Super Mario Bros (1985) Overworld / Main Theme

Arranged for Piano Composed by Koji Kondo

2     
        
Transcribed by Joseph Karam

 2      
 = 200 Imported from MarioPiano.com by BenTMP

 22            

            

 
  
  
5


                

  
     
            
 
9

3       
      
3

           

 
  
  
13


               

  
     
            
 
17

3       
      
3
         
            
 

21

   
           

      
      
       
25

     
     

        
          


 
29

       
       

       
  
   
33

      
        

        
            
 

37

   
           

2
       
      
       
41

  
        

        
            
 

45

       
       

       
     

49

      
        

  
           
      
53

   
          

    
         
57

           
  

3
   
           

     

61

   
         


    
           
   
65

            

     

  

 

 
 


69


               

      
             
  
73

3       
      
3

           

 
  
  
77


               

4
       
             
   
81

3      
   
   
3

  
             
85

     
          

     

       
89

           
    
3 3

  
             
93

     
          

     

       

97

       
      
3

5
   
             
101

   
            

     

       
105

           
    
3 3

  
             
109

     
          

     

      
 
113

       
      
3

  
           
      

117

           
  

6
     
         
121

   
         


  
           

     

125

   
          

    
               
129

            

  
             
133

     
          

     

       
137

       
        
3 3

7
   
             
141

   
            

     

  



  

145

       
       
3