Sway

Inspired by the 2003 recording of Michael Bublé

                       
Latin Groove

 
 = 127

               
Alto 1

  
     


                
Alto 2

 
Tenor 1      

    
                     



Tenor 2

 
           


   
       
Bari Sax

      
 
Trumpet 1        

    
                    


Trumpet 2
 
    
                    


Trumpet 3
 
    
                    



              
Trumpet 4

 


       

      
             
Trombone 1

 
  



             
Trombone 2

        



             
Trombone 3

        



 


Bass Trombone

               

 
Em7♭5

  
 Em7♭5 A7 A7


Dm

          

Piano
                
             
 
6

  
      
A. 1

    
            
  
        
  
A. 2

     
         
  
       
T. 1

 
      
            
  
T. 2

   

        
  
      
Bari.

          

   
    
        
 
Tpt. 1

 
            

          
Tpt. 2
 
     
    

              
  
 
Tpt. 3

 
    

              
  
               
  
Tpt. 4

    
     
             
Trb. 1

       

     
Trb. 2

                
   

Trb. 3

               
 
      
 A7 A7   
B. Trb.

              

Em7♭5 Em7♭5 Dm 3

               
3
Pno.
     

11

A. 1

    

 
A. 2

   
                   

T. 1

    
T. 2 
    
Bari. 
    
Tpt. 1 
    
Tpt. 2 
    
Tpt. 3 
    
Tpt. 4 

Trb. 1
    

Trb. 2
    

Trb. 3
    

B. Trb.
    

     
     
Gm A7 Dm Edim7 Dm Gm

    
   
   

Pno.

Gm   A7 Dm Edim7 Dm Gm  
       
           
   
A1
16

A. 1

   
       
    



   

A. 2

    
 
          


   
   
T. 1

  
           


T. 2

           



   
Bari.

  

       

Harmon 
Tpt. 1



       



Harmon


Tpt. 2

  
      

Harmon

Tpt. 3

   
      



Harmon

Tpt. 4

    


Trb. 1

Trb. 2
    

Trb. 3
    

    

   
B. Trb.

  
          
 
Dm Gm A7 Gm A7


     
       
 


3
Pno.


Dm
3
Gm A7 Gm   A7
       
                     
        
21

A. 1

           
               
A. 2
      
    
           
       
   
T. 1


                  

T. 2

 
              
Bari.
        
      
          

Open


Tpt. 1

  

        
3
 

  

Open



Tpt. 2


          
3


  



Open
3
Tpt. 3

   
     






Open
3


Tpt. 4

    
 

 
Trb. 1

    



Trb. 2

    


Trb. 3

     


B. Trb.

   


   
    
Dm Gm A7 Gm A7 Dm

    

3
Pno.
     

B
26

A. 1

    



A. 2

           
              
T. 1
 
    
T. 2 
    
Bari. 
    
 
unis
Tpt. 1


      


    
Solo 3
3 unis
Tpt. 2

    
 
 
unis
Tpt. 3

    
 

uni
Tpt. 4

     


Trb. 1

     



Trb. 2

     


Trb. 3

     


     
  
B. Trb.

   
   


 
FMaj7 A7
C7

    
     

3
Pno.

Same Rhythm
      
        
3
C
32

  
A. 1

  
 
  
 


  

     
A. 2

              
3


 
  
T. 1

 

        
 


  
T. 2

  
       



3

    
3

 
Bari.

  
   
 
    
Tpt. 1

  
   
3

  
Tpt. 2

      
   
3




   
Tpt. 3

 
       

3

             
Tpt. 4

          
3

           
Trb. 1

 
         
3
 

   
    
   
Trb. 2

            
3


 
       
Trb. 3

     
          

3


B. Trb.

A7
 3


          

   
B♭ 7 Gm A7 Gm A7

     
3

  
        
  
Pno.
3
 
              

 
37

        
A. 1

 
      


A. 2

     
                


     
T. 1



             


 
        
T. 2

 
       



Bari.


             


 
Tpt. 1

    


           


Tpt. 2    
 
        

 


       


Tpt. 3

   

      


         


Tpt. 4

           





            
         
 
Trb. 1

            
         
 
Trb. 2

            
          
Trb. 3

B. Trb.
          


 


   
           
Dm Gm A7 Gm A7

  
Dm

 
Pno.
  
    

         
         

Brass Break


D
42

                   
A. 1

 
   
A. 2

   


T. 1

  
                       


T. 2


              
   
          
     
Bari.

    
       

    
Tpt. 1

 
              
   
 
    
Tpt. 2

 
              
   
 
    
Tpt. 3

 
              
   
          
     
Tpt. 4

        
  
                
Trb. 1

        

             
        
Trb. 2

     

                   
Trb. 3

     

 A7      
B. Trb.

                   
 
Gm A7 Gm Dm Edim7 Dm


      
  

        

Pno.
             
          
E

 
47

           
A. 1

   
A. 2        

  
 
     
    
T. 1

  
         
      


T. 2

 
       


      
 
         
 

   
Bari.


        
 
Tpt. 1

   

    

                


 


  
Tpt. 2

   
        

          






 
Tpt. 3

 
      

            



           
  
Tpt. 4

      


   

            
Trb. 1

      


   
Trb. 2

                 
  



Trb. 3

   


           
   

  



   A7 
B. Trb.


 
             

Gm


Dm

 
C


     

   
  
Pno.

Gm   A7
    
 
52

A. 1

    




        
A. 2

    
       
 
T. 1

   
 


T. 2

   
Bari.  


      
   
 
3

Tpt. 1


      
    

3

3

Tpt. 2


      
      
3 
3

Tpt. 3


      
   
  
3 
3

   
Tpt. 4

       
3 

   
Trb. 1

       
3
 3 

  
Trb. 2

        
3
 3 

  
Trb. 3

        
3
 3 

    
B. Trb.

     
        
   
3
 3 

 
FMaj7 A7

                      
     
Pno.
     
F

   
Hushed, Above Bari Solo
57

A. 1

    
  
 

A. 2

    
                     
Hushed, Above Bari Solo

 
T. 1

     
  

       
T. 2

   
      

    

Solo

 
Bari.

   
  


Tpt. 1

     
Tpt. 2   

     
Tpt. 3   

       

 
Tpt. 4

Trb. 1
     

    
Trb. 2  

      
Trb. 3

 
    


B. Trb.

    
  
A7


       

Pno.
 


       
G
63


A. 1

      



   

A. 2

     
                
 

T. 1  
        
 
   

  
 
T. 2

      

  

   
Bari.

   






Tpt. 1

       


  
 

     
Tpt. 2

   






Tpt. 3

      
 
 

      
Tpt. 4

 


 


     
Trb. 1

     
  

  
Trb. 2

      

  

Trb. 3

     
  


B. Trb.

   

 

     

Pno.
     

68

A. 1

    

 
A. 2

   
                  

T. 1

    

 

         
T. 2

 
  
                    
 


 
Bari.

    
 
 

  
      
Tpt. 1

  
              
       
   
Tpt. 2

    




Tpt. 3

    



               
   
Tpt. 4

  
            
 

       
Trb. 1

  
                    


 


 
       
Trb. 2

  
              

     


 
 

 
Trb. 3

    
 

         
B. Trb.

                  
  
     
             
        
  
Pno.
       
H

           
      
73

                
A. 1

        


 


     
A. 2

     
       
 

 
T. 1

         
                



 

T. 2

 
              
 

   
Bari.

           
    


        

Tpt. 1


                     


 

 
Tpt. 2

                      


 
 
Tpt. 3

                      
 

Tpt. 4
 

                    


    

Opt. 8va

                    
Trb. 1

    
 

                    
Trb. 2

    
 

                
Trb. 3

  
        
 

         
 
B. Trb.

   
   

  A7


Em7 Em7 A7


Dm7

Pno. 
                  
          
 
79

    
A. 1

          
          
 
   
A. 2

            
   
  
            
T. 1

  
       
       

   
T. 2

   
       

       
   
              

 

Bari.

    
Tpt. 1        

  
          

     


        

 
Tpt. 2

  
            
 
  

         
 
 
Tpt. 3

 
     

     

   
      
 
As is             
        
Tpt. 4

    

          
         
Trb. 1

        

    
Trb. 2

                   
  

Trb. 3

       
               
   

B. Trb.

    
               
A7 A7

  
Em7 Em7 Dm7

     
             
Pno.

A7 A7
                       
         
84

          
A. 1

          
      



          
A. 2

  
       
                  
T. 1


       
3



T. 2

 
         

   
      
         

Bari.

      
     

  
Tpt. 1

     
                  

  
Tpt. 2

    
                   
 
 
Tpt. 3

     
                   
 
As is    

Tpt. 4

                 
    
Opt. 8va

     
        
Trb. 1

         
   

          
      
Trb. 2

            

              
        
Trb. 3

       
B. Trb. 

    
    
         
Em7 A7 Em7

 
Dm7

        
           

Pno.
               
          
  
89


           
A. 1

            

 
A. 2

 
           
  
        
T. 1

 
          
    

   
T. 2

 
        

     
   

  
            
     
Bari.

 
Tpt. 1      

   
     

                


Tpt. 2

          

           
 
 
Tpt. 3

  
    

            
   
         Opt. 8va     
Tpt. 4

      
             
  
Trb. 1

        
        
Trb. 2

             

     
Trb. 3

       
      
 
 
B. Trb.




           
A7

 
Dm7 Em7

   
               
Pno.

   A7
Dm7 Em7
          
           

93

A. 1

          
         
  


  

 
  
A. 2

    
      
 
   
         
T. 1


           
T. 2 
   
             
     
              
     
Bari.

Tpt. 1      

   
     

                


Tpt. 2

 
    

            
Tpt. 3

  
     

         

    
Tpt. 4

            
As is Opt. 8va

      
    
Trb. 1

        

       
   
Trb. 2

       

    
Trb. 3

              
B. Trb.

    
         
Dm7 Em7 A7

     
        
Pno.
       
     
97

  
A. 1

  
   


 
 
A. 2

   


 
    
T. 1


     


 
T. 2

 
         


 
Bari.

   
     


   
 
Tpt. 1

 
   


  
 
Tpt. 2


        




Tpt. 3


    
   


  
 
Tpt. 4

   
  


     
Trb. 1

 
 



  
Trb. 2

     


Trb. 3

  
       



  
B. Trb.

    
      
 
Dm7 


  
        
Pno. 
Alto 1
Sway

Inspired by the 2003 recording of Michael Bublé

Arranged By Bill Stephens

                            
                
Latin Groove

    
 
 = 127

   





                         
       
   
A A1

 
7

 

             
 
 
 
                

    
                 
20




                            
       
B C

  
26 3



    

              Brass                 
  Break    

     
D

 

40




                  
3

   
                     
E Hushed, Above Bari S

  
46 3



   
   

       



     
      
G

    
F
58

  3

  
  
                                            
H

     
75

                                            
I

    
81




                                    
         
 
       


87

 

                           
           
94

 
    

2
Alto 2
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

                                       
Latin Groove

   
 = 127

  
  

                
                           
  


      
A A1

  
7

 
                                    


      
   
B

   
21

                                       
3


    
C D Brass Break
34

       
                                        

3
  

 
 
43

 

        
        
             


 

E F G


49

                        
          

3
   3


           

H



74

                                           


  
I

  
80
        
                                            
    
86

 
                                           
   
  
92



2
Tenor 1
Sway
Inspired by the 2003 recording of Michael Bublé

                         
Arranged By Bill Stephens

  
Latin Groove

     
 = 127



                                      
 A  

         
Solo Ala Bublé

    
6

            


                
                    
A1

 
13

          


                                 

B
20

                           


           
          
C

   
27




               
 


                      

D Brass Brea



35

         
                 
  

 
             
     
E

 
49

                       



 F  

                   

Hushed, Above Bari Solo

 
57


                                
           
G

  
64

         

              
          
                         
H
71

  

                  

       
         
I

     

79

3


                                             
        
 
87

     
        
  
96



2
Tenor 2
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

    
                           

      
Latin Groove

    
 = 127

 

            
                    
  

               
  
A A1
7

        
   
  


                             
B C

 
21

                                         
3


  
Brass Break


D

  
35

                 
  


3

  
                            

43


          
                  
 
         
E F G
49

  

      
3   


 

                                       
 
H
72 3

      
  
   
  
    
   
       
 
 
 
      
 


             
I
78
     
                                          
        
84

     
                                        
     

90

             
       
96



2
Bari
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

        
             
                      
Latin Groove

    
 = 127 

        

    
 

                         
A1

      
A

    
9

  
             
              


  
B

 
C

 
23
3

       
                                      

 


  
Brass Break
D

      
37

                           
3



             
E

    
45 3


                                   


        
F Solo G
58

                                          
  

         
     
68
3

                     
  

  
                   
H

          
75
      I                            

             
82

                 
    
            
              
90

     
              
    
96



2
Trumpet 1
Sway
Inspired by the 2003 recording of Michael Bublé


                          
Arranged By Bill Stephens

  
Latin Groove

        
 = 127


        
      


 
               


      
A A1


7
Harmon

 
          Open       
  unis      C
   

           
 
B


21


3

      
   
3 3

 
     

                         
D Brass Break


  
35

            
 
             

3

         
    

    
43

  
      
 E
  

     
                          
   
48 3 3 3

      

      
   
 

 
         
3
 

    
F G
57

  
                        
3
  3


 
  

       
H


74


   
      
         

       
  
        
I


79

            
       
       

  
             
84

  
       
 
  
   
 
  
   
 
      
           
89

     
             
 
      
         
 
        
93

  


   
 
98

2
Trumpet 2
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

   
  
                                   
Latin Groove

    
 = 127

         
             


      
 
          
A A1 Harmon

  
7

         
 B
 
   


                          

Solo


21 Open 3 3
unis


  

       
  
3


3
     

                 
     
C
32

   Opt.     


             
  

     
                   
3


Brass Break

 
D

 
41 8va.

          
 

    
 
      
           
                 
 
E
47 3 3

           
                           
 3





    
 
G

 
55 F

            


                         
3
        

             

  
69

3 3
    
                                    
 
    
             
H

  
75

       
 

                
                              
  
I


81

                          
   
       
        
  
87

             
  
     

     
            
        
    

 
92

   
          
97



2
Trumpet 3
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

   
  
                                   
Latin Groove

    
 = 127

                
                 


            
A A1 Harmon


7

  Open       
  

 
                  
         
     
B C
22
3 unis



      
     
    

              
3

  
3

                 
       
D Brass Break


36

                                  
3
   

                    
E


44 3

         
        



                   
    
F G
51 3

        
3
   

                                
3

   
H

 
69

                              
  

     
 
  

   
           
I

  
79
                                     
 
       
   
             
85

              
  
     

                            
 
91

    
         

97



2
Trumpet 4
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

   
  
                                   
Latin Groove

    
 = 127

          

                    
   


      
A A1


Harmon
7

        

             
         
  

  
B C
22 Open 3 unis

                          
   
3 3
   




            
D Brass Break

  
 
  
35

       
       
 
   


                        
     
  

        
 3

        
43

        
  
        
   
                
E F


49 3 3


          
3

                         
3


 
 

   
G H


65

                    
                  




        
  


I

  
78

       
        
 
  
                                   
        
84
                            

      
  
 
 
         
 
 
 
    
90

   
    
               
  
96



2
Trombone 1
Sway
Inspired by the 2003 recording of Michael Bublé

                      
Arranged By Bill Stephens
Latin Groove

  
 = 127

      

                          



       
A A1
6

                
    


    
B C
25

                     
3
3

     
    

     
36

 Break              
Brass        
         


      
D
42

             
  
                       
E
47

                                  
3
3 3



 

     
F G
56

3
     

                         
  

           
   
      
H

 
69
Opt. 8va


   
      Opt. 8va   
As  is 
  
 
   
    
  
  
   
  
            
As is
76


As is    
        Opt. 8va           
     
    
 
 
 
  
  
        
I
81
Opt. 8va

                Opt.


 
       
 
 
             
   
As is


8va
87

 Opt. 8va          

          
      
 
          
As is As is


93



2
Trombone 2
Sway
Inspired by the 2003 recording of Michael Bublé

   
         
Arranged By Bill Stephens

                  
  
     
Latin Groove
 = 127

                         


            
A A1 B
7

          
          
3
  

     

C
31

        
                     
3


  

           
D Brass Break
38

   
     
                

 
         
            


 
44

 
 
                             
        
E F
50

 
                                                   
3 3
3 3
     

    
G

   
66

   
 
        


             
         
        

     
       
H
73

 
    
                       
              
         
I
80

                     
  
                       
 
   
86

    
                            
        
92



 
    
98

2
Trombone 3
Sway
Inspired by the 2003 recording of Michael Bublé

                   
Arranged By Bill Stephens

                
   
Latin Groove


 = 127

          
                    
        


 
A A1 B


7

          
   
           
3
   

    
C
32

     
   

                               
3

 



D Brass Break
38

     
            
   
           
  
                      



E


44

 
                                        
3

F G


51

 
                                         

3


3

       

3
      

   
  
67

               
         
     

 
   
 
     


   
    


H
74

             

     
                              
             
 I

   
80
        
                                   
     
86

                            

                  
 
92



2
Trombone 4
Sway
Inspired by the 2003 recording of Michael Bublé

                
Arranged By Bill Stephens

                
   
Latin Groove

  
 = 127

           
    


  
            
        
 
 
A A1 B

 
7

          
           
3
   

            

   
C

 
32

            D                
         
3 

             
Brass Break
39

                                           
 

    
E


46

 
3

                  

3 3


 

    
         
F G
55

              


                
               
3    

        
H

  
75

    
                                              
I



81
                             

                
    
87


                                      
   
93



2
Piano
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

       A7      A7     
                  
Latin Groove

  
Em7♭5 Em7♭5

 
 = 127 Dm


                             
           


  

  Em7♭5 A7  Dm    A Gm A7 Gm A7
                  
             
Em7♭5
A7 3 Dm Edim7
6

                

        
3




      
                
A1

         
        
Dm Gm A7 Gm A7 Dm Gm A7 Gm A7 Dm

        
13

         
                 
        
3

3


 B C7

  
          
                   

Dm Gm A7 Gm A7 Dm FMaj7

     
21

         
              
3

  
3 3
 A7 C Gm A7 Gm A7
             

                 
B♭ 7 Dm Edim7 Dm
A7

  
3


30

     
         
           
3

         
                     
     
Brass Break

 
D

      
Gm A7 Gm A7 Gm A7 Gm A7


Dm

  
38

       
                
    

   A7 Gm

               
              
             

Gm

  
Dm Edim7 Dm A7 Dm

 
44

     
             

       

 

     
                
                 
 
E FMaj7 A7
50 C7

    
                           
 
3

   
3

      A7 
   

                    

B♭ 7 F G

 
56

          
                      
3 3

2
      
               
                
   
69 3

             
         
            
3

         
              
                 
H Em7 A7 A7 A7

 
Em7 Dm7 A7 Em7 Em7


75

 
                          
            


     
                              

I Em7 A7 Em7 A7


81
Dm7 Dm7

             
          
 
     

 
                             
       
A7 A7 A7 A7


87
Em7 Em7 Dm7 Em7 Em7

 
                                     
   

    
   
                                  
A7 A7 Dm7

 
93
Dm7 Em7 Em7

   
                                


     
3
Bass
Sway
Inspired by the 2003 recording of Michael Bublé
Arranged By Bill Stephens

        
                        
 
Latin Groove

          
 = 127

             
                            
      

  
A

   
8

  A1
                   
          
    
         

15

           
        
  
 
              
B

 
21

                 
 
  
 

 
                       
27
3

  
                           

             
 
C

  
34

    

         
   
                       
       
D Brass Break
41

     E             

                           
 
           
48

     

                            
      
  
 
F G

   
56 3

 
  
       
   
                            
H

  
69

                             
    

       
        
76

                                        
          
I

 
82

                                  

        
     

88

      
                   
    
     
   
94



2
Drums
Sway
Inspired by the 2003 recording of Michael Bublé


Arranged By Bill Stephens

                               
         

Latin Groove

      

 = 127 6

    

                                            


            
                 
Rim
A
6

      
   

                             

                                      
A1
13

          

                                          
     
                    
Rim B
20

        

                 
                                 
3
27

       
     
          
3

                                     
C 
33

         
                                  
                                       
Rim D Brass Break
39

           
Rim  
                                         
                
E

        
46

        
                                          
3

               

52 3

     

                                    
3

  
F Cowbell hits on 1 & 3

  
3

                   
57 Rim

   
      
                    
                                
G
62 3 3

     
            
                             
67

    
  
                                           

End cowbell

      
6 H
72

     
     
    
                                     
78

         
I 
                                      
                        
83

     Fill on 3&4    

                            
                              

88

     
 
                                    
                              
93

       
 
    


98


2
 Guitar
Sway

Inspired by the 2003 recording of Michael Bublé

  

Arranged By Bill Stephens


Latin Groove

                    

Comp
 = 127 Em7♭5 A7 Em7♭5 A7 Dm Em7♭5 A7 Em7♭5 A7

     A7  Gm

    A7  Dm
 
 
     
                             
  


     
A Gm Edim7 Dm


Dm

 
8

    A7      A7  Dm

      
               


    
                        
Gm Gm A1 Gm A7 Gm


14
A7

      

                           
                
Dm Dm Gm Gm Dm

 
20
A7 A7


                               
Same Rhythm


B C7 FMaj7 A7 B♭ 7 A7
26

    A7      A7  Dm  


 
 

 
 
  
 

 
 
  

 
 Gm

  
  A7 
                          
3

  
C Gm Gm Edim7 Dm

   
34

 

    A7  
Gm  Gm 
 
          A7       A7   Dm
                  

D Brass Break

                  
Gm Dm Edim7

   
39

Gm  Gm 
     
  
                 


              
Dm C7
E

 
45
A7 A7

  
     

        
FMaj7 A7 F
51



                
 
                    

       
G

     
66

      

     

       
             
H Em7 A7 Em7 A7 Dm7 Em7 A7
72

3 3
  

        

I Em7 A7 Em7 A7
Em7 A7 Dm7 Dm7 Em7 A7
80

        

Em7 A7 Dm7 Em7 A7 Em7 A7 Dm7 Em7 A7
88

    
              
Em7 A7 Dm7

 
96

