts to
reassert congressional influence on foreign policy. Explain the factors that explain both the
desire to reassert its power, and the success Congress has had in doing so. In what general issue
areas is congressional influence on foreign policy most evident?
Suggested additional reading: Colton C. Campbell, Nicol C. Rae, and John F. Stack, Jr. (2003).
Congress and the Politics of Foreign Policy. New Jersey: Pearson/Prentice Hall.
Consensus between the president and Congress on foreign policy issues has ebbed and flowed,
with the post-Cold War period marked by a lack of cooperation between the two. Congressional
committees and representatives have become increasingly involved in foreign policy making,
with the Senate judiciously exercising its constitutional power to provide “advice and consent” to
the president. The situational context of Congress in terms of its relationship with the White
House ranges from compliance to independence. This context of the relationship depends largely
on the particular foreign policy issue, the broader domestic and international climates, and timing
factors. For example, during the 1990s, President Clinton faced an increasingly resistant
Congress and a new isolationist ideology. Yet, as this chapter reviews, the terrorist attacks of
September 11 led to bipartisan deference to the president on foreign policy. During the Obama
administration, a divided Congress has led to several challenges on foreign policy issues.
Congress continues playing an oversight role in the foreign policy process by passing legislation
that determines how the president and bureaucracy conduct foreign affairs, such as the War
Powers Resolution and the Intelligence Oversight Act.
Congress, like the president, is not free and independent in its efforts to shape foreign policy.
Divided by party politics, legislators often face policy gridlock and confusion. Congress is a
highly fragmented institution with its two chambers, multiple committees and subcommittees,
Steven W. Hook, U.S. Foreign Policy: The Paradox of World Power Instructor’s Manual
Fifth Edition
and perpetual electoral concerns, further complicating its ability to successfully influence the
foreign policy agenda.
However, despite these structural limitations and the large number of actors, Congress has been
successful in foreign policy making by influencing government procedure: it has created
institutions (such as the Congressional Budget Office), restructured agencies (like the State
Department), and placed conditions on agencies (for example, requiring the Defense Department
to report on current military involvement). Procedural reforms are not always successful: the
War Powers Resolution has had mixed success in its aim to involve Congress in the foreign
policy process. Congress also manages and approves the budgetary aspects of foreign affairs,
such as the recent increases in defense spending and continual downturns in international affairs
spending. Since the September 11 attacks, Congress has begun to combine domestic and
international policies, such as in the USA PATRIOT Act.
June 14.
James Young, writer in Edinburgh, stated
to the Privy Council that he had been at great pains and expense in
bringing to perfection ‘ane engine for writing, whereby five copies
may be done at the same time, which it is thought may prove not
unuseful to the nation.’ He requested and obtained a nineteen years’
privilege of exclusively making this ‘engine’ for the public.
Young seems to have been a busy-brained man of the inventive
and mechanical type, and as such, of course, must have been a
prodigy to the surrounding society of his day. In January 1695, we
find him again coming before the Privy Council, but this time in
company with Patrick Sibbald, locksmith, the one as inventor, the
other as maker, of a new lock of surprising accomplishments. It
‘gives ane account of how oft it is opened, and consequently may be
very useful in many cases’—for example, ‘though the key were lost,
and found by another person, it discovers if that person has opened
the lock; if your servant should steal the key, and take things out of
the room or cabinet, it discovers how oft they have done it; if you
find one of your servants is dishonest, but know not whom to
challenge, this lock may set you on the right man; if you have any
rooms with fine furniture, pictures, glasses, or curiosities, if you
desire your servants not to let any of their acquaintances in to see the
room, lest they abuse or break anything in it, though you leave them
the key, as in some instances it is necessary, yet this lock discovers if
they break your orders, and how oft; if you be sick, and must intrust
your keys to a servant, this lock discovers if he takes occasion when
you are asleep, to look into your cabinet, and how oft.’ It was
conceived that this clever lock ‘would be for 1694.
the public good,’ if it were only ‘to frighten
servants into honesty.’ Wherefore the inventor and maker had no
hesitation in asking for an exclusive privilege of making it for fifteen
years, at the same time agreeing that the price of the simplest kind
should be not more than fifteen shillings sterling. The petition was
complied with.[125]
There was at this time at Grange Park, near Edinburgh, a house
called the House of Curiosities, the owner of which made an
exhibition of it, and professed to have new articles on view every
month of the passing summer. A colloquy between Quentin and
Andrew[126] gives an account of it, from which it appears that one of
the most prominent articles was the ingenious lock above described.
Another was the aforementioned writing-engine, but now described
as calculated to produce fifteen or sixteen copies by one effort with
the pen, and so proving ‘an excellent medium between printing and
the common way of writing.’ A third was thus described by Andrew:
‘They took me up to a darkened room, where, having a hole bored
through the window, about an inch in diameter, upon which they had
fixed a convex lens, the objects that were really without were
represented within, with their proper shapes, colours, and motions,
reversed, upon a white board, so that, it being a very clear sunshiny
day, I saw men, women, and children walking upon the road with
their feet upwards; and they told me, the clearer the day, it does the
better.’ It may be inferred with tolerable confidence that this House
of Curiosities was a speculation of James Young, the inventor of the
lock and writing-engine.
It is curious to trace the feeling of strangeness expressed in this
brochure towards scientific toys with which we are now familiar.
Much is made of a Magical Lantern, whereby pictures of
Scaramouch, Actæon, and Diana, and twenty others, ‘little broader
than a ducatoon,’ are ‘magnified as big as a man.’ Eolus’s Fiddle,
which, being hung in a window, ‘gives a pleasant sound like an organ,
and a variety of notes all the day over,’ is descanted upon with equal
gusto. ‘Sometimes it gives little or no satisfaction,’ Andrew admits;
‘but when I was there, it happened to do very well.’ There is also a
very animated account of a machine for telling how far you have
travelled—the modern and well-known pedometer.
One of the articles for the month of June 1694.
was of such a kind that, if reproduced, it
would even now be original and surprising. It is a Horizontal Elastic
Pacing Saddle—horizontal, because it had four pins to keep it level;
elastic, because of four steel springs; and pacing, because designed to
make one have the sensation and experiences of pacing while in
reality trotting. ‘I saw it tried by three or four gentlemen, who all
gave good approbation of it.’
Another of the June articles serves to shew that the principle of the
revolver is no new invention. It is here called David Dun’s Machine,
being a gun composed of ten barrels, with forty breeches adapted to
the ends of the barrels, ‘somewhat like that of a rifled gun.’ ‘The
breeches are previously charged, and in half a minute you may wheel
them all about by tens, and fire them through the ten barrels.’
Amongst the other articles now well known are—a Swimmingbelt
—a Diving Ark, identical with the Diving Bell since re-invented—a
Humbling Mirror, the object of which is to reflect a human being in
a squat form—and the Automatical Virginals, which seem neither
more nor less than a barrel-organ with clock-work. ‘It plays only
foreign springs, but I am told it might be made to play Scots tunes.’
There was also the now little-heard-of toy called Kircher’s Disfigured
Pictures. A sheet of strangely confused colouring being laid down on
a table, a cylinder of polished metal is set down in the midst of it, and
in this you then see reflected from the sheet a correct picture of some
beautiful object. ‘There happened to be an English gentleman there,
who told it was one of the greatest curiosities now in Oxford College.’
It was a toy, be it remarked, in some vogue at this time among the
Jacobites, as it enabled them to keep portraits of the exiled royal
family, without apprehension of their being detected by the Lord
Advocate.
Not long after, we find Young coming forward with an invention of
a much more remarkable kind than either the detective-lock or the
manifold writing-engine. He stated (July 23, 1696) that he had
invented, and with great expense perfected, ‘ane engine for weaving,
never before practised in any nation, whereby several sorts of cloths
may be manufactured without manual operation or weaving-looms.’
He had ‘actually made cloth thereby, before many of the ingenious of
this kingdom.’ He believed that this engine might, with due
encouragement, prove highly useful, ‘especially for the trade to Africa
and the Indies,’ and therefore petitioned the 1694.
Privy Council for the privileges of a
manufactory and for a patent right. The Lords complied with his
request, giving him exclusive use of his machine for thirteen years.
On the 12th December 1695, Nicolas Dupin, whom we have seen
engaged in preparations for the manufacture of linen and of paper in
Scotland, comes before us in the character of a mechanical inventor.
He professed, in association with some ingenious artists, and after
much cost and travel in foreign parts, to have ‘brought to perfection
the yet never before known art and mystery of drawing water out of
coal-pits.’ ‘In twenty fathoms deep,’ says he, ‘we can raise in two
minutes’ time a ton of water, provided the pit or sheft will admit of
two such casks to pass one another.’ It was done easily, the work
being performed ‘by the true proportions and rules of hydrostaticks,
hydronewmaticks, and hydrawliacks.’[127] The machine was
calculated to be useful for ‘all manner of corn-mills work, where
water is scarce or frozen,’ for ‘we can grind by one man’s hand as
much as any water-mill doth.’ It was adapted ‘for draining of lochs
[lakes] or bringing of water to any place where water is wanting,’ and
‘for clearing of harbour-mouths from great rocks or sand.’ ‘In a short
time, any vast weight that seems to be past lifting by men’s strength,
this our engine shall lift by one man’s strength, more than twenty
men shall do, being present altogether to the same lift.’ Our
mechanist had also a smaller engine, with the same economy of
power, for a more household sort of work, such as mincing of tallow
for candles, ‘ane very exact way of cutting tobacco,’ for cutting of
tanner’s bark, &c., ‘without the assistance of either wind or water.’
Several noblemen and gentlemen were said to be ready to treat with
the inventor for the draining of certain drowned coal-pits; but it was
necessary, before such work was undertaken, that the engines should
be protected by a patent. On his petition, the Privy Council granted a
patent for eleven years.[128]
Two years later (1696) Mr David Ross, son of a deceased provost of
Inverness, succeeded, to his own satisfaction, in discovering a
perpetuum mobile. He divulged his plan to certain persons, his
neighbours, who consequently prepared to enter into a bond or oath,
giving assurance that they should not, by word, write, or sign, divulge
the secret before the inventor should obtain 1694.
a patent, unless he should himself do so, or
should be removed from the world, ‘in which it shall be both lawful
and expedient that we discover the same.’[129]