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not only a lengthyseriesof carefullycontrolledtransac- while the Moche anal sex pots portraythe orificesand
tionsbetweenthe sexes and generationsbut also special membersof the body as sexuallyactiveand aroused,the
ritesbetweenmales,trees,and magicalforestsubstances. scene is set withina temporality thatresemblesWeiner's
OtherNew Guineasocieties,too,used same-sexsecretritu- "transgenerational time."The different kindsof physical
alstoteachand enacttheoriesofreproduction thatenlarged intimacyand bodilyexchange--theman'speniswithinthe
thecircleofactorswhoparticipate, pullingactsofinsemina- woman'sanus,thebaby'smouthon thewoman'snipple-
tionor breastfeeding intolong chainsofconnectedevents implymorethanone kindof social and temporallinkbe-
that,byimplication, involvedboththelivingand thedead. tweenthe actors.And as in any multigenerational scene,
For AnnetteWeiner,this expansionof the reproduc- thereis an implicationofbiologicalmaturation. The adults
tiveprocess,withits intersecting sequencesof "transgen- wereonce babiesthemselves, and thebabywillgrowto be
erationaltime,"is the fundamentaldistinctionbetween a sexuallyactiveadult.
Westernand Melanesian procreativetheory (Franklin While we do not know what the Moche saw as the
1997:58-59; Weiner1976). One mightargue that what man'srelationship to thechild,each ofthepossibilities en-
Weineris describingis reallysocial, ratherthan biologi- large the scene'stemporalframe.Ifhe is thechild'sfather,
cal, reproduction.However,in theirbook about reproduc- thenthechildis thevisiblefruit ofprevioussexualcontacts
tion,FayeGinsburgand RaynaRappmaintainthatthetwo betweenthispair.It has been suggestedthatthesepotsare
processesare inseparable,and thatan anthropological un- didacticin intent,demonstrating a postpartumsex taboo:
of
derstanding reproduction requires"expandednotionsof a child'sparentshavingappropriate, anal intercourseat a
historicaltime"(1995:2). Theseinsightsareeven moreen- timewhenvaginalsex is forbidden (see,e.g.,JimenezBorja
lighteningwhen thinkingabout sex-an activitythatcan 1985:44). A different emergesifthe male is not
historicity
be notoriously quickto commenceand endbutmaybe long thefather: The nursingbabydemonstrates thatthewoman
in itsconsequences. has had sex withotherpartners; fromherperspective, this
The concept of "reproductive time" can be clarified act is one amongmany.
throughcomparisonto theverydifferent construaloftime Lookingat thisMochethreesome withina comparative
foundin Westernheterosexualpornography. In this pe- framework, then,we see thatthefigure ofthebabychanges
culiarfantasyworld,explicitrepresentations and descrip- the act of sex and introducesa new temporaldimension.
tions of vaginalsex betweenwomen and men abound-- EvidencefromSouthAmericasupportsand expandson this
but, forthe most part,this is sex withoutreproductive thesis.
consequences.The veryvisibility oftheact marksitas non-
procreative, because reproductive sex,whichis supposedto SEX AND REPRODUCTIONIN SOUTHAMERICA
takeplace in the contextof the family, is shroudedin se- IfMelanesiais one oftherichest,best-documented sources
crecy and should not be explicitlyrepresented. Indeed,one ofinformation on attitudestowardsex in a culturalsetting
could arguethatin Westernheterosexualpornography, as relativelyuninfluenced bycolonization,theAndeanregion
withthe exampleof the Trobrianders, vaginalpenetration mustbe amongthemostimpoverished. Andeanethnogra-
is not a reproductiveact. phershaverarelydiscussedsexualbeliefsand practices, and
The oppositionbetweenthesexthatis seenand thesex indigenousculturaltraditionshave been radicallyaltered
thatis hiddenmarksa deeplyinscribedbinaryopposition. by centuriesof colonialism,capitalism,and missionizing.
On one side is the "clean" daytimeworldof family, social In the adjacentAmazonianregion,in contrast, despitede-
reproduction, and sexualrepression: therealmofwivesand mographicand otherpressures, indigenouspeoplesmain-
mothers,whose roleis definedby sexualreproduction but tainedmanysexualtraditions intothe20thcentury, in de-
who cannotbe shown to engagein it; it is to this asex- fianceof Westernand Christiannorms.While it lacksthe
ual worldthat childrenare restricted-orso we pretend. richtheoretical workon sexualityand genderto be found
In contrast, pornography and prostitution are perceivedas in the Melanesianliterature, the extensiveethnographic
signifiers of a "dirty"nighttimerealmof hedonisticplea- recordfromthe tropicallowlandsis by farthe bestsource
sure,which belongsby definitionto the male consumer ofinformation aboutsex in indigenousSouthAmerica.
(althoughit dependson the laborof sex workers, who are There are otherreasonsforNorthCoast scholarsto
usually female). Here, all referenceto family,kinship,and turntheirattentionto the Amazon.The ubiquitouspres-
socialobligationis carefully in
avoided; fantasy, whoresare ence of trophyhead imageryin coastalartistictraditions,
not mothers, normotherswhores.It is theviolationofthis and of Amazonianfloraand faunain the iconographyof
fundamental oppositionthatdisconcerts us on the Moche Chavin,demandthatwe lookto thetropicalforests.6 These
pot, wherethe same woman enactssex and motherhood connectionscan be overdrawn, butby the same token,we
simultaneously. shouldnotbe blindedto thespecificity ofNorthCoastcul-
Thispornographic pretensesucceedsby stagingsex in turalhistorybyan overlyrigiddefinition ofAmazoniaand
a peculiarkindoftime-or,rather, in a no-time,a u-temporia the Andesas discrete"cultureareas."This ingrainedintel-
likethe u-topia(no-place)of otherformsof fantasy.Here, lectualhabit leads scholarsto routinelyinterpret archae-
thesexualactorscommitonlyto thepresentmoment,com- ological evidencefromthe maritimenorthusing ethno-
ing togetherwithouta sharedpast or future.In contrast, graphicmaterialfromhigh-altitude pastoralistsfarto the
bulk-processed elsewhere.
materialsto be finishedby craftspeople 1992 CeramicsofAncientPeru.Los Angeles:FowlerMuseumof
Theylivedin farlesssalubriousconditions,and theirown pottery CulturalHistory, University ofCalifornia,
Los Angeles.
was coarsein qualityand ofa non-Mochestyle. 2001 Moche CeramicPortraits. In Moche Artand Archaeology
Otherpotterieswerelocatedoutsideoftheceremonialcenters. inAncientPeru.Studiesin theHistory ofArt,63. CenterforAd-
The siteofCerroMayal,neartheritualcenterofMocollopein the vancedStudyin theVisualArtsSymposium Papers,40.Joanne
ChicamaValley,producedvastquantitiesofceramicsin a fineware Pillsbury,ed. Pp. 127-140.Washington, DC: NationalGallery
ofArt.
pastebutless finelycrafted,painted,and burnishedthanthebest 2003 Moche Portraits fromAncientPeru.Austin:University of
funerary wares(Russelland Jackson2001; Russellet al. 1998). Fi-
TexasPress.
nally,workshopsidentified by GarthBawdenat the periphery of
the siteof Galindoproducedplain utilitarian waresfordomestic Donnan,Christopher B.,and Donna McClelland
1979 The Burial Theme in Moche Iconography.Studiesin
use,storage,and transportation functions(Bawden1996:98-99).
Pre-ColumbianArtand Archaeology, 21. Washington,DC:
8. Note,forexample,Shimada'sdiscovery offragments ofa vessel DumbartonOaks.
withfinelinepaintingin thekitchenthatserveda groupofartisans, 1999 Moche FinelinePainting:ItsEvolutionand ItsArtists. Los
includingpotters,at PampaGrande(1994:195;2001:190-193). ofCal-
Angeles:FowlerMuseumofCulturalHistory, University
9. Accordingto Gebhard,theyhave been recoveredfromadult ifornia,Los Angeles.
male gravesas well(1970:118,in Bergh1993:78). Elliston,DeborahA.
1995 Erotic Anthropology:"Ritualized Homosexuality"in
Melanesiaand Beyond.AmericanEthnologist 22(4):848-867.
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