UNIT Ill: Prose
ream
: Dream-Children; AReverie
Charles Lamb
About the Author
‘Charles Lamb (1775-1834) was born in London. He was one of the most loved writers of his times and
had close personal associations with Coleridge, Wordsworth, Shelley, Robert Southey and William.
Hazlitt. Best known for his Essays on Elia and Tales from Shakespeare, co-authored by Mary Lamb and
published by William Godwin, as part of his “Children’s Library”, Charles remained in the limelight
both for his prolific writing as well as the terrible family tragedy involving his mother’s murder by
his mentally unstable sister Mary. Charles spent his entire life tending to his sister, protecting her
from imprisonment in mental asylums, engaging her in literary activity and creating a social circle
that accepted Mary’s insanity sympathetically. He was also given to bouts of depression following
two unsuccessful attempts at finding love. Yet, his writing often features memories of happy times
spent with his Aunt Hetty and in the large country house belonging to the affluent Plumer family,
which was under the charge of his grandmother, Mrs. Field, The time that he spent there fed his
imagination in the most fruitful manner. Interestingly, Charles Lamb worked as a clerk in the East
India Company in London.
About the Text
“Dream Children; A Reverie”isa personal essay published in Essays of Eliain 1823. tis autobiographical
in nature and Lamb uses the pseudonym of Elia to narrate events from his past life. Lamb creates
characters and situations that are deceptively real, but are actually not, as we discover at the end
Of the essay. Very cleverly, Lamb blurs the lines between reality and make-believe with some very
creative narration. The reverie in the title suggests a dreamlike experience as the author reminisces
abouthis past, not as it was in fact, but as wishful thinking, Even his more real experiences of growing
Up in the huge country house with his grandmother Field have a dream like quality to them, much
ike how nostalgiais always cloaked with heavy sentimentality. His relationship with his brother John
om he misses gives an impression that he regrets not loving him enough when he was alive.
‘central characters of the essay are the children, John and Alice, born to him and his beloved
lice — all of which is fiction. Lamb never married her, nor did he have any children of his own. So,
ae children and his dead wife are a wishful dream that remained unfulfilled and Lamb remained a
Dream-Children; A Reverie
dren love to listen to stories about their elders, when they were children; to stretch their
ation to the conception of a traditionary great-uncle or grandame, whom they neverrom Literatures,in English
, 4:
both the children gradually grew fainter to my view, receding, and still receding till nog
“a last but two mournful features were seen in the uttermost distance which, wi a
i ; 1 Witho
speech, strat pon me the effects of speech: We are not of Alice, nororie
—hor are we children at children of Alice call Bartrum father. We are nothing, ja’,
than nothing, and dreams. We are only hie use hacelbe n, and must wait upon th
tedious shores of Lethe millions of ages before we have existence, and a name” ~ any
immediately awaking, I found myself quietly seated in my bachelor armchair, where [hag
fallen asleep, with the cease by my.side ~ but John L.. (or James ig
was gone forever. pis (Gage a) er) hes dead :
Pps eurrted #1 The person Plicg i
Summary coolly warncd A ivl Lorin
In the essay, Charles Lamb seems to be in a very indulgent mood, where he fondly accepts
how children love to listen to stories of their elders, when they themselves were children,
Their imagination comes alive while listening, to these stories, and his own children in
tum beg him to narrate old incidents about their great-grandmother, Field, and the grea
house. Among other grand things in the house was a famous wooden tablet that depicted
the tragic story of two children and their beloved uncle, a story that he as a child had heard
many times. Mrs Field was only the caretaker, but, as a child, Elia had free access tothe
grounds and he felt as if she was the real mistress of the house. Later, when the ownership
of the house changed, all the great old things were pulled down. This memory and others
during the narration elicit varied responses from the imagined children, Alice and John,
who remind Elia of his dead wife and himself. He watches them as they playfully keep
distracting each other.
When the great house was pulled down, the old ornaments were taken to the modem
mansion of the new owner but were such misfits there. When Mrs Field died, the whole
county attended her funeral as she was loved and respected by everyone. She was a devout
woman, graceful and youthful. She also believed that the house was haunted by two
children but was not afraid, as she believed they meant no harm to her. But this was scary
for little Elia. Among all the grandchildren, he was the one who enjoyed exploring the
grounds the most. Elia goes on to describe the large open spaces with huge trees and many
marble sculptures of ancient emperors. As a child, he did not mind roaming alone around
the large vacant chambers of the house, or among the tall fruit trees. He preferred to be by
»imself, rather than indulging in the common activities of children of his age.
Lamb now begins his sad tale of his older brother, John, many years older than him, and
who was very kind to him. He claims that John was a special favourite of Mrs Field. Lamb
portrays John as a heroic figure, larger than life. The narration at this point is filled with
sad regret, that he did not show the same kindness and love to him in return. John was 4
spirited sportsman with a golden heart. John had carried him when he became lame, but
all he did was fret and complain. It’s only when he died that Elia realised how much he
loved him and how much he missed having him in his life. His sorrow affects the children
so much that they start crying and beg him to stop talking about dear uncle John.
; The children want to next hear about their pretty mother, Alice, now dead. Lamb goes
into another dreamy narrative about their beautiful, shy and graceful mother. But as he
j
—aDream-Children; A Reverie ns
jooks at the little Alice who resembles her mother, the children soon begin to disappear
from his vision. At this point, the readers come to realise that they are not real but figments
of Lamb’s imagination. And as they fade away, they seem to say that their father is not him,
put Bartrum who married Alice. Lamb slowly wakes up to the reality that he was alone,
and Alice was never his, nor were the children his. At the end of the narration, he was not
Elia who had a happy life with Alice, but Charles filled with regrets. _ )/
: les
Qi) Deseriec hehuge Paansion = SL
Glossary
grandame: an old woman
pallad: a poem that narrates a story
upbraiding: scold, find fault
county: an area smaller than a town
tawdry: of cheap quality
concourse: large open area
psaltery: a musical instrument
Testament: (here) the Bible
desisted: stop from doing something
apparition: an image, ghost
tapestry: a decorated piece of cloth, heavily embroidered
basking; relaxing in sunlight
impertinent friskings: irrelevant searches
mettlesome: lively, spirited
re-presentment: reappearance, resembling
Lethe: river Lethe in Hades that causes forgetfulness
Comprehension
1. Answer the following questions in about 200 words, yp, /. /T he vad)
1. Why isthe essay called a ‘reverie’? Explain, / #7
2. Describe the Great House in Norfolk.
3. What kind ofa childhood did Elia have in the old mansion?
AL Whoare the two children and how are they related to the narrator?
S What account do you find of little Lambs grandmother from the essay “Dream-
Children; A Reverie”?
TI, Answer the following questions in about 100 words.
1. What kind ofa brother was John to Elia?
2. Write a character sketch of Mrs Field.
3, What happened to the old mansion?