+ a ae TEORIA: FINGERED. Pcloigi. Akorct C in G7. 7 xo i ExeRess voice: sTrte: Tempo: 1 \V SINGLE FINGER spremiawi smo C-dur akord igial 2 pitskam tipke CV novem FINGERED ‘nagina moter istoasno piitsritl vse Wi tone, Ki Wwordo Cdr akora. To so toni: G, Ein G. Is shore zveri, Ge prtsnemo te tone v crugatinem visinem rediu: E.G in C ali ps G.C in E. To so raziini polotali akorca. Za C dur najvee uporatblamo polotaj: G, C in € FINGERED natin spremniave je te, toda samo na ta ‘natin tanko igramo bol Kompliciane akorde. SINGLE FINGER natin je namenjen zaéetnikor, da bi tanko limaterce ant 33044 Lapageze st i a oes Seek io Geo ehoney, 3. Drove she ducklings to the water esty morning, Jatt a ie Bi Ter foo Sasa 3 ster, {eit Into the foaming bebe” Re 2GOODNIGHT LADIES eLow ROCK Jei20) 8 * 1 aoa Traditional G BLUEGRASS J 120 G bt G pt G V ctugem cel skladbe GOODNIGHT LADIES spremenimo STYLE z 1lmom, KI uporabija pol krajSe notne vwedhost, Na YAMAHI PSR 78 to lahko natedimo z sosecrjini rim: TWO STEP in BLUEGRASS. Za speemembo Luporabimo gun + ga plisnemo v zadnjem tak preega dele sMadbe. Na drugih insiumentn moramo paren zacinjega taka, prvega dela Sktacbe, odtipkali novo Stra 22 16.) GREEN, GREEN GRASS OF HOME eop J=720) ‘ ©. Putman, G. Loose G D7 1) The oldhome own ots he se ‘alse don ou tenn ‘od thee to mete ay ama and paps ‘Downe ok ale es, Pavotpold and ip lich Ws good to touch the green, green gmss of bome G Rites tel cme mee 8 Ss Ending ‘a racing. mln see ‘tego to tocha green green srs font 23ees Tec seesaw ANI (UO 5 3 1 54 2 iz] TRKA, TRKA PETER (eat J=120) francoska, G DG Di Em dD? G G oD Am Em ay D246 DG DI Em DG [Engng 18.) HOME ON THE RANGE «tow wazz J=120) ameriske 1 3 sei 1@e 4 1HOME ON THE RANGE 1 Oh give me a home where the ultal6 yon where the deer and the antelope play. where seltor is heard a discouraging word and the sks ate not cloudy all day Ry Home, home on the range where the deer end the antelope play, where seldom w heord @ aircoucating, Word Gnd the shies ore not cloudy all day 2. On give me a land where the bright diamond sand Mow leisurely down the stream, uahere the geacefl, white swan goes gliding slong like a amaid fo 2 heavenly dream, 3 Where the air is so pure, the aephyrs 9 free he Urectes so balmy ad Beghe, {hac T would not exchange my for alt of the etier #0 Bright © How often at night, when the heavens are bright ight of the litering stars, cad thetw athazed and atkod a J greed thee glory excende that of ours. AU CLAIR DE LALUNE: 1 Aw ela det bane, mon ami Preret, préteanot ta plume pour éerire un mot Ma chandele est norte Je wat plus de few Gucremot 12 pore pour Vamout de Dieu 2 As clair de ta tune Pierrot répenait se fal pos de phome. Je tuis ane roa le Ye cher In voisine ye erate quieie fon bat te Brique! 19] 2 1 @® WHERE HAVE ALL THE FLOWERS GONE 26 1) Whee have all tie lowers gone? Long tome pessng Were have al! the Rowers gone? Lang Wave abe Where have al te Mowers gore? ‘The girls ave picked them, ever ene (Oh, ee ll they eve oan’ (Ob. when wil hey ever ea 2) Where have le young gus gone? Long time pessing Whee havea he yogis gone? Lang ave a3, Where have all he Jour gle gone? ‘Taeye taken husbands, every one Oh, when wll hey ever leza? Ob, when wil they ever lars? 3) Whee zw ll the young esa gone? Longtime peat ‘Whe hve all he young ms pore” Long tie age ‘Whore bnve alle young mn gore” “Theyre al i unifre, (Ob, win wl hey ever ean? (Ob, wher wall hey ever ean? 4) Where have all Ue soldiers gone Longtime parsing hace have all he slders gone” Long tne age Where have al he soars gone” - ‘They've gone to gamepad ees one (Oh, wen will Wey ever loan” Ob, wen wil they ever earn? 5) Where have al the sues gone? Long tune pass ‘Wher eve al Ue slciers gone? Long ome as ‘Where feel the soles gone? ‘Theyre coveted with Dowers every On ‘Ob, when el Uy eve oa (ny, wher sl hey ever le? WHERE HAVE ALL THE FLOWERS GONE wine J~149) 4 Peter Seeger 27 Endingmeus - svatuy TEORUA: 6/8 taki Akord: H7.lovanie tre ma, Kon , . ad EXPRESS YOIOE: STE: TemPo: ‘Sklecibo v fim VALGKA (@/4 TAKT) laiko zapifemo luv 3/6 laktu. Vse noine viednasti perma za polovico krajSe. Dva 3/8 takta nam data 6/8 taki, v kKaterem se ponavadi piSe(o skladbe v hivejsem tempu, px Kater se naglasuleio prva in detta osmnizve. ‘V sktadbi: JOHN BROWN je Se ena novost. Igrama jo na Kiavrski natin, Sint vkjudimo na VOICE ¢ NORMAL } in tako LZKLJUCIMO AVTOMATICNO SPREMLJAVO. Na zatela veakeda taka igramo zapisan’ akord 2 istotasnim prltskomn ne vse Uw! tke, Kakor v FINGERED epremjav (ITH 8 d|ddd|d da. | ot 86 YD. | 1 Joho Brown's boty les smouldering im the grave, Juke Brewn's body Mes amouldering tn the grave. aha Brown's body Hex smouldering i the RAVE: but bis sou goes marching on sory. glory, ella, Host Glory, Mallet fiid hub seu goes marching on 28 20.) JOHN BROWN voice - NORMAL J=70) ameriska 1 @@1s 2 1@TEORUA: Lesivica F-dur. Akorc: F, Bin G7. Kadenca, HO ’ Yoice: ste: TEMPO: 1 lei] LESTVICA F-dur wvoice - NORMAL} 1 1@® 1@ NIZAJv predznaku se vadno pie NA TRETJ) GRTL To pomen ~ vse note H v vseh okfavah 89 igrajo kot 8 - skacba je napisana v F-duru +24 08NOvno spremijavo v F-dur fonaitelu Uporabljamo ekorde: F-dur, B-dur, C7(septin) in Fur To je kadenca F dura, kijo sisimo na zaelu exladoe TE DEUM, IF |@ |@| 5 31 21 531 30 22.) OH, SUSANNA (country J=720) S.C. Foster 1 5 a s 421 e ce Eng 31e TEORUA: Ticie Yolo: Temeo: COsnavne noire wechiost! praviloma vedno dslimo na dva dela Ti dell se dejo pam $e nape} TRIOLA je nepiavina daliey nolne viednosti, namesto na pari, ra ti enake dele. Oznatujema jo s Sieviko'3 nad nota. Th osminke, Id sam eajo lilo v sKladbi - AMAZING GRACE, se igrjo ne en uda’ spremijave. Pivi ton tole je vedno nagiaten. 23.) AMAZING GRACE (sow watz J-120) Skoiska 1 8 Bg 8 2 1 B14 By ay 32 Amening groce, how sweet the sour ‘Through many dangers toils and sues ‘ha sed a ree tke me. ‘we have aloudy come once was a fst, bul no Fm fuel “Twos Groce that brought us safe sf, was blind, tut now Ise. and Groce wil lod us home “Twas Grace tha nught my boat ofr, Sen weve ben es en ts er, and Grace m (ear elive, bight shining ns he su, How precious did that Grace oppose, ‘Weve no less days to sing God's Praise the hour ist belived, han when we first ben. 707) TE DEUM e seat j-120)fray Fe romans, al ge IN (Sa 25,| HAPPY BIRTHDAY TO YOU (rr. waLtzJ=80) Mildred J. Hill Patty S. Hit 5 B+ @1 diets 1 F c C7 EF B 2 531 @ « 34 26,] V DAVNINI Auto LANE SYNE (@ BEAT J=120} Skotska 1 35TEORIIA: Lestvica Amoi. Axordi E in E7. YOICg: STYte: TemMmPo: Lesivica brez prednaka, ki zatine in Konda s tonom A je A.mol, Skiadbe napisane s toni molske lestvioe, 2veriio balj umigeno in 2alostno, kot durske, Te sWladbe spremiamo 2 molskimi akoro). Kadenca A-mole vsebule akorde: An, Dm, £7 in Am. V mois lestiel, veékrat povisame sedi ton in taka dobima HARMONICNI MOL. ve tonaltati sia orez predznaka. To sia C-dur in Amol, Ce je skiadba v duty all v molu, najiatje vicimo po zadnjgm tonu skladbe, Zakjutri ton C ali E pomenita, da je skladba v C-cuu. Sidadoa v A-molu se abiéajno konéa s “There ia owe i New Orlans hy cll he risng sun Ths beer the rn of many poo ies snd rae, ch Ged "mone 27.| LESTVICA A-mol (harmonska) voice - NORMAL) sO 1D sO 1®@ 1@ 1® 36 128,| HOUSE OF THE RISING SUNar. watz J=120) traditional 18 1 2 13 E7 E 37Enaing| (30 POCASNI VALCEK - SUMRAK wat cer Je120) 29.| EL CONDOR PASSA (cua cua cua J+ 120) a2 4 1 ak Am c Am Cc Am D.C. al Fine 38 Beethoven 18 39TEORIAs crane tiez predpiogramiranega rime. 6 scatter i EXPRESS VOICE: STYUE: TEMPO: Q SCARBOROUGH FAIR (worMaL voice J=80) vaditional 1 31) 40 32.| GREENSLEEVES ar. wautz J=120) engieska Ending$ e- TEORUA: Kontal ste drugi do, CESTITAMO! Kon EXPRESS voice: ste: Tempo: fl 33.| LA CUMPARSITA canco J =130) traditional 15 2 12128 534 Be Am £7 Am E7Am Am Er DC. al Fine] 43