Professional Documents
Culture Documents
Issue #42
© April, 2024
ISSN 1945-8894
1
Contents
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Best of Issue p. 3
Haiga p. 14
Haibun p. 22
Linked Verse p. 41
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Best of Issue
Each new issue of Prune Juice features a best-of-issue senryu chosen by one of the
co-editors.
For this first issue of 2024, it felt apt to recognize a poem that centres on
transitions and change. Prune Juice itself faced a shift in the editorial team (we
miss you, Aaron!), but this transition has offered us an opportunity to reaffirm
the values of our journal, which the three of us have cultivated together in the
past year. We hope that these values are evident in the selections for Issue #42.
Julie’s poem reminds us that change is multilayered and complex. The forces
rippling out from one moment may tug us in directions that we aren’t prepared
for, much less have control over. As I reflect on this poem on International
Women’s Day, I sense a cruel irony embedded between its layers. The oppression
that women from a century ago so courageously campaigned to change seems to
have merely mutated from generation to generation; any change that arose
from their efforts was only successful within that particular context. The
existence of oppression remains unchanged. Instead, it lurks around the
peripheries of societal consciousness until a more-than-willing host gives it
power.
We are in a time when these hosts write the law. Their laws have taken away
from the already anxious and broken. And, as our winning poem subtly
highlights, one of the things they have taken away is the chance for girls to
anticipate a coming of age milestone, even if it’s interwoven with anxiety, à la
Judy Blume’s Are You There God? It’s Me, Margaret (incidentally, a banned book,
but that discussion is for another day). Coming of age instead becomes
synonymous with loss of agency, which is certainly not a milestone to celebrate.
Despite the distressing subject matter and threatening undertones in this poem,
the fact that Julie has penned it, and with such great skill, is a win. Not a word is
wasted, and not a word is wanting. In this way, she assures us that the tools
used to create restrictive laws, i.e. words, are the same tools we can use to
dismantle them. The visible craft of this poem, together with its poignancy,
reinforces that it is deserving of the Best of Issue award.
3
Senryu & Kyoka
white suburb—
the diversity
of stone walls
empty pockets
a flash of gold
in his smile
revolution
just around the corner
anarchists at dim sum
4
a finger lifts
from the pickup’s wheel
deep country namaste
bumpy road
the bobblehead’s
indecision
subconscious
not deep enough
to bury the whale
we can't split
the difference
baby blues
5
wildflower meadow . . .
holding mom gently
in a plastic bag
I write
my obituary—
self-checkout
sumi-e calendar
shades of grey
in my schedule
giant hogweed
the stealthy creep
of my menobelly
6
pulling up stakes
the holes
we leave behind
self-talk
overwhipping
the cream
my valentines
in her bin
Ash Wednesday
7
inching toward
middle-age
still a caterpillar
at this age
as I was saying
at this age
open coffin
into his starched suit
the unsaid
fried chicken
the family eats
my pet
8
Miss July
my father
on display
high noon
she leans in the car
“You’re a good boy!”
then looks at me
“not you”
Dobbs ruling
The Handmaid's Tale
in non-fiction
snow dusting
the earth stains
her angel
Ben Oliver, UK
9
a celebrity's death
and now
the weather
sunday mass
she refuses to leave
her wand behind
thin walls
the couple next door
prays for me
first time . . .
the transition of girlhood
into rain
if I were moonlight . . .
the freedom to walk
after dark
10
grad night
the pepper spray
in her vanity bag
leaving her
the spot where the door sticks
even when slammed
11
Geminids
teaching kids to spot
mass shooters
third pint—
special relativity
starts to make sense
12
in my lover’s ashes forever chemicals
13
Haiga
14
John Hawkhead, UK
15
Marianne Paul, Canada
16
Poem: Vishal Prabhu, India
Artwork: Shloka Shankar, India
17
Shloka Shankar, India
18
Debbie Strange, Canada
19
Debbie Strange, Canada
20
C.X. Turner, UK
21
Haibun
Entwined
twisted yarn—
the many times
I asked why
22
Phoenicians
A fairy is beginning to regret the ruse. This whelp traded for own
offspring has turned out to be entirely boorish and ill-mannered,
a detestable lout, terminally lazy and rotten to the core, that
worst sort of snobbish milksop, with halitosis to boot, cheating at
dice games and tormenting small animals for sheer malice. Our
pixie reckons it’s got the raw end of that time-honored informal
transaction, and is unclear how these swindlers keep convincing
them to donate their gentle heirs, their own virtuous flesh and
blood, for such shoddy, inferior replacements.
23
MRI
renewable energy
the dawning
of an immortal
lab rats
there’s more
where they came from
24
Latitude
Their pillboxes are full. The grandchildren have their first active
shooter drill before their first kiss. But they still walk hand in
hand. Marvel at the power and beauty of a washed up red cedar.
Stand against the root ball. They ask passersby to snap a photo.
The selfie stick their kids gifted them still in its box.
gray matter—
a cricket
scales the nightstand
25
Mother
I got some sourdough starter from a friend of mine, who got some
from a friend of his, etc., etc. I have no idea how old this starter
is.
“No, silly, the first Lucy, discovered in 1974 in Africa, our 3.2
million year old human ancestor.”
“So, the first Lucy invented sourdough starter? And just how did
she bake her bread?”
26
In My Own Hands
I’ve read that taking testosterone will take away some of what
I’ve come to know as normal; emotions will become more singular,
less complex, and anger will be much easier to achieve. In other
words, maybe I will finally be able to say, No more!
shivering
after the fight
I coax my daughter
out from under
the bed
27
To be a Man
voices
through the wall
my breath slows
parking lot
Google tells me
what to do next
28
Backdated
29
Coming home
last goodbye—
a comforting squeeze
from the dying man
30
Refluence
Appa holds amma's hand every night while he drifts in and out of
sleep.
Now, he looks at her. His eyes glisten. I wait for the tear to drop.
It doesn't.
fetal pose
beginning the end
of the enso
31
The Rhinoceros
Its rusted body is cool to the touch. Behind it, a pink hellebore
bends down. All around are last year’s leaves crunching
underfoot, seven kinds of oak, a few tufts of grass.
Metal plates crisscross its body, spine and ribs. In the filtered
light, a single horn dimly glints. Its right-front knee bends, rising
to take a step that will never land. Why is it—he—here? Solitary
in this woodland field? A nine-foot model of this great creature of
the East in suburban Virginia? Puzzled, I stand with him in
silence.
32
I Ask Too Many Questions
My wife and I are sitting outside at a café. It’s spring. The plaza is
alive. “If you could ask any of these people a question, who would
it be?” I ask.
“Why him?” I ask, puzzled and, honestly, a little hurt. “I’d ask
that old woman limping across the street. Or that guy, the one
with the tattooed face near the fountain. I’d want to know if they
think life is worth living.”
33
Sea change
neap tide
the ocean’s tug
on my blood
34
propaganda billboard
The secretary tells me that her cousin shot its lights out before
turning the gun on himself.
memorial day
I raise my glass
to an unknown soldier
35
war
birdfeeder
the shadow
of a hawk
36
Flight of Fancy
The sweet older lady at the garden store sells me the liquid
hummingbird food concentrate. Despite the directions printed in
plain sight on the container, she tells me how to dilute it down
with water. With one curious added step.
afternoon tea
grandma adds a little
from her flask
37
YouTube Chronicles
Am I my brother's keeper?
Valentine's Day—
the roof bites down
with its icicles
38
The Universe Dreamed I: 3rd September 2023
spinning top
the head outweighs
the body
R.C. Thomas, UK
39
Diving off a deep-sea vessel
hospice visit
I turn the phone
to silent
C.X. Turner, UK
40
Linked Verse
Rengay
Reverberations
rural jail
teens playing
the game of life
echoes of laughter
from the staff
outside traffic
the machine gun tapping
of the pileated woodpecker
next move . . .
the ratchet creaking
of the metal bench
41
Flock of Crows
blood moon—
a red spot on the back
of the mirror
periodic screams
and moans—
and then the silence
one by one
hemlock berries
drop to the ground
42
Sequences
On the Fringe
outliers
rural desert
the oddballs
getting odder
an arsenal
in every garage
itchy trigger fingers
don’t tread on me
a wind-whipped
rattlesnake flag
43
Repast
last dinner
a last stand
losing my will at the touch
of her tongue
a tablecloth
matching stains
how old themes recycle
44
Lashon Ha-Ra
drinking whiskey
from a teacup
45
Next Issue: August, 2024
Submissions: Open June 1st – June 30th, 2024
© April, 2024
ISSN 1945-8894
46