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Plato's Cosmology
The central axis of Plato's cosmology lies in the view of a world of ideas. According to
it, the creation of the world is attributed to the idea-design of a divine craftsman-Creator
and lies on the existence of eternal ideas that constitute the perfect image of each and
every thing. The reflection and copying of these ideas into human reality composes the
existence of the material world, distinguishing the imperfect nature of things from the
perfect nature of ideas. Perfect ideas are eternal and immutable beings that are not
perceived by the human senses, while the absence of matter makes their impossible
spatial determination as they do not take up space. They are, however, a true reality
reflecting the essence of things in all their fullness, when at the same time the material
world appears imperfect, changing and in direct dependence on the world of ideas.
According to Plato the creation of the world is not an inherent and natural process. It is
based on the design of a rational mind that is outside of human reality, thus justifying
both the teleology of the world and the rationality and order of nature. The Craftsman-
Creator is a rational god who applies his rational design to the unformed materials he
encounters in the primordial world he receives. For this reason, the Creator is not
almighty. Unformed materials and their primary properties pre-exist, limiting its
processing options and aiming to create the best possible result.
According to the geocentric view, Plato places the earth at the center of the world, while
describing as helical the rotational motions of the planets that characterize them in
contrast to the immobile earth. At the same time, the world is a living being that has a
soul, placed in the center of the world, the earth. This element highlights on the one
hand the uniqueness and self-sufficiency of the world, on the other hand justifies all its
movements, comparing them with the corresponding movements of the human body
for which the human soul is responsible. The function of the world is presented as an
soul entirety, following the common rules of a rational divine mind that govern every
aspect of life and are distinguished for their targeted expediency.
Similar propositions that highlight the influence of Platonic ideas on Christian concepts
can be seen in the work of Augustine. Key features of its composition are the concept
of God, the perception of man and the concept of memory associated with time. The
triune God is an eternal being who exists on a different level from the world he creates.
This world, like man himself, depends on divine providence, while time is matched
with the inner man and defined by divine love. The means of understanding time and
the inner man is the memory found in the human soul, while the eternal truth of things
is illuminated and understood through divine enlightenment. At this point the Platonic
world of ideas and the allegory of the cave (the path from darkness to light) show an
apt correspondence.
Aristotle will present a new view of the world. He will initially deny the dependence of
perceptible objects on the world of ideas, arguing for their autonomous existence and
the reduction of their properties to the objects themselves and not to their imaginary
form. Each capacity is attributed to a subject conveying reality to the perceptible world
and not to the fullness of the world of ideas. The capacities are distinguished in form
and matter and through their composition they create the objects that are presented as a
unified whole. The changes observed in the form take place through the alternation of
the elements in their opposites (eg from cold to hot) or the absence of an element, while
the matter remains constant. The change in form is combined with the distinction
between energy and power and its correlation with being. The transition from “being in
potential” to “being in operational” justifies these changes.
The principle of these changes lies in the very nature of objects in which there is an
internal driving force that leads them to adapt certain forms and functions. Four causes
determine this process: a. the specific cause (form), b. the material cause (matter), c.
the making cause (activity) and d. the final cause (purpose). The final cause prevails
over the material as it highlights the essential function of the object (its purpose), an
element that matter cannot carry out on its own. This expediency of the objects also
underlines the Aristotelian teleology of the world that functions as an organized whole
with each object being directed towards its purpose (end) defined by its nature and not
the Platonic Craftsman-Creator.
As for the structure of the sublunary region, Aristotle adopts the four elements used by
Plato, but denies the Platonic mathematical relations created by triangles in geometric
solids. Instead, he supports the aesthetic experience of understanding things that springs
from the very nature of objects. The perceptible properties or qualities of things play a
significant role to this direction, with the pairs of two properties, the hot with the cold
and the liquid with the dry, determining the creation of the four elements and the
composition of the world. The four properties can be replaced by justifying the change
of substances that completely fill the world without leaving any gaps, while the whole
universe is "full". Each element is also distinguished by its weight which creates a
system of concentric circles with the heavier and spherical earth being placed in the
center followed by water, air and fire with correspondingly smaller weights.
Aristotle attributes the movement observed in the world to the physical movement
inherent in the nature of things and to the forced or violent movement associated with
the force that causes it and the resistance that this force encounters. Of particular
importance, however, is the view of the primary motion that takes place in the heavens
and moves the whole world. According to it, the first movement is attributed to a real
“First Moving Being” (First Kinun - the being that sets the first movement on the world)
which is an immaterial, “being in operational” and not “in potential”, animate God
who corresponds to the highest virtue. God activates the internal driving force of
objects, moves the celestial spheres and constitutes the ultimate cause, while the smooth
circular motion of the other spheres translates as the desire to imitate the perfection of
the First Mover. Nevertheless, Aristotle emphasizes that an “Immovable Mover” does
not exists for the whole universe. Each celestial sphere has its own First Moving
element that contradicts Plato's view of the existence of a God-Creator of the entire
universe.
Synopsis