oleelot AAISS| BARGE cleo Be LF olee]o AAS] ASHYs} ozo] Be az lsdelo} AS] ASHBA Ae ALIAS Soe A Study on the Theory of Architectural Typology in Italian Contemporary Architecture ! Focused on Approach to the Concept of Architectural Type of Italian Architects za 3° Abstract ‘The study of architectural typology for redefining essence of architecture involves the problem of architectural form, the relations of architecture and city, the problem of precedent, and the interpretation of classic. In this study is historically researched the process of theory of architectural typology’ in Italian Rationalism and is analyzed the theorical tendeace of Italian contemporary architects. Especially, this study was focused on the diverse approach to the concept of architectural type of italian architects who tried to introduce a historical continuity to the process of project. In conclusion, the purpose of this study was looked over the practical application of the theory of architectural typology and was defined the relation between architecture, urban, history, and context INE: ASEM, GMAS, Mel PIF, 44 ao, Sa aa, Keywords ! Architectural Typology, Modern Movement, Italian Rationalism, Historical Continuity. Architecture and Urban, La 8 SUAS] HS VAS Bay Belge Feb BBA ot SAG SII} Aon, ola eel of ce Hels) fbstch cp RAE} Alpe abel of me 124) 241, olde) a ale Sabla al AAS Mla SMHS oleae AAS Boa = Ng Fiero, poe dase swe AAS olAols] Belo] B oe Wale siep oleltt sao AIWAS ASS Telpola woe Gehisel, 18a7ie) AER 4|2s] = des] AS4 AVES] AAG. Hee E At old WAMh Sah oso BE Ale, Fee of molt: 428, UES Vol a Maes ae A Udhpl wee Haale ale ae adele a HALE Suga Anas aS Bley a Ag geen sled, ass) Ts aa, das ge an FFHE Aol. SURAS ARMAS) HS F 1 4ae, Waves GkeY AVIA, Beep ey DMANS zee AFI Seep] Ase, F1Ae we AAs WaMaIA DAse lo) VF Faas eS ga Gv 298 Ean e+ alo. 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(LM Badd), Typulogical Production in Architecture, UPenn, 1983, p72 / WAZ, AMUSARE, ASLAM, 1998, p95el4) elo) 94 Keema LH 3A 480E AOR) OIE L ie WES ase] MG weed Gone ASAI VAS IT S71 Heol, Ase HAS Ya JST gat Deo Ie Gn be 58, #98 WA Sy Wade Awee Fa 2 FA FAA Ga EME BSA ola 1G eae Hee Woe wee Wag bag AF MG, ay ASaAS sada Ka Fe A We Ie AH SA So) Sasa FEE Fle SBE As dese Rea det Ache AS Soleo, 289 sus deel Fad dua de dae SaUSE RAL Baws | gl Qutremere de Quincy)9} SQN, Durand) 2.5 aes] A Ags dase] Asks Gata |e FAI @ AZ Vowea, aad Aaaes As SAE ashe AGS ATA. FBS) Aes Mae se USaAIIA Ase) aAMAlB eel Ad dO de desea, Fe dae] Aas 2 Bye) Wad Basis Beeld # ae 7 YoR Add, 4, #89 BAe EA GIs asye2 Basa aes Sales] alae, BRAAA SE elo. Hate aa Hele) Gale Walshe Zag dae Sedo ae easel yaal Had SAd gee BAA Aas ATE we ust MEold# old eels Bees Bas eA elu date] aaah gaol ola) Gaels yates| A MISE we Aol obet, BelFelse wealotal WEE Hea Belch GelFeeel BaaA & VAS AF, sis} Ae olvomsee See IA SUM RHof BH sgolo}, oe ase of Ye BE dae RobolALS waa AMA g Soh ARE Bole. old BAMA Mae BAS welts ast Hae welche we deel Ade) eae eal 1 Ae GAG Wee aAam wre amare clas & FU. F, 1B See Aa HA AASLPE VAI AAD} FAS AG zolwnel ava Ate Teade wel RAS Peole aleleh Ea olte Ee] woh Saas ely HA, YAS wlay Saale Agel Beles sees USES etd Boe Fess, Harel Boe GISAS Bem, ee] HWS aaah ses QAM Welch 2Y aol as Heol ae AH GRY SAR ABA Uday aaa a 3) Alan Colquhoun, “Typology and Design Method, Essay in Architectural Criticism, 1981, pT 4) Luigi Gazzila, Architettura © tipologia, Officine Esizoni, po 5) Alan Colquhoun, 22°, pAT 6) BAF, ALI Sel’, GSH HA, 190407, ps7 7) Luigi Gazzila, B27, plWe Yds] 1a Gas Saoed Foe + aie. ag, as $84 Ge ey are Aslae Aa B EA4a dace Hea + Ve Ade a Qa EF Md. Masel AS] setolte Selo AMR US HORS A dolete AVES UAT Le U, TAS SAF US) Bol, GAS AS] BAS a ete BAAD EAA Bag azold. vs ole Ano As IHS SE Ase] was ase AIAG Heat aA soi, ASolale| Meas WS FUN FEAoe ase) Hyde qos SAAS DAV THAT Wastes Wel Fal aiel Se Al ad. lade as gage eee Sy} AMS SE A Ragas, A Eabe LPF MESO} ae BS Wel Sod Aes 7] = Geo] EUS Sato} 2 AAs aed, #92 edocs F 7) AAS Az ded, Ss BAG A, HUG A RRMA Oh Old SAG + Bich = MAR 297) Ato] Wa SeiteE Aaee ol Sola seh olett $e] Wes|a, WD Fale AA Geo FY BAe As Whee daw Pe Mh HA] BS ede HBS Ae HE a Al BAS Helapo}, lee Hsex also} aaoph del Wel FBS AAS Be ad AGE JAS F99 ase IHG gas Ae eS BUS ees ades ae Basso WA eid Sade toad tad ade Aes de aed] aude. dec aaade adh #92 WGEGE Ae FS MNES I ae A$ Von, Agel AIA PBS GA HAs se AA FS athe AS Ia, oS HVS ah S#o] Qa 2 edF2e iz wis ae, aS ABS Atte SS AE 4o]s 72) AL ach. 3, Ol GteloF SealFo] US| MA load lalate) Baadest dart eter Sant'Eiia) Sa) ABS SA) oA EAE Ha4 Aaa leet] aadse dee sgaa Asia aes AAG dae Sa Tol sal Ba ME AGE VI HAS B28 eed. st BOR FBPRTIAEA oleate Ese] aa, 889 49, dae abs, ven Se aged, oe W FASS ASS Belobo) Aad Sa pare ol Pete Ase Asa de as) adda £ WS BIS As FU Aaa olgee aE 4s] Eig Ade ol Geee da ddses 2a ASS Adel sed, avFalaa Baad ol SES Aeeols) Abst Ga SAS ld Webs £8) Rafael Moneo, ‘On Typology. Oppositions 13, 1978, p23 ol@eloh MAIS USHA ols Be ae Bute 21d de deiss aed aee Ae Gruppo 791 S334 Hal leo Aa Saha Ses Aasc. o| as HelstIaed s8e 715 Ade GReee hie, REAR BAe 2a, ea FY AMIE F le Pesos da ase BGA Sea veHIO o| BIS olgelo waz IE F AAA AAA VAG SH9] FAA eels] AB Pad FES Aldaz IssV) wel AE qed ASHE BRE WIG UAL, aed MSs SAA vaste Mae veae Uzelsiet AF SaaS Ad Gelsae aad aria da Sas] alae sce ade + sete a BAA US Ada, led auad HlFIII as 2SHe el leo ZAIsesE lee ga Fan Gel Bas Ae las as Fee HAE A ABMS AO. ae IEE AY Ae BAS 2 ey ae. “£7] HBS AFL FS RAM YH RAES SQ VS Psa ssjael Aas Yapedrg, & ole, eet Be Adel Se Blea 7] AZgH AE oed.ga= VEY ss aah] SE AF 2 AAS BBAE Bolt Mes As, Be Ase cage tage) Wasa ata gate] olebth ep") laa Age ABA adase “ate agvae les) BRS, olselototy Re Ae ole A asl BAG sel Meat vin 71S tO. A, oe Judea Set sleet] gala Seo da SHEN EUASS FFH Aol. | apt AR’ Ade daace EMS Reside, F Aa oh Giuseppe Terragni® AES USS ada 22 EAM Alen YF Med ze Aes Ra asa ase dd eda Mee awa az, AEAS ALS ANS SA ala, % bal e}de) ulscatel mAb a stde(Casa del Fascio) = Vid ae wgee andes ere ae aa Ay pists ze 9) FES. Lareo), THHOUG. Fret), eo CE. Rava), el veh (A. Libera), BAIL. Figind, Ee1UCG. Potind, leh. Terragni) # 7V2S FIST, 10) Giorgio Ciucci & Francesco Dal Co, Architectura italiana 1900, Blecta, 1993, p19, 1D Manfredo Lampugnani(@4iel, alee Ee), Waadse, AAA, 1979p 12) Gruppo 7, ‘Architetira’, Architettura italian del"90, p.100. AMREBOR ATH 32 458298) 20000 1a «95ase ade $8ee Hoe Wd dag + de 424 FSO VIGO 5H Ade vt olga of Gets) ASS 2A Mada wust ve See Bea IG, 19508e Fe ALEC) SAe) Bg atah ase S98 BH) S89 Aedwoe da ae BSA edo] Jol SeaiA aa. ol Al ea A8e mea wee Yeats aagge sted, lord dee sada (Triennale di Milano} AP%@ @7o) Beah A } Bale othe Veoh eh aa SAY ES EOz, 1% ENFZE SUES APSE Ao} aldo 4, F SAG S60 Eas azeq aay oles, FE we aalol | awe) Bale cE OSS F EAS} wel AoC aay} SiG. lade F Sao algae i9Td FEA 1 48S FaASe UR, FE wale addy # EAS QARE AoA Ue. ols} vo} a Sa HARE dSHss gad de PAs aa a Boles Bat GNF Arbol sae eae Ae] aa eh clgelops) BE SA EAA eee SAA MBIA ABS oleh USHA Bae) sojahn bore WAS} Elaoln ots] Qalatelis ae, B24 GAS oy] AG AAS An AE A VEE RE ASS AP VAIS F Aelel 9 old aS Sad de Ewe as MS A = V4) EAD GAs, ARK VH] AHA AS 289 BAS MAbs le BIa wyse a Asie clea, le Avis aseeaete Scaso] S88 EI BARA OE BAS aad # le dhelece Bee eA ea. ole NE EAI A FAS oles] AS esi] Se 2 US FR EA Yebtelae lee wugee AA, Sa SAE Bela AWA obs Bow erol 2 ela Aad $ gle Bad Ede wre. @ Aes 1G AG BITE Bea Ladd t BS Male AHS sboLAA RoHak | slab 1960tH EMO} 1TH Fela BHel Ala a Bois Baad eae Belge lela 2 fe] 541%(Carlo Aymonino)s} SHE 5241(Aldo Rossi] FES Miao BSW} AAzee. 10 wa Alb ASAE heise Gat HLA Yajstoy at AG FEM FAM ALLGGinseppe Samonals] Ie 13) Antonino Saggio, Giuseppe Terragni-Vita © Opere, Editor Laterza, 1985, p42 1 G. Muratore #34! tomi di questi tent’anni’, Italia gli ulti tent‘anni, Zanichell, 1988, pal 1) AME USS UB, “oleelors| Mees, ots, 19909, p14 BC aL 16) 1M42KG. Canela), Bo] Fe aolsich (N. Dare), M042} LSemerani) 96 AMM OMAW RH 38 42(F498) OIE 1A & Woh, APTA, ola, ash Balaaes Belay ae FA SAMA So]9} Salo] BAe Wa, ae as Uy) Ease ASS WSS EMA SAS) Ue Fade NES RNS Wasa ad vps] sade BE weet AE ate} FE ES Moos Soo] EFA, Sa Gas 4, 2 MEMzo49} mse, Sa aol Bat ae SSM, FUASSE WA SAAWS ABEat | st AIS las] eds Sl BeaaA Sa east UM AAS olgehe gus a SAAIAAN Besy shed. FA Bara a Set Nal Abe ole ae Fe obey 2 18S BANA FBS BSBA FES WIA BAA HBTS Wohl Aol Ee of BS Age dat dase EAs Bee aman ae 1 4Oe S912 SAS EAM, aoe Bae AMMA AAA AE GARLES wala o} AG] Bs Ade UTES Agen oleae we 1 7IES 7IN We Tee aides & ale GH, 494, Gaa, Gad, BU tad a AS HAYA gO. whulalop eke} oll aGe a 3, SQM) ey Fae Beas Ysye w ASHVA 71H SARS BRAS AoA. sAEae #2 gestae i960dd aeeae) y Ae 8 7A Sas AUR dea, ease dee AA GS EAR] Yee dda Ala ol 24a Srila] wale $4, aes A)9] Sal S AQ 880 da4 Ste Sls cat + ae WHS Apna Mos aly ee meade AE & spe, Vase Aso] ATS Aa AES AS aca Wee Yee wae MES dart old B41) S148 veya shed, wee USs lead Ys aes Jas wae say saae gee avis ge ewes Fv WAS ARH pled ate VE UHAS ols 3 A2e BOs ato ABE asa Ft Aen QUT Belch 4, ee BARREL obwyEE EAA Gres Awad sot, Ite] SAVE Wile BES Wl NAF Mee ASA oles S27) AA PYG] VAs AD, of segoly as HUH2 dad Bho qd Aes wy sah a 9) YAS ARE + Gl AES NS Wa Fh we aed. 17) Giorgio Ciucei & Francesco Dal Co, pp225-206 18) Costantino Dardi, "Venezia, Iuav, il Gruppo Architettura’, Architetura italiana ‘900, BE, p225 19) Costantino Dardi, 2 4, p25 20) K. Frampton, Storia dellfarchitettura moderna, Zanichell, 1985, p347 21) Micha Banéini, “Typology as a Form of Convention’, AA File 6, The Architectural Association, 19845, p754, ol€2lof 2872] UHH HS wan Sa 17] AS Ge VI} Bs AG Saleh (Mare-Anthonie Laugier) 24-8) A144S|}= f@ol Ag ede #4o) Ge MAGS Vee qe waa gs 1G AND Aolsteh2) 27] USa}s} oes} seals) ddes Aa APIS Fe BRAS) MERE YSIS SUSE els] Nate, AAW a SOE WA AIS SF oe WAS HAS a So) Ba 2 wel Mee Mss, HIS Ams) 71 Hol le PMs HPIS TAWed. FEA AS Ae 2 MEAL (Le Corbusier)s| YAY AWS. 2 dusty, hase) Sate raves ela 39) SQAGSS Aes] Kapa seh oF ol wel obiA| AB T SAo] He eas ABS HV A Ze Ae) US SAA EAP BSS oleh} $88 SFE AGRA AEG, 471 AGRI VS 2 FDIMUGE AS Fed Baa Woe ae) ee Ave He Sa] eat gate AAT ore SEAS #714 AAMAS olde: RASS ay VAEAA BMWS Ata Melo HA % at] Bags AA Feseel(Severino Morton “12722 #19 FBS BOS z Wee), LE MS Aae) A Gchemad 2249} #42] AAE YS AEA EAM ME Velshh z Bor] else laa, ae MEMS Fare BADE S Aol BH] ao, A EAS) VAT daaaole AAs No Get wee “esalel ae Oe] FY] Basin Fastsid ole Be gate Atel web se Fae Asa Tas gna Aoe ols] Meek RAE Bate ze} SRade AL Aad led £89 AAI wh YA WS Say) Bobsles HARA Ae) Bbal We VAL + soo}, EA] EAS] ety aps dso 18, Se Fa Sel MMS wa Sae ag Flelael sel Aaekd Ale Se gale, Maas 448 f4bd Lea deel ae ae, ea a Aue, 1908 @ Re 2 23) Gianfranco Caniggia, ‘Severino Muratori ~ La didattica ¢ iL Pensiero, 10 Maestri dellarchitocttra italiana-Lezioni di Progettazione, Blecta, 1988, p14 olgeloh Rass) ASH leo Be ae A SAWS SE Ge ASE Geshe AsS Beep AMS + lm Alas” Heol FIL GEE zo) ohio, Sass Fz 2 ADAMS ope AE oe, oll Fase salot EGe dee a¢Ssa dase isa Aa'oe4 FAS YMA Leb Foo] a} dato Ale Y FUSES RAGE BSS Gee}, mals) A SOUMIFE ATIC VS Mae He 22 Vasa Ve Ald. ue AFALe FAS AS Use SA days wad Ned fea Ade Below, Re ACs seh a aAsasy ASN ua 4,882 ddl sae Bal se Aa lel, HMA ASS] SAS Seo], 71z 9} Basa al Adee Ved dae asia ELD oi BBO THE Aba Asso] FG] 3, SANG BASS AUR lds alse sec. ole VL BAI} He] LAMA ola goles 7H Mol zie) Gedo] WES Urbs} Ase] Erol AFH ATASE FMS lesdadde lee a aS yee 2eld. ASHUte Geel Sua AST + ole ole Al 7S WEAI = AGiulio Carlo Argan): 7| BALE BD WYSE HAS TAA, Asol ARABS AE HAA NS SE HOSA H Bs AVS Aa sees fad FV 2} EAE aa] Espasa Aba, Tay ass} oF AP POISE ade sEolega Haea ate AAS HAO ae Wael Aas Sol HER QAP daze] BAS Sra, dal Wat | BES Bho Uae S44 oe Has A Heal Ed, lel PIA MUS ase Wa as FARM AVIA FYNS BAAS EOE 24 WYOe Vath HE FAS ole Eaholds ol) Fold Aa Aeol GebHe olga, & BA, TAY AF] BEA Sate alel7] Mate) 4 Adoe $US vis SAS Fa SSE WA o) MAS] SEAA FAG Wo Ae solch. olga WH Ade Fe FES ASS Hh Ae deel Weel dare ae ae aes ey 220s Hse wg SAS AAA sl So SF ae Belg. 2e reel ewste SE FV Ueaarols ge Bay SA Feed de aatelet See a + Moo, Se Res WAS 24) Rafael Moneo, 2& 4, p35 25) Gianfranco Caniggia, 22 9, p.146 26) Micha Bandini, 2&4, p75 27) Giulio Carlo Argan, ‘On the Typology of Architecture’, ‘Theorizing a New Agenda For Architecture, Princeton Press, 1988, 248 28) Giulio Carlo Argan, & A, pp243-244 KOREA MR TILK 38 48(F-498) 1d 1a OTuae AMG 45 Un FU Yaa Ves APT FE a AA gaa HAs) Was SUS Sa BEAT 7 vad Qa} Sea sled, lle FEAR Ba Ad Ga UsdAdy ged WSs ee + sks ele 8A Wis] veda Aedes Sloe CHV We weed dese F8S Pas AE AT SB So 7152, WATS] Het Asap Sam de 71ee Avasid. ee vA wid HBSS updos S08 Vass dade Ba Qe Ae 2 AAG! aoe Age toa Sad at ol 7 ATE Mads Le Aol he, area t AS) AFol REE Ga MAYS oho} eee FRIVAM, ASHE AAMAS Wek aad Ags Ao) PRE WMA FY AMS Z 20d. AEHAMA Reha RUA Vee] AAAS aig ASvolok & yale) es aaee ole 7 AMGianfranco Caniggia)s 7A AHS] FY cL AA de 4 fae SAE PIMA ENS PASM Ase iad 28g Fa Ie wee a zoba 4 Hae dol eealatce Aelz7 dol ole] Ve a 2] aaa AAA SASH, EE HVE 718, FZ, WIAA Gel FA Segoe Seo, aoa AAS 2 AA SAAS tec. USES Sa HRS 2 78M) ARs ASE SASS THe BAS obi ae ASS VE Aad. HIS led wal SAA ASRS lA Au], BA 7S BAA Soh A Weoe Ubi FR VR BRS teh BLAS) AS FREE ANS OF SALA Heh AVA =i me} ole} aichay BBPRe| FAVA SAAC, Rogers)t= 2721 #8 we AVS Eade aol, dae Wwe oe AGMMSe FA-Balss AIA sof wee assis Fat A dad Ae Fase Anas Be Hoy Golda Faso, of gH ge #He UUESS Fae Aas 1a Aes FBES Asa Id %, FAS AA) HESS wea AMOR At waa, Aare) fe FRA FY AWS Fels HAREM, Toh A #2 Vas] eho BIG BAS Fe HSE S as 29) Giulio Carlo Argan, ‘Sul concetto di tipologia rchitettonica’, Progetto © destino, 1965, pp65-81. 22, U% SV We Be, SPlSWesee A, Glakets, AT B, 1992, ploy ele 30) Enciclopedia Universale dell’ Art(Fondazione Cini'Venezia), 1, XIV, pot Micha Bandini, 2 =. pI50M A316 3) hat) BSH ole Ae AA ae Ua USA Ae MAA abelebL ETL U7T AE 4 eB SRAM aebebsteh 2) Rafael Moneo, B® 2, p. 3. 98 ke EMaw LH 3a 4eCEe9s) DO 1A FE BSA Hepa, dae dese BwaH7) Ae SFE Able aeoia wat Fae Fad Fea FIL 2 AHS ol AWS Hee VE PAMO]7) Ho]. as FA qa AIAG gash sy, ake a] Seetztsl sbetatel alge Be Ade 1990da 9) US7Healal Fas] rlsbea| Naber Bolg obs Yo] fel FYE AE, WAS] He GPa, telat 12.28) Wittkower)} Bebe] 9 (Palladio)WekEot aa HAG AAS WF FEES Bacon 27) KAA ae Ese Odd Sa AF WAG aero BS AFR muh AGHA Mls] Wes BAG Aes WE AE East AES oboe & Bela aSoles} Aglst AAAI aplol labs vlale, o) F Qe) Wake BF AS HVS lve SEAS) sh as Aadel Was Tastee 1a ASHES] Apolaae Ge PEAS Bolted. Wa ASS a wel as Feo de ME gato) Seat aq, za Fee, Hae, SAA 22 MAPA F ME lee Gas FA ae bal Ao we Fa ae dhe BME SAF hy US oles] Mau: Bazi] Uda $a | aa aaah Ae. aps] URS as Bash gas Ae ABSA Fe a me WMS ARS a 47s) Fate] HG ASI, Az pea aRe HAS] aad sng 220d. 24 oA Fae SA SOLA oh Bad Gas soho, a tt as} slg aa] Ae Bay shia he Fale Bele. as MOA TE 2 EA Gag BINT o}esii, Gee] Aaa SA aa 2 ecu SERA Ania), BA aah 20194, z Sol dee est Mav A FSHe Acie olel dolfe F¥e Aso 7128 TeeA se} pal al SAL) Aas pale] Ma Bebo BSH SARE BAA YS HF A wee 2 Bae lesse7i7t Mae a aa aelehsa 38) Guido Canella, Per Emesto Nathan Rogers, 10. Maestri doll’ Architettura Italiana, 242 4%, pp.25s-238 54) Micha Bondini, 2&2, p77 45) Micha Bandini, @2 9, p77 196) Aldo Rossi, L’Architetturn della Citta’, Cttastudi etizioni, 1995, p3l-32aay la #8 Bale azo] SA Sol Za al AEA SAAD EAS aaaA ded, wee #9E Ue) Fo} VE RYT waols, Sala al ado] ae) FUHe AS] VARI Sale 7a FHol OO, oe Ge EA ANS Be Sl WH Ades Ede) VHS FIAT ase s} Atal, FVHE SA AGS ThA se ald. 1 SA BAST HES Vaal Azo AVe $44 qUses SA Ade Ae a7] ae AUAA 742 BaAgore HFA BUS SAA UH SAM As TSAI Ads AS BART $ Le Ald ALS FAG] Hale All ee 1G We ariel 7Aalola, Bealelal BAA #98 oa BAL obahsol heSHE oA a} Yue] AAS ARV] Halal Geola Alp” az, Edel $¥e day geey DEAE 2a, Ag, 7s, ese WEWALS eesbl deal, dala Bad S88 A ad. we, So] SAS dal We wus ato gag SE HR obo] SE EAS Qa ste) bold Beret ade Ta aes), $89) Gawae Ase Salsa Boo) celebs} 14 daha oh 4 (L.Quaroni)s} AF BUS] AES Ue obely Usd ashe Ge 7 ve #89 dead ae ada wee, oie 7 ASS AVR, He fe: sN vie Fagg & STS BUA SAMA 1 WWSEA FAS wor sath. EAlS] S}e|(il significato della citta’)o4| ae as AQ WA] EA} solr} eaolAS oepaola} EVID FHA, EA] Swe Dad yay waa ae dee Wied. + da asin aslo yx, 4s, bE S21 Ao] AHWLEM EAl7t MAYS] Ate Welds 2yBse a9 ASHYtte] qa a We EAS] Gaal alo) aol aastoloree sha, o| Vee AH} Add gad we Eq 2 9} ateol Be wel oul, Sala SFM Sas AMA ARES] UHL) aywse ASHYe AE 37) Mantredo 1992,p170 38) Aldo Rossi, 229, p22-23 38) Anthony Vidler, “The Third Typology’, Opposition Reader, Princeton Press, 1988, pl4 40) Carlo Aymonino, Il Significato della Cita, Editor’ Laterza, 1975, p67 41) Carlo Aymonino, 2 4, pp.10-12, ri, Storia dell’Architetura Haliana, Bina, oer AHI SHG claol BE OE 2 4B S24 We ARS Ie SASS Fo, Ase 241 Ja} AS] ade So} ays) Asa SF ZAGL $ 10 1G $80) Adee dest AHA Ae] Veto}, 1 VIS Frol Aol gl Gaus FETE Ne ASF DaeAA BACreferenced= FAR zo} et Yeh oz gy SA HAA FAA VIE AA AE, RIE FUMuniquede A, SAA QAL FSA ze] 440 nao FUe BAMGe ae WS 7] 2 MOO, SIS 7 gA7 ach Has, Fe, 249 G42 EAM GSe FAAIT MAA & S22 Ged! slo}, old SAA walsh ee] ze AS oho] SUS AIA) RA “Bao he Falal a ads neat aa EG dF] EN Aa AsAn Asp) geal, 294 Aven sAzads AS BAS tose aM) AACE Ae EAS Bark Fetes aS soles, ol 8S Bee] Bee Psat ojo) Be EAS AES daaNd + Me BAM Re Sg 88d + 2d. 71é9 BRAZAS F8el aa Aso] wats Saas dele 2 ase Aaa a Bo, 1d FAA AE TARA le FESS F¥ad. 4, wil wea + le sae Sade a OMRs, ENF Add Ms SAS Baal Eolqay aes Baha Youd WaHIede SA} MAG WE FV] Sale Bat MH |e A RAM Se AIG. ole ole SA We Vs AMAA HAS) Bal Te ke Ss WslFz, Aeace A dere SAG > aA aE A om, GSA SAID, SAS Aa) Bale wae + da wed 2 10H Ab olBelohel 1a Hehehe Qua Re MS 2E asa Hash aa sats seb, A, ob oe reas 42) Carlo Aymonino, BE A, p. 8 sche @Ysce BAHT S2S Gg gol Leta Id. Days Bq Pe Fale] FU EE HAA BAB POE A, DME sis Ase Sal wba, GaswTael Sey aa ASUS AA WHA Atel slid ae aaa aa YEA olzol slays Oke, 48) Carlo Aymonino, #& 9, pp. 78-82. 44) Carlo Aymonino, #2 4, pp. 74-75, 45) Aelol GAVE spe] 7S BIG elolehic YOR AAA, cleleyee aeshe get Aga Sa AL 22 BAG AEE MA) abol7 Waa. Sobel ws a} 22 SAA AMS USMY Bvoledn BF Le 46)Carlo Aymonino, BE A, p. 145 47)Carlo Aymonino, B2 tp. 162 48)Carlo Aymonino, BE pp. 265-257 AUER SK 32 42a) 2d Ut —-9Dase sie Peeal, MUA, Tez bel Byee oleae AYEA VIS BASE AeA HBA 2d, = ala, eae leis Yaad Fas Bzay Vs AS] ae WS Wee WA HBO aA ured eh 5a 8 ABE] AVY HV ES clolwoy waiais olgelobe] FY eee a7] FSF] Ad aE 3) S803 et eal Es Fad we AGS flab WABWA, Vis SAA Bsa alo] dae FeGE FE BAe HEH ES t ANA Wb @d. darteaA Hae oles) wae US Vetae GAPE leet Mb Me EAE GPM UGE aSolde 2BS VeA de Ele Fest dea, ish Fue) Mess] BAWIE AXA Sade] Badal We SHES lee AIF ase aa gee} ARG BAS RIAL. 3 ASI Ty asa, Aen SA4 Sess ase SNe SA ANS vad dS E49 Sug 220 aed 124 As AES sels Bae] Vows Ala wa ss ands sla aid ea gee asl & geeiae Agelee ase Bt Aas gSa We MAS PRE HA WEold ze am Bsr ae At eae Bold. 25, deo FAI ole Hee AG WE ed Bad aad + de AMES clea Bada wie a aaa Bo AAG SAF SuTlaa e > ad. ARS es] SOS VS} 7B) ree alata Bian US AEA Base Boles Vas Aad td BUdSe ARE Agel Ps} AaolAl vata AAAS Bstow}, ole) use Jos} apa Bole Fold HAM BHRTVGES BOS al Vy Sues You, Sols AREAS Gee Was AVA SAS Waa QE. rey dela sie EO] HVS VA AGS BAe Bsolgt oly BF IE AS beh EI AS NEA we 8 AS Woe ASA Sede Bee Fase 2, WAAL adel Wa es AS WIE EE we Yeo YS SA BS Fae ABA BAe Bolen BF ah As MG nae Ate ob aus AS FU Ae Sas] Aas 7A Ade A dsb GE MPF Ste ole) Iga7) ABR) Aol 4) tees) SASS VHGA PHSEe aa) we aaa Qos Sasa, Fe GHOEE BEA cla aja Meee abla dee ase Aaeed Bae Reh Gch SA AE wee ge TES o)eeloly Bee wes Edel Bese AS] AES BAA Flee, 100 xeeRBeMaM XH 32 42(3-9) DOE 18 HbA Ao e olFolate@ Folge Abel wey 4 ade he, S44 GAS BAM SES SAA Bas S$2] Gay} GAA Base SHR Te WS ABA Ada + VS Bold. ag astes as Fate Be arate A Gz, SHV Ss Bais] BAI eS WAAR cleat dates BYES FAT Ab & azed 1. Alan Colquhoun, Essay in Architectural Criticism, MIT Pre 5, 1981 2. Aldo Rossi, L’architettura della Citta, Cttastul, 1985 3. Antonino Saguio, Giuseppe Terragni-Vita e Opere, Laterza, 1985 4. Antony Vidler, ‘The Third Typology’, Oppositions reder, Pri rceton Press, 198 5. Carlo, Avmonino, I! signficato dela Citta, Laterza, 1988 6 Giorgio Ciucei & Francesco Dal Co, Architettura italiana de 1900, Electa, 1998 7. Giulio Carlo Argan, ‘On the Typology of Architecture’, The orizing a New Agenda for Architecture, Princeton Press, 1088 & Kenneth Frampton, Storia dell’Architetura Modem, Zanich ell, 1985, 9. Luigi Gazzola, Architettura e Tipologia, Officina, 1990 10. Manfredo Lampugnanit ial, ale BS), AaIHE, a AA, 1979 p15 H. Manfuredo Tafur, Storia dell‘Architetura Italiana 1944-19 £85, Einaudi, 1982 12 Marina Montuori, 10 maestri dell'Architettura Italiana, Elec ta, 194 1. Micha Bandini, “Typology as a Porm of Convention’, AAS le 6, The Architectural Association, 19845, 14. Rafael Moneo, ‘On Typology’. Oppositions #13 MIT Press, 1978, Summer 15 AYE, WASTE, AVES, 1900 16 dah, CSR Ge Le, Waluse VLE FA wal, ATA, daichets,, 1992 17, ASG, “o1gelohe] HAR’, OR, 1999.09 18 G18, MARUAAA AadAMee cole’, We eA, 1908.08 19 @818, "lee da Ae 3 SAgae ee We, EXauate Y gauetat, 2000 2, B48, AAS] FM T Hae Baws BO qa, Feuer EE, 1988 cole) wae 24 43g, &