Фортепиано Gavotte


transcribed by LukcySAX (A. Stepanov)
Georg Friedrich Händel,

     
               
  
            
               
          
      


 
                     
6

     
               
          
    


  
                    
        
12

  
 
                        
  
  


 
                        
   
18

 
 
                     
     
 
       


     
       
                  
 
24

    
  
       
             
   

   
2

                     
 
30

   

               
     
 


    
                           
    
36

  
         
     
cresc.


                  
       
    cresc.
   
41


   
             

   


 
            
   
       


47

   
             
      
 
 
     


         
  
 
  
    
        
53

 
 
                         
     
    


  
     
59

 
   

largamente

 