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3 JUSTIFYING EMOTIONS
Pride and Jealousy
Kristján Kristjánsson
JUSTIFYING
EMOTIONS
Pride and Jealousy
Kristján Kristjánsson
Preface ix
vii
CONTENTS
Notes 211
Bibliography 242
Index 253
viii
PREFACE
ix
P R E FA C E
x
P R E FA C E
xi
P R E FA C E
Megalopsychia’, Ethical Theory and Moral Practice (1998) (with kind permis-
sion from Kluwer Academic Publishers), ‘Stórmennska’ [Megalopsychia],
Skírnir (1998), ‘A Prolegomena to “Emotional Intelligence”’, Philosophy in the
Contemporary World (1999), ‘Liberalism, Postmodernism, and the Schooling
of the Emotions’, Journal of Thought (2000), ‘Virtue Ethics and Emotional
Conflict’, American Philosophical Quarterly (2000), ‘Teaching Emotional
Virtue: A Post-Kohlbergian Approach’, Scandinavian Journal of Educational
Research (2000) (with kind permission from Taylor & Francis Ltd), ‘Utilitarian
Naturalism and the Moral Justification of Emotions’, International Journal of
Applied Philosophy’, (2000), ‘The Didactics of Emotion Education’, Analytic
Teaching (2000), and ‘Some Remaining Problems in Cognitive Theories of
Emotion’, International Philosophical Quarterly (2001). I am grateful for the
permission to reprint material from those sources.
Last, but not least, I would like to thank my wife, Chia-jung Tsai, for her
care and advice, and my son, Hlér, to both of whom this book is dedicated.
xii
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1.1 Introduction
My boss’s nephew, and incidentally also a good friend of mine, gets promo-
tion in my company just because he is the boss’s nephew, while I, a much
better qualified candidate, am left behind to sweat in a low-ranking post. At
the school fair, only Kate’s poster is chosen to hang in the hall although
Betsy’s poster was at least equally well done. Cindy, who catches her lover
in flagrante delicto with another girl, feels her world has crumbled to dust.
Are Cindy, Betsy, and I morally justified in experiencing jealousy or is that
emotion invariably the sign of a malicious mind? Jack has made consider-
able personal sacrifices to help an ailing relative whom others, nearer and
closer to the poor fellow, had left in the lurch. Is Jack morally justified in
taking pride in his deeds, as well as expecting and demanding some external
recognition of his efforts, or would that be the sign of a deadly sin?
This book has two main objectives. The first is to explore what, generally
speaking, constitutes a moral justification of an emotion and how such a
justification is connected to the notion of moral and emotional excellence.
The second is to give the two emotions that figure in the examples above,
both traditionally vituperated as psychologically debilitating and morally
flawed, a more sympathetic hearing. These emotions are pride – or prideful-
ness as I shall call it, by focusing on one of the many different uses of the
word ‘pride’ – and jealousy. How often have we not heard pride proscribed
as the root of all vice, and jealousy as one of its distasteful concomitants?
My aim is, by contrast, to show that we have been much too hard on
emotions which we have not properly understood, and that both these so-
called negative emotions can, in the proper dosage, be seen as virtues or as
ingredients in virtues: as parts of a good human life. To put it as succinctly
as possible, I challenge the received wisdom about pride by claiming that a
certain kind of pride, namely pridefulness, is psychologically necessary for the
formation and sustenance of personhood, and also morally necessary for a
self-respectful person who wants to live a well-rounded virtuous life. In addi-
tion, I argue that jealousy is necessary to maintain pride and self-respect.
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political issues, and that an influx of ideas from political philosophy as well
as from ‘pure’ moral theory can aid us in looking at particular emotions
from a moral point of view. After all, no moral concerns are completely
apolitical and no political ones are extra-moral. This belief will be reflected
in the book’s approach. However, I want to bring to bear as many insights
from other areas as possible: from psychology, education, literature, and,
last but not least, anecdotal evidence from daily life. I believe, like
Heraclitus, that even in the kitchen ‘divinities’ are present.5 Most of the
important lessons of life I have learnt at the kitchen table: first in my
parents’ house; later with my wife. It is also more than a half-truth that the
best descriptions of emotions tend to be provided by artists rather than
academics.6 More perhaps can be learnt about the subtleties of emotions
by a careful reading of the poetry of Stephan G. Stephansson,7 or the
novels of Dostoevsky, than through any scholarly treatise. I shall be adding
tonal shadings from various literary sources to my arguments. However,
among my frequent fellow travellers will also be the academic philosopher
par excellence, Aristotle. Generally speaking, the reader will, I believe, gain
more from a synthetic, interdisciplinary approach than from a more
narrowly-defined focus, even if that may at times mean sacrificing depth for
breadth. Moreover, since I consider my exploration of specific emotions
and their cultivation to be of general importance, I hope that my book will
be accessible to more readers than those who are already well versed in
psychology or philosophy.
My interest in the emotions has been heightened by my employment as a
professor of philosophy in a recently established department of education
with a strong philosophical orientation. In such a department, questions
about the emotional schooling of the young are continually relevant and
pressing. We need to know what the emotions are, how they are formed and
cultivated and, in so far as they are psychologically under our jurisdiction,
which of them are morally justified. ‘Is children’s jealousy amenable to any
rational control?’, ‘Should pride be nourished or uprooted?’, ‘Under what
circumstances, if any, can envy be non-malicious?’ are just a few examples of
the questions crowding in. When preparing lecture notes for my classes in
moral education, I realised how the old ideal of education as character
formation had given way in educational theory to scepticism about moral
education in general and schooling of the emotions in particular. This scep-
ticism seemed to be propagated by a wave of psychological theories that
either postponed the systematic cultivation of morally commendable
emotions to ‘later stages’ in the child’s life, or simply reduced the emotions
to steam rising up from internal kettles, mostly, if not wholly, impenetrable
to reason. The subject of moral and emotional education had not only not
been learnt in recent years, but had rather, in a fundamental sense, been
unlearnt by teacher-training students, leading to teacher neutrality and
parental uncertainty on these important issues. David Carr aptly refers to
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written for readers not yet initiated into the basics of emotion theory. I
recommend those better versed in the field to browse quickly through it, or
simply skip it and go straight to section 1.3 which addresses some of the
problems inherent in the cognitive theories of the emotions (concerns about
methodology, the components of emotion, etc.). Section 1.4 then aims to
clarify what it means to be responsible for one’s emotions, and to classify
them according to rationality and moral appropriateness, and as either
‘positive’ or ‘negative’, as well as to offer some initial suggestions about the
justification of ‘negative’ emotions.
No scholarly treatment of the emotions must stray too far afield from
everyday experiences. That is a crucial mission statement for any
‘Aristotelian naturalist at heart’, as I described myself in the preface. In
order to understand and evaluate the emotions, we must know what people
are like: what they think, say, and do in everyday encounters. In his ethical
writings, Aristotle famously synthesised an account of moral virtues and
emotions by considering virtue expressed in fine emotion as well as in fine
action, and treating emotions as morally evaluable aspects of character. This
is why the recent resurgence of Aristotelianism and the current fad for so-
called virtue ethics may seem to bode well for the reinstitution of the
emotions into moral and educational discourse. Indeed, some writers think
that the moral significance of the emotions can only be adequately captured
in terms of such a virtue-based conception of morality.12 I agree that virtue
ethics has done a lot of good for emotion research, if only by reintroducing
a value-laden focus on the emotions. In the end, however, I shall be tempted
to reject virtue-based ethics as a general touchstone by which to judge the
moral soundness of our actions and emotions, opting instead for a sophisti-
cated form of utilitarianism.
In spite of my (rather subtle) differences with virtue ethicists, I agree
with their presupposition that we need a touchstone before we can start to
take measurements. As Martha Nussbaum puts it, one cannot ‘say what
role emotions should play in morality […] without defending an overall
normative view’.13 This is why I have written chapter 2 about the creden-
tials of a general moral theory: a chapter that I hope the reader will not
view as a distracting detour from the main line of discussion, but rather as
a crucial backdrop for the moral assessment of particular emotions.
Perhaps the only serious strategic weakness in Ben-Ze’ev’s monumental
work mentioned above is that he does not precede his discussions of the
moral standing of different emotions by an argued defence for a substan-
tive moral theory. Thus, the springboard from which his evaluations are
launched is unclear. While it may be true that the theoretical differences
between general moral standpoints are often over-emphasised and their
similarities under-appreciated, there are surely more moral theories to
choose from than there are snakes in Iceland. I should not be understood
as claiming here that the reader will not glean enough from Ben-Ze’ev’s
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Finally, not far removed from our emotions lurk our moods. R. C.
Solomon aptly, if somewhat cheekily, describes moods as ‘metaphysical
generalizations of the emotions’:16 If I am (non-pathologically) depressed or
simply ‘in a bad mood’, I feel sad, but my sadness may not be about
anything in particular. This lack of object or intentionality distinguishes
moods from emotions in principle, but the dividing line may not always be
as clear in practice.17 Exactly what should be included in and what excluded
from the list of particular emotions, and why, must remain a matter for
further debate, mostly outside the purview of the present study. However, I
do have a little more to say about taxonomy and the conceptual method-
ology of emotion studies in section 1.3.
When talking about the various emotions, it is helpful to consider in each
case whether we are referring to them as episodic or as dispositional states.
The episodic ones are occurrent, that is, states with determinate durations:
‘John is jealous of Peter now, because Peter’s paper was accepted for publi-
cation while John’s was rejected’. John may also be said to be jealous of
Peter tomorrow and the next day, for this or some other reason, with the use
of the term ‘jealousy’ still being episodic. We could, however, also be
tempted to say ‘John is by nature a jealous person’, thus shifting the focus of
the term from an occurrence to a disposition: John has a strong tendency to
experience jealousy in various circumstances. Such dispositional uses seem
to be conceptually parasitic on the episodic ones, but dispositional emotions
are nonetheless interesting in themselves and may involve references to more
than one episodic emotion (for instance, pridefulness qua disposition to
both simple pride and shame; see s. 3.3). Dispositional emotions should not
only be distinguished from episodic ones but also from both background
emotions and moods. Background emotions are persisting emotions, but
often unnoticed unless certain conditions bring them into consciousness.18 A
person could be mourning the loss of a spouse here and now (sadness as an
episodic emotion); this sadness might continue to mark and pervade his
character for the rest of his life without being consciously noticed all the
time (background sadness); the person might also have a strong tendency to
experience sadness over misfortunes small or large (sadness as a disposi-
tional emotion), and finally, he could simply be ‘objectlessly’ sad or
depressed as explained earlier (mood rather than emotion).
So much for the complexities of trying to respond to question (i) above.
As to questions (ii) and (iii), the answers to those are usually found
combined in full-fledged theories of emotion. Holding the field in the early
and middle part of this century were, on the one hand, sensory theories of
emotion and, on the other hand, behaviour theories. Both are difficult to
summarise in a few paragraphs, as are the cognitive theories, which are
discussed later in this section.19 The reader should be forewarned that such
summaries cannot avoid trading in oversimplifications (summaries of
summaries) and references to ‘straw men’. Given the variety of accounts
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subsumed under each of these theories, what one risks describing in the end
is some sort of a ‘weighed-average view’, not attributable to any particular
thinker. Behaviourism is likely to be the hardest hit in this regard since there
are almost as many behaviourisms as there are behaviourists. But as the
uninitiated reader needs some guiding lights, the following will have to do.
According to the sensory theories, what characterises a state of experience
as an emotion and individuates it from others is its ‘feel’: the presence in
consciousness of a felt quality, wholly (and only) accessible to introspection.
You are jealous when you experience a certain unique feeling that only you
know, a feeling that distinguishes itself from other feelings with which you
also have first-hand acquaintanceship, such as those of shame or anger.
Sensory theories differ among themselves as to the origin or cause of the
relevant feelings, whether they are primarily psychological or physiological.
Is shame an ‘inner feel’ of an essentially mental nature or is it simply the
perception of physiological processes: of blood running through your veins
making your cheeks red, etc? The philosopher David Hume is often quoted
as a representative of the former variety, and the psychologist William James
(along with the physiologist Carl Georg Lange) as the author of the second.
A commonly cited guide to Hume’s view of emotions is Book II of his
Treatise of Human Nature.20 However, many contemporary Hume scholars
consider the views expressed therein uncharacteristic blunders, since what he
says elsewhere about the emotions is both more sophisticated and more in
line with modern cognitive theories. William James’s view is spelled out in
his Principles of Psychology,21 and other writings.22 James’s adherence to
sensory theories is less controversial than Hume’s. In a famous article
written in 1884, he asserts that ‘the bodily changes follow directly the
PERCEPTION of the exciting fact, and that our feeling of the same
changes as they occur IS the emotion’. Not only that; it is possible that ‘no
shade of emotion, however slight, should be without a bodily reverberation
as unique, when taken in its totality, as is the mental mood itself’.23 As
opposed to the sensory theories, which equate emotions with feelings,
behaviour theories claim that emotions have nothing whatsoever to do with
inner feels, but rather with behaviour patterns. You are, for instance, jealous
when you behave in a certain way: when you respond to external stimuli in a
fashion characteristic of that emotion.
It must be said that both these theories of emotion count as somewhat
passé nowadays after numerous writers have criticised them steadily for
decades. Let us rehearse cursorily some common objections. As to sensory
theories, the first point is that the method of introspecting lived experiences,
suggested there as a reliable guide to our emotional life, has failed to prove
its worth in scientific experiments – so much so, in fact, that it now counts as
the bête noire of most psychologists and philosophers. Its results turned out,
on most accounts, to be hopelessly subjective and incommensurable. One
person might describe his experience of remorse as a pain in his stomach,
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ruled out in case of mere feelings. Compare ‘I wasn’t ready to accept it at the
time but only realised it later that when my grandma died, leaving me all her
money, deep down I was overjoyed although I thought I was sad’ with ‘I
thought I had a toothache last night, but now I realise I didn’t’. While the
first statement works, there is something mysterious about the second state-
ment, unless of course it simply means that the pain I experienced last night
turned out to originate somewhere else than in a tooth: in my gum or tongue
perhaps. One cannot be mistaken about a mere feeling, like the existence of
pain, as one can be about the occurrence of an emotion. The statement ‘I
felt as if I were in pain’, written by an early twentieth century neo-romantic
poet in Iceland, was thus rightly held up for ridicule.
Furthermore, emotions can disappear with newly-gained knowledge,
whereas mere feelings cannot. Once I realise that what I did to you in the
past was morally sound, and not shameful as I had previously imagined, I
typically stop being ashamed. By contrast, a person waking up after an
operation, complaining of a pain in his leg, does not stop feeling pain as
soon as he realises that the leg has been amputated. Admittedly, a person
suffering from pain may experience the pain more or less intensely after
gaining knowledge of its causes. One of the reasons why many doctors are
notoriously reluctant to prescribe pain medication for infants may be their
belief that suffering caused by physiological pain does not lie so much in the
sensory perception of that pain as in its interpretation as a sign of an
underlying disorder. Since infants do not interpret pain in this way, their
pain-experiences are not thought to be as serious as those of adults.27 If I
am told that the pain in my chest stems from indigestion rather than the
onset of a heart attack, I may worry less about the pain and gradually
notice it less. However, if it is a real physiological pain, it does not disap-
pear immediately upon my hearing the good news, and, even if it did, the
reason would be causal rather than logical. All in all, one can safely say that
although emotions may typically and even essentially involve feelings,
emotions are not feelings – a conclusion which has made sensory theories
fall into desuetude.28
As a general philosophy of mind, behaviourism has long been considered
suspect by the majority of the philosophical community. Since criticism has
revealed the weakness of the foundations of behaviourism in general, not
much needs to be said here specifically about the behaviour theory of
emotion.29 The two-tiered objection commonly levelled against this theory is
a rather straightforward one: first, an emotion can exist unaccompanied by
any specific behaviour pattern (however common their coexistence may be),
and, second, genuine-looking emotion behaviour may be displayed without
the relevant emotion. An angry person will typically shout, clench his fists
and grind his teeth, but it seems naive to hold that one cannot possibly be
angry without showing any of these external signs. The emotion might be
submerged, or the person strong-willed enough to hold it in and avoid
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expressing it in the open. The behaviourist might answer that the emotion
of anger need not be identified with angry behaviour but simply with a
disposition (repressed or not) to anger-behave. However, the recourse to
dispositions jeopardises the explanatory value of the theory. If it cannot be
shown that the disposition to anger-behave is, if nothing else, displayed in
inconspicuous but measurable signs such as muscle trembling or twitches,
the talk of dispositions sounds rather vacuous. However, the invariable exis-
tence of such signs has not been supported by any scientific data. Memory
reports – for what they are worth – of people who were wholly paralysed by
curare and without any muscular activity whatsoever even suggest that they
nevertheless experienced emotions.30 As an explanation, then, the recourse
to dispositions has become redolent of the infamous ‘explanation’ expressed
in one of Molière’s plays that opium makes you sleep because of its
soporific power.
The second tier of the objection concerns feigned behaviour. If an
emotion such as anger is literally the same as a certain behaviour pattern,
what are we to say about the person who pretends to anger-behave:
clenching fists, grinding teeth, etc., but does not really experience the
emotion? (That feigning an emotion can lead to or bring about its sincere
experience is an educationally important matter, see s. 6.3, but irrelevant
here.) It seems impossible to distinguish between genuineness and pretence
in this respect without reference to mental states, which would undermine
the behaviourist point; unless, that is, one wants to claim that feigned
behaviour will always lack some detectable signs of genuineness, thus
betraying itself in the end. Then, however, the discussion might take an
unexpected turn in the direction of aesthetics: How good can acting be? In
the end, it seems, one can always cite a Laurence Olivier as a final proof of
the imperfections of behaviourist emotion theory.
The foregoing criticisms notwithstanding, there are grains of truth in
both sensory and behaviourist theories of emotion: emotions are typically
accompanied by feelings, and they commonly beget certain kinds of
behaviour. However, in a viable general theory, both the behaviour patterns
and the feelings must be kept in their proper places as handmaids and not
allowed to give themselves the air of mistresses. Emotions are not the same
as behaviour or dispositions to behave, and it is almost a truism in recent
philosophical literature that they are not feelings either. Whereas feelings
have no reference beyond themselves, emotions have a ‘direction’: an object,
a focus. Saying ‘I’m angry’ is elliptical for ‘I’m angry about x’, or ‘angry that
x’, where x signifies the reason for my anger, for example: ‘I’m angry that
you showed up drunk for my birthday party’. Notice that the reason need
not be the cause of my anger. Maybe I became angry because I had spent a
sleepless night preparing for the party. Furthermore, your showing up drunk
might have caused me to be angry about something else, for instance the fact
that my sister got married to a jerk like you.31
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