Do Seu Lado

Compositor / arranjador


Subtítulo
       
                     
accel.
Horn em F 1

       
Horn em F 2                      

                     
       
Trompete em B♭ 1

         
                   
Trompete em B♭ 2

     
       
Trompete em B♭ 3

                     
       
Flugelhorn 1

       
Flugelhorn 2                      

                      
Trombone 1        

                      
Trombone 2        

                      
Trombone 3
       

         
Bass Trombone
                     

                                  
Tempo de Rock

Bombardino

          
Tuba                    


Pratos                  

Quint Toms                                  

Caixa                      

                   
Bombo

2

5


    
  

Trom. em F 1

    
  

Trom. em F 2

  
    

Tpt. em B♭ 1

  
    

Tpt. em B♭ 2

    
     

Tpt. em B♭ 3

  
    

Flghn. 1

  
    

Flghn. 2

              
   
     

Tbn. 1

                  
Tbn. 2

     

            

Tbn. 3

        
                

B. Tbn

  
      

Bomb.

           
            

Tba.

  
           

Cym.

              

  

Quints

                                                 

Caix

                  
 

Bmb
   
3

       
  
8
Trom. em F 1

 
Trom. em F 2           

 
     
   
Tpt. em B♭ 1

 
     
   
Tpt. em B♭ 2

   
Tpt. em B♭ 3
     
 
     
   
Flghn. 1

 
     
   
Flghn. 2

              
 
Tbn. 1      

                
Tbn. 2
     

Tbn. 3
          

   
B. Tbn
                  

    
     


Bomb. 

   
Tba.
         
      


Cym.             

            

Quints   

Caix                                                 

                 
Bmb
 
 11  
4

             
1. 2.
Trom. em F 1

 
Trom. em F 2              

 
Tpt. em B♭ 1 
      

 
Tpt. em B♭ 2 
      

    
     
Tpt. em B♭ 3

   
Flghn. 1 
         

   
Flghn. 2 
         
            
    
    

Tbn. 1

              
  
Tbn. 2
    

Tbn. 3
           

        
B. Tbn
                

      
   
     


Bomb.

         
Tba.               


Cym.              

         

Quints           

Caix                                                  

                  
Bmb
 
 
  
5

          
14


Trom. em F 1


    
  
  
   
Trom. em F 2

 
   
                             
 

Tpt. em B♭ 1

 
   
             
   
           
  
Tpt. em B♭ 2

     
              
 
Tpt. em B♭ 3

 
    
          

Flghn. 1


    
 
          

Flghn. 2


                   
  
 
Tbn. 1

                   
  
 
Tbn. 2

    
 

Tbn. 3

         
B. Tbn
                           

                      


Bomb.

        
  
Tba.
                       

                    
Cym. 

                         
         

Quints

                                        

Caix

                            
Bmb
   
 19
6

Trom. em F 1         
  
      

Trom. em F 2            

     

             
Tpt. em B♭ 1
             

            
              
Tpt. em B♭ 2

     
                
Tpt. em B♭ 3

           
Flghn. 1
 

           
 
Flghn. 2

                  
Tbn. 1


                  
Tbn. 2


    
 

Tbn. 3

       
                          
B. Tbn

  
                
Bomb.


       
                   
    
Tba.

                    
Cym. 

                         

Quints    

Caix                                         

                            
Bmb
  
       
7

                    
24

 
Trom. em F 1

     
              
      
 
Trom. em F 2

    
                   
        
3

Tpt. em B♭ 1

 
          
                
   
3

Tpt. em B♭ 2

    
         
             
Tpt. em B♭ 3

    
        
           

3

Flghn. 1

 
            
           
3

Flghn. 2

      
       
 
Tbn. 1

        
  
 
 
 
Tbn. 2

          
 
 
Tbn. 3

       
  
                           

B. Tbn

            
 
 
Bomb.

       
  
Tba.
                      
    

     
Cym. 

                         
         

Quints

                                        

Caix

                           
   

Bmb
 29             
8

               

Trom. em F 1

            
               

Trom. em F 2

                            
 

Tpt. em B♭ 1

                    
         
Tpt. em B♭ 2


   
       
Tpt. em B♭ 3


                            
 

Flghn. 1

      
  
Flghn. 2


   
          
     

Tbn. 1

       
           
     

Tbn. 2

                 
   

Tbn. 3

    
         
               
    
B. Tbn

                       
       

Bomb.

        
                  

Tba.


                   
 
Cym.

                  
Quints                   

Caix                                    

                              
Bmb
 
             
9

             
34
Trom. em F 1

           
Trom. em F 2              

                               

3

Tpt. em B♭ 1

                       
        
3
Tpt. em B♭ 2

 
Tpt. em B♭ 3        

                               

3

Flghn. 1

 
      

Flghn. 2

   
           
Tbn. 1    

       
          
Tbn. 2
   

               
Tbn. 3
   

     
B. Tbn
         
             

Bomb.
                    
  
   
 
   
3

       
Tba.                    


                
   
  
Cym.

                     
Quints                 

Caix                                         

                                   
Bmb
 
 39        
10

       
    
 
   
  

Trom. em F 1

         
         
         

Trom. em F 2

       
     
 
Tpt. em B♭ 1

       
subito

     

Tpt. em B♭ 2

 

subito

     

Tpt. em B♭ 3

       
                  

subito

 
Flghn. 1

    
        
subito

               
 
Flghn. 2

            
        
subito

   

Tbn. 1

    
             
       

Tbn. 2

            
Tbn. 3
 

      
     
           


B. Tbn

               
                


Bomb.

      
           
subito

    

Tba.

 
             
 
Cym.

                              
          

Quints

                                      

Caix

                            
Bmb
     
  
11

         
 
44


Trom. em F 1

 
          

Trom. em F 2

    
         
Tpt. em B♭ 1   

    
       
Tpt. em B♭ 2
    

   
       
 
Tpt. em B♭ 3

    
Flghn. 1                           

   
Flghn. 2                        
   
      
Tbn. 1   

   
        

Tbn. 2


Tbn. 3
     

       
   
         
    
B. Tbn

    
               
         
    
 
 
Bomb.

           
Tba.
        

 
      
 
Cym.

                    
           

Quints

                                      

Caix

                    
    

Bmb
 48
12

          


Trom. em F 1

       
   

Trom. em F 2

       
 

Tpt. em B♭ 1


        

Tpt. em B♭ 2

 
  

Tpt. em B♭ 3

       
 

Flghn. 1

  
      

Flghn. 2

               
       

Tbn. 1

                 
     

Tbn. 2

           

Tbn. 3

        
 
       
         
B. Tbn

            

Bomb.

        
 
      
         
Tba.

            
Cym. 

                
     

Quints

                                                

Caix

            


Bmb
  
13

  
      
51
Trom. em F 1

 
Trom. em F 2         


        
Tpt. em B♭ 1


    
   
Tpt. em B♭ 2

   

Tpt. em B♭ 3


        
Flghn. 1


   

Flghn. 2

                 
 
Tbn. 1      

                    
Tbn. 2
     

Tbn. 3
           

   
B. Tbn
                  

               
    
Bomb.  

   
Tba.
                

            
Cym. 

               

Quints      

Caix                                                 

            
Bmb

 54
14

Trom. em F 1          

     
Trom. em F 2    

  
Tpt. em B♭ 1        

  
Tpt. em B♭ 2        

  
Tpt. em B♭ 3
    
  
Flghn. 1        

  
Flghn. 2
    
              
 
Tbn. 1      

        
         
Tbn. 2
     

Tbn. 3
           

           
B. Tbn
                


            
Bomb.
 

       
Tba.               

 
Cym.         

     

Quints                        

Caix                                                 

             
Bmb

  
15

          
  
57
Trom. em F 1

 
Trom. em F 2    
        


          
Tpt. em B♭ 1


 
      
 


Tpt. em B♭ 2

  
Tpt. em B♭ 3     

          
Flghn. 1


    
Flghn. 2
 
                
 
Tbn. 1      
          
        
Tbn. 2
     

Tbn. 3
           

   
               
  
B. Tbn

         
Bomb.
         

   
    
           
Tba.


Cym.             

         

Quints            

Caix                                                 

            
Bmb

 60
16

      

To Coda

Trom. em F 1

Trom. em F 2       

  
Tpt. em B♭ 1     

      
Tpt. em B♭ 2


     
 
Tpt. em B♭ 3

  
Flghn. 1     

      
Flghn. 2

                
 
Tbn. 1      

                   
Tbn. 2
     

Tbn. 3
           

     
B. Tbn
                 

        
            
Bomb.       

     
              

Tba.


Cym.             

         

Quints            

Caix                                                 

            
Bmb

 17
    
     

  

63 D.C. al Coda

Trom. em F 1
 

 
 
        
Trom. em F 2


   
Tpt. em B♭ 1    

  
    

Tpt. em B♭ 2

    
  

Tpt. em B♭ 3


   
Flghn. 1    

  
    

Flghn. 2

       
          
Tbn. 1  

   
               
Tbn. 2
 

Tbn. 3
                 

      
B. Tbn
                


          
   
Bomb.
     


      
        
      


Tba.

  
Cym.        

       
Quints               

Caix                        

            
Bmb
 
Horn em F 1 Do Seu Lado
Subtítulo Compositor / arranjador

       
                             


accel.

    1.
        
               
7 2.


                             
14

 

      
       
                
22

                      
                    
30

         
   
                  
   
38




 
                       

46

 
                     
To Coda


54

  
     
    

   
D.C. al Coda

 
62
Horn em F 2 Do Seu Lado
Subtítulo Compositor / arranjador

       
                             


accel.

    1.
        
               
7 2.


                             
14

    

      
    
 
      

         
22

 

                       
                    
30

            
                   
 
38

 


  
               
      
46

 

                      
To Coda


54

 
     
D.C. al Coda 

   
62

    
Trompete em B♭ 1 Do Seu Lado
Subtítulo Compositor / arranjador

                             
accel. 

          


   
                 

8

  
1. 2.

  
                          
15

             


 
                       
     
21

            

                           

27

   
3

                              
32

 
3


                     
38

 

      
subito

                    
     
46




  
               
To Coda


54


 
         
62 D.C. al Coda 
Trompete em B♭ 2 Do Seu Lado
Subtítulo Compositor / arranjador

          
accel. 
                     


   
             

7

   
1. 2.

    

                  
            
14

 

      
                    
20

     

 
                 
 
26

            
3

             

             
31
3

       

      
37

 


       
subito

                  


  
44

 


     
     
 
      
 
52

 
      

    
61 To Coda D.C. al Coda


Trompete em B♭ 3 Do Seu Lado
Subtítulo Compositor / arranjador

          
accel. 
          


         
10

     
1. 2.

             
 

        
18

                         

    
           
 
26

          


  
        
35

    

subito

     
             

46

       
        
To Coda D.C. al Coda


55

   

64

 
Flugelhorn 1 Do Seu Lado
Subtítulo Compositor / arranjador

                             
accel. 

          


    1.  
               

8

 
2.

      
                
15

  

  
           
             
23 3

                                  

29

 


                          
 
35


3

  
    
   
41


      
       
subito

        
   
47




  
                
To Coda


55


 
    


63 D.C. al Coda
Flugelhorn 2 Do Seu Lado
Subtítulo Compositor / arranjador

        
                        
accel.

  


    1.  
              

8

  
2.

          
              
15

  


       
          
23

          
3

         
 
30

   

    
           
40

   
subito

           
        

46

 
             

To Coda D.C. al Coda


55


 
   
64


Trombone 1 Do Seu Lado
Subtítulo
        
Compositor / arranjador

                            
           
accel.

                             
 
    
1.

       
7

   
         
13 2.

  

 
                        

21

                   
         
28

 

                          
      
       
36


                         
      
         
44

                               
 
           
52

                              D.C.
 alCoda

 
To Coda

           
58

      
 

 
64
Trombone 2 Do Seu Lado
Subtítulo Compositor / arranjador

                                      

       
accel.

    

     
     
     
              

 
1.

         
7

 

                              
13 2.

  


                         

21

   
                        
 
      
28

          
           
        
            
36

                         
        
 
        
44

           
                                  
           
52

To Coda      D.C.
   
 
  

    
 
  

    
 
  

    
 
  

      
    
al Coda

           
58

   
      


64
Trombone 3 Do Seu Lado
Subtítulo Compositor / arranjador

                                 
accel. 
       



                       
8 1. 2.

 
  
         
  
 
19

   

                           
       
31


                         
 
40

                            
53 To Coda

                      
62 D.C. al Coda 
Bass Trombone Do Seu Lado
Subtítulo Compositor / arranjador

             
                         
accel.

            
                      
     
6

         
                                
12 1. 2.

 

         
                         
18

  

         
   
                           
24

           
                 
30

        

         
                        
36

   

           
   
           
43

    

              
                               
50

           
                             
56 To Coda

        
            


D.C. al Coda


62

   
Bombardino Do Seu Lado
Subtítulo Compositor / arranjador


accel.

             
                          
Tempo de Rock


      
         1.     
    
 
7


         

 
13 2.

 

  
                         

21

                  
        
 
28

 

                                       

34

               
3

       
              
40


  subito
 
      
      
         
    
45

    
 
                                  
 
   
51

                     ToCoda       D.C.
 alCoda

           
       
58

     

   
  
64
Tuba Do Seu Lado
Subtítulo Compositor / arranjador

             
                         
accel.

            
                      
     
6

         
                                
12 1. 2.

 

         
                         
18

  

         
   
                           
24

                
   
30

        

         
                        
36

   

           
   
           
43

    

            
                                
50

          
                             
56 To Coda

        
           


D.C. al Coda


62

   
   

Prato Do Seu Lado
Subtítulo Compositor / arranjador

                                  
accel. 

                                 
9 1. 2.


         
17

         

30

    

                         
39

   

                                 
49

                              
58 To Coda D.C. al Coda 
Quint Toms Do Seu Lado
Subtítulo
Compositor / arranjador

                                 
accel.

                                     
5


           
      
9

 
         


    
    

12 1. 2.

                                    
15

                                    
19

                                    
23

    
                              
27


             
           
      
31

                 
            
35
               
2

         
     
39

                                 
43

 
                           
   
47

  
              
      
50

 
                 
     
53

  
           
   
   
   
56

  
               
To Coda

       
59

           
          
D.C. al Coda
62 
Caixa Do Seu Lado
Subtítulo
Compositor / arranjador

                    
accel.

5
                                 

                                
7

                                
9

                                 
11
1.

                                
13


2.

                                
16

                                
20

                                
24

                       
28


                                
32

                                
36

                                     
40


                               
2
45

                                
48

                                
50

                                
52

                                
54

                                
56

                                
58

                                
60
To Coda

                                    
62
D.C. al Coda 

   
65
Bombo Do Seu Lado
Subtítulo Compositor / arranjador

                              
  accel.


                                  
7

  
1.

 2.                                 
13

  

                              
19

  

                             
25

  

                            
31

                           
36

                                  
41

         

                            
48

                                
55
To Coda

            
63
D.C. al Coda 