William Wonda

Cameroon, Yaounde

UEFA-Champions League Anthem.

About the artist

So , where to start ...? I am a hard autodidact and devoted to music because I practice choir singing since
my childhood ; and it was not until 2014 that I yield to the desire to compose . Obviously this is not Mozart ...
but worth the trip ; so do not hesitate !
Qualification: Certificate in Teaching of musical art
Artist page : https://www.free-scores.com/Download-PDF-Sheet-Music-onecarlos.htm

About the piece

Title: UEFA-Champions League Anthem.

Composer: Wonda , William
Arranger: Wonda , William
Copyright: Copyright 2019 © William WONDA
Publisher: Wonda , William
Instrumentation: Choral SATB, Piano
Style: Modern classical

William Wonda on free-scores.com

This work is not Public Domain. You must • listen to the audio
• share your interpretation
contact the artist for any use outside the • comment
private area. • contact the artist
Prohibited distribution on other website.

First added the : 2020-01-16 Last update : 2020-01-14 13:23:59

 UEFA-Champions League Anthem.
Inspired by " Zadok the Priest " of Georg Friedrich Hændel.

Music & lyrics : Tony BRITTEN, 1992

Piano arrangement : Antero ÁVILA
Choral arrangement : William WONDA, 2019

 Allegro moderato
     
 
. ( = 120)
Soprano

       
Alto

 
Ténor

       
                              
Basse

     
Allegro moderato. ( = 120)

           
                
                   
Piano   

     
   

7       
S.


      
A.

  
       
       
T.

        

            
B.

              

            
       
Pno.    

     
     

            
         
13

S.
A.

            
Ce sont les meil leures é quipes.


        
T.

               
B.

  
                     
 
 
      
             






Pno.

      
       

Copyright 2019 © William Wonda

               
     
   
19

S.
A.

       
           
Es sind die al ler bes ten Man schaf ten.

 
     

T.

         
B.

                              

     

      
    
Pno.  

    

  
       


               
       
                  




26

   
S.
A.

         
               
the main e vent. the main e vent. Die Mei ster, Die

     

          
          


  
T.

       

   
     
B.

                    
    
    
   
                      
Pno.  

     

   
   

          
             
 
  
31

S.
A.

      
      
  
   
Bes ten, Les gran des é quipes, the

       
    
     

T.


B.

  
          
Les gran des, Die Bes ten, the

       
           
 
  
 

    
     
            

      


    
Pno.

 
  
       

2 Copyright 2019 © William Wonda

  
      
  
35

S.
A.

 
      
cham pions.

  
T.

  
B.

             
            
    
cham pions.

     
         
Pno. 

   
 
   

       

39

S.

       
A.


 
       
T.

     
 
   
              
   
B.

                 
  
 
   
 
 
              
       
Pno.   

     
 

          
        
45 
S.
A.

         
  
Une gran de ré u nion,


       
T.


B.

               
   
                
      
 
  
      
   
 

      


    
Pno.

      
         

Copyright 2019 © William Wonda 3

 51              
     
  

S.
A.

                
Ei ne gro sse sport lich e Ver an stal tung.

 
    

T.
B.

           
   
   
 
 
  
              
     

        





 
Pno.

    
         

     
              
                    
     
    
58


   
S.
A.

         

               
The main e vent, The main e vent. Ils sont les meil leures.

          
        
       
T.

 
      
   





       
B.

              

  
  
   
   
             
                
Pno.  

      
 

     
            
          
   
63

 
S.
A.

     
        
Sie sind die Bes ten.

   
           
T.

            
           
B.

    
      
    

               
           
Pno.

    
   

4 Copyright 2019 © William Wonda

      
             
     
 
67

  
S.
A.

     
        
These are the cham pions,

   
           
     
T.

                
            
B.

   
   
   

             
        
 
Pno.

   
       

   
              
        
    
71

S.
A.

    
   
Die Mei ster, Die

           
           
T.

       
B.

                       

             
    
    

  
              
 
Pno.

            
       

        
          
            
    
    
75

S.
A.

         
      
Bes ten, les gran des é quipes, the

            
     
        


  
T.


B.

            
           
les gran des Die Bes ten, the

   
           
        
       
 
              
           
Pno. 

         
       

Copyright 2019 © William Wonda 5

      
       




  
   
          
79

S.
A.

      
      
cham pions, Die Mei ster, Die

        
   
           


    
T.

  
                     
    
B.

   
   
  

    
               

Pno.

         
 

     
     

        
    
        



     
83

S.
A.

     
       
 
Bes ten, les gran des é

         
     
      
T.

    
B.

    
  
       
           
les gran des Die


    
   
         
   



Pno.

        

   
     

        

  
 
86

S.
A.

    
  
quipes, the cham pions,

       
  
     
T.


B.

    

           
           
Bes ten, the cham pions,

  
 
   
      
            
   
Pno.

  
 

   

6 Copyright 2019 © William Wonda