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412 THE JOURNAL OF RELIGION
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CRITICAL REVIEWS 413
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414 THE JOURNAL OF RELIGION
people, because they had been law-abiding under their present heathen
rulers,would ultimately be rewardedby the inaugurationof a new divine
regime. This study is of value not only for the light it sheds on the Juda-
ism of the Diaspora, but for the suggestions it offers to one who is con-
cerned with the relations of the early Christians to the legal authorities
in the Roman state.
The allegorical exegesis of Philo has been subjected to further re-
search in a new monographby Edmund Stein,3 whose Philonic studies
in connection with his translation of the tractate on the Confusion of
Tongues in the new Germanrenderingof Philo's works has preparedhim
for this task. By way of introductionthe author takes pains to discrimi-
nate between allegory, metaphor,and,symbolismas used by both Greeks
and Jews. He briefly examines the beginnings of allegory among Hellen-
istic Jews as representedin the work of Aristobulus,the Letter of Aristeas,
and the so-called "Wisdomof Solomon,"and he points out that the Jewish
haggada also preparedthe way for the use of allegory. But the phenome-
non in Philo is far morehighly developedthan in any of these predecessors,
and this fact raises the question of Philo's creative contribution. A decade
and a half ago Bousset proposed the previous existence of an allegorical
school from which Philo drew his materials,and evidence for this opinion
was sought in the fact of the numerouscontradictoryelements met with
in Philo's works. He must, it was assumed,have derived a great deal from
an alreadyexisting compositeallegoricaltradition. Stein doubts the valid-
ity of this proof, but subscribes to the hypothesis and defends it by an
examination of Philo's use of Hebrew etymologies. He concludes that
Philo had no adequate knowledge of Hebrew, but depended for his ety-
mologies upon various currenttraditions that were already the possession
of the schools. Philo simply repeated the types of allegory already in
vogue. The sources upon which he drew were the gentile practice of the
art, its use among the Therapeutes and Essenes, and the work of other
Hellenists. But all his sources were in Greek, which was "not only his
mother tongue, as he himself boasted, but the only language he knew"
(p. 32). A further indication of foreign influence lies in the fact that
Philo was fond of referringto allegorical interpretationas a "mystery,"
some expositions constituting the "greater"and some the "lesser" mys-
teries. But for this imageryhe is thought to be indebtedmost immediately
to the Therapeutesand the Essenes. Philo's credit for originalityin exege-
sis is not large; his service consisted fundamentallyin the preservationof
Exegesedes Philoaus Alexandreia.By EdmundStein. Giessen:
3 Die allegorische
T5pelmann,1929. 6i pages. M. 3.20.
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CRITICAL REVIEWS 415
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416 THE JOURNAL OF RELIGION
PAGAN REGENERATION
The investigation of the world in which Christianityhad its birth and
early developmentgoes on apace. The environmentof this religion in its
early stages has never before been so clearly presented as it is today. Per-
haps one might say with equal truth that it was never so well understood.
Scholarsare showing us an age fascinating in its varied and human inter-
ests and culturally important. The more specifically religious environ-
ment of primitive Christianity has been receiving considerableattention
recently. Three books of more than passing importance have appeared
within a few months. All deal with this phase of history and, being written
in the English language,have materiallyincreasedthe facilities for knowl-
5Josephus, the Man and the Historian. By H. St. John Thackeray. With a
Prefaceby G. F. Moore. New York: Jewish Institute of ReligionPress, 1929. ix+
16opages.
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