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Life-Narcissism-Death-Narcissism-9781853435300-1853435309-9781853435317-1853435317 2
Life-Narcissism-Death-Narcissism-9781853435300-1853435309-9781853435317-1853435317 2
Death Narcissism
Andre Green
Translator's Acknowledgements vi
Notes 225
Bibliography 244
Index 249
Translator's Acknowledgements
There are several people who I should like to thank very warmly for
their assistance to me with this translation. First and foremost,
Monique Zerbib, who has very generously given me a great deal of
time and help over the past six months with this work. I am also
indebted to Andre Green himself for the time he has given me to go
over problems met with in the translation. My thanks also go to Ian
Snowball for reading through parts of the translation in English and
giving me the benefit of his very pertinent comments. Steven Pewsey
has kindly given me assistance with searching for references.
Andrew Weller
Paris
30 October 2000
Give me that glass, and therein shall I read. (IV, 1, 276)
Then God said, 'Let us make man in our image, after our
likeness;2 and let them have dom inion over the fish of the sea,
and over the birds of the air, and over the cattle, and over all the
earth, and over every creeping thing that creeps upon the
earth.'
The boy represses his love for his mother: he puts himself in her
place, identifies himself with her and takes his own person as a
model in whose likeness he chooses the new objects of his love.
(SE, XI, p. 100)
He thus draws on the love his mother has given him in order to love
boys as she loved him , thereby reviving her image, while at the same
time taking his mother's place.
It is worth pointing out that the type of conflict Freud was speaking
about in 'The Psychogenic Disturbance of Vision', far from involving
a non-libidinal factor in the ego, in the exercise of its somatic func
tions, reveals on the contrary an impingement, an invasion of the ego
by the libido. Hysterical fits revealed a similar invasion in the motor
sphere through conversion. The obsessional subject's omnipotent
way of thinking showed that thought had been sexualised. The more
Freud thought about it, the more he was inclined to find Jung's argu
ments unacceptable, but he did not yield in the slightest. He laid
more stress on sexuality and annexed the ego. From then on, the
libido was to be found everywhere, even in the deepest recesses of the
organic body: in the cavity of an unhealthy tooth; in the hidden
organ of the hypochondriac; and elsewhere. The protagonists in the
conflict had changed; henceforth it was the object and the ego that
were opposed, and the conflict was essentially one of distribution and
therefore economic. This was true as much for the ego as for the
object. It was a question of cathexis or investment, a need to balance
the budgets of the Home Office and the Foreign Office.
We know what followed. The question which now arose was the
origin of cathexes. I shall come on to this later6 but, for the time
being, there are three problems which need distinguishing:
In the first case, we mean the narcissistic ego as One, stemming from
n component drives - through the activity of Eros.
In the second case, I mean the expression of the principle of inertia,
already a major referent in the Project and later to be called the
Nirvana principle, which strives towards absolute primary narcissism.
Freud never resolved the question. A dialectical solution might be
suggested here. Whether the ego achieves a unitary cathexis emerging
from fragmentation or whether it appears to attain absolute zero, the
effect obtained is similar (which does not mean identical). In both
cases, the ego finds satisfaction in itself; it has the illusion of self-suffi
ciency and frees itself of vicissitudes and dependence on an object
which is eminently variable in what it grants or withholds at will.
This progress leads towards the ego One - which sometimes allows it
to rediscover this quietude through regression, when it is compelled
to by frustration, the other defences proving inefficient. Regression
sometimes leads even further: that is, towards the zero of the illusion
of no cathexis; but the zero is then cathected, turning regressive with
drawal into a positive aspiration, an achievement. This is the aim of
asceticism: to return to the divine breast.
... especially suited to act as a support for others, to take on the role
of leaders and to a give a fresh stimulus to cultural development or
to damage the established state of affairs. (SE, XXI, p. 218)
Asceticism is the serf of the ideal. Servants of the ideal are capable of
subjecting themselves to extreme forms of purification, some of
which are performed for the masochistic satisfactions obtained. In my
opinion, these satisfactions do not go beyond the secondary benefits
or the inevitable resulting ills; for it has to be recognised that pleasure
can be taken on board as a clandestine passenger. In this respect, the
ascetic is not always a martyr. Moral narcissism,20 nourished by ideal
isation, is thus exalted. Self-effacement is the goal of all messianism,
and, as a reward for its troubles, narcissism receives the spin-off
benefits of the sacrifice made on behalf of the chosen one whose
image provides further food for negative narcissism. If I am placing
more emphasis than is customary on collective forms of idealisation,
it is because I feel that this is where projected narcissism operates
most fully: narcissistic deprivation on an individual level, thanks to
its backlash effects, is transferred to the missionary group and justifies
the abnegation that it requires. W hen the group lacks mystique
(Bion), there will always be the narcissism of small differences. The
psychoanalytic movement has not escaped this fate.
5. This contradictory situation - exaltation and sacrifice - is indica
tive of the twofold movement of expansion and narcissistic withdrawal.
Freud undoubtedly placed much more emphasis on narcissistic libid-
inal withdrawal than on expansion. Although at the end of his work,
in Civilisation and its Discontents, his analysis of the oceanic feeling
draws attention to the coexistence of the sense of identity, which
suggests the idea of the ego's territorial boundaries, and the tendency
to fusion, which he explains by the longing for a protective om nipo
tent paternal image. This expansionist tendency, which makes
narcissism a territory without frontiers,21 can be observed without
there being any fusional regression. There are grounds for speaking of
the existence in some patients of a fam ilial narcissistic ego where,
through a process of idealising intrafamilial relationships, in which
fraternal complicity often plays a dom inant part, the family is thought
of as an extension of the ego. It comes as no surprise, therefore, that
even larger groups may experience the same need for a sense of
identity; and even more so when the latter claims to be altruistic.
There is no need to add that such an attitude, which is capable of
engendering both the best and the worst, cannot be described as
morbid. Narcissistic withdrawal does not call for any particular
commentary, except that one must always remember that it is the
response to suffering, to a sense of ill-being. But one must also bear in
mind that it is one of the most natural tendencies of the ego, which,
each night, withdraws its investments from the world to find refresh
ment in sleep; and not just to dream.
Increasing interest has been paid in recent years to the clinical
approach to states of emptiness, to forms of aspiration for objectal
nothingness, to the category neuter. This tendency towards with
drawing cathexes (or disinvesting), the quest for indifference, is not
limited to Eastern philosophies.22 It would seem logical to assume
that any investment contains w ithin it the disinvestment which is its
shadow projected backwards, conjuring up the mythical state prior to
desire; and forwards, anticipating the neutralising appeasement
following the satisfaction of a desire that is felt to have been
completely satisfied. A plausible explanation may be found in negative
narcissism, the ramifications of which, in my opinion, include all the
ways in which narcissistic satisfaction is enhanced by the non-satis
faction of desire for the object. This is considered more desirable than
satisfaction which involves dependence on the object, on its unpre
dictable changeableness, and on its responses which always fall short
of the expectations it is supposed to fulfil: vox ch'entrate ...
6. All these ambiguities can be found in the concepts of narcissistic
object and narcissistic investment. The enemy of narcissism is the reality
of the object; and, conversely, the object of reality, namely, its
function in the ego's economy. The object is a particularly useful tool
for examining this issue because it is both outside and inside the ego;
and, because it is necessary for founding the ego as well as elaborating
narcissism. The assumption of primary object love is based on a
misunderstanding which needs clearing up. It is true that from the
beginning the baby's existence is marked by primary object love. This
fact notwithstanding, from the point of view o f the infans, the object is
included from its narcissistic organisation, which Winnicott justifi
ably called the subjective object, and Kohut the self-object. The
confusion arises from the fact that, in place of the monistic perspec
tive - it has even been called 'monadological' - of imaginary
identification with the baby, a dualistic outlook has been substituted,
stemming from the perception of a third party observing the
innocent paradisiacal scene of infantile love. There is no reason,
therefore, to deny the existence of primary narcissism in favour of
primary object love; they are two complementary perspectives seen
from two different points of view. W hat certainly can be contested is
the adult's imaginary identification with the infans, which is always
more or less adultomorphic. But it is an unsurmountable obstacle. At
least it is better to know it and not to let oneself be trapped by the
charms of the visible, in which adultomorphic imagination is advan
tageously replaced by the 'objective perception' of direct observation,
a rationalisation that is more scientist than scientific. As for the
observing third party, it should be included in the picture; but one
must not forget that, although it is not part of the mother-baby rela
tionship, it is nonetheless present in one form or another. That is to
say, in the baby which is half made by the father - not only in its
chromosomes, but in its features, and, at a very early stage, in its way
of being and acting - and, in the mother who united with the father
to create it.
The object is, therefore, both there and not there at the same time.
W hat is inevitable is that the auto-erotic mode of functioning
according to the pleasure principle (which includes maternal care) is
followed by the paradox of losing the object - the inaugural condi
tion for finding the object (or of re-finding it, if you prefer). Let us
remember that according to the Freudian model:
These loved ones are on the one hand an inner possession, compo
nents of our own ego; but on the other hand they are partly
strangers, even enemies. (SE, XIV, p. 298)
W hy thou wert better in thy grave than to answer with thy uncov
ered body this extremity of the skies. Is m an no more than this?
Consider him well. Thou owest the worm no silk, the beast no
hide, the sheep no wool, the cat no perfume. Ha! Here's three on's
are sophisticated;65 thou art the thing itself; unaccommodated
man is no more but such a poor, bare, forked animal as thou art.
Off, off, you lendings! Come; unbutton here. (Ill, 4, 103-12)
There are no more objects, the uncovered body is the thing itself. But
once the loved daughter has been found again, his reason is governed
by illusion until the end. His hope of re-conquering the throne is
defeated by the lost battle; his daughter is murdered, none of which
makes any difference. 'Look on her, look, her lips, Look there, look
there!' (V, 3, 312). W hile looking for signs of life coming from this
silent m outh, he takes leave of the world's stage.
Shakespeare makes us think of Freud, the man obsessed by death,
who secretly called his fiancee Cordelia,66 and was the author of the
The Theme of the Three Caskets' (1913). The major absence in this
tragedy is the mother, the purely feminine element (Winnicott), the
founder of primal narcissism. She is represented by three figures: the
parent, the companion and death. In the image of the old man
carrying his dead daughter, Freud sees the inverse of reality, that is,
the old m an being carried off by death in its indifference. This image
reveals the limits to narcissism, in which narcissism survives death
through filiation and affiliation.
2
Primary Narcissism: Structure or
State? (1966-1967)
In memory o f J.M.
The Nirvana principle expresses the trend of the death instinct; the
pleasure principle represents the demands of the libido; and the
modification of the latter principle, the reality principle, represents
the influence of the external world. (SE, XIX, p. 160)
Is it fair to suppose that the role Freud attributes to the legacy of the
species can be sacrificed with impunity, on the basis that this elabo
ration stems from a metabiological romanticism which a healthy
scientific reflex requires us to shun? It may be felt that Freud's state
ment is outdated and that his assumptions with regard to this part of
the theory are clumsy and debatable. But there is m uch less justifica
tion for refusing to examine the fundamental problem, which is
neither the role of the species, nor the heritage of acquired character
istics. It is a two-sided problem: the current general trend in
psychoanalysis is resolutely ontogenetic; if anything, its error is that
it is not enough so. Freud was more ontogenetic in that he did not
allow himself to be paralysed by a linear conception of time. But he
was constantly having to navigate between a theory of states, which
continued to retain the descriptive aspect of clinical forms, and a
theory o f structures which created models, if not as pure conventions,
at least as the development of these states to the point at which their
function and their meaning was revealed in the most abstract terms.
The antithesis between the pleasure principle and the Nirvana
principle is, I think, a good example. If Freud took a wrong turning
with the principle of constancy, surely it was because this notion was
halfway between a theory of states - in this case the state of pleasure
- and a theory of structures, the constant level of excitation holding
the middle ground between the extinction of excitation and the
heightening of internal tension. If one gives the matter careful
thought, it will be noticed that the theory of states which- gave rise
to the hybrid monster of psychoanalytic phenomenology is, in the
last resort, a theory of the subject's manifestations, but not a theory
of the subject. And while the conflict has not gone away, it has, as
one says today, been 'personalised'. In the end the subject is always
a volitional being who wants something or cannot do something,
who allows himself, or does not allow himself something, who longs
for, or is frightened by something. This being the case, it is difficult
to understand why an analysis conducted along these lines would
not remove the obstacles when the invisible hindrances have been
brought to light and identified. It is easy to see that, even when the
analyst's good will is accompanied by lucidity and vigilance, it has
little mutative effect. Although there is some consistency in the
concept of the subject's Entzweiung, it is not to be understood as the
antithesis and reconciliation of two wills, but as a conflict between
two systems, inspired by two antithetical and obstinate ways of
thinking, which can be noticed even in the effects produced by the
way the discourse is constituted, or in the utterance itself (in the
suture and cutting of the elements of a section of the enunciation
and in what follows them), in which the signs of the work of this
division are reflected. The theory of structures seeks to establish the
conditions under which discourse is possible; the organisation of the
latter being such that the subject can only be apprehended in terms
of his life trajectory whose functioning is the mark of its reality. The
subject is therefore not in a position of m odality18 in which the
index at the origin of the utterance designates the operation of
thinking as being distinct from the representation it is aiming at;
neither is he at the end of the sentence at which point, once the
utterance is over, one may be able to throw light on everything that
has preceded it by looking backwards. He is the vehicle by means of
which there is an utterance.
It should not be thought that we repudiate wholesale everything
in psychoanalysis pertaining to the theory of states. It represents a
first level of psychoanalytic epistemology; and, in their silent
com m unication with their analysands, or with other analysts,
psychoanalysts cannot avoid expressing themselves as follows: in fact
he wants this or that; at bottom he is saying this or that; he is again
reliving, and so on. But this inevitable stage cannot be considered as
the degree of organisation which accounts for the analytic process.
W hat guarantees the functioning of this process is the analyst's
silence which, in the last resort, has no other justification. The great
merit of the impetus Lacan gave to this kind of research was to show
how the results of our psychoanalytic investigations, notw ith
standing the fact that their structural intent is respected, refer to
organisations that are already structured.
The Psychical Apparatus and the Drives
Let us turn our attention for a m om ent to the psychical apparatus.
There can be no doubt that this construction is linked in Freud's
thinking with a theoretical model situated off the path between the
brain and conscious thought, creating an essential discontinuity
between them. But Freud gives this model a space19 and a time (since
he speaks of the relations of seniority between the agencies). He does
not take the trouble to say which space and which time are involved
but, since it is space and time that are at stake, the psychical appa
ratus has been reintegrated w ithin a pre-Freudian universe of
representation by treating it as one of the multiple organisms defined
by our conscious space and time. This indicates the beginnings of an
attempt to look for a structure within an ontogenetic framework. The
psychical apparatus becomes a kind of self-codification in which the
subject constructs himself.
As one might well suspect, this shift tends to shrink and, ulti
mately, to superimpose the dimensions of the psychical apparatus on
the ego, and flouts Freud's remark that individual experience, as it is
registered by the ego, only determines 'accidental and contemporary
events'.20 It is logical to assume that the effect of structuring has to
come from elsewhere if the ego is thus involved in the instantaneity
of the present.21
In order to preserve the metaphorical value of this apparatus, the
question needs to be turned round the other way; rather than trying
to find out what kind of apparatus psychic life may relate to, the
question we should ask ourselves is: what is an apparatus from the
point of view of the psyche which is assumed to be its function? Can
the principles which we have examined at length be considered as
original first causes or as regulators of functioning? In the latter case,
all 'governing' power would be taken away from them and there
would be no further reason to use the word principle. Regarding them
as first^causes or, at least, as that which conceptualises such causes, is
to see in them the ultimate foundation of any kind of psychical
organisation. However, a careful examination of the last systematic -
dogmatic, even, Freud says - theoretical work, that is, the Outline,
shows that it accords equal status to the theory of the drives and the
principles of mental functioning, that is, the same conceptual worth.
Even the values of the first topography (conscious, preconscious,
unconscious) are confined to psychical qualities whose status can only
be explained by the structure of the psychical apparatus, in the same
way that the development of the sexual function - albeit the origin of
everything we know about Eros - is subordinated to the theory of the
drives.22 Freud shows in the seventh chapter of Beyond the Pleasure
Principle that he was aware of the difficulties involved in these rela
tions, when he turned to the question - m uch too briefly,
unfortunately - of the differences between function and tendency.
Notably he says there that the pleasure principle is a tendency oper
ating in the service of a function
In the end it was the idea of restriction, of holding back, of the non
development of the cathexis which won through, justifying a special
denomination. By proposing to give a special place to this type of
drive, Freud was pursuing a postulate which he had already had a
glimpse of in 1912.35 W hen he credited the affectionate current of
infantile sexuality with the power of carrying the primitive sexual
cathexes of the component drives along with it, he was raising the
question of where the affectionate current gets so much power from.
And although in his Three Essays on the Theory of Sexuality (1905),
instinctual inhibitions result from the latency period, sexual impulses
being held back by dams impeding the full development of sexual
activity, Freud was then led to distinguish the effect of the action of
the dams - unquestionably repression - and an inhibition internal to
the instinct, as becomes increasingly clear in each of the passages in
which he approaches the question.
It is not repression that is the cause of the aim-inhibited drive,
since it is precisely the manner in which the drive avoids repression
that is the particular feature of this drive vicissitude. And it is thanks
to this status of the drive, which is not dismantled but simply arrested
in its development, that it can assume the power to carry others along
with it which are more attached to component functions.
It should not be thought either that the aim-inhibited drives can
always be placed alongside the pregenital drives with which they are
at variance. The characteristic of the pregenital drives is to aim for
organ pleasure. Later, as a result of the new sexual aim of union with
the object, the genital erotic components carry out transformations
denouncing the orientation of the pregenital drives towards organ
pleasure and subordinating them to ends which confine them to
preliminary pleasure. Some of them will even be excluded. In other
words, the drives which have undergone an inhibition of aim will be
those whose activity has been best preserved. They will be combined
in equal parts with the erotic cathexes proper of the genital phase,
whereas those whose tendency to satisfaction has not been able, like
the ones just mentioned, to make do with an 'approximation', will be
left behind. They will contribute, by exchanging their aims and their
objects, to the complexity of the wish-organisation. Nevertheless,
their time will be limited. As they have not undergone an inhibition
of aim, they will simply facilitate union with the object. One can see
the difference: on the one hand, there is an inhibition of drive
activity which maintains the object by sacrificing the complete satis
faction of the wish for erotic union with it, yet conserves a form of
attachment which fixes the investment of it; and, on the other, an
unrestrained development of drive activity on the sole condition that
aims and objects enter into the operations of permutation and substi
tution, the only limitation being the influence of repression and
other drives. The first type of activity, which ultimately dominates,
makes use of the drives of the second type which are compatible with
its purpose and rejects the others. It is evident that the fate of this
contingent of drives with uninhibited aim is necessarily the most
vulnerable and the most suited to supporting the insubordination of
the ego-drives. Paradoxically, the aim-inhibited drives are those
which should, first and foremost, be characterised by their link with
the object. W ithout saying so in so many words, Freud seemed to
consider that what might be called the genital vocation towards the
object, in its quality as the definitive libidinal object, that is, of sexual
union, was present from the outset. It is in order to safeguard this
purpose, thereby avoiding that the scene is not completely aban
doned to the pregenital drives which give primacy to organ pleasure
before all else, that the inhibition of the aim of the drive occurs.36
The Oedipus complex involves relations of affection and hostility.
Yet there exists a relative independence between the relations of affec
tion or hostility and the phallic organisation under whose aegis the
Oedipus complex comes. The affectionate relationship towards
parents is tied up with everything involved in the sensual relationship,
censored by the threat of castration. But there is no confusion between
the two. Evidence for this may be found in the fact that maintaining
an affectionate cathexis can be the best way of getting round the fear
of castration, as in the situation described in the article 'On the
Universal Tendency to Debasement in the Sphere of Love' (1912). If
Freud linked the maternal object-cathexes in the Oedipus complex
with those which originally were related to the mother's breast,37 then
it is perhaps at this level that the inhibition of aim needs to be under
stood; that is, at the moment when the loss of the object-breast goes
hand in hand with perceiving the mother as a whole object.38
One cannot help comparing the two types of phenomenon. They are
not equivalent, but reveal two possible destinies in which the condi
tions are met allowing relations with the object to be maintained at
the cost of a sacrifice. Renunciation becomes the condition for the
survival of the most essential attachment; at the same time, it shows
that this relation takes precedence over all other considerations and
that there can be no question of replacing it solely by permuting the
object or aim. Renunciation or inhibition of aim furnish the best
evidence that nothing can replace the object and that no sequence of
actions is conceivable outside the ongoing relations linking it with
the ego. It is therefore no coincidence that, after these considerations,
Freud introduced the notions of desexualisation and sublimation,
although he had just spoken in the preceding paragraphs of the
earliest cathexes, those of the oral phase, and wondered whether all
forms of sublimation - a question that he was to ask himself three
times in The Ego and the Id44 - originated through the mediation of
the ego, or if it was possible that they resulted from the defusion of
the drives. In fact, we should recognise in this capacity to create
durable and permanent cathexes, the existence of a structural justifica
tion that is always perceived as such, though never completely
clarified conceptually, which has its roots in the defusion of the
drives, that is, in the operation of the death drive upon the erotic life
drives, which include the drives of self-preservation.45
Linking these processes to operations governed by the pleasure
principle and the Nirvana principle would most likely provide
evidence of the pre-eminence of the latter. In the chapter of The Ego
and the Id devoted to the two classes of drives, Freud pursues his
hypotheses to their logical conclusion: sublimation and identification
are merely forms of transformation of erotic libido into ego-libido
which involve a desexualisation, an abandoning of object-cathexes,
which can even result in an undifferentiated neutral energy, a hybrid
form between the libido of Eros and the libido of the destructive
drives, that is, a 'mortified' libido. A libido, in any case, which is more
vulnerable to the effect of the death drive.
Freud seems to have assigned desexualisation with a very general
function capable of affecting the first object-cathexes:
Auto-Erotism
A comparable process can be observed here to that which occurs
when the erotic drive is subject to an inhibition of aim, though not
all of its characteristics are the same. Of course, auto-erotism does not
have the durability and imm utability of the affectionate relations to
which Freud refers, but it is quite clear that auto-erotism and narcis
sism are not only stages. The ego - or, initially, the ego drives - can
present itself as a source of satisfaction by means of mechanisms
which will last throughout life. It is legitimate to want to assign a
beginning, a point of departure for auto-erotism, as Laplanche and
Pontalis do,50 when they insist on the fact that the drive becomes
auto-erotic when it has lost the object. Freud's own statement on this
point is too important for me not to cite it in full:
W hen Laplanche and Pontalis point out in another passage that the
object does not have to be absent for the auto-erotic condition to
come about, their argument is indisputable. But in that case we should
probably attempt to define auto-erotism more closely.51 One cannot
take Freud's remark out of context, and the interesting point here is
that this process is tied up with introjection. W hat needs accounting
for is the transition from the object of satisfaction 'outside' to the
search for satisfaction, if not 'inside', then at least in the infant's own
body, at its surface of contact, thus concretising in a remarkable way
the proposition that the body takes the place of the external world. I
agree with Laplanche and Pontalis who maintain, following Freud,
that the ideal of auto-erotism is 'lips kissing themselves'. The signifi
cance of this image needs to be understood in a much wider sense;
that is, as a movement of a more general and fundamental value. It is
not so m uch that the distribution between infant and object has been
abolished but that, before acceding to the status of a subject, that is,
at the moment when the object, which had hitherto been 'outside',
was lost, the 'subject' was still only a centrifugal movement of inves
tigation. Separation reconstitutes this couple in the subject's own
body, since the image of lips kissing themselves suggests the idea of a
replication followed by a re-gluing which, in this new unity, traces the
line of partition which has enabled the 'subject' to fall back on his
own resources. Auto-erotism occurs during this retreat; it represents a
kind of stopping place on the frontier, and in this respect may be
compared to the inhibition of aim described in relation to the libid-
inal erotic drives.52 We have seen that the inhibition of aim is closely
tied up with retaining the object. Now what is striking in this auto
erotic situation is the particular status of the drive, with regard to its
aim and object. It is not possible - and, on this point, I agree with
Laplanche and Pontalis - to link auto-erotism with the object's
absence. But on no account can what is happening here be likened to
a substitution of the object, or even to a change of aim, since the latter
remains unchanged; that is, the pleasure connected with sucking, for
which thumb-sucking is not the equivalent but the quintessence. This
is why auto-erotism is, to a certain extent, organ-pleasure; but only to
a certain extent. Saying that the auto-erotic character of the drive is
'an anarchic product of the component drives'53 is perhaps abusing
the theory slightly, since it means situating the said drive on the same
side as the so-called drives with an inhibited aim, characterised by
constant displacement, transformations of energy and repeated
permutations of aims and objects. Primordially, the auto-erotic drive
is a drive capable of satisfying itself, either in the object's absence or
presence, but independently of it We can only understand the issue
clearly if we assume, as Freud did, that there are two categories of
drives: those capable of finding satisfaction in the subject's own body,
and those which cannot do without the object. Consequently, there is
no longer any reason to link auto-erotism to the emergence of
desire,54 as Laplanche and Pontalis do, since the latter is in fact desire
for contact with the object. Moreover, their conception neglects the
role of the drives which require the object's participation. By the same
token, it is not necessary, as Pasche maintains, to postulate an anti
narcissism,55 since this is implicit in this latter category of drives. This
differentiation in Freud's* work occurs in the context of a remarkable
continuity of thought. For if one does not wish to regard auto-erotism
merely as a stage, then one must exploit fully all the theoretical poten
tial that the notion contains - not always explicitly - in order to
justify rejecting a genetic position which is over-simplified, incom
plete and rather unsatisfactory.
Let us pause a m om ent over the following passage taken from
'Instincts and their Vicissitudes':
It was when he wrote these lines, which at first sight seem to reinforce
the genetic point of view, that Freud added a note which has caught
the attention of many authors, including W innicott. Freud recognises
here that the group of sexual drives and the drives of self-preservation
are not homogeneous, and that it is still necessary to differentiate
between drives that are capable of finding satisfaction, without neces
sarily involving the object, and drives which cannot economise on
the link with the object. W hat makes the functioning of auto-erotic
drives possible is the vicariousness of the mother's care. But this does
not am ount to saying, however, that the latter is subordinated to the
drives which require a relationship with the object. It is not because
the mother ensures that the infant's needs are satisfied and makes up
for his immaturity that she has the absolute function of a primordial
object. The latter would deprive the infant's own organisation of all
reality; an organisation which acquires its value not on a biological
level, of course, since without the mother's care the infant would die,
but in the dom ain of desire and of the signifier. The mother shields the
infant's auto-erotism.
These remarks throw light on the question I was discussing earlier
of the origin of primary cathexes which, depending on the version of
Freud one follows, arise either from the ego or the id. Strachey was
right to define the parameters of the debate by reminding us of the
primitive undifferentiated state of the id and the ego. Would we not
come even closer to the truth if, in an attempt to understand these
relations, we pictured an id which partly included the mother,
cathected primitively and directly, and an ego forming itself around
its own possibilities for satisfaction. The latter are essential for their
founding role but are called into question by the drives which can
only find satisfaction in the object.
Originally, to be sure, everything was id; the ego was developed out
of the id by the continual influence of the external world. In the
course of this slow development certain of the contents of the id
were transformed into the preconscious state and so taken into the
ego; others of its contents remained in the id unchanged, as its
scarcely accessible nucleus. During this development, however, the
young and feeble ego put back into the unconscious state some of
the material it had already taken in, dropped it, and behaved in the
same way to some fresh impressions which it might have taken in,
so that these, having been rejected, could leave a trace only in the
id. In consideration of its origin we speak of this latter portion of
the id as the repressed,59
Now the only type of pleasure we know of that has claimed to safe
guard - under the cover of maternal care - such a possibility of
satisfaction, without incurring unpleasure, is auto-erotism.61 The
period of separation from the mother and the period of repression
may come together again afterwards, but they are not merged from
the start, since this conjunction of periods is inferred retrospectively
through the search for the lost object which unites the actual loss of
the object at the time of separation and the loss suffered through
repression. I believe it would be more coherent to account for this
search in a different way. The loss of the breast, occurring when the
mother is perceived as a whole object, which implies that the process
of separation between them has been completed, results in the
creation of a mediation that is necessary to compensate for the effects
of her absence and integration into the psychical apparatus. The latter
occurs independently of the action of repression, whose aim is
different. This mediation represents the constitution in the ego of the
maternal setting as a framing structure.
The continuation of Freud's text helps us to see more clearly:
Once again, one could simply put a question mark here against the
text, regretting that the author did not explain himself more fully.
And yet it is practically the same sentence as we find written, eleven
years before, in the text 'Repression' (1915b):
These lines are taken from The Book ofLieh Tzu} an author who is said
by some never to have existed.
How does one communicate with others? We know that the main
obstacle to such communication is narcissism. Anxiety is often said to
be incommunicable. How are they related?
In this chapter I shall be discussing:
(a) Anxiety linked to the One: that is, to the unity which is threatened,
reconstituted and bound up with the Other, against a background of
emptiness, in which the form unites part-object and whole-object.
(b) Anxiety linked to the couple, where the figures of symmetry,
complementarity and opposition, in the difference between the
One and the Other, in which bisexuality has a part to play, are
related to the fantasy of the total unity of the couple - always
sought after, and always impossible.
(c) Anxiety linked to the ensemble: having evoked the figures of the One
and of the Two, I want to use this concept to tackle the question,
not of the third, but of the diasparagmos, of dispersion, fragmen
tation; a finite or infinite ensemble providing a meeting point for
the infans’ anxiety and anxiety linked to the super-ego, insofar as
the latter, arising from the id, becomes a Tower of Destiny’ (once
the category of the Impersonal has been instituted).
These three forms of anxiety raise the problem of limits, of form, of
substance, or consistency, where what is at stake is the coexistence of
different egos.
I will now give an example taken from Proust's In Search of Lost Time
which I have already made use of in a work of applied psycho
analysis.6
Albertine has left Marcel after a night during which he sensed their
relationship was coming to an end. He is imagining every possible
way of getting her back:
I was going to buy, in addition to the motor cars, the finest yacht
which then existed. It was for sale, but at so high a price that no
buyer could be found. Moreover, once bought, even if we confined
ourselves to four-month cruises, it would cost two hundred
thousand francs a year in upkeep. We should be living at the rate
of half a m illion francs a year. Would I be able to sustain it for more
than seven or eight years? But never mind; when I had only an
income of fifty thousand francs left, I could leave it to Albertine
and kill myself. This was the decision I made. It made me think of
myself Now, since one's ego lives by thinking incessantly of all
sorts of things, since it is no more the thought of those things, if
by chance, instead of being preoccupied with those things, it
suddenly thinks of itself, it finds only an empty apparatus, some
thing which it does not recognise and to which, in order to give it
some reality, it adds the memory of a face seen in a mirror. That
peculiar smile, that untidy moustache - they are what would disap
pear from the face of the earth. W hen I killed myself five years
hence, I would no longer be able to think all those things which
passed through my m ind unceasingly, I would no longer exist on
the face of the earth and would never come back to it; my thought
would stop for ever. And my ego seemed to me even more null
when I saw it as something that no longer exists. How could it be
difficult to sacrifice, for the sake of the person to whom one's
thought is constantly straining (the person we love), that other
person of whom we never think: ourselves? Accordingly, this
thought of my death, like the notion of my ego, seemed to me
most strange, but I did not find it at all disagreeable. Then
suddenly it struck me as being terribly sad; this was because,
reflecting that if I did not have more money at my disposal it was
because my parents were still alive, I suddenly thought of my
mother. And I could not bear the idea of what she would suffer
after my death.7
In the light of this passage, I would like to add that a confusion has
often been made between body image and ego-representation. If the
ego is a surface, or that which corresponds to the projection of a
surface, body image and ego-representation belong to different theo
retical levels. Body image is connected with a phenomenology of
appearance. W hen one speaks of an unconscious ego-representation,
one is usually referring to what can be deduced from the projection
of an unconscious fantasy concerning the object patched (in the sense
of an item of patched clothing) on to the ego. As for the ego itself, it
is a theoretical concept and not a phenomenological description; it is
an agency. Just as it would be absurd to speak of a representation of
the id or of the super-ego, it is absurd to speak of an ego-representa
tion. It is fair enough to speak of representatives of the id, super-ego or
eg6, that is, of mandated emanations, offshoots, or derivatives of an
agency. But the representation of an agency is theoretically untenable.
The ego works on representations and is worked on by representa
tions, but it cannot be represented. It can, and indeed this is all it can
do, have object-representations. It is through affects that the ego gives
an unrepresentable representation of itself.
Anxiety is the noise which interrupts the silent continuum of the sense of
existing through the exchange o f information with oneself or with others.
This noise is a form of information belonging to a code which should be
translated into the code governed by the relations o f language and thought
in their relationship to desire; so as to increase the information of this latter
system which, like any system, has functions, and therefore, limits. First
and foremost, then, anxiety poses the problem of the lim it between the codes
of one and the same subject or between two subjects.
(a) either one can include all the unpleasant or distressing affective
phenomena under the term 'anxiety7; or,
(b) one can reserve a specific meaning for anxiety, distinguishing it,
as Freud does, from other distressing affects.
Psychical Pain
At a Congress a few years ago, the British Psychoanalytic Society
proposed as a subject of discussion: 'Psychical Pain7.14
As J.-B. Pontalis pointed out at the time, the experience of pain is
one of a 'body-ego7,15 the psyche changing into body and the body
into psyche. The circumstances in which I have been able to observe
psychical pain enable me to describe the following constellation:
(a) Pain is caused by a disappointment experienced in a state o f unpre
paredness, which makes it closer to traumatic neurosis than to
frustration or privation. Saying that it is linked to object-loss is less
important than emphasising the subject's unpreparedness, due to
scomatisation and the denial of signs of change in the object up
to the point when denial can no longer be maintained. It always
comes like a clap of thunder in a clear sky, even if the sun has been
obscured by clouds for weeks. W hat is intolerable is the change in
the object which obliges the ego to change correspondingly.
(b) Pain results from the object's sequestration, in a manner akin to
hypochondria, except that it is a psychical object and not an
organ that is involved. Or rather, the ego encysts itself with the
object, m aintaining an algesic unity in which it seeks to imprison
it. Pain is the result of the internal object's struggle to free itself,
whereas the ego hounds it and is bruised by the contact with it.
For in the last analysis, the ego merely injures itself since the
sequestered object no longer exists; it is the shadow of an object.
The ego is like a desperate child banging his head against a wall.
Unlike in melancholy, there is no sense of unworthiness and self-
berating, but a feeling of being wronged, and of injustice.
(c) The object's sequestration and the internal pain which acts like a
constant spur provides a picture of contrasts in which discreet
external signs (owing to an affect of shame) are set against a perma
nent internal storm.
(d) There is a contradiction in the ego's structure between the remark
able possibilities for sublimation accompanying an object relationship
marked by idealisation as well as denial, and the cleavage o f drives in
the primitive state. Narcissistic sensibility is refined; object sensi
bility is brute.
(e) A common defence against psychical pain is the moving o f spatial
limits: wandering or travelling. The displacement is put into
action, in a quest for an unknown space, whereas internal
v displacement is impossible; psychical space being taken up by the
sequestration of the phantom object.
(f) Regressing to the past assumes a paradoxical form. Whereas a
change in the object is unforeseeable, owing to the fact that time
is denied, anticipation now dominates. For when all is said and
done it is an intolerance of change both in the ego and in the
object which is the main characteristic of psychical pain. The
reason for this is that change goes against the permanence and
continuity of the unitary narcissistic organisation in space as well
as in time.
(g) This state of psychical pain is the product of what Masud Khan
called cumulative trauma. Owing to the ego's narcissistic structure,
this cumulative trauma is overcome through denial. W hen the
most important narcissistic wound is reopened, the internal state
is, as Freud described, one of a continuous internal traumatic
experience. W innicott spoke of reactive behaviour. Following
him, I shall speak of reactive internal psychic functioning. In fact this
reactivity functions symmetrically, blow by blow. Defence takes
the form, then, of a reactive primary identification or, in the most
serious cases, of a more or less reactive confusional depersonalisation.
An exploration of the past reveals that character formations stem
less from precise drive orientations than from reactive formations
to the object's drives. The reaction does not so much concern the
drives of the subject, which there is an attempt to reduce to
silence, as the drives of the object, which are hated for their new
orientation or the change in their mode of expression. Likewise,
the internal world is relatively uncathected, whereas external
reality - a source of permanent dangers - is hyper-cathected.
(h) Faced with the dangers provoked by the change in the object,
attempts are made to control it. The contradiction is perhaps that
it is a question of both controlling the object and of being
controlled by it. In other words, the subject imprisons the object
by making himself the object's prisoner too. The roles are
inverted, as we have seen, once the narcissistic wound has
become an open sore, making the object's sequestration indis
pensable and creating 'psychical hypochondria'. The aim of this
sequestration, which can be accompanied by projective identifi
cation, is to reconstitute the lost unity with the object by creating
an internal complementarity. The result of this feat is that one is
dealing with subjects who appear on the face of it to be 'normal',
insofar as this adjective has any meaning for a psychoanalyst, but
who are living with an internal infirmity, a receptacle for trauma-
objects which 'vamparise' the hypnotised ego. Hence the
difficulty of determining the psychopathological structure.
The Blank
Limits
Although repression is the most important structuring and defensive
mechanism enabling the ego to stabilise its organisation and ensuring
that cathexes circulate freely within it, it should be noted that the
cathexes which repression keeps away from the ego are essentially
object-cathexes. The question which arises, then, is to know whether
it is also repression which is at work when one is talking about ego-
cathexes. Repression, Freud points out, is the equivalent for the
internal world of what the protective barrier is for the external world.
It therefore seems logical to me to postulate that repression can be
conceived of as having two functions. O n the one hand, it keeps
object-cathexes, which may threaten the ego's organisation, at a
distance; on the other hand, on its outermost surface (just as a glove
has an inner surface in contact with the hand and an outer surface in
contact with the external world), repression constitutes a protective
layer whose function is to safeguard the limits or borders it gives the
ego. A sort of moving limit, subject to variation which has a certain
amount of play. The permeability of this limit is not constant; it can,
and indeed must, increase in what Bouvet called the rapprocher de
rapprochement, just as it can, and must, in face of any serious threat to
narcissism, draw itself in, reinforce itself, and even turn itself into a
carapace when the wound (narcissistic) is looming on the horizon.
And this is the right moment to recall that traumatic neurosis comes
about by surprise since signal anxiety has not come into operation due
to the ego's unpreparedness. The ego is not pre-pared (pre-pare24); it is
not ready to fend for itself. It is not inconceivable that masochistic
jouissance strives on each occasion to reconstitute the penetration, and
even the breach of the ego by means of the painful trauma, although
the latter is perhaps less painful than anaesthesia (erotic or aggressive)
and even, at a pinch, than aphanisis created by the loss of the object.
There is, then, a lim iting function, or a function bordering on
repression, which makes it an ego function both on the inside (in the
proximity of the id) and on the outside (in the proximity of reality
and the object). Analytic experience shows that, owing to projection,
these two limits sometimes tend to become but one.
The problem is to know how the advantage created by having
limits will overcome the drawbacks of losing limitlessness through
separating what is now on one side and the other. That is to say,
through having constituted an other, a difference. The solution
consists, on the one hand, in securing the consistency of the two
territories and, on the other, of finding ways to make them com m u
nicate without trapping oneself in the dilemma of invasion and
evasion, that is, of the loss of proximity, the loss of the fellow man,
the Other. It means the way is open to the constitution of narcissistic
objects and transitional objects which, paradoxically, transcend the
difference Same-Other, Existing-Non-existing, Being-Non-being.
Consequently, the debate over the differences between borderline
cases and narcissistic structures seems to me to be very relative. One
way of settling the debate is to regard them all as classical borderline
cases primarily involving drives oriented towards the object, whereas
narcissistic organisations pose the problem of cathexes directed
towards the ego. Both face us with the unique question of the vicissi
tudes of counter-cathexes and their different modalities - the object
and narcissistic dimensions forming reverse sides of the same reality.
This is why I continue to think that the mechanism of the double
reversal, which I described in 1966, guarantees this lim iting function
by opening two sub-spaces which are inter-communicating: that of
object-cathexes and that of narcissistic-cathexes. It is up to the
analyst to identify in the course of the transference which of the two
sub-spaces he is dealing with predominantly. It is important not to
mistake the nature of these cathexes too often.
Clinical indications such as the subject's anxiety, the particular
themes of the transference material and the defences involved, in
particular the language used by the analysand, can be of help to us
here.
W hen the ego has brought the super-ego the sacrifice of an instinc
tual renunciation, it expects to be rewarded by receiving more love
from it. The consciousness of deserving love is felt by it as pride. At
the time when the authority had not yet been internalised as a
super-ego, there could be the same relation between the threat of
loss of love and the claims of instinct; there was a feeling of security
and satisfaction when one had achieved an instinctual renuncia
tion out of love for one's parents. But this happy feeling could only
assume the particular narcissistic character of pride after the
authority had itself become a portion of the ego. (1939, p. 117)
Above all, honour! Brutus has already warned us: 'I love the name of
honour more than I fear death' (Act I, III).
This explains this act of insanity, for any political debutant,17
which permits the most feared of his rivals, Mark Antony,18 to make
the funeral oration. This is also why, before joining battle, he makes
violent reproaches to the courageous Cassius, his ally, whom he
accuses of being what we would call today a war profiteer. And thus,
finally, his suicide, offered as supplementary evidence of his incor
ruptible virtue. His heroic cause, however, is not necessarily that of
the Republic, of the state, or of power.
Love also has its heroes of moral narcissism. The most beautiful of
them all is the analyst's patron saint, Don Quixote, particularly cher
ished by Freud. Let us recall the episode in which Quixote goes to the
Sierra Morena and wants to live there as a hermit. He strips himself of
his few possessions and begins to tear his clothing, to batter his body
and leap around madly, all of which astonishes Sancho Panza. When
the latter demands an explanation, the hildalgo of pure blood
explains to this com m on m an that he is only conforming to the rules
of the code of love as stipulated in the novels of chivalry. Quixote is
seeking the feat capable of perpetuating his name in the name of love,
a love which must not only be pure, with no sign of carnal desire, but
which must also totally dispossess him of his fortune. He must come
to this destitution of himself and of his individuality, by imitating
Amadis or Roland, to the point of madness - or at least an imitation
of'ft. 'But I have now to rend my garments, scatter my arms about,
and dash my head against these rocks; with other things of the like
sort which will strike you with admiration.' This he says to Sancho
Panza, who tries in vain to reason with him . 'Mad I am and mad I
must be', adds Quixote whose madness here is a sign of virtue. And of
Quixote's description of Dulcinea as the 'ever honoured lady', Sancho
sees only that 'she will pitch the bar with the lustiest swain in the
parish; straight and vigorous, and I warrant can make her part good
with any knight-errant that shall have her for his lady. Oh, what a
pair of lungs and a voice she has ... and the very best of her is, that
she is not at all coy, but as bold as a court-lady ... .' Certainly this is
not the way Quixote sees Dulcinea. One can say that here it cannot
be a matter of narcissism but rather of objectal love; it is for the object
of love that Quixote inflicts upon himself privations and cruelty. But
no, it is only a matter of the narcissistic projection of an idealised
image and it is not the least of the strokes of genius of Cervantes that
he ends his book with Quixote's repudiation: 'No more of that, I
beseech you', replied Don Quixote, 'all the use I shall make of these
follies at present is to heighten my repentance.'
Doubtless Quixote and Sancho Panza exist, as Marthe Robert has
said, 'only on paper'. But they live in us if not in themselves. In the
same way, is not Falstaff the absolutely and completely amoral narcis
sist, whose monologue on honour merits both our reprobation for its
coarseness and our admiration for its truth?19 We are caught between
an indispensable illusion and a no less indispensable truth.
All of these figures have been described by a philosopher. Have you
not recognised, again and again in these pages, Hegel and his 'beau
tiful soul'? Concerned about the order of the world, wanting to
change it but anxious for his virtue, he would like to knead the dough
with which man is made, while at the same time keeping his hands
clean. But let us beware of following Hegel's example; having immor
talised this beautiful soul with hispen, he could only conclude the
Phenomenology o f Mind with a triumph that could well have been that
of the beautiful soul.
We can feel, can we not, how close this beautiful soul of moral
conscience can come to the delusion of presumption, to this law of
the heart whose reference is paranoia? In any case, its narcissistic
character did not escape Hegel: 'Contemplation of itself is its objective
existence, and this objective element is the declaration of its knowing
and willing as something universal.' There is even its tie to the most
primary narcissism: 'Here, then, we see self-consciousness withdrawn
into its innermost being, for which all externality as such has
vanished - withdrawn into the intuition of the "ego" = "ego", in
which this "ego" is the whole of essentiality and existence.' The
consequence of this is 'absolute untruth, which collapses internally'.
Am I giving the impression of engaging in the denunciation of
virtue and the defence of vice? To do so would be to give in to a
fashion which today sees Sade as our saviour. I will content myself
with recalling the truth, pointed out by Freud, which makes an indis
soluble tie between sexuality and morality, the diversion of one
automatically bringing about the diversion of the other. Georges
Bataille, to whom tribute should be paid by psychoanalysts, has
profoundly understood this consubstantiality of erotism and the
sacred.
'I must earn your love', a patient said. To which we answered: 'Yes,
but what kind of love are you talking about?' She was obliged to
recognise, in spite of her vain and hopeless efforts, that Eros, that
black angel, for her had turned white. (Bataille 1957)
Conclusion
Several points have been left in suspense. First of all, it is necessary to
point out that the structure of moral narcissism here is far from being
rigid. It characterises certain patients by the predominance of its
features. No one is totally free of moral narcissism. One can also draw
attention to this structural particularity as a phase in the analysis of
certain patients. Moreover, though the cases I have described may
well have the outlines of this structure, they are not definitively tied
to it. They can evolve - experience has taught us this - and can attain
other positions. It is with satisfaction that we can observe favourable
evolutions in cases where they were no longer hoped for.
Let us also take another look at the ties between moral narcissism
and moral masochism. It is useful to distinguish them. Is not one a
camouflage for the other? Rather than considering their relationship
in terms of one covering or overlapping the other, I think that,
though their relationship is dialectical, a different series is nonethe
less involved. If, however, one had to admit their oneness, I would say
that the true masochism is moral narcissism, insofar as there exists in
the latter an attempt to reduce the tensions to the level zero - the
final aim of masochism insofar as its destiny is tied to the death
instinct and the Nirvana principle. To repeat: the connection with
suffering implies a relationship with the object - narcissism reduces
the subject to itself, toward the zero which is the subject.
Desexualisation is directed toward the libidinal and aggressive
drives, toward the object and toward the ego. The open range given
to the death drive is aiming for the annihilation of the subject consid
ered as the last fantasy. Here death and immortality converge.
In truth, extreme solutions are never encountered; all that one
establishes in clinical work, and particularly in the selectivity of
psychoanalytic practice, compared with psychiatric practice which is
broader, are orientations toward curves, moving to their asymptotic
limits. In this regard, the relations between shame and guilt are much
more complex than we have said. However, the destructive character
of shame is very important: guilt can be shared, shame cannot.
Nonetheless, ties are formed between shame and guilt: one can be
ashamed of one's guilt, one can feel guilty about one's shame. But the
analyst clearly distinguishes the levels of splitting when, faced by his
patient, he feels the extent to which guilt can be tied to its uncon
scious sources and how it can be partially surpassed when analysed.
Shame, by contrast, takes on an irreparable character. The transfor
mation of pleasure into unpleasure is a solution for guilt; for shame,
the only thing possible is the path of negative narcissism. A neutrali
sation of affects is at work, a deadly enterprise in which a labour of
Sisyphus is carried out. I love no one. I love only myself. I love myself.
I do not love. I do not. I. O. The progression is the same for hate: I
hate no one. I hate only myself. I hate myself. I do not hate. I do not.
I. O. This progression of propositions illustrates the evolution toward
the affirmation of the megalomaniacal T in the last stage before its
disappearance.
5
The Neuter Gender (1973)
Point 3. Freud
The Freudian theory of bisexuality has had the merit of distin
guishing psychical bisexuality from biological bisexuality.
Nevertheless, when he comes up against difficult questions, at many
points in his work, Freud maintains that the solution to the mystery
is to be found in biology, something which does not seem to be
confirmed by science today. Moreover, the Freudian theory of libido
development may nowadays seem to be too exclusively based on an
individual evolution underestimating the parent-child relationship,
or not related to it.
Point 12. The Difference between the Sexual Developments of Boys and
Girls
It cannot be emphasised enough that the sexual destiny of boys and
girls differs considerably. While both are attached to the feminine,
maternal, primordial object, when a boy's psycho-sexual develop
ment is completed, he is able, by means of a single displacement, to
find an object of the same sex as the primordial object, whereas a girl
will have to find an object of a different sex to her mother's. Her
evolution destines her to object-change (the first displacement-
reversal, by means of substitution, is from the mother to the father),
followed by a definitive object-choice (the second displacement is
from the father to his substitute). This specificity of feminine devel
opment accounts for the specific difficulties of feminine sexuality.
*This chapter, written in 1980 and dedicated to Catherine Parat, was originally
translated by Katherine Aubertin. (Revised by Andrew Weller for this volume.)
Effectively, the reasons which motivated the analysands of whom
I am going to speak to undertake an analysis barely touch on the char
acteristic aspects of depression, in the preliminary interviews. O n the
other hand, the analyst immediately perceives the narcissistic nature
of the conflicts that are invoked, connected as they are with character
neurosis and its consequences on the patient's love-life and profes
sional activity.
Before examining the clinical framework that I have just defined,
by exclusion, I must briefly mention a few references which have
been the second source of my ideas - my patients having been the
first. The reflections which follow owe much to authors who have
laid the foundations of what we know about the problems of
mourning: Freud, Karl Abraham and Melanie Klein. But in particular
the more recent studies of W innicott,1 Kohut,2 N. Abraham and M.
Torok3 and Rosolato4 have set me on this path.
Here then is the statement on which I shall be concentrating:
The most widely shared psychoanalytic theory entertains two
ideas. The first is that of object-loss as a fundamental moment in the
structuring of the hum an psyche, at which time a new relation to
reality is introduced. Henceforward the psyche is governed by the
reality principle, which takes precedence over the pleasure principle
which it also protects. This first idea is a theoretical concept and not
the result of observation, for this shows that a gradual evolution,
rather than a mutative leap, has taken place. The second generally
accepted idea is that of a depressive position, but this is interpreted vari
ously by different authors. This second idea combines observed fact
and theoretical concept for both Melanie Klein and Winnicott. Both
ideas, it should be noted, are linked to a general situation referring to
an unavoidable event in the process of development. If previous
disturbances in the mother-child relationship make its passage or its
resolution more difficult, the absence of such disturbances and the
good quality of maternal care cannot help the child to avoid living
through this period, which plays a formative role in the organisation
of his psyche.
Besides, these are patients, whatever their presenting structure may
be, who seem to suffer from more or less intermittent and more or less
invalidating depressive traits, which seem to go beyond the normal
depressive reaction that periodically affects everyone. For we know
that a subject who never experiences any depression is probably more
disturbed than someone who is occasionally depressed.
So the question I ask myself is this: W hat is the relation that one
can establish between object-loss and the depressive position, as
general given facts, and the singularity of the characteristics of this
depressive configuration, which is central, but often submerged
under other symptoms which more or less camouflage it? What are
the processes that develop around this centre? W hat constitutes this
centre in psychic reality?
(a) to keep the ego alive: through hatred for the object, through the
search for exciting pleasure, through the quest for meaning;
(b) to reanimate the dead mother, to interest her, to distract her, to
give her a renewed taste for life, to make her smile and laugh;
(c) to rival with the object of her bereavement in the early triangula
tion.
1. The persecution by this fantasy and hatred for the two objects
which form a couple to the detriment of the subject.
2. The classic interpretation of the primal scene as a sadistic scene,
but where the essential feature is that the mother either has no
orgasm and suffers, or else has orgasm in spite of herself, forced
to it by the father's violence.
3. A variation of the last situation; when the mother experiences
orgasm, she becomes cruel, hypocritical, playing it up, a sort of
lewd monster, that makes her the Sphinx of the Oedipus myth,
rather than Oedipus' mother.
4. The alternating identification with the two imagos: with the dead
mother, whether she remains in her unaltered state or gives
herself up to a sado-masochistic type of erotic excitation; with the
father, the dead mother's aggressor (necrophilic fantasy) or the
one who repairs her through sexual union. More often,
depending on the moment, the subject alternates between these
identifications.
5. Erotic and aggressive de-libidinalisation of the primal scene to the
advantage of intense intellectual activity, which restores narcis
sism in the face of this confusing situation, where the quest for
meaning (which was lost anew) results in the formation of a
sexual theory and stimulates an extensive 'intellectual' activity
which re-establishes the wounded narcissistic omnipotence by
sacrificing libidinal satisfaction. Another solution: artistic
creation, which is the support for a fantasy of auto-satisfaction.
6. The negation, 'en bloc', of the whole fantasy. Ignorance of every
thing pertaining to sexual relations is highly cathected, making
the emptiness of the dead mother and the obliteration of the
primal scene coincide for the subject. The fantasy of the primal
scene becomes the central axis of the subject's life which over
shadows the dead mother complex. This is developed in two
directions: forwards and backwards.
Forwards, there is the anticipation of the Oedipus complex,
which will then be experienced according to the schema of
defences against the anxiety of the primal scene. The three anti
erotic factors, namely hatred, homosexuality and narcissism, will
conjugate their effects so that the Oedipus complex is adversely
structured.
Backwards, the relation to the breast is the object of a radical
reinterpretation. This becomes significant retrospectively. The
blank mourning for the dead mother reflects back to the breast
which, superficially, is laden with destructive projections. In fact
it is less a question of a bad breast, which is ungiving, than a
breast which, even when it does give, is an absent breast (and not
lost), absorbed with nostalgia for a relation that is grieved for; a
breast which can neither be full nor filling. The consequence of
this is that the re-cathexis of the happy relation to the breast that
existed prior to the occurrence of the dead mother complex, is
this time affected with the fleeting signal of a catastrophic threat;
and, if I dare say so, it is a false breast, carried within a false self,
nourishing a false baby. This happiness was only a decoy. T have
never been loved' becomes a new outcry which the subject will
cling to and which he strives to confirm in his subsequent love-
life. It is evident that one is faced with a situation of mourning
which is impossible, and that the metaphoric loss of the breast
cannot be worked through for this reason. It is necessary to add a
precision concerning oral cannibalistic fantasies. Contrary to
what happens in melancholia, here there is no regression to this
phase. W hat one witnesses above all is an identification with the
dead mother on the level of the oral relation and with the
defences which arise from it, the subject fearing to the utmost
either the ultimate loss of the object or the invasion of emptiness.
These lines clearly show the support which Freud felt he had found
in Weismann who had argued in favour of the opposition between
germen and soma. Only soma is mortal. Is it not fair to infer, then,
that between the immortality of soma and the bonus of pleasure
obtained in exchange for achieving the aims of germen, lies castra
tion anxiety, forming a bridge between germinal plasma and somatic
plasma? Weissmann's ideas again provided backing for Freud a few
years later in the mutative leap in his thinking expressed by Beyond
the Pleasure Principle (1920). The speculative character of his reflec
tions should not lead us to believe that Freud's thought was entirely
self-generated. For, a few years before, in 1911, he had undertaken
the analysis of Schreber's Memoirs in which the author's delusion
bore witness both to narcissistic regression, through libido flowing
back into the ego, which was now megalomaniac, and to the fantasy
of immortality present implicitly in-the fundamental theme of the
neo-reality Schreber had created. Due to his transformation into a
woman, by emasculation, and as a result of his coupling with God,
Schreber is alleged to have given birth to a new race of men. Freud
interpreted this desire for feminine jouissance as merely satisfying
passive homosexual wishes towards the Father in which castration
anxiety was foreclosed.
But it was not until a few years later, immediately before Beyond
the Pleasure Principle, in his article on The Uncanny' (1919), in which
Freud tackled the theme of the double - the object of a famous work
by Rank - that he explicitly introduced the ego's immortality. This
shift from the unconscious to the ego, inaugurating the first
authentic psychical expression of immortality, modified his earlier
views. The analysis of myths and literary texts concerning twinning
reveals the division of the ego into two halves - represented by the
twins - one of which is mortal while the other is often endowed with
the gift of immortality. Here, what is involved is no longer the
imm ortality of sexuality through biological vocation, nor the
absence of the representation of death in unconscious psychical life,
but of an ego belief which may sometimes become conscious under
the cover of fiction. In 1900, at a time when Freud was drawing his
conclusions from the analysis of hysteria, the normal universal
phenom enon of dreams had enabled Freud to demonstrate that the
unconscious was not the apanage of neurosis. In 1919, this demon
stration was taken up again on the same grounds: delusion did not
have a monopoly either of the unconscious expressions of the ego's
immortality. The collective or individual fiction which men take
pleasure in transmitting and sharing without being suspected of
illness - they even find religion is elevating for their souls - shows in
the same way how the ego - or a part of it - considers itself immortal
among ordinary mortals.
It is from this point of view that it is really possible to speak of
immortality; that is, of a genuine denial of death at the heart of an
ego which knows it is mortal, its 'double' refusing to accept the
fatality of the term of its existence. The reference to sexuality is not,
however, challenged. But the immortality of the germen has no
presence in the psyche, any more than death is represented in the
unconscious. O n the other hand, the immortality of a part of the ego
corresponds to the biological mortality of soma and the conscious
ness of death. It is narcissism - the effect of the sexualisation of the
ego drives - which is the cause.
W hen Freud designated the empty space of death in the uncon
scious, he had discovered a truth which he felt was worthy of being
counted among the acquisitions of science. This certainly represented
a victory for the ego which was able to fathom a secret of the vast
territory eluding consciousness. And so, at the heart of this lucid ego,
which was able to see beyond itself, Freud discovered that the uncon
scious had an accomplice, a traitor that was underm ining his efforts
to shed 'more light' on affairs.
Once again it is necessary to link Freud's speculations, apparently
the result of analysing fiction, with the hard disillusionments of
clinical experience. At the beginning of his work, the unconscious
and the ego were in conflict. Freud saw the ego as his best ally in
treatment, for he had credited it with being the representative, at the
core of the psyche, of relations to reality. Before analysis, conscious
ness overestimated its power, but its role was less negligible than was
supposed. It sinned through ignorance. All that was needed was for
the ego, with the analyst's help, to 'become aware of' and recognise
the real links between thing-presentations (unconscious) and word-
presentations (preconscious-conscious) in order to acquire a real
power over the unconscious and not only over the external world.
One is justified in wondering here whether Freud was not giving back
to philosophy a part of the territory he had taken from it. It is philos
ophy, is it not, which has always claimed that it is through ignorance
that men lack wisdom? In short, if the causes of man's madness are
explainable by his ignorance of the unconscious, and if the method
which is supposed to free him from it no longer consists in
philosophising but in interpreting, the gap between the two disci
plines, deep as it may seem, is not unbridgeable, in spite of Freud's
aversion for philosophers. It is indeed the task of a conscious human
being to strive for greater awareness.
This final illusion was to collapse in turn when Freud came a
cropper over certain rebellious neuroses, of which the case of the
'Wolf Man' is the sad paradigm. Contrary to all expectations, the
interpretation of the earliest memories, those of the 'primal scenes'
did not succeed in returning to the ego any of its possessions invested
by the unconscious. The rational ego seemed to refuse to put its own
house in order, even though it seemed to accept - not without
apparent conviction - the analyst's constructions. It slept with its eyes
open and remained closed to any understanding ... As the years
passed, Freud had to admit, reluctantly, that his confidence in this
uncompromising ego had been misplaced. Although it remained true
that the ego was able to respond adequately to certain exigencies of
reality, lest it wither away, it had now to be recognised that the former
ally was capable of concealing that half of itself - but was it only half?
- which it had formed in secret, where the wish to be immortal,
however unreasonable it seemed, could find refuge and credence. The
entire structure of the psychical apparatus needed reviewing in the
light of this deficiency; which was what justified the new conception
of the ego in the second topography. The ego, said Freud in 1923, is
largely unconscious; and to such an extent that certain of its essential
functions, the mechanisms of defence against anxiety, are uncon
scious too. They had their rightful place in earliest childhood, when
they made use of the only psychical processes available to the still
undeveloped ego, trying to relieve it of the internal tensions it
suffered by resorting to mechanisms which were concerned less with
external reality than psychical reality. In adulthood, they become
obsolete, more disabling than useful, owing to their anachronism.
The ego clings to these beliefs of the past and does not give them up
lightly, even when they are correctly interpreted. It only accepts their
inadequacy half-heartedly, in those cases when it is not blind to the
point of understanding nothing of its own functioning, and, when
the analyst takes the trouble to dismantle the latter through the expe
rience of transference.
The belief in immortality is thus rooted in the unconscious ego.
The raison d'etre for this topography is the sexualisation of the ego
drives. The ignorance of death in the unconscious has taken up resi
dence in the ego. But, as the ego is also conscious - necessity obliges
- the agency which is a guarantor of rationality, and which knows
through its relations with external reality that it is mortal, contains
w ithin its recesses a megalomaniac understudy, ready to surge
forward to the point of eclipsing the other, sometimes for the
innocent pleasure of fiction, and, at other times, to uphold the faith.
It breaks into the open under the grips of psychosis. The ego, then, is
characterised by this very duplicity; its divided structure participating
in its most intimate functioning, which is concealed under normal
conditions, but openly visible in times of illness. The recognition of
material reality - the importance of which, moreover, should not be
minimised - and the ignorance of material reality by psychical reality
(unconscious): such is the dialectic which accounts for the fact that
the wish for immortality only acquires meaning by coexisting with
the consciousness of death.
Nonetheless, as things stood, in 1919, Freud still conceived of death
anxiety as a displacement of castration anxiety. Immortality was to
narcissism what the negation of castration is for object-libido. Yet
Freud was beginning to suspect that other factors were possibly
involved. He was too well-versed in the clinical psychiatry of his time
not to notice that Cotard's syndrome, observed in melancholy, and the
grandiose ideas found in the terminal phase of general paralyses and
other mental diseases, could not be interpreted in the name of narcis
sism alone. Even within the framework of psychoanalytic treatments,
the resistance to healing called for other explanations than the ego's
obstinacy in exhausting itself by maintaining outmoded defences.
Few exegetes of Freud's thought have been struck by the close rela
tionship linking the last drive theory and the second topography of
the psychical apparatus. The id, the ego and the super-ego replaced
the unconscious, the preconscious and the conscious; the latter were
reduced to denoting psychical qualities and stripped of their function
as agencies. Attention has mainly been given to the relations between
the two topographies, the second appearing to do no more than redis
tribute the values of the first. In fact, the introduction of the death
drives totally modified the conception of how the psychical apparatus
functioned.
One can appreciate this by comparing Freud's views on melan
choly in two different texts. The earliest, 'Mourning and Melancholia'
(1917a [1915]), expounds a conception prior to the final drive theory.
The latest, The Ego and the Id (1923) came three years after it. In the
first, melancholia is still seen from the angle of a libidinal fixation,
without any reference to the death drives. Admittedly, the oral canni
balistic stage, at which melancholy is thought to remain stuck,
implies the destructive consumption of the object; oral sadism and
ambivalence are involved, but everything happens here within the
context of narcissistic and object-libido. Freud does not take into
account the highly destructive potential of this affection which
involves the greatest risk of suicide in the whole of psychiatry. In The
Ego and the Id, melancholy is designated differently, that is, as a 'pure
culture of death instincts'. Here, the ferocious antagonism between
the death drives and the life drives reveals the titanic combat taking
place in the psyche, and perhaps not only there. A defusion of the
drives is at work. Hence the dangerous quality of the crisis, since any
reduction in the mitigation of the drives has the effect of freeing the
death drives from their links with the Eros of the life drives. Their
freedom gives them an unsuspected destructive power when they are
no longer impeded by the yoke of Eros, which hitherto had succeeded
in binding them by eroticising them. It is as if the Eumenides, leaving
their dwelling place after a new matricide, returned to their former
identity as ruthless Erinyes, vampires demanding blood for blood.
From this point on, it was no longer possible for Freud to maintain
that all forms of death anxiety were substitutes for castration anxiety.
W hat might be true of transference neuroses (hysteria, phobia and
particularly obsessional neurosis) was no longer so of the narcissistic
neuroses, of which melancholia was the prototype, and probably
even less so of the psychoses.4
The analysis of melancholia shows the existence of a split within
the ego. A part of it identifies with the lost object - it is this loss for
the libido which is at the origin of the defusion - whereas the other
part retains its status. One can guess, then, how this refusal to accept
the object's death can contribute, by reflection, to the ego's fantasy of
immortality.
W ith regard to castration, Freud speaks of anxiety, that is, of a
danger; but, when he comes to deal with narcissism in mourning (and
not only there), he speaks of a narcissistic 'wound', as if it were no
longer merely a threat but an actual mutilation that was involved.
And, similarly, in transference neurosis, desire can use the detour of
secondary identification in order to obtain, by procuration, the grat
ification from which the other person has benefited. In melancholia,
identification with the lost object (or the object that cannot be lost)
occurs in a primary mode. The ego 'takes itself' for the lost object. It
heaps reproaches on itself, accuses itself of the slightest peccadilloes,
attributing them with the seriousness of as many mortal sins. It
reviles itself and expects to be severely punished. But all this is just a
disguise. In fact, a part of the ego simply rises up against the other
part, as if it were its worst enemy, in order to conceal the wish to
mistreat the object; and, in this prolongation of existence constituted
by identification, to fulfil the sadistic wishes which were repressed in
the most distant past. Even suicide, so often successfully carried out
in melancholy, does not justify an interpretation in connection with
the oral phase of infantile sexuality. Owing to the confusion between
the ego and the object, a second death of the object is thus accom
plished. Henceforth, an immortal union with it is consummated. The
nuptials with the object will no longer admit of any separation, in the
rediscovered, infinite and limitless paradise of orality. This is the view
presented in 'Mourning and Melancholia'.
W hen Freud returned to melancholia in The Ego and the Id, he
renewed his interpretation, examining it closely in the light of the
second topography. Now it was no longer two halves of the same ego
which split in order to fight each other. The splitting of the ego -
which Freud did not abandon, however, his final work being entitled
'Splitting of the Ego in the Process of Defence' (1940b [1938]) - was
replaced by the conflictual relation between the ego and that part of
it which had separated from it long ago: the super-ego. Melancholy
thus offers the distressing spectacle of the ego's persecution by the
merciless super-ego. It may be compared to Yahweh punishing his
chosen people because they were stubborn, making them pay the
price for being the chosen people with the wretched conscience
which Hegel was to identify in them. O n the surface the difference
between 1915 and 1923 would appear to be merely a slight nuance.
But, in fact, the new theory was quite different from the earlier one.
For Freud did not fail to point out that, unlike the ego, the super-ego
draws its resources from the id. In other words, the morality of which
it is the herald is anchored in the depths of the wildest agency in the
psyche, which are now haunted by the death drives as well as the life
drives, forming such an explosive mixture that any weakening of Eros
- whether it comes from external reality through m ourning or, from
internal reality, due to the excessive disappointment resulting from a
change in the object - creates out if this vital mixture a lethal potion.
Moreover, Freud did not miss the opportunity at a later juncture of
having a dig at Kant in passing, by pointing out that the categorical
imperative was far from being as immutable as he claimed; since
melancholy, primarily, but also the less serious forms of masochism,
show how the super-ego is subject to variations which rob it of any
transcendental character.
One year after The Ego and the Id, in The Economic Problem of
Masochism' (1924) - an appendix to the essay of 1923 - Freud went
even further. He distinguished between the masochism of the super
ego, responsible for a desexualisation' of morality, and the
masochism of the ego, of mysterious origin, which proves to be an
even greater obstacle to treatment than the former. For the
masochism of the super-ego is the form bound by the death drives;
and, it should not be forgotten either, that the super-ego is a 'protec
tive power of destiny' of which one can say that it protects the
individual by m aintaining the principal prohibitions laid down by
society. Whereas the ego's masochism reflects the diffuse impregna
tion of the psychical apparatus by excessive destructivity spread over
all the agencies, in an unbound state, and thus not controlled.
The more Freud's thinking evolved, the more the ego struck him as
being incapable of fulfilling its tasks. As the servant of three masters
making contradictory demands - the id, the super-ego and reality - it
not only has to reckon with the blindness affecting its unconscious
part, but also with the poison which saps it from within, that is, the
death drive. It becomes the seat of a conflict, the full scale of which
is only revealed in illness, but which is present in us all. Caught
between its obstinacy in not abandoning its earliest libidinal fixations
which are incompatible with the limitations of external reality - that
of the physical world as well as the social world - and the destruc
tivity of the death drives, whether their direction be centrifugal or
centripetal, it exhausts itself in stopping up holes, sealing cracks,
shoring up its walls, going from one damaged area to another in order
to keep itself upright. A pessimistic view, no doubt. Life seems so self-
evident that perhaps we ought to be more surprised that it can be
pleasant, just as Einstein said that we should be more surprised that
the universe is comprehensible.
There has been a great deal of speculation on the reasons which
induced Freud to put forward the hazardous hypothesis of the death
drive. He is suspected of having been affected by personal events
which are thought to have been responsible for this mutation
adorning the psychical apparatus with the shades of death. This
rather unconfident vision of the force of life is thought to have
replaced his earlier vision, which glorified the vitalising power of
sexuality, only because of the effects of ageing, resulting in less resist
ance in face of the ordeals inflicted by fate (cancer, the loss of his
daughter and of his grandson, and so on). In fact, what we know of
Freud's biography rather suggests that his preoccupation with death
went back a very long time. It had existed since the birth of psycho
analysis.5 The correspondence with Fliess testifies to this.
There one finds Freud, thanks to his adhesion to his friend's theory
of 'periods', indulging in calculations about the supposed date of his
death, especially as he felt his health threatened by heart symptoms
which were not all neurotic or psychosomatic. W hile there is justifi
cation for thinking that the years of Freud's friendship with Fliess
were marked by a strong stimulation of his homoerotic sexual
impulses, which drove him into masochistic submission to the judge
ments of the man he deeply admired, one should also draw attention
to the narcissistic exaltation of a mirror relationship which coloured
this friendship. And although there was no absence of ambivalence in
their relations - Freud encountered a resistance in Fliess to recog
nising his own discoveries, whereas, for his part, he showed himself
to be very receptive to the views of the Berliner - the rupture between
them was probably due to a sort of fit in which he was carried away
by his own narcissism. In short, in this relationship with Fliess,
Freud's ego played a double role. He knew he was mortal and lent his
accomplishments the character of a race against death, while at the
same time libidinising this fear of death in what he called his 'left-
handedness' (homosexuality). On the other hand, he claimed to be
immortal - put more rationally, he was in search of the immortality
that he hoped his discoveries would bring him. And, in the final
analysis, it was this part of himself which took precedence over the
other. One only has to mention the fantasies he had when he was
analysing the dream of Irma's injection and imagining the marble
tablet commemorating the unveiling of the secret of dreams for
futurq passers-by.
Freud had had an analogous experience with another of his elders,
Breuer, to whom - with an excessive degree of modesty which may
have masked both his pride and his guilt - he attributed his own
discoveries. Whereas, in fact, it was the timidity of the co-author of
Studies in Hysteria - the limitations imposed on him by his over-
rational ego - which was the reason for their collaboration being
terminated.
First Breuer, then Fliess; but the series was to close with Jung, since
Freud, who was too affected by the disillusionment the latter - this
time his junior - had inflicted on him, decided to finish with the
snares of sublimated homosexuality.6 He took as much care as he
could with this crown prince, playing the tolerant father faced with
the outward signs of an Oedipus complex which was sufficiently
evident to enable him to recognise the patricidal wishes of the one on
whom he wished to confer his crown. Prince Hal donned his father's
crown before the latter had even expired. After a period of homo
sexual submission - think of Freud's fainting fit during one of their
encounters - he broke off with the son, just as he had put an end to
his relations with his elders, whom he regarded unconsciously as
fathers rather than equals. Renouncing the idea of a premature death
and being concerned about his succession, as well as the future of his
work which he believed would be accepted more easily by a non Jew,
he pursued his conquest of immortality alone.
We know that among the reasons which drove Freud to abandon
his views on the redistribution of the drives into ego-libido and object-
libido, one - and not the least important - resided in the fact that he
considered this conception - elaborated after the break with Jung - too
close to the ideas of the latter who had preferred the path of dissidence
with a view to acquiring his own immortality. The theory that
accorded such an important place to narcissism was perhaps simply an
effect of a work of mourning which needed to be completed by
stressing the incompatibility of Freud and Jung's theories.
This probably explains why, once the final drive theory had been
set out in Beyond the Pleasure Principle, seven years after his initial
article on narcissism, Freud's interest in the latter waned. Narcissism
was just a detour, a stopping-place on the journey which accom
plished its goal in 1921, a goal that was never again put in question
during the eighteen remaining years of his life. At this point, Freud
turned his back on narcissism; he did not even take the trouble to
explain to his disciples, not to mention the public he was trying to
reach beyond the members of the profession, how it was necessary to
re-evaluate his earlier ideas - which were, nonetheless, very
convincing - in the light of his new hypotheses.
One might think that, after 1920-21, Freud would have realised
that the ambivalence which had marked his successive relationships
with Breuer, Fliess and Jung, were just a screen. It was no longer the
conscious or preconscious hostility that the latter manifested towards
him which stood in the way of the full development of his genius, but
his own aggressivity directed against himself. In other words he was
his own worst enemy.
However, although ultimately it is to the death drive that we must
look for an explanation for this inhibiting process resisting the
completion of syntheses which is the charge of Eros, one cannot
overlook the forms in which the latter is linked with the death drives:
aggressivity directed towards others, homosexuality and narcissism.
The ego's immortality should also be thought about through this
prism which decomposes the elements one finds when one comes to
analyse more closely the creation of the double, thanks to which this
fantasy becomes conscious.
All this shows the complexity of what J.-B. Pontalis has rightly
called the 'work of death7 in Freud.7 Far from being justified in
thinking that, in regard to the death drive, the founder of psycho
analysis gave in too easily to the temptation of advancing a fantastic
hypothesis, we would be m uch nearer the truth if we were to empha
sise how much Freud resisted it. We only need to consider the other
case of dissidence, that of Adler, who threw out a line to Freud which
he did not seize. He m ight have let himself be tempted, even if it had
meant formulating differently what the limitations of his disciple
prevented him from conceptualising. O n the contrary, Freud took the
time he needed to think, delaying writing the text which must have
been fermenting within him for a long time before he actually put
into black and white the ideas which he initially presented with
caution, without demanding the slightest adherence to them. Doubt
was permitted on this issue, in contradistinction to other concepts
such as the unconscious, repression, the Oedipus complex and trans
ference, which were the conditions sine qua non for the right to call
oneself a psychoanalyst. As the years passed, from 1921 to 1939, spec
ulation was to turn into certainty. For him, at least.
The death drive works in silence, says Freud, the clamour of Eros
covering the muffled noise of its deleterious action. A silence that is
occasionally interrupted by some note of alarm whose trace is found
in writing. The Theme of the Three Caskets' (1913) ended with the
three female figures: the beloved one, the mother, and lastly Mother
Earth where bodies rest when life has left them. Well before he was
into old age, Freud had felt close to the old Lear. Unconscious
complicity linked him to Breuer; each of them had given their wives
the nickname Cordelia. The old m an carrying the young girl was
simply the inverted figure of the other, much more probable image,
of death carrying off the old man, still a child. Mythology has a
predilection for linking women with death. W hile such a representa
tion can still justify an interpretation in terms of castration anxiety, it
is equally rooted in the depths of the collective unconscious which,
since the beginning of time, has made a parallel between death and
antenatal existence. In many cultures, and particularly during the
most archaic ages, the dead are laid in their sepulchre in the foetal
position. W hat idea is more widespread amongst the beliefs of many
peoples - and perpetuated by the monotheistic religions still in place
- than death as rebirth in another world?
The Uncanny' had ended with the silence imposed on us by the
impossibility of representing either death or the vagina. And so it is
that men are struck dum b in the face of this unthinkable notion. But,
worse still, how are women to experience themselves when they have
lost the representation of a part of their bodies and are reduced to
envying the sexual organ they do not have? Of course, the penis can
be verified by sight, whereas the vagina cannot. On the other hand,
this surely provides a very strong stimulation for representation.
Freud's phallocentric point of view leads to a significant confusion
of ideas. As far is sexuality is concerned, the evidence of the senses
gives the penis a representability which accounts for the displacements
and condensations which it can be subject to in the unconscious. But,
when it comes to maternity, Freud changes his strategy. Maternity can
be proved by the evidence of the senses.8 But the same phallocentrism
which confers the penis with an exclusive power of representation
functions the other way round here. In Moses and Monotheism (1939),
Freud attributed the development of intellectual curiosity to the uncer
tainties of paternity; progress in spirituality consisting, according to
him, in according greater value to the processes of intellectual deduc
tion than the evidence of the senses. In this case, women should be
credited with greater intellectual penetration on account of the deduc
tions which they must be led to make by the hidden situation of their
genitalia. Freud rejected this idea. But for what reason?
Because the vagina, the 'former home of men' from which each
hum an being originates, which arouses in them the feeling of familiar
uncanniness or uncanny familiarity to the point that they are unable
to say anything about it, enveloping the feminine sex and death
within the same silence, makes an almost natural state of the feminine
condition, culture being the affair of man. The myth of woman as the
giver of life and death drove Freud both to idealise the mother figure
and to see in the repudiation of femininity - in both sexes - the reasons
for the obstinate tendency to remain ill. Here there was a danger of
seeing the mother - common to both sexes - as a threat to be warded
off, almost as great as that of death. Was this yet another manifestation
of castration anxiety? After the introduction of the death drive, it was
no longer possible to invoke it under all circumstances.
Post-Freudian psychoanalysis, the most remarkable figure of which
has been a woman, Melanie Klein, showed how idealising the mother
image was a denial of the persecutory anxieties to which she is
subject. The reference to psychosis - the schizo-paranoid and depres
sive positions further a dichotomy which has been present in
psychiatry since Kraepelin, a contemporary of Freud - has replaced
the grids of neurosis which enabled Freud to decode the castration
anxiety lying behind death anxiety. For Melanie Klein, who was to
take Freud at his word concerning the death drive - and probably in
a way which was more foreign to him than familiar - neither the
vagina nor death lacked representation in the unconscious. One
might even think that they occupied almost the whole field. Freud's
phallocentrism, to which Lacan remained faithful - 'woman is not all'
- was dethroned by Melanie Klein's 'mammocentrism'. Well before
the question of castration arises, there is the issue of the good and bad
breast which is a factor of division from the child's earliest days. Well
before the baby - who is undoubtedly immersed in a world of
language - can speak, the 'thoughts' he may be assumed to have
revolve around an experience of annihilation. He owes his survival
simply to the Manichean mechanisms of defence which structure,
more or less efficiently, the universe, sometimes paradisiacal, some
times infernal - but the latter leaves its mark more than the former -
which he inhabited in alternating states of bliss and terror.
W hat becomes of the ego's immortality in this context? Are we
obliged to resign ourselves to the possibility that the two versions are
irreconcilable? Perhaps not. By laying so much emphasis on the
vulnerability of the ego, overwhelmed by the multiple effects of
destructivity, one simply makes the fantasy of its immortality all the
more necessary.
Once again, it is at the level of primal narcissism that it reappears.
Immortality is a state of ego idealisation, and we know, moreover,
that the ego feels its existence is threatened. The invulnerability
which is thus conferred on it is closely linked to a state which may be
described either as self-sufficient bisexuality or as indifferent asexual-
isation; or again, as lacking sexual differentiation. That is, an ego
which would be all narcissism, thwarting an ego dependent on its
om nipotent primary object. In its more elaborate forms of expression,
the divided ego no longer needs the complementary object belonging
to the other sex. Narcissistic completeness no longer results from
fusion with the object; it now arises from the relationship the ego has
with its double. Just as it has been said that the ideal of auto-erotism
is 'lips kissing themselves', one might also detect in the fantasy of
immortality the symmetrical ideal of the ego making love to itself, or
to its double, without being concerned any longer either by castration
anxiety or by death anxiety.
The ego no longer merely defends its integrity or its unity through
its wish for immortality. It denies its limits both in space and time. It
no longer knows the finiteness of 'being there' or the wearing effect
of the here-and-now. The series of figures which are traversed by
immortality extends from the primitive fusion of the young ego with
the object to the ego's narcissistic cathexis of itself; then, to
cathecting the double, in a coherent evolving movement.
The psychotic danger begins with hypochondria: this may be
interpreted as the blocking of libido in one part of the body, which
then lives for itself, giving expression to the very first signs of
psychical fragmentation which will pull the ego to pieces if the
psychosis develops. It is now clearer why Freud dissociated the latter
from melancholy; because more than narcissistic regression is
required to account for what would indeed appear to be a destruction
of the ego's unity. And it is probably no coincidence that those who
defend the death drive are to be found today among the psychoso-
matists - at least those who belong to the Paris school, under the
direction of P. Marty.9
The concept of the death drive has given rise to different interpre
tations by authors ranging from Hartmann to Laplanche. For the
former, the aspect of Freud's views that deserves acceptance is the
equal degree of importance that he placed on aggressivity and sexu
ality. But what is at stake here is only the contingent of drives directed
towards the external world, which Freud simply saw as a secondary
derivation whose purpose was to drain off the main part of their
original lethality. Laplanche would prefer to speak of the sexual life
drives and the sexual death drives.10 Be that as it may, there are few
authors in the literature who acknowledge the necessity of giving the
forces of death the status of a group of drives. Even though the idea
of primal masochism would be rejected, masochistic turning against
the self and the importance of the reversal into its opposite (of love
to hate), threaten the ego sufficiently to oblige it to create the fantasy
of immortality, especially when it suffers from narcissistic deficiency.
Freud's radicalism drove him to make formulations which seem to
be in conflict with his initial conceptions. The hastening of life's
course towards death is not due to the exhaustion of a potential at the
end of its resources; it is the effect of an active, deadly process which
increasingly gains ground with age or in relation to the subject's
biological equipment. Sexuality is only vitalising provided it is put
under good guard. And now Freud, who had contributed so much to
giving it back the place he thought it deserved as the source of life,
was writing that the pleasure principle appeared to be in the service
of the death drive! It would seem to me that this idea was very influ
ential for the work of Georges Bataille.11 The Economic Problem of
Masochism' placed the Nirvana principle, borrowed from Barbara
Low, in the foreground, acting in the service of the death drives, of
which the pleasure principle, in the service of the sexual drives, is
thought to be but a modified form in animate beings. It does not take
a great deal of effort to understand - the reference to Nirvana shows
this - that the death drive and immortality are related to each other.
We can see how unequal the struggle is between Eros and the death
drives, since the latter always have the last word. The individual, Freud
wrote shortly before his death, in one of his rare posthumous notes,
'perishes from his internal conflicts whereas the species perishes in its
struggle with the external world'. Throughout the course of his work,
the revolutionary affirmation tracing death anxiety back to castration
anxiety was to shrink away. Unconsciousness of death became uncon
sciousness of the longing to die. Perhaps this needs putting in another
way: mourning for the mother's penis came to be included within the
more general category of object losses (part or total). Melancholia, the
misfortune of a few, echoes the prototype of mourning which is
perhaps the cause of the common misery against which psycho
analysis declared it had no remedy as early as Studies on Hysteria
(1895c). If one reads Freud as one should, that is, backwards from 1939
to his beginnings, one is astonished to notice that the late principle of
Nirvana - the invention of which was yet again attributed here to
someone else - was already present in his thought under the name of
the principle of inertia (the unexcitability of non-cathected systems).12
Is it not the case that this psyche which shams death, on the pretext
of not wanting to see its quietude disturbed, in fact aspires to it
constantly without knowing it?
No one is spared depression, which is part of the hum an condi
tion; it is the price we pay for being attached to objects which give us
joy in being alive. Fortunately, we will not all die of it. In most people,
the life drives give us a taste for living which at some time or other
will pall. The libido fights back, investing objects again, or re
investing those which have been the cause of the disappointment
which led us to withdraw our investment from them. Even the
mourning of those closest to us, those who we thought to be irre
placeable, comes to an end eventually. This is the great lesson given
by Montaigne and Proust. Forgetting is on the side of life, without
which immortality would be a burden. Repression also preserves.
W hen m ourning becomes interminable, this inconsolable loss should
not be attributed to love; but, on the contrary, to a feeling of hidden
or disguised resentment at being abandoned by the object.
In addition to the two kinds of arguments inform ing Freud's reflec
tions on death - his reaction to events which had affected him, and
the resistance to recovery found in the negative therapeutic reaction,
which he attributed to masochism - there was also the evidence of
social life, that is to say, the 1914-18 war. Although he gave way to
nationalistic passion - how could he have done otherwise, with his
own children on the front? - he unquestionably found additional
encouragement here for advancing the hypothesis of the death drive.
The massacre of hum an life, occurring in what was called a world war,
might have led him to think that the first aim of this drive was the
death of someone else. This was only how it seemed. He took advan
tage of this to extend the horizons of his lucidity in Thoughts for the
Times on War and Death' (part II 'Our Attitude towards Death')
(1915).13 There he pointed out how we are indifferent to the death of
others when they are not part of our libidinal patrimony. Even when
they are, however painful their loss may be, we eventually resign
ourselves to no longer counting them among our own. For in spite of
the enormous attachment which ties us to them, they are never more
than guests whom we welcome within us. Basically, they remain
strangers to our most intimate ego, which survives their passing away.
However, although death remains inconceivable for us, it is perhaps
the death of those who have been the objects of our love which has
whispered to us the idea of immortality.
In Totem and Taboo (1912-13), Freud set out many reasons
explaining why the thought of 'primitive peoples' exhibited a spon
taneous belief in immortality. One of them shows us just how much
such a belief is explicable. The death of a person who has been
cathected libidinally and internalised in the ego in no way does away
with their existence within us. Not only do the traces left by memory
keep them alive in our psyche, but they reappear in our sleep in the
form they had many years before they took leave of the world. Even
though their body has gone, their soul lives on in us in the uncon
scious. If their soul is immortal, then so is ours. Shadows haunt the
sleep of the living, plunging them into mourning without their even
realising it. 'The shadow of the object' [that is, its ghost] fell upon the
ego', we read in 'Mourning and Melancholia'. No doubt there is good
reason to suppose that this danger makes sleep impossible: Lady
Macbeth lived an interminable waking nightmare which only
stopped with death. The dead invite themselves when they have
something to reproach us with, or a debt to remind us of.
In short, we may think we have mourned our lost loved ones, but
this m ourning is never as complete as we think. The souls of the dead
live on in the unconscious, even if they are no longer thirsty for blood
and accommodate our taste for living. The close links between
mourning and the state of being in love naturally come to m ind here.
One succeeds the other, as its reverse side or its inverted double. If we
consider, as Freud did - although this is open to discussion - that
narcissism is impoverished by love, the overestimation of the object
going hand in hand with the underestimation of the ego,14 it is easier
to understand that, once the state of being in love has cooled off or
is completely over, the ego is bolstered with the sense of its own
worth and gives fresh impetus to its belief in its immortality. M.
Torok15 notes quite rightly that immediately following the death of a
loved one, and before the work of mourning proper begins, the ego
reacts to this loss by a brief period of euphoria - unexpressed, more
often than not, for obvious reasons - which does not merely explain
the denial of death but also the ego's trium phant satisfaction at still
being alive. Maniacal mourning, or the switch from m ourning to
mania, is an illustration of the defensive resources of the ego which
shows itself here to be much more than just 'supremely indifferent'.
There are, then, a stack of sufficiently persuasive arguments to
suggest that the ego's immortality has at its disposal a very large area
in the psyche, since it extends from normality to psychosis. Even if
there is justification for linking it with narcissism, it should nonethe
less be added that it is also the same narcissism which is directly
affected by the death drives, within the ego. I do not think it is
possible to confine ourselves to Freud's formulations on narcissism, by
situating it entirely on the side of the life drives. Alongside positive
narcissism we need to put its inverted double, which I propose to call
negative narcissism. So Narcissus is also Janus. Instead of sustaining the
aim of unifying the ego through the activity of the sexual drives,
negative narcissism, under the influence of the Nirvana principle,
representing the death drives, tends towards lowering all libido to the
level zero, aspiring for psychical death. I think this is what may be logi
cally inferred with regard to the fate of narcissism after the final theory
of the drives. Beyond the parcelling which fragments the ego, drawing
it back to auto-erotism, absolute primary narcissism seeks the mimetic
sleep of death. This is the quest of non-desire for the Other, of non
existence, non-being; another way of acceding to immortality. The ego
is never more immortal than when it claims that it no longer has any
organs or body. Such is the case of the anorexic who refuses to be
dependent on his (or her) bodily needs and reduces these appetites by
means of a drastic inhibition, letting himself die, as one says so aptly.
It is not just individuals who let themselves die. There are also
whole civilisations w hich seem to be stricken with apathy,
renouncing their ideals and sinking into passivity; a forewarning of
their extinction, once they have lost all illusion with regard to their
future. This is an aspect of the final part of Freud's work which has
not b£en given sufficient attention by his commentators. If Freud
became increasingly convinced, day after day, that there were good
grounds for affirming the major role played by the destructive drives,
it was not because he was making an unreasonable generalisation on
the basis of what he had learnt from clinical experience. We know
that his am bition was not just to throw light on the mystery of
neurosis, or even of psychosis. The treatment of the neuroses was
simply one application of the method. Although less assured than
when it draws its conclusions from clinical work, observing the social
world confirms what the psychoanalyst's ear is able to decipher from
the conscious discourse. Societies - from the most 'primitive' to the
most civilised - repeatedly iterate their desire for peace and tear each
other apart in war, as in peacetime. Is it not true that war, in the last
analysis, is the best protection against the fratricidal danger of civil
war? Shakespeare was well aware of this already.
Civilisation is no more than the result of the balance between the
life drives and the death drives. It improves the lot of individuals,
enabling them to enjoy many advantages which are not available to
uncivilised peoples - who, incidentally, enjoy others. But it is also the
favoured terrain of the death drives. There is little in the way of tech
nical progress which does not serve lethal ends. Moreover, civilisation
compels individuals to renounce drive satisfactions, thereby restricting
the field of Eros. It is Eros which facilitates repression, lends value to
sublimation, and tends towards auto-satisfaction. An ineradicable
narcissism leads to the idea that one civilisation is worth more than
the others. The conflict even occurs between so-called civilised
nations, giving free rein to barbarity which they justify with the most
noble ideals. This programme calls for compensations for the sacrifices
demanded of Eros, which cannot be satisfied by using aggressivity.
This was, no doubt, the function of the ideal, by means of religion
formerly, and then through political ideologies, both past and present.
The immortality of the gods was to have its counterpart in the
immortality of heroes (warriors, athletes, politicians, saints, philoso
phers, artists and scientists). It is not unimportant to recall that
between Beyond the Pleasure Principle and The Ego and the Id, came
Group Psychology and the Analysis of the Ego (1921), in which Freud was
already making a prophecy, without realising it, about the destiny of
certain European societies which was driving them towards dictator
ship. But in this instance he showed himself to be timid, for he did
not dare use the resources of the last drive theory which he had just
put forward. At a time when he was still hesitating over the signifi
cance of his discovery and venturing into the social domain, he felt it
was wise not to add the hypothetical death drive to the conjectural
character of his exploration. But in Civilisation and its Discontents
(1930) he corrected this omission. Moses and Monotheism (1939) was a
continuation of Totem and Taboo (1912-13), boldly affirming that the
father was indeed killed by his sons - against all probability. This was
not so much in order to demonstrate the permanence of the Oedipus
complex, which had been part of collective life since the earliest
times, as to reaffirm the work of the death drive and the means by
which a nation resists its own extinction. This meditation on and
gathering around the Holy Book was its sole contribution, he said, to
the process of civilisation. Today, the political project has taken over
from the Scriptures.
Nowadays, it would seem that many societies no longer find the
means to give collective support to the fantasy of immortality by cele
brating rites or commemorating the past. Deprived of its cement in
the community, immortality is neglected like an abandoned tomb. It
is relegated to the level of a peculiar belief, a 'private religion', still
strongly rooted in the psyche, but afraid of the criticisms of the
rational ego. Admittedly, this is just an outward reaction which has
little bearing on the internal world. The requirements of rationality
have nevertheless put an end to the security which the ego obtained
from a respectable and commendable shared conviction, its collective
expression being a source of nourishment for individual pride. Even
though everyone knows within himself that his neighbour cannot do
without this illusion either, the lost sense of com m union is missed.
This raises legitimate questions. W ithout this social system of
support, what will become of this essential form of expression of the
relationship between man and death, his death? It may be that soci
eties which have maintained this faith in the immortality of
individuals who will have to pay the price for the coming of a utopian
golden age by sacrificing their lives, will be the ones to trium ph over
the others in which immortality has been reduced to nothing more
than an offshoot of the individual unconscious.
In any case, it is doubtful whether this more or less fanatical faith
can achieve its objectives without resorting to the destruction of
other societies inspired by different ideologies, and, as experience has
taught us, to internal violence. For the pursuit of megalomaniac
ideals (changing hum an nature!) results in many deaths. We should
be prepared then for the disillusionment which will certainly arise,
curbing the fulfilment of promises. Under the pressure of men and
events, these societies will perhaps be obliged to return to Eros certain
rights of which it has been plundered. This was already the conclu
sion of Civilisation and its Discontents, more than fifty years ago. Is it
fair to hope that immortality, put to the service of Eros, will be able
to assign itself more modest aims, finding sufficient narcissistic satis
factions in the pride of belonging to a cultural tradition, without
despising the others; and, of adding to the pleasures of belonging
those of filiation, the daughter of alliance? This is perhaps the nature
of the challenge which presents itself to modern man: the heavens
have been deserted by the gods and so he only has himself to rely on.
In his thoughts on life and death Freud found courage in stoic
morality. Today, it is perhaps no longer enough to prepare oneself
serenely for the eventuality of death. It is also necessary to try and
check the temptation to abandon ourselves collectively to it when it
threatens the planet with irreparable havoc.
Notes
Preface
1. This is a reference to the author's recollection of spending a few hours
sitting in an orchard. [Translator's note]
2. At the International Congress of Psychoanalysis in 1971, the
International Psychoanalytic Association, which was celebrating Freud's
return to Vienna in the person of his daughter Anna, proposed aggres
sivity as the theme of reflection for its scientific debates. It was
noticeable that, fifty years after Beyond the Pleasure Principle, almost all
the analysts remained sceptical about the existence of the death drives -
with the exception of the Kleinians who, however, assigned a rather
different meaning to the death drive than Freud had.
3. In English in the original; author's italics.
4. Author's italics.
5. The reader may like to refer to my contribution on borderline cases in On
Private Madness. London: Hogarth Press, 1986.
6. By 'real' object, I do not mean we can determine the 'reality' of the said
object, which always remains elusive, but the presence within the subject
of a discourse which alienates him from himself but originates outside
himself, superimposing itself on his own discourse. It would be more
correct to speak of the object from outside being on the inside; though
there is little reason to doubt the reality of certain traumas suffered by
the external object.
7. Lacan's expression.
8. It is essential to understand that these displacements will inevitably only
result in imperfect solutions, always more or less unsatisfying - that's
life!, as we say. For the hope of finding the inaugural experience of satis
faction again is a retrospective fantasy and the attempt to reproduce it a
lure. But it is also because of this that the libido is always searching for
new investments involving instinctual satisfaction that is more or less
sublimated.
9. In English in the original.
Chapter 1
1. London: Macmillan and Co., 1926, vol. 1, p. 314.
2. 'Likeness' attenuates the sense of 'image' by excluding the idea of parity.
The concrete term 'image' implies a physical similarity as between Adam
and his son (Genesis 5:3). It also implies a general similarity of nature:
intelligence, will and strength; man is a person. It makes way for a higher
revelation: the participation of nature through grace. (Genesis 1:26-27.
The Holy Bible, RSV.)
3. Freud, S. (1895b). Project for a Scientific Psychology, SE, I, p. 323.
4. Freud, S. (1910b). SE, XI, p. 211.
5. See the note in SE, XIV, p. 73.
6. See Chapter 2.
7. Grunberger, B. (1971). Narcissism. Paris: Payot.
8. Lichtenstein, H., 'Le role du narcissisme dans l'emergence et le maintien
d'une identite primaire', Nouvelle revue de psychanalyse, 1976, no. 7.
9. Laplanche, J. (1970). Vie et mort en psychanalyse. Paris: Flammarion.
10. Rosenfeld, H. 'A clinical approach to the psychoanalytic theory of the
life and death instincts: an investigation into the aggressive aspects of
narcissism', Nouvelle revue de psychanalyse, 1976, no. 7.
11. In English in the original. [Translator's note]
12. Kernberg, O. (1975). Borderline Conditions and Pathological Narcissism.
Northvale, NJ: Jason Aronson, 1985.
13. Pasche, F. (1969a). A partir de Freud. Paris: Payot.
14. Lacan, J. (1966). Ecrits. Paris: Le Seuil.
15. See Green, A. (1999). The Fabric o f Affect in the Psychoanalytic Discourse.
Trans. Alan Sheridan. London: Routledge. First published in 1973 as Le
discours vivant. Paris: PUF.
16. Castoriadis-Aulagnier, P. (1975). La violence de Yinterpretation. Paris: PUF.
17. In The Complete Letters o f Sigmund Freud to Wihelm Fliess (1985). Trans.
J.M. Masson. London: Belknap Harvard Press, p. 390.
18. Green, A. 'Sexualite et ideologie chez Marx et Freud', Etudes freudiennes,
1969, nos 1-2.
19. SE, XIV, p. 100.
20. See Chapter 4.
21. Fe^lern and Grunberger have developed this point, often referred to by
the latter as 'narcissistic elation'.
22. There is a gulf in this respect between the Judeo-Christian and Eastern
religions. Whereas the Judeo-Christian religions clearly boggle at
thinking about emptiness, Zen makes it its point of reference. J.-F.
Lyotard (L'economie libidinale, Paris: Editions de Minuit) vigorously
denounces the Tao: Thirty spokes converge at the hub, but it is the
emptiness between them that makes the wheel turn' (Tao-te Ching, XI:
my translation). Curiously, his point of view is closely akin to Father
Merton's when debating with Suzuki (Zen, Tao and Nirvana), belief in
Christ excepted. As for Islam, it falls between the two. M. Shaffii shows
this clearly in 'Silence and Meditation', International Journal o f Psycho
Analysis, 1973, p. 53.
23. At the end of his work, in the Outline {SE, XXIII, p. 188), Freud proposes
a different formulation which speaks volumes on this evolution: There
is no doubt that, to begin with, the child does not distinguish between
the breast and its own body; when the breast has to be separated from
the body and shifted to the “outside” because the child so often finds it
absent, it carries with it as an "object" a part of the original narcissistic
libidinal cathexis. This first object is later completed into the person of
the child's mother... .'
24. Freud, S. (1940b [1938]). 'Splitting of the Ego in the Process of defence',
SE, XXIII, p. 271.
25. 'A Metapsychological Supplement to the Theory of Dreams' (1917a
[1915]) in On Metapsychology. B. Lewin's notion of the blank dream screen
enables us to think better about the background against which dream
figures appear. However, one may wonder if it is still the hallucination of
the breast that is involved or if the blank does not represent the absence
of representation. Hindu thought points in this direction. Well before
neuro-physiological research, which led to the discovery of the cerebral
dream stage (a paradoxical phase) and the stage of dreamless sleep, The
Questions o f King Melinda (second century b c to second century a d ), a
Buddhist work, gave precise answers to these questions. King Melinda -
who is reminiscent of the Greek King Menander - is having a discussion
with a Buddhist sage, Nagasena. He asks: 'Venerable Nagasena, when a
man dreams a dream, is he awake or asleep?' 'Neither the one, O King, nor
yet the other. But, when his sleep has become light, and he is not yet fully
conscious, in that interval it is that dreams are dreamt. When a man is in
deep sleep, O King, his mind has returned home, and a mind thus shut in
does not act, and a mind hindered in its action knows not the evil and
the good, and he who knows not has no dreams. It is when the mind is
active that dreams are dreamt. Just, O King, as in the darkness and gloom,
where no light is, no shadow will fall even on the most burnished mirror,
so when a man is in deep sleep, his mind has returned into itself, and a
mind shut in does not act, and a mind inactive knows not the evil and
the good, and he who knows not does not dream. For it is when the mind
is active that dreams are dreamt. As the mirror, O King, are you to regard
the body, as the darkness sleep, as the light the mind' (vol. 2: IV, 8, 36.
Trans. T.W. Rhys Davids. Oxford: Clarendon, 1894).
Here we have the idea of the neuter (neither fortune = pleasure, nor
misfortune = unpleasure). The theory of the four states already existed in
earlier Upanishads (sixth century b c ). The Kausitaki-upanishad says:
'When a man is fast asleep and sees no dreams at all, then these become
unified within this very breath - his speech then merges into it together
with all the names; his sight merges into it together with all the visible
appearances; his hearing merges into it together with all the sounds' (in
Upanishads. Trans. Patrick Olivelle. Oxford: Oxford World Classics, 3, 3:
p. 217). Thus in the most ancient Upanishad (Brihadaranyaka), a king
and a Brahman arrive at a place where a man is sleeping and greeted him
in these words: 'O Soma, great king dressed in white!' (2, 1, 15: p. 25).
For further study of these questions, see Les songes et leur interpretation.
Paris: Seuil, 1959.
26. In On Metapsychology.
27. David, C. (1971). L'Etat amoreux. Paris: Petite Bibliotheque, Payot.
28. SE, XIV, p. 78.
29. In italics in the original. [Translator's note]
30. In italics in the original. [Translator's note]
31. See Althusser, L. (1974). Philosophie et philosophie spontanee des savants,
Maspero.
32. And two counter-models: Schreber and Dostoyevsky. Too destructive.
33. Frege, G. (1971). Etudes logiques et philosophiques. Paris: Seuil. See Green,
A. 'L'objet a de J. Lacan', Cahiers pour l'analyse, 1966, no. 3.
34. We have shown in 'Repetition, difference, replication', Revue frangaise de
psychanalyse, 1970, no. 3, the kinship with the myth of Aristophanes in
the Symposium which Freud interprets in his own way with the genetic
code of Watson and Crick. T. Sebeok has defended the unity of all codes
or the way they interlock, from the genetic code to language (L'unite de
I'homme, Paris: Seuil).
35. Kirk, G.S. (1973). Myth. Cambridge: Cambridge University Press.
36. See La dissymmetrie (1973) by R. Caillois. Paris: Gallimard.
37. Here I should write nothing and leave a blank to avoid positivising the
concept. It is left to the reader to inscribe his own signifier.
38. See Donnet, J.L. and Green, A. (1973). L'Enfant de $a. Paris: Editions de
Minuit.
39. Bion, W. (1975). Brazilian Lectures. Rio de Janeiro: Imago Editora Ltd.
40. Constituted by combining two primary defences: turning around upon
the self and reversal into its opposite.
41. Laing, R.D. (1965). The Divided Self. London: Penguin.
42. This may be translated as: Closeness through rapprochement and close
ness through rejection. [Translator's note]
43. Bouvet, M. (1969). Oeuvres completes. Paris: Payot, vol. 1.
44. A term coined by the author meaning 'to be put in a passive situation
which is constraining'. [Translator's note]
45. * See Engel, G. 'Anxiety and depression withdrawal: the primary affects of
unpleasure', International Journal o f Psycho-Analysis, 1962, no. 43,
f)p. 88-97.
46. For further exploration of this term, see Dylan Evans' (1996), An
Introductory Dictionary o f Lacanian Psychoanalysis (London: Routledge),
p. 97: a term 'coined by Lacan from the definite article la and the noun
langue) ... Lalangue is like the primary chaotic substrate of polysemy out
of which language is constructed, almost as if language is some ordered
superstructure sitting on top of this substrate: "language is without
doubt made of lalangue'". [Translator's note]
47. See Pontalis, J.-B. (1975). 'Naissance et reconnaissance du self, in
Psychologie de la connaissance de soi. Paris: PUF.
48. For memory: 'Having' and 'being' in children. Children like expressing an
object-relation by an identification: 'I am the object.' 'Having' is the later
of the two; after loss of the object it relapses into 'being'. Example: the
breast. The breast is part of me, I am the breast/ Only later: 'I have it' -
that is, '1 am not it' ... (Findings, Ideas, Problems, SE, XXIII, pp. 299-300).
Let us recall that this note of 12 July 1938 begins by referring to identifi
cation with the clitoris, thus to sexual difference and to the denial that
this interpretation arouses.
49. In English, and in italics, in the original text. [Translator's note]
50. An allusion to the words of Augustus in Pierre Corneille's Cinna, Act V,
III, 1696. London: Penguin Classics, 1975. [Translator's note]
51. 'On parle d'un enfant', Revue frangaise de psychanalyse, 1976, no. 40,
pp. 733-9.
52. See Green, A. 'La psychanalyse, son objet, son avenir', Revue frangaise de
psychanalyse, 1975, nos 1-2, pp. 103-34.
53. See Green, The Fabric o f Affect
54. An allusion to Homer's Odyssey, Book IX, 397. London: Everyman's
Library. [Translator's note]
55. Miller, J.-A. 'Theorie de la langue (rudiments)', Omicar, 1975, no. 1,
pp. 16-34.
56. Derrida, J. 'Le facteur de la verit£', Poetique, 1975, vol. 21, pp. 96-147.
57. Green, The Fabric o f Affect
58. Von Foerster, H. 'Notes pour une epistemologie des objets vivants',
L'unite de Yhomme.
59. Neyraut, M. (1975). Le transfert. Paris: PUF.
60. This painting has been reproduced for the cover page of L'Arc, no. 34,
dedicated to Freud. See Freud's commentary on it in his Introductory
Lectures on Psychoanalysis.
61. Grimal, P. (1951). Dictionnaire de la mythologie grecque et romaine. Paris:
PUF. Our interpretation is based on the dictionary article and not on the
original texts. An interpretation of interpretations.
62. See the Nouvelle revue de psychanalyse: 'Bisexualite et difference des sexes',
1973, no. 7.
63. Remember that Shakespeare did not invent the situation; it is already in
Holinshed (see Holinshed's Chronicle as Used in Shakespeare's Plays.
London: Dent & Outton). But he writes it.
64. For more details, see Green, A. 'Lear ou les voi(es) de la nature', Critique,
1971, no. 284.
65. Lear, the Fool, and Edgar.
66. Breuer, to whom he confided this, disclosed that he did the same.
Chapter 2
1. SE, XVIII, p. 59.
2. An Outline o f Psycho-Analysis, SE, XXIII, p. 150.
3. 'A Metapsychological Supplement to the Theory of Dreams', SE, XIV,
p. 222.
4. 'A Metapsychological Supplement'.
5. Author's italics.
6. SE, XXIII, p. 198.
7. 'In consequence, the nervous system is obliged to abandon its original
trend to inertia (i.e. to bringing the level o f tension to zero). It must put up
with [maintaining] a store of Q>) sufficient to meet the demand for a
specific action. Nevertheless, the manner in which it does this shows
that the same trend persists, modified into an endeavour at least to keep
the Q?7as low as possible and to guard against any heightening of it - that
is to keep it constant (my italics)/ Project for a Scientific Psychology (1895b),
SE, I, p. 29 7.
8. Mentioned by Breuer, attributing it to Freud in the Preliminary
Communication as well as in a lecture given by Freud in 1893 (SE, III,
p. 36).
9. 'a principle ... which promised to be highly enlightening, since it
appeared to comprise the entire function. This is the principle of
neuronal inertia' (The Project, SE, I, p. 296).
10. Ibid., p. 297: 'All the functions of the nervous system can be comprised
either under the aspect of the primary function or of the secondary one
imposed by the exigencies of life/ The primary function is the trend
towards reducing the level of tension to the level zero; the secondary
function is that of keeping the quantity of excitation as low as possible.
11. The pleasure principle follows from the principle of constancy' (Beyond
the Pleasure Principle, Chapter I). Freud explains himself by adding imme
diately afterwards:/... actually the latter principle was inferred from the
facts which forced us to adopt the pleasure principle'. To understand the
probable origin of this theoretical shift it is necessary to go back even
earlier. Since Freud felt an imperious necessity to preserve the theoretical
difference between primary and secondary, and, as, since 1911 (that is,
since his 'Formulations on the Two Principles of Mental Functioning'),
he had linked secondary processes to the reality principle, he could no
longer attribute the primary function to phenomena whose aim was to
bring tension to the level zero in order to free it entirely from excitation.
Instead, he was content with a relative value; that is, of keeping tension
constant or, at least, as low as possible. For the reality principle is simply
a supplementary detour imposed to safeguard pleasure and does not tally
with the trend towards stability.
12. '...It should be noted, however, that strictly speaking, it is incorrect to
talk of the dominance of the pleasure principle over the course of mental
processes ... the most that can be said, therefore, is that there exists in
the mind a strong tendency towards the pleasure principle, but that that
tendency is opposed by certain other forces or circumstances so that the
final outcome cannot always be in harmony with the tendency towards
pleasure. We may compare what Fechner remarks on a similar point:
"Since however a tendency towards an aim does not imply that the aim
is attained, and since in general the aim is attainable only by approxi
mations ...'" (Beyond the Pleasure Principle, Chapter I, SE, XVIII, pp. 9-10.
13. Even though he did not name the two principles of inertia-Nirvana and
constancy-pleasure separately, up until 1915 it was clear from the text
what the differences between them were. The commentators of the
Standard Edition draw attention to this very clearly. In this respect, I
should point out that I do not see the relations between the two princi
ples in the same way. In my view, one should not divide, as the
commentators of the Standard Edition do, these two principles into the
principle of constancy, from which the principle of Nirvana is inferred,
and the pleasure principle, characterised by the tendency to master
stimuli by reducing tension to the lowest level possible and avoiding
unpleasure. In my opinion, the principle of constancy is confused with
this tendency to mastery that Freud attributes to the pleasure principle,
whereas we should put together the principle of inertia and the principle
of Nirvana from which the notion of mastery is absent and which the
subject endures. For although pleasure is indeed what the individual is
seeking, in many other notes Freud shows us that forces of another kind
are at work, with the result that this quest is itself subjugated. We should
nonetheless be grateful to Strachey and his colleagues for having identi
fied the existence of two distinct functions. It is only in the first part of
Beyond the Pleasure Principle that the two principles are condensed. I
believe - without wishing to suggest that his presentation was artful -
that it was because he was soon going to argue in favour of a Beyond the
pleasure principle that he began by giving the latter as large a dimension
as possible. That Freud never really believed this is suggested by the
following citation from The Ego and the Id (1923): 'if it is true that
Fechner's principle of constancy governs life, which thus consists of a
continuous descent towards death ...' (SE, XIX, p. 47).
This point needs stressing, for the interpretation of modern versions
of primary narcissism depends on it. They are compatible with the sover
eignty of the pleasure principle, the removal of tension - and, ultimately,
the annihilation of the conflict - which may account for the ego's
euphoria or ego-cosmicity. On the other hand, if the fundamental prin
ciple is indeed that of reducing tension to zero (rather than
counterbalancing it) then primary narcissism cannot be held responsible
for the manifestations described, even if they retain their clinical value.
14. SE, XVIII, pp. 55-6.
15. and we shall henceforward avoid regarding the two principles as one'
(SE, XIX, p. 160).
16. The Nirvana principle, belonging as it does to the death instinct, has
undergone a modification in living organisms through which it has
become the pleasure principle ... It is not difficult to guess what power
was the source of the modification. It can only be the life instinct, the
libido, which has thus, alongside of the death instinct, seized upon a
share in the regulation of the processes of life' (ibid.).
17. 'On Narcissism: An Introduction', SE, XIV, p. 78.
18. In the sense of the term as used by Charles Bally.
19. 'We assume that mental life is the function of an apparatus to which we
ascribe the characteristics of being extended in space ...' SE, XXIII,
p. 145.
20. Ibid., p. 147.
21. Cf. Green, A. (2000). La diachronie en psychanalyse. Paris: Editions de
Minuit.
22. The first part of the Outline, to which Freud gave no title, contains two
chapters on the fundamental tenets, The Psychical Apparatus7and The
Theory of the Instincts', two further chapters derived from the first two:
The Development of the Sexual Function', which should be related to
the second, just as 'Psychical Qualities' should be related to the first, and
the chapter on dreams, which serves as an illustration, as the title indi
cates, of the foregoing chapters.
23. SE, XVIII, p. 63.
24. Thus our analysis has shown us that what may be attributed to a hesita
tion, or even an uncertainty, between the principle of inertia, on the one
hand, and the principle of constancy and the pleasure principle, on the
other, is not irrelevant here. The principle of inertia was affirmed as long
as the drive was not defined sexually in the 'Project' and, although later
Freud seemed to stress the relation between keeping the level of excita
tion constant and pleasure, it was precisely because he intended to
introduce a conceptual element which had power over it, situated
beyond. The postulate he advanced was that of the compulsion to repeat.
And finally, it was when he no longer doubted that the death drive was
not just a working assumption but a fundamental fact, that he circum
scribed the pleasure principle and redefined the Nirvana principle as an
abstract generality or virtuality of which the pleasure principle was a
modification.
25. The detailed report by Daniel Lagache particularly excels in its critique
of naturalising conceptions of the drive. The author principally sees the
latter as a 'latent object relation'. Do not these 'functional object rela
tions', which pre-exist actual object relations, pose the problem of the
relations between the theory of the drives and the psychical apparatus?
Cf. La psychanalyse, vol. 6, pp. 18-22.
26. SE, XXIII, pp. 149 and 156.
27. In The Logic of Lacan's objet a and Freudian Theory: Convergences and
Questions', Interpreting Lacan: Psychiatry and the Humanities, vol. 6. New
Haven: Yale University Press, 1983. I tried to use these formulations
advantageously by applying them to the theoretical approach of psycho
analysis.
28. Lacan, J. 'Remarque sur le rapport de D. Lagache', La psychanalyse, vol 6,
pt'121. [My translation]
29. Derrida, J. (1967). 'Freud et la scene de l'ecriture', L'ecriture et la difference.
Paris: Seuil.
30. Cf. 'Appendix B' which follows The Ego and the Id (SE, XIX, p. 63).
31. After the ego-id differentiation these narcissistic affects are transferred to
the ego. It is worth mentioning here Freud's note, found after his death,
on mysticism - in which feelings of elation and expansion are intense -
considered as self-perception, beyond the Ego, of the Id.
32. Notably in Beyond the Pleasure Principle: The difficulty remains that
psychoanalysis has not enabled us hitherto to point to any [ego-]
instincts other than the libidinal ones. That, however, is no reason for
our falling in with the conclusion that no others in fact exist.' And in the
Encyclopaedia article of 1922: 'Nevertheless, it has to be borne in mind
that the fact that the self-preservative instincts of the ego are recognised
as libidinal does not necessarily prove that there are no other instincts
operating in the ego7(SE, XVIII, pp. 53 and 257).
33. The Ego and the Id, SE, XIX, p. 40.
34. SE, XXII, p. 97.
35. In his study #On the Universal Tendency to Debasement in the Sphere of
Love' (1912), Freud attributes certain psychical disturbances of sexuality
to the absence of a union between two currents of libido: the affectionate
current and the sensual current The affectionate current, the older of the
two, is the one that corresponds to the child's primary object-choice. It
carries along with it contributions from the sexual instincts which are at
the origin of erotic cathexes formed in the attachment or anaclitic mode.
The sensual current, which appears with the arrival of puberty and no
longer mistakes its aims, follows the earlier paths created by the currents
that pre-existed it. A failure in sexual activity stems from the fact that the
affectionate current is thought to have carried with it, along a divergent
path, the contributions of the primitive sexual instincts, so that the
cathexes of puberty, separated by the barrier of incest from infantile
cathexes, gain the upper hand in the final organisation (SE, XI, p. 180ff.).
36. One can find connections between these classical Freudian notions and
certain formulations of J. Lacan, without, however, making them
coincide entirely. In this division of labour, the cathexes which have
undergone the internal inhibition of the drive do indeed meet up with
the object, at the price of sacrificing the lack, whereas the drives which
find satisfaction in organ pleasure remain in waiting for a non-identified
addressee, wandering endlessly in devotion to the desire of the Other.
37. The Ego and the Id, SE, XIX, p. 31.
38. Adopting this point of view makes certain essential passages more intel
ligible. Would Freud have got so deeply involved in the article on The
Psychology of Love', crediting the two currents with the same impor
tance? Would he have built the problematics of social relations in
Civilisation and its Discontents around the opposition between genital
love and love with an inhibited aim if the second term in the pair did
not have the authority to make itself heard to the same extent as the
first? When, in the New Introductory Lectures, he retraces the theory of the
drives, he certainly seems to group together the change of aim and object
(sublimation) with the inhibition of aim by expressly distinguishing
them from other drives. Although 'Instincts and their Vicissitudes' only
defined the drive in terms of the demand made upon the mind for work
in consequence of its connection with the body, Freud added in the New
Introductory Lectures (XXXII): 'on its path from its source to its aim the
instinct becomes psychically operative'. It becomes easier to understand,
then, why he could not accept that this restraint, this reserve, was a vicis
situde among others. It is difficult to see how things could have been
otherwise when we recall that already in 'Instincts and their Vicissitudes'
Freud, who was beginning to have an inkling of the nature of sublima
tion, saw it as one of the four fundamental modes of the vicissitudes of
the drive, along with repression and the two reversals (upon the self and
into its opposite). However, if our view that there is a coincidence
between the inhibition of aim with the loss of the object-breast and the
apprehension of the object-mother seems to brings us closer to that of J.
Laplanche and J.-B. Pontalis in the relation that they themselves estab
lish between this structural moment and auto-erotism, the differences of
interpretation and points of discussion on the relation between narcis
sism and repression will be made clearer in the course of this work. Cf.
'Fantasme originaire, fantasme des origines, origine du fantasme', Temps
modemes, no. 215, April 1964.
39. Let us note once again that it is the components of the drive that are
responsible for this and not the action of repression, however primal it
may be. One could almost say that they find a taker in repression. We
come across this assertion of 1912 again, almost unaltered, in the note
left by Freud after his death and dated June 1938 (SE, XXIII, p. 299). It is
worth pointing out that Freud recognises the role played by social prohi
bitions, since he mentions the other major cause of the fragility of the
sexual function, that is, the prohibition of incest. In short, there are two
complementary series: one concerning the restrictions and limitations of
the super-ego, the other being intrinsic to the id.
40. 'For the ego, perception plays the part which in the id falls to instinct.'
'Speaking broadly, perceptions may be said to have the same significance
for the ego as instincts have for the id' (SE, XIX, pp. 25 and 40).
41. Ibid., pp. 37 and 38.
42. Ibid., p. 31.
43. Ibid., p. 30.
44. Ibid., pp. 30, 45 and 54.
45. This is further evidence that in Freud's mind there is a link between iden
tification and this common group of phenomena: The effects of the first
identifications made in earliest childhood will be general and lasting'
(ibid., p. 31).
46. Ibid., pp. 46 and 54. This obviously does not work in favour of the idea
of a non-conflictual energy; here Freud is referring to the most lethal
aspect of Eros.
47. 'Conscious processes on the periphery of the ego and everything else in
the ego unconscious - such would be the simplest state of affairs that we
might picture. And such may in fact be the state that prevails in animals.
But in men there is an added complication through which internal
processes in the ego may also acquire the quality of consciousness.' And he
then goes on to speak about the function of speech. (SE, XXIII, p. 162).
48. The Ego and the Id, SE, XIX, p. 55.
49. The Outline, SE, XXIII, p. 162.
50. 'Fantasme originaire, fantasme des origines, origine du fantasme',
Hachette, 1985. Original publication in Les Temps modemes, 1964.
51. This was not their purpose. Laplanche and Pontalis set out to link fantasy
to the auto-erotic stage; but, since they rejected certain interpretations of
fantasy by suggesting that it originated with auto-erotism, it would have
been logical for them to exhaust the sources of Freudian theory on this
issue.
52. This idea may seem paradoxical because organ pleasure is obtained here.
In fact, what we wish to draw attention to is that auto-erotic pleasure
inhibits the pleasure of sucking the breast carrying milk.
53. 'Fantasme originaire', p. 1866.
54. Ibid., since Laplanche and Pontalis see in fantasy the emergence of desire
and regard the latter as originating during the auto-erotic period.
55. 'L'anti-narcissisme', Revue frangaise de psychanalyse, XXIX, 1965, p. 503.
56. SE, XIV, p. 134.
57. And certain passages in Freud lend weight to this interpretation at first
sight.
58. By the reality-ego, initially.
59. The Outline, SE, XXII, p. 163.
60. SE, XIV, p. 147.
61. At least in its early forms.
62. SE, XIV, p. 147 (Freud's italics); a statement that is repeated at the end of
the article. This quotation expresses unambiguously that repression
cannot be attributed with the power of constituting the unconscious
since, from Freud's point of view, at least, the distinction between
conscious and unconscious is pre-existent to it. Further, Freud implicitly
recognises the existence of defence mechanisms before repression comes
into operation. Here we have a striking example of the fact that, for him,
the oldest or earliest element is not always the most important; for there
is no question that, to his mind, repression was the most significant
defence mechanism.
63. SE, XX, p. 92. An essential difference between the protective shield and
repression lies, no doubt, in their respective natures: biological, in the
first case, and psychical, in the second.
64. There is an extreme ambiguity here, for the terms need to be related to
the contextual situations. Flight is an active phenomenon which, over a
period of time, has allowed a protective shield to be formed. In a way,
the latter has reaped the benefit of this resistance through blocking
activity from outside. That the internal barrier functions in the same way
does not obscure the fact that this defence comes into operation in
response to a situation in which the subject is essentially 'passivated',
that is, rendered passive in a way that is restricting; and, that flight,
which can now only turn inwards towards the subject himself, feeds,
preserves and works on such passivity. [Incidentally, passivation is a term
coined by the author (translator's note)]
65. We can find further indication of this in all the warnings Freud gave
against confusing repression and regression and notably in the lecture
(XXII) where he discusses their relations: 'thus the concept of repression
involves no relation to sexuality: I must ask you to take special note of
that. It indicates a purely psychological process, which we can characterize
still better if we call it a "topographical" one' {SE, XVI, p. 342). The whole
difficulty lies in the conception one may have of an internal flight from
an internal danger, and of a flight between different parts of a common,
but heterogeneous organisation. This Freud knew perfectly well: 'I think it
is probable that there are some defensive processes which can truly be
likened to an attempt at flight, while in others the ego takes a much more
active line of self-protection and initiates vigorous counter-measures. But
perhaps the whole analogy between defence and flight is invalidated by
the fact that both the ego and the instinct in the id are parts of the same
organisation, not separate entities..., so that any kind of behaviour on the
part of the ego will result in an alteration in the instinctual process as weir
(Inhibitions, Symptoms and Anxiety, SE, XX, p. 146).
66. My italics.
67. Addenda XI, SE, XX, p. 164. It is true that in a passage of a text preceding
this addendum, Freud comes very close to comparing primary repression
with the mechanism of the protective shield. But he reminds us imme
diately of the limitations of the analogy: 'the protective shield exists only
in regard to external stimuli, not in regard to internal instinctual
demands'. Although he could not be certain, he suggested that perhaps
the emergence of the super-ego provided the demarcation line between
primal repression and after-pressure (ibid., p. 94). We can see even more
clearly now the meaning of this metapsychological rectification since
there is mention here, alongside the emergence of the super-ego, of the
differentiation between ego and id. In any case, the final formulation in
the Outline, where repression appears to be a rejecting behaviour towards
that which has already been accepted, seems to me to be the most inter
esting, not because it is the last but because it is the most fruitful from a
heuristic point of view.
68. 'Repression', SE, XIV, p. 147.
69. Ibid., pp. 126-7 and 132.
70. XXXIII Lecture, SE, XXII, p. 113.
71. 'Instincts and their Vicissitudes', SE, XIV, p. 127.
72. Three Essays on the Theory o f Sexuality, SE, VII, p. 182.
73. 'On Narcissism: An Introduction', SE, XIV, p. 100.
74. 'Instincts and their Vicissitudes', SE, XIV, p. 132.
75. In spite of their apparent convergence, these two movements obey
different trends. The mother seeks to be reunited with her object in order
to form a greater unity with it, especially as the child's perception of and
contact with the mother have reactivated fantasies of intimacy with her.
The child's sole aim is to rediscover the conditions in which he was free
b f all perturbation.
76. It is remarkable that when separation in this sense occurs, the desire for
reunion which has thus been sacrificed may impinge in return on the
most fundamental functions of the drives of self-preservation; for
instance, the sleep of wetrnurses.
77. Beyond the Pleasure Principle. In other words, binding now has the
function which formerly belonged to discharge. Unlike discharge,
binding does not exhaust tension. By binding, it masters partly, and
preserves through linking, that which disappears by exhausting itself
through discharge.
78. This would not explain, for instance, why the 'o-o-o-o' is a prolonged
sound, whereas the ‘da ' only has a single scansion.
79. The Ego and the Id, SE, XIX, p. 30.
80. Beyond the Pleasure Principle.
81. It is striking that forming the Mobius strip involves two operations:
turning the strip round towards its initial extremity (against oneself) and
turning it inside out (into its opposite). All that is needed then is to join
up the two extremities. We are indebted to Lacan for examining the
applications of the Mobius strip in psychoanalysis.
82. Our discussion of the model of narcissism owes much to Lacan's teaching.
We have left aside his discussion of the concepts relating to this problem
which deserve a special study in their own right. Their examination
required that the present work be completed first. For a comparison of
certain common points, see The Logic of Lacan's objet a and Freudian
Theory: Convergences and Questions', Interpreting Lacan: Psychiatry and
the Humanities, vol. 6. New Haven: Yale University Press, 1983.
83. Criticism may be raised against resorting to the Mobius strip as a model
on account of its highly abstract nature. Yet I recall having studied the
case of someone a few years ago who, in his personal fantasies, had
managed to create a double who walked on the 'opposite' side to the one
on which he himself was going without ever being able to meet up with
him, continually returning to the point of departure.
84. Cf. The "Uncanny"', SE, XVII.
85. It is certainly no coincidence that Freud introduced the drives of self
preservation after making a study of the visual function and that
scopophilia is one of the two drives he refers to in his description of the
double reversal.
86. Hermaphrodite. Paris: PUF, 1958.
Chapter 3
1. Translation by A.C. Graham. London: John Murray, 1960, p. 22.
2. Freud, S. (1926 [1925]). Inhibitions, Symptoms and Anxiety, SE, XX, p. 130.
3. Which does not preclude improving the conditions of birth as far as is
possible.
4. A problem that has already been raised with the institution of the
original reality-ego and the purified pleasure-ego.
5. For reasons of discretion, I shall not give clinical examples as an illustra
tion, although my hypothesis is based on them.
6. Green, A. 'Le double et l'absent', Critique, May 1973, no. 312.
7. Proust, M. (1996). In Search o f Lost Time. London: Vintage Classics, vol.
5, p. 803-4. It is interesting to note that Proust placed this addenda to
the manuscript at a different place from the editors; that is, a few pages
later (clearly an error). If this was an unconscious slip, it is worth noting
that it occurred at the point when Marcel tells Albertine of his wish to
replace her with Andree. So the object (Albertine) finds herself caught
between the empty apparatus of the subject, on the one hand, and the
object which succeeds her and takes her place, on the other. Between two
deaths: one that is still to come and another that has already occurred.
8. Bouvet, M. 'Depersonnalisation et relations d'objet', Revue frangaise de
psychanalyse, 1960, 24 (4-5), p. 611. Cf. my contribution, pp. 651-6.
9. SE, XIV, p. 298.
10. Green, A. The Analyst, Symbolization and Absence in the Analytic
Setting', in On Private Madness, London: Hogarth Press, 1986.
11. This does not contradict the idea that identification can be imaginary -
identification with an image of the object rather than with the object
itself. It is with respect to the imaginary aspect of representation that
identification brings about transformation.
12. The quantity of cathexes can diminish favouring an elevation of their
level.
13. R. Diatkine has pointed out that this failure of the object to adapt is a
constitutive aspect of the relationship, and that it is a source of fruitful
stimulation in later development.
14. This terminology does not belong to traditional psychoanalytic vocabu
lary and was even rejected by North American psychoanalysis as a title
for a round table discussion at a Congress of the International
Psychoanalytic Association.
15. 'Sur la douleur' (psychique), in Entre le reve et la douleur. Paris: Gallimard,
1978.
16. This may be related to what Rosolato calls the unknown relationship.
17. Donnet, J.-L. and Green, A. (1973). L'enfant de Qa. Paris: Editions de
Minuit.
18. Bloch, O. and Von Wartburg, W. (1996). Dictionnaire etymologique de la
langue frangaise. Paris: PUF.
19. The French word blanc means both 'white' and a 'blank space'.
[Translator's note]
20. Originally published in French as Le discours vivant, 1973. English trans
lation by Alan Sheridan. London: Routledge, 1999. [Translator's note]
21. Or, more generally, the imperceptible, the insensible, and, ultimately, the
unthinkable and the inconceivable.
22. In 1960, with regard to the discussion of M. Bouvet's paper
'Depersonnalisation et relation d'objet', I suggested the following
formula to characterise the decompensated narcissistic relationship: The
ego breaks up but does not yield' (Le Moi rompt mais ne plie pas).
23. In Playing and Reality. London: Tavistock, 1971.
24. In French: Parer = to fend off; pare-excitation = the protective shield.
[Translator's note]
25. Cf. Green, A. (1986). The Analyst, Symbolisation and Absence in the
Analytic Setting', in On Private Madness. London: Hogarth Press. Original
publication in the Revue frangaise de psychanalyse, 1974, vol. 38,
pp. 1190-230.
26. By way of indication: insofar as language constitutes a homeostatic struc
ture in relation to material and psychical reality, in relation to thought,
it plays, the role of a third reality which overcomes the opposition of the
other two by means of its predicative and constantly assertive function.
Autonomy of the subject.
27. The Book ofLieh Tzu, p. 82.
1. Dodds, E. (1951). The Greeks and the Irrational. Berkeley: University of
California Press.
2. Cf. Chapter 2: 'Primary Narcissism'.
3. It goes without saying that we do not see any correspondence between
the three forms of masochism and the three forms of narcissism.
4. Lacan, J. (1966). Ecrits. Paris: Le Seuil.
5. Freud, A. (1936). The Ego and the Mechanisms o f Defence. Revised edition,
The Writings o f Anna Freud. New York: International Universities Press;
London: Hogarth Press, vol. II.
6. Male, P. (1956). 'Etude psychanalytique de l'adolescence', in S. Nacht
(ed.) (1967). De la pratique a la theorie psychanalytique, Paris: PUF.
7. Is the example which we have found in Ajax in contradiction with what
we have just been saying? Ajax killed himself because Achilles' arms were
given to another person. In his case, what was involved was a relation
ship to possessions of which he was deprived. But let us not be mistaken
here. What Ajax suffered from was a wounded self. This was because he
had not been recognised as the most fearsome of warriors, of which the
arms of Achilles, forged by Hephaestus, were a symbol. It was a phallic
attribute that he was lacking, but in as far as this would procure him the
admiration of friends and enemies. Which is why his reaction was one
of shame, as if their attribution to another was a mark of his decline and
worthlessness. The distinction between the most courageous (which he
was) and the most fearsome (which Ulysses was, owing to his cunning)
was meaningless for him. He could only face dishonour by abandoning
life and all the objects which kept him attached to it.
8. Pasche, F. (1969). 'De la depression', in A partir de Freud. Paris: Payot.
9. Codet, H. and Laforgue, R. (1925). 'Les arrierations affectives: la
schizonoYa', devolution psychiatrique, vol. I.
10. Klein, M. (1946). 'Notes on some Schizoid Mechanisms', in Envy and
Gratitude and Other Papers, 1921-45. The Writings of Melanie Klein.
London: Hogarth Press, vol. III.
11. Of course, this narcissistic hyper-cathexis is the consequence of an
irreparable narcissistic wound.
12. We will not consider metapsychology in terms of the three points of
view, dynamic, topographical and economic, each taken separately. But
under each heading it will easy to see what belongs to each of them.
13. I am thinking here of the distinction in Latin between prima and summa,
defended by G. Dumezil.
14. Contrary to accepted opinion of recent years, I think, for my part, that
affect is repressed and not simply suppressed. Cf. Green, A. (1999). The
Fabric o f Affect in the Psychoanalytic Discourse. Trans. Alan Sheridan.
London: Routledge. First published in 1973 as Le discours vivant. Paris: PUF.
15. Or rather, parental. For the paternal penis is only the principal figuration
and derivation of a parental penis which also belongs to the image of the
phallic mother.
16. A phallus which, in short, has a double inscription: positive phallic and
negative vaginal.
17. Cassius is aware of this and whispers to Brutus: 'You don't know what
you're doing/
18. But, also, it seems the most loved by his object of love, Caesar, who at
this point in time seems to prefer Mark Antony to Brutus.
19. Prince. 'Why, thou owest God a death/
Falstaff. "Tis not due yet: I would be loath to pay him before his day.
What need I be so forward with him that calls not on me? Well, 'tis no
matter; honour pricks on me. Yea, but how if honour prick me off when
I come on? How then? Can honour set to a leg? No. Or an arm? No. Or
take away the grief of a wound? No. Honour hath no skill in surgery
then? No. What is honour? a word. What is that word, honour? Air. A
trim reckoning! Who hath it? he that died o' Wednesday. Doth he feel
it? No. Doth he hear it? No. It is insensible then? Yea, to the dead. But
will it not live with the living? No. Why? Detraction will not suffer it.
Therefore I'll none of it: honour is a mere scutcheon; and so ends my
catechism' (Henry IV, I, V, I).
Chapter 5
1. Kreisler, L. 'Les intersexuels avec ambiguite genitale', La psychiatrie de
Venfant, XIII, 1970, pp. 5-127. Consult the large bibliography.
2. Playing and Reality (1971), Chapters 5 and 6.
3. Centre de consultations et de traitements psychanalytiques de Paris.
(Translator's note]
4. The alternate use of masculine and feminine to refer to the subject is
inevitable in view of the extent to which the analyst, the misled spec
tator of this hybridisation, was alternately caught between illusion and
reality.
5. Freud, S, SE, XXI, p. 106, footnote 3.
6. Jacob, F. (1971). La Logique du vivant. Paris: Gallimard.
7. Delcourt, M. (1958). Hermaphrodite. Paris: PUF.
s
Chapter 6
1. Winnicott, D. (1971). Playing and Reality. London: Tavistock
Publications.
2. Kohut, H. (1972). The Analysis o f the Self. London: Karnac Books.
3. Abraham, N. (1978). 'Le crime de l'introjection', and Torok, M. (1978)
'Maladie du deuil et fantasme du cadavre exquis', in Abraham, N.,
Uecorce et le noyau. Paris: Aubier-Flammarion.
4. Rosolato, G. (1975). 'L'axe narcissique des depressions', Nouvelle revue de
psychanalyse, 1975, no. 9, pp. 5-34.
5. ‘Noir ou blanc' - in French blanc can mean either 'white' or 'blank'. In this
chapter it has the latter meaning, 'empty', throughout. [Translator's
note]
6. Green, A. The Borderline Concept', in On Private Madness, Chapter 3.
London: Hogarth, 1986. First published in Borderline Disorders, ed. Peter
Hartocollis. New York: International Universities Press, 1977.
7. Green, A. (1973b). 'Le silence du psychanalyste', Topique 23.
8. Green, A. (1968). 'Sur la mere phallique', Revue frangaise de psychanalyse
32.
9. 'La structure encadrante': this notion combines in the word 'cadre' the
meaning of 'frame', but is also used in the French sense of the 'setting',
'le cadre analytique' (of technical importance in this paper). [Translator's
note]
10. What I have just described cannot fail to evoke the very interesting ideas
of N. Abraham and M. Torok. However, even if, on numerous points, our
conceptions converge, they differ elsewhere on a theme to which I
attach great importance, namely the clinical and metapsychological
significance of states of emptiness. The manner in which I attempt to
account for them is taken up in a continuous thread of thought, where,
after having tried to define the heuristic value of the concept of negative
hallucination and proposing the concept of 'blank psychosis' with J.-L.
Donnet, I have in this work been engaged on the elucidation of what I
call blank mourning. One might summarise these differences by stating
that narcissism constitutes the axis of my theoretical reflection, whereas
N. Abraham and M. Torok are essentially concerned with the relation
between incorporation and introjection, with the crypt-like effect to
which they give rise.
11. Anzieu, D. (1986). Freud's Self-Analysis. London: Hogarth Press.
12. Grinstein, A. (1972). 'Un reve de Freud: les trois Parques' (Freud's dream
of the three Fates), Nouvelle Revue Psychanalyse 5.
13. Bird = oiseau, also a familiar term for penis. [Translator's note]
14. The French here is: et que Philippe ne I'ait enfermee dans un coffre, 'coffree'
ou, vulgairement, ' tringlee'. [Translator's note]
15. Masson, J.M. (ed.). (1985). The Complete Letters o f Sigmund Freud to
Wilhelm Fliess, 1887-1904. London: The Belknap Press.
16. SE, IV-V, p. 398n.
17. Fain, M. and Braunschweig, D. (1971). Eros etAnteros. Paris: Payot.
18. Fr. I'apres-coup; SE, 'deferred action'; more recently Jean Laplanche has
suggested the term 'afterwardness'; An Introductory Dictionary ofLacanian
Analysis (1966) gives 'retroaction'.
Postscript
1. Here I am extending Heidegger's expression to cover the philosophical
tradition.
2. Letter to Fliess, dated 24 January 1897.
3. SE, XIV, p. 78.
4. We know that initially Freud included melancholia and schizophrenia
among the narcissistic neuroses. In 1924, he decided to limit this descrip
tion to melancholia, classifying schizophrenia as belonging to the
category of the psychoses proper.
5. Not to mention the years before that, concerning which we lack first
hand information.
6. Ferenczi, and other epigones who wanted to have this place in Freud's
heart, were wasting their time.
7. Pontalis, J.-B. (1978a). Entre le reve et la douleur. Paris: Gallimard.
8. Except in transference.
9. Marty, P. (1976). Les mouvements individuels de vie et de mort et L'ordre
psychosomatique. Paris: Payot.
10. Laplanche, J. (1970). Vie et mort en psychanalyse. Paris: Flammarion.
11. Bataille, G. (1957). L'erotism. Paris: Minuit.
12. See the Project for a Scientific Psychology (1895b) in SE, I, pp. 283ff.
13. SE, XIV, pp. 273ff.
14. In L’etat amoreux (Paris: Petite Bibliotheque Payot), C. David has pointed
out that love can also increase narcissism, creating in the lovers a feeling
of exaltation, accompanied by a state of elation, as a result of identifying
with the overestimated object; and particularly when the love is recip
rocal. It could be said that under these circumstances it is the couple
which thinks it is immortal, which might explain the phenomenon of
joint suicide at the height of love, as in the case of H. von Kleist.
15. Torok, M. (1978). 'Maladie du deuil et fantasme de cadavre exquis', in
L'ecorce et le noyau by N. Abraham, pp. 229-51. Paris: Aubier-Flammarion.
References for the French Edition
The previously published texts have been revised. The modifications have
mainly concerned the form, with few changes to the content. The rare addi
tions were designed to clarify what had been formulated somewhat too
elliptically in the earlier publication. I would like to thank Olivier Green for
the help he has given me in finalising the manuscript.