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The poem is written in iambic tetrameter. The meter is largely iambic tetrameter,
with the stress falling on four words per line, such as:
“O what can ail thee, knight at arms” (Line 1). So far, the poem seems to be
following a traditional balladic form. The twist occurs in the fourth line of each
stanza, which is abruptly shortened, breaking up the flow of the previous three
lines. Pointedly, this last line is only three or four words long and consists of just
three stressed syllables. An example is the change in length and meter between
Lines 2 and 4, from “Alone and palely loitering?” to “And no birds sing. The
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effect of this scheme is that it flows like a song, smooth. Thus, it could be sung.
The rhyme (ABCB) and rhythm are all designed to lure the reader in, just as the
knight in the poem was lured in by the beautiful fairy-woman.
Keats wrote this in an outdated form of poetry that capitalizes on simple and
archaic language and imagery to bring across its story. By utilizing the ballad form,
it lends the poem an air of timelessness, and an almost novelistic approach to
imagery. Even the story itself is evocative of the ballad tradition. Ballads were
used as entertainment, and their length was supposed to keep listeners engaged,
as the ballad was a form of oral poetry.
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• Imagination and creation.
Tone and Mood:
• The tone of the poem is melancholic and wistful, reflecting the knight's
sorrowful state and his yearning for the lost love.
• The mood shifts between moments of enchantment and moments of
foreboding, creating a sense of ambiguity and unease.
Narrative Voice:
• The poem is narrated by an unnamed speaker who encounters the knight
and recounts his tale. This narrative distance allows for a sense of mystery
and ambiguity surrounding the events described.
• Then in stanza 4, the knight start narrating his own story.
"La Belle Dame sans Merci" shows Keats's mastery of language, imagery,
and symbolism, weaving together elements of romance, tragedy, and the
supernatural to create a haunting and evocative poem.