John Thompson’s
Easiest Piano Course
PART TWO
CHAPPELL & CO., LTD. 50, NEW BOND STREET, LONDON, W.I
THE WILLIS MUSIC CO. CINCINNATI, OHIOFOREWORD
(Part Two)
REVIEW
The first example in Part Two presents a review of Notes, Time Values ond other Rudiments leamed in Part One.
NEW MATERIAL
Grect importonce is attached fo the fact that as new notes are introduced, the pupil is given opportunity to play examples in
which only one hand is required.
This together with the Reading and Writing exercises on the Work Sheets will ensure fom
ploying hands together.
rity with the new material before
ACCOMPANIMENTS
The accompaniments to be played by teacher or parent, not only make these examples sound complete, but are a great oid
in establishing good rhythm and even tempo—as well as encouraging the pupil to play with expression.
FINGER DRILLS
‘Most examples are preceded by short four-bar Finger Drills in Five-finger position. Since the five-finger group is the fore-
runner of the scale, the importance of these little exercises cannot be over-estimated,
The Scale as a musical and technical figure will be taken up more completely later in the Course.
CHORDS
In the latter part of the book, some very simple two-and three-note chords are introduced—both in “block” and broken-chord
formation. This enables the pupil to get the “feel” of harmonic accompaniments before he is required to learn the Theory and Evolu-
tion of chords—which of course, can only follow a knowledge of Scales and Intervals
By progressing slowly and presenting many exomples containing each new set of notes, the pupil is certain to have developed
fluency in Reading by the time Part Two is finished—particulorly if emphasis is placed on the Work Sheets, the “Reading Aloud”
Exercises and the Finger Drills which are always built upon the new notes presented.CONTENTS
FOREWORD
REVIEW—Moterial learned in Part One—"'Schoo! Days"
QUAVERS— In Two- Four
“Playing Tag”
QUAVERS— In Three- Four
“Through the Woods"
QUAVERS— In Four-Four
“The Trombone Player"
B AND D ON LEGER LINES
“Oh, Susanna!
REVIEW—"Ten Little Indians”
WORK SHEET
THE SHARP SIGN
“The Bells Ring Out"
THE FLAT SIGN
“Sunrise”
KEY SIGNATURE: F MAJOR
“The Ballet Dancer”
KEY SIGNATURE: G MAJOR
“Three Blind Mice”
WORK SHEET—New Notes
EXAMPLE ON NEW NOTES
“The Dancing Kangaroo”
REVIEW—"Follow the Leader”
REVIEW—"Lightly Row”
REVIEW—"Setting Up Exercise”
WORK SHEET—NeWw Notes in the Bass
DUET ON NEW NOTES—"Serenade’
REVIEW—"The Pipers are Coming
THE NATURAL SIGN—"Once Upon A Time”
12
13
4
16
7
18
9
20
a
22
23
24
REVIEW—"The Wishing Star”
BROKEN CHORDS—“Mountain Clim
WORK SHEET—New Treble Notes
DUET ON NEW NOTES—"Maypole Dance”
REVIEW—"Little Bo-Peep”
WORK SHEET—Two-Note Chords.
DUET ON TWO-NOTE CHORDS
“Evening Stor
TWO-NOTE CHORDS—In G Major
The Skater”
TWO-NOTE CHORDS—In C Major
“The Dancing Bear”
THREE-NOTE CHORDS—With Stationary Boss, in C
Mejor
Theme from The “New World” Symphony oték
THREE-NOTE CHORDS—With Stationary Bass, in F
‘Mojor
“Skip to My Lou”
THREE-NOTE CHORDS—With Stationary Bass, in G
‘Major
“London Bridge i Fling Dow
CROSS-HAND PIECE—"The Giant Steps"
REVIEW "Turkey in the Straw’
ACCENTS—"indion Tom-Toms”
Duets for Sight Reading or Diversion
“Sweet and Low” Joseph Barnby
“Pretude’ Chopin
~The Band Played On” Charles Ward
CERTIFICATE
31
32
33
35
36
a7
38
39
40
42
44
47counts
couNTS
2 COUNTS
@ = 1 count
(& || Aways pe carcrur
OF THE FINGERING
Teacher
Pupil
Part One
School DaysQuavers
In Two-Four
WHEN NOTES ARE JOINED TOGETHER.
ike THI ( J] on [ff ) THEY ARE
CALLED QUAVERS
-— THERE ARE TWO QUAVERS.
TO ONE COUNT.
Playing TagQuavers
THIS PIECE In Three - Four
z \ BEGINS ON
RLF | THE THIRD COUNT,
Through the Woods Welsh
Folk Tune
ONLY Two COUNTS
TO THIS BAR,
BECAUSE WE BEGAN
Accompaniment ON THE THIRD.Quavers t
In Four-Four :
?
The Trombone Player ,LIKE MIDDLE C,
B awd D CAN BE,
WRITTEN IN
EITHER CLEF.
Oh, Susanna
Read Aloud Read Aloud
Qe a aTen Little Indians
‘Traditional
One lit-tle, Two lit-tle, [Three lit-tle In-dians, [Four lit-tle,Five Tit-tle, Six lit-tle In - dians,
Seven lit- tle, Eight lit-tle, |Nine lit-tle In- dians, | Ten lit- tle In- dianWork Sheet
y) P_fom THE STEMS IN THE FIRST
TWO EXERCISES, SO AS TO
MAKE QUAVERS IN PAIRS.
Draw the Bar Lines in the next three exercises, then recite the names of the notes.it
fornen sans i]
1S PLACED BEFORE te,
pe
eeacesvere| The Sharp Sign
feanest stscx nev 10 Toe BiGwT
Woon ar tae Cuanr, Then
See now many. Powiann
You Can Find ON Youn PIANO,
TAT
The Bells Ring Out 92
To imitate chimes effect, hold the right pedal down throughout the first two lines.42
The Flat Sign
WHEN A LAT (b) 15 PLACED
BEFORE A NOTE, PLAY THE
NEAREST BLACK KEY TO THE LEFT
LOOK AT YOUR CHART,
THEN SEE HOW MANY Bb's
TT
SunriseKey Signature
F Major
The Ballet Dancer
WHEN THE FLAT OR SHARP
SIGN APPEARS NEXT TO
THE CLEF SIGN, IT BECOMES
THE KEY SIGNATURE.
IN THIS PIECE, ALL BS ARE
FLATTED. IT 1S IN THE KEY
OF F MAJOR .
Ne //
5
SEE IF YOU CAN FIND THIS.
BLACK KEY BY YOURSELF, Accompaniment
= 7
eos ==
ae aan4
Key Signature
G Major
IN THIS PIECE, THE SHARP SIGN
hy 1S SHOWN IN THE KEY SIGNATURE
\\ IT MEANS ALL FS WILL BE SHARPED.
IT IS IN THE KEY OF G MA/OR.
Three Blind Micedon't FoRReT—
ALL FS ARE SHARPED
IN THIS PIéCE.
ee fran)
4 3
The duet, “Sweet ona Low”, by Joseph Bamby, page 40, may be assigned at this point for Sight Reading or Recreation.16
Work Sheet
t
me
6
HERE ARE THREE
NEW NOTES IN
THE TREBLE
iy
as
ATLA,
letter names — — ne . a= Se
Transposing
Write these notes (one octave lower) in the Bass.
Write the new notes below.
Semi. Dotted Two.
breve _Minim Minim Crotchet Quavers,
Write these notes (one octave higher) in the Treble.Finger Drill Read Aloud
Pupil The Dancing Kangaroo
Teacherte
Finger Drill Read Aloud Da
Follow the Leader
*
The duet, poge 42, may be assigned at this point for Sight Reading or Diversion.cd
Finger Drill
RHA 2 4 3 6 4 2
“Ss
Ea
Lightly Row
4ee Finger Drill
ute 54 te,
1's
Setting-Up Exercise(HERE ARE THREE
NEW BASS NOTES
Write letter names Se = So Se
Transposing
Write the new Bass notes below.
Semi- Dotted Two
breve _Minim Minin _Crocchet Quavers f°
Transpose these notes to the Treble—one octave higher.
Transpose these notes to the Bass—one octave lower.Serenade te
(For the Left Hand) ye:
__ Di
Accompaniment
aFinger Drill Read Aloud -
SSH
The Piper’s are Coming! ,
(Musette) 3.8. Bachi The Natural Sign
4
Finger Drill
4
Once Upon a Time
HE NATURAL SIGN CANCE!
a
THE EFFECT OF SHARD
Ci =Finger Drill Read Aloud
2 4 5 3
RHA 3 5 43
Las 3 «2 ’ 3
The Wishing Star
German Folk TuneFinger Drill
5
ssf ce
~ ‘Mounts ClimbingWork Sheet
TTT,
Gt B_fig ajo toe “pf ts a 4 7
Write letter names
TRANSPOSE THESE NOTES
ONE OCTAVE LOWER IN THE TREBLE
| NEXT, WRITE THEM IN THE BASS CLEF.
(THEN PLAY THEM AND SEE If YOU CAN NAME THE TUNE.Finger Drill Read Aloud
2
Maypole Dance
Pupil = —
Accompaniment
Teacher {
The duet, page 44, may be assigned at this point for Sight Reading or Musical Recreation.‘Accompaniment
ompanimen Finger Drill
Repke So ges 3
gs 8 as ke
Little Bo-PeepChords
When two or more notes are played together, they form a CHORD
LEARN THESE TWO
LITTLE CHORDS.
THEY WILL BE
VERY USEFUL
Spray iC Key of G Key of F
\
Key of C Key of G Key of F
NOW PLAY THEM
WITH THE THIRD
NOTE ADDED IN
THE LEFT HAND
NowSYOU play these
broken chords in the Key
of G and in the Key of
F.pa
IN THIS PIECE, WHEN STEMS PO te
DownwaRd, bay WITH THE LE ry >)
)_A WHEN STEMS POINT UPWARD, 4
PLAY WITH THE HAND
Preparatory Exerci
Hands Together
Teacher:3s
The Dancing Bear
2,
WHEN NOTES ARL MARKED WITH |
THe Pause SIGN, HOLD THEM FOR
[x tongen tage: Chords with Stationary Bass
In C Major
\o
Wa
Preparatory Exercise
THe 8
Theme from
“The New World” Symphony
2 Anton Doak
WHEN THIS SIGN IS \_==>
PLACED BELOW A NOTE, x
Wam.ce. 20 PLAY IT ONE OCTAVE LOWE!Chords with Stationary Bass te
In F Major oe
Preparatory Exercise- Chords with Stationary Bass ts
In G Major
Preparatory Drill
: 3
London Bridge is Falling Down
eeeae
:
else
th
»
> le
The diamt Steps | /7
For Sight Reading, use the duet on page 43.
Finger DrillTHIS IS THE SIGN OF THE ACCENT(7p )-
NOTES MARKED WITH “THIS SIGN
SHOULD BE PLAYED WITH EXTRA FORCE.
Indian Tom-Toms
WM.Co, 228040
Duet
Accompaniment
Ngee
Joseph Barnbj
a. cpt y= z < z
2 CAREFUL OF
B | FINGERING,a Duet
from te
Prelude, Op. 28, No. 20 8
Secondo
In quick four-four
ee $ iDuet a3
from te
Prelude, Op. 28, No. 20 Oa
In quick four-four Primo yee44
Duet
The Band Played
Secondo
OnDuet
tn this piece, both hands The Band Played On
play in Trebie Clef ’
Primo" &
WM.Co re TS 3Certificate of Merit
This certifies that
has successfully completed
PART TWO
oF
John Thompson’s
EASIEST PIANO COURSE
and is eligible for promotion to
PART THREE