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Culture Documents
By:
Assist. Instruct. Asmaa Sadoon Falih
University of Anbar- College of Arts.
Department of English
2022
Theatre of the Absurd Definition
as
Sysiphus that speaks of life with no inherent meaning in it. For him, world was
beyond the understanding of man, so it will always remain absurd and we should
accept this fact. Martin Esslin considered four playwrights: Samuel Beckett,
Eugene Ionesco, Arthur Adamov and Jean Genet as leaders of the movement.
They were also classified as belonging to Absurdist Theater. But, these writers
Note:
Following are the chief characteristics of the Theater of
Absurd, but it must be noted here that all these
characteristics cannot necessarily be found in all the
absurdist plays because it is not necessary that the
playwright must have used all the characteristics of
Absurd plays:
Questions of Existence
Absurd plays raise some basic questions of existence like- why we are alive
Distrust in Language
Absurdists force us to look at our abstract values of life like love and family.
Thus, we may hope to accept the absurdity of life and try to find values in a
Absurdists have no time, place and character in their plays as they feel that
Each character lives an egoistic life and attempts to get another character to
character Godot who is long awaited. The plot also revolves round
change.
For example, in Ionesco’s How to Get Rid of It, a couple is dealing with a
corpse that is growing large steadily, the corpse floats away unidentified in
the unknown.
The plots are frequently cyclical too as occurs in Endgame, the play begins
where it ends and the theme of routine and repetition keeps on moving.
Conclusion
The Absurd Theatre demonstrates the absurdity and illogicality of the world in
which we live .
O It does not provide any solution to the problem. By these play, man is again
and again reminded that his existence in the world is in fact absurd and
meaningless.
O The Absurd shocked the audiences when it first appeared. many of its
Theater of Absurd ended. Those techniques are now commonly being used in
modern theatre.