Professional Documents
Culture Documents
Purita Kalaw-Ledesma
anila was a city left in ruins after World War 2. Only a handful of buildings survived the carnage
— and even then, many of these former concrete fortresses were left pockmarked and riddled
with bullet holes, in desperate need of costly repairs. Still, Purita Kalaw-Ledesma chose to set
up shop within one of the surviving pre-war buildings. The space she chose, with its white walls
and cramped rooms, would eventually become the Art Association of the Philippines—
Kilometer 0 for the budding modernist art movement at the time.
It was Purita Kalaw- Ledesma who stood as modern art’s staunchest defender at a time when
the traditional style of painting was the norm. Her magnum opus, ‘The Struggle for Philippine
Modern Art,’ (a collectible in itself!) details the set-backs, critiques, and ultimately, the triumph of
modern art in the country.
Anita Magsaysay-Ho
Filipina women were the subject Anita Magsaysay-Ho painted the most. Throughout her
body of work, she would encapsulate the spirit of the Filipina—as a doting mother, a
friend engrossed in the latest gossip, or a market-goer haggling for goods with other
women.
Magsaysay-Ho sought to tell the story of the Filipina, both at work and at play. It was the
subject she felt a profound kinship with, despite the fact that much of her adult life was
spent living in various countries.
bstract artist Nena Saguil actually trained in academic tradition. At the time, this meant
mastering classical techniques in order to perfectly recreate masterpieces. In doing so,
many felt that a big part of the artist’s creativity was stripped in the process.
One could venture to guess that it was this rigidity that drove Saguil towards her
explorations of form and space in modernism. After graduation, she dabbled in
surrealism— a far cry from the picturesque landscapes she learned to paint while at
university.
Pacita Abad was a force to be reckoned with— her art paralleled her eccentric
personality; it was loud, vibrant, and layered with narratives of life, culture, politics, and
society.
Abad had the soul of a nomadic free-spirit; and it shows in her body of work. Using the
Italian “trapunto” technique, which involved layering and stitching textiles together, she
retold such complex stories— tales of her travels and of the people she met along the
way, through these layered visual narratives.
he towering sculpture that stands at the corner of Metro Manila’s main artery and
Ortigas Avenue was made by none other than Virginia Ty-Navarro. Our Lady Queen of
Peace watches over pedestrians and rush hour traffic daily and is one of the most iconic
modern landmarks in the country.
Before she embarked upon the monumental project that defined her legacy, Ty-Navarro
worked with different types of metal to build her sculptures (on a much smaller scale, of
course).
A two-time Olympian, she was not only an elite sprinter but also a star athlete,
recognized by the entire sports world, her influence extending even beyond sports.
She was the most recognizable sportswoman of the country in the 1980s.
Among the principal influences to the Filipina image of herself and to her writings we
include four women in Philippine history, namely: Gabriela Silang, Leonor
Rivera, Imelda Marcos and Corazon Aquino. Often mentioned in Philippine literature,
these four represent the struggle, perception and character of how it is to be a woman in
Philippine society. Gabriela Silang was a katipunera or a revolutionary – a
representation of female bravery – who fought against Spanish colonialism in the 18th
century. Silang was a contrast to the chaste and religiously devout image of the Filipino
lady as portrayed by Jose Rizal through his Spanish-language novels, Noli Me
Tangere and El Filibusterismo. Within the pages of these 19th century novels, Rizal
depicted Leonor Rivera - a girlfriend of his - through the fictional character of Maria
Clara as the epitome of virtue, i.e., the ideal Filipina. Then there was the arrival
of Imelda Marcos – the “beauty queen and dictator’s wife … a power-seeking type of
woman…” – after that, the country saw the advent and rise of Corazon C. Aquino, the
first woman president in Asia and the Philippines – the elected 1986 replacement of a
male despot, Ferdinand Marcos. Gloria Macapagal Arroyo, after two male presidents
(Fidel V. Ramos and Joseph Estrada, respectively), followed in the footsteps of Corazon
Aquino to become a leader and political figure of an Asian nation.[1][2]
3. Lucrecia Reyes-Urtula. Lucrecia Reyes-Urtula started her love for folk dance
when she was young. Born in Iloilo, Lucrecia was exposed to many folk dances
because of her father, a colonel, who was stationed in various parts of the
Philippines.
4. She took ballet lessons in Baguio and also apprenticed under Francisca Reyes-
Aquino. She graduated with a degree in Physical Education from the Philippine
Women’s University (PWU) in 1950.
5. Alice Reyes. Alice Reyes comes from a family of performers. Her father
Ricardo Reyes was “Mr Folk Dancer” and a pianist, while her mother
Adoracion was voice teacher. Her sisters Denisa Reyes and Edna Vida are
also dancer-choreographers, while sisters Betty and Cecile are musicians.
Encarnacion Alzona
https://www.instagram.com/p/Bu_glqMnZuP/
Encarnacion Alzona was the first Filipina historian and the first to earn a doctorate
degree. In 1919, she participated in the American government’s pensionado program,
which provided equal opportunities for middle- and upper-class Filipinas to study in the
US at a timewhen women were deemed inferior to men when it comes to obtaining an
education.
After getting her doctorate in history from Columbia University in 1923, Encarnacion
served as the chairperson of the Department of History in the University of the
Philippines Diliman and used her platform to demand women’s rights to education and
suffrage. According to FilipiKnow, she would host tea parties with legislators and talk to
them about granting voting equality in the country.
Natividad Almeda-Lopez
https://www.facebook.com/tukodproject/photos/
pcb.1767085473592458/1767085140259158/?type=3&theater
Natividad Lopez was the first Filipina lawyer to publicly practice law as
other women were expected to stay at home at the time. She used her position to
defend the poor and fellow women, including “an acquittal for her client who was
accused of harming a man ‘in defense of her honor’” and a groundbreaking speech
before the Philippine Assembly in 1918 where she emphasized the need for equal
rights.
Nikki Luna
Feminist Nikki Luna uses art as a platform to raise awareness on abuses against
women and their rights. Her works include sculptures and installations that tackle issues
like sexual assault against children and women, the patriarchy, the conditions of female
migrant workers, and how women have lived under the rule of Pres. Rodrigo Duterte.
Mich Dulce
Mich Dulce is someone who’s not afraid to speak her mind against misogyny, as well as the
impossible standards imposed on women. As a designer, she used her stitching and beading
skills to launch an exhibit about her egg-freezing process. As a women’s rights advocate, she
started Grrrl Gang Manila, a group that creates an open forum for women who want to know
what feminism is about, among other discussions. She is also part of The Male Gaze, an all-
female grunge band that aims to “flick a polished middle finger at gender stereotypes and
‘perverts.’” Mich was also part of our Preen Sessions on rape culture in 2018 where she talked
about how rape culture affects society, and the roles men and women should play in combating
it.